The Poet's Challenge to Schooling: Creative Freedom for the Human Soul

Total Page:16

File Type:pdf, Size:1020Kb

The Poet's Challenge to Schooling: Creative Freedom for the Human Soul The Poet’s Challenge to Schooling: Creative Freedom for the Human Soul A Generative and Critical Analysis of Rabindranath Tagore’s Innovations in Shiksha Written by: Shilpa Jain With contributions to a dialogue on Tagore from: Supriyo Tagore, Vasant Palshikar, Anand Dwivedi, Bratin Chattopadhyay, Sabu K C, R. S. Khanna, Selena George, Nand Chaturvedi, Vivek Maru, Munir Fasheh, Vivek Bhandari, Vachel Miller, Ron Burnett, Cole Genge, Fred Mednick, Christina Rawley, Steve Compton, Alberto Arenas, and Jock McClellan Table of Contents Preface — iii Innovations in Shiksha Series Introduction — 1 Methodology — 5 Section One — 7 Tagore’s Vision of the Human Being, the System, and Learning Section Two — 29 Tagore’s Experience in Santiniketan Section ThThreeree — 49 What Can We Learn From Tagore? Section Four — 60 The Road Ahead: Supriyo Tagore Vasant Palshikar Anand Dwivedi Bratin Chatterjee Sabu KC RS Khanna Selena George Nand Chaturvedi Vivek Maru Munir Fasheh Vivek Bhandari Vachel Miller Ron Burnett Cole Genge Fred Mednick Christina Rawley Steve Compton Alberto Arenas Jock McClellan 2 Selected Poems/Plays by Rabindranath Tagore — 125 References — 133 Annexes — 135 1: Schedule of Interviews in Santiniketan 2: Interview Questions 3: Places in Santiniketan 3 INDIAN INNOVATIONS IN SHIKSHA SERIES Preface Across the world today, people find themselves trapped in overwhelming socio- cultural, ethical, and spiritual crises. We see the distress signs: rapid increases in crimes, unemployment, environmental degradation, endangered species, loss of languages, poverty, malnutrition, disease, militarism, and violent death, especially in the last fifty years. Yet ironically, in this same span of time, the amount of money, capital, technology, and trade worldwide has increased manifold, as have the number of health facilities and schools. Clearly, the Utopia that these institutions (whether Capitalist or Communist) promised is very far from being realized. In fact, for the world’s social majorities they have made life much worse. The trade-offs are just too high. It is clear today that we cannot continue down this path of Development and Progress; it is neither morally just nor ecologically sound. But what are the ways to resist it, to dismantle it and to discover and create new directions? Visionaries of India’s past – Gandhi, Tagore, Aurobindo, and Krishnamurti, among others – have left us with several potent ‘seed-thoughts’. In their writings and their experiments, each tried to envision a better reality for India (and for the world): a reality unmarred by the greed, exploitation and dehumanization of Western-style Economic Development, by the competition and violence of the Nation-State and Nationalism, and by the intellectual colonization and paralyzing dependency of Western-style factory-schooling. They believed that India could only regenerate itself to face the challenges ahead by seeking out those beliefs, values, languages, relationships, cultures, knowledge systems, technologies, conceptual frameworks and wisdoms, which had organically grown from her local communities. At the same time, they were careful not romanticize the past. Rather, they engaged in processes of critical traditionalism, believing that the injustices and problems within traditions and customs required continuous self-reflection and self-correction. Thus, in their own unique ways, these innovators tried to catalyze counter-visions and paths for living, learning, sharing and growing together in India. Why are we focusing on these four individuals? After all, a multitude of thinkers and experimenters have emerged throughout India’s rich and diverse history. However, what distinguishes Gandhi, Tagore, Aurobindo, and Krishnamurti from the rest is their effort to situate human learning in larger spiritual, political, socio-cultural, and economic vision-processes of resistance and regeneration. 4 For them, schooling germinated from a certain context and it was just as important to question/challenge this larger context, as it was to create more meaningful spaces of learning. To varying degrees, all four were engaged in India’s freedom struggle, and their experiences around this struggle inspired them to imagine a different conception of freedom and, with it, a different India. They beautifully and forcefully expressed themselves in writings, poetry, speeches and meditations, and their ideas are illustrated in very different parts of India: Gujarat/Madhya Pradesh/Maharashtra; Bengal; Pondicherry; Andhra Pradesh/Karnataka. The great tragedy today is that while many people still refer to them, few really know what they envisioned, and even fewer know how to evolve their ideas/experiments in human learning or how to re-contextualize them to make sense in today’s rapidly changing world. In fact, when interpreting their ideas and experiments, two things typically seem to happen: either their words are taken very literally to produce standardized, static prescriptions and lifeless action; or they are starkly misinterpreted/manipulated/co-opted to fuel particular agendas. Part of the impetus for this series therefore is to re-open the space for interpreting Gandhi, Tagore, Aurobindo, and Krishnamurti. While our interpretations will certainly not be exhaustive, they do carve out spaces for us to re-explore and question the relevance and significance of what these revolutionaries said and did, as well as, reflect on how we might apply/evolve their ideas and experiments for the crises we face today. Indeed, the current ‘crisis of the schooled’ and the monopoly of the ‘culture of schooling’ requires radical new thinking, new dialogue, and new actions. Efforts towards constructing this radical discourse are presently being driven by thinkers in other parts of the world (mainly from industrialized countries), who have come to terms with the fact that schooling cannot be reformed. However, exploring and learning from the radicalism of these four visionaries could do much to resuscitate the intellectually-vapid discourse on education in India. It could uplift us out of the dull, stillwater of education reform that is currently submerging the country and propel us towards the more vibrant, pluralistic currents of transformation of shiksha. Here, we must note the use of the term ‘shiksha’. We are consciously differentiating between modern education and shiksha, as in the series name, “Indian Innovations in Shiksha”. Although in today’s discourse shiksha has been widely translated as ‘education’, we know that the epistemological and 5 ontological roots of these terms are vastly different. Each is guided/driven by distinct conceptual and philosophical frameworks of how human beings should live, relate to each other, be with Nature, and struggle/grow as individuals and in collectives. Each also has a different understanding of human and societal learning processes. However, instead of describing a priori what these differences are, we hope that they will reveal themselves through the explorations of the ideas/experiences of Gandhi, Tagore, Aurobindo, and Krishnamurti. Therefore, in part, the purpose of this series is to de-colonize the concept of shiksha and regenerate its meanings for the present context. By deeply probing into and interrogating these four individuals’ critiques, frameworks and experiments in shiksha, we hope to provoke the educational community to established lines of thinking as well as to offer fresh insight into the development of learning societies for 21st century India. Finally, while we think it is best for the purposeful uses of this research series to germinate organically, we do have a few ideas for its application. For example, we envision the research could be used to: !"design interactive learning workshops with policymakers, teachers and curriculum designers on some of the innovative concepts emerging from one or all of these four visionaries, such as freedom, self-discipline, creativity, the integrated human being, satyagraha, etc.; !"promote organizational self-analysis and assessment by considering the importance of reflection, dialogue, and action, and by addressing the potential obstacles to organizational growth and accomplishment; !"initiate new learning process-projects in different parts of the country, drawing upon and re-contextualizing these four visionaries as appropriate; and/or !"produce new thought-provoking media/publications on innovative and meaningful learning, utilizing as many different media as possible (poetry, plays, songs, short stories, essays, lectures, etc.). We invite and encourage your ideas and responses on this paper and on the others that will follow in this series. 6 - Manish Jain Coordinator Shikshantar 7 “Either we shall all be saved together, or drown together into destruction.” — Rabindranath Tagore Introduction What lies at the root of the crises — environmental destruction, dehumanizing poverty and exploitation, increasing frustration, stress and violence — experienced around the world today? In the interest of brevity, people often point to the System: a set of attitudes and values, a particular meaning-making system, a distinctive group of processes, structures and institutions, all which seem to propagate a view of the materialistic, self-gratifying, aggressive, and mechanistic human being. A whole set of economic, political, social, educational and religious structures/institutions support this human being – rewarding and rationalizing the ones who take, abuse, and exploit the most and crushing the ones who try
Recommended publications
  • 1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48P
    1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48p. Rs.30 It Is the famous rhymes collection of Bengali Literature. 2. Aabol Taabol Roy, Sukumar Kolkata: National Book Agency 2003; 60p. Rs.30 It in the most popular Bengala Rhymes ener written. 3. Aabol Taabol Roy, Sukumar Kolkata: Dey's 1990; 48p. Rs.10 It is the most famous rhyme collection of Bengali Literature. 4. Aachin Paakhi Dutta, Asit : Nikhil Bharat Shishu Sahitya 2002; 48p. Rs.30 Eight-stories, all bordering on humour by a popular writer. 5. Aadhikar ke kake dei Mukhophaya, Sutapa Kolkata: A 'N' E Publishers 1999; 28p. Rs.16 8185136637 This book intend to inform readers on their Rights and how to get it. 6. Aagun - Pakhir Rahasya Gangopadhyay, Sunil Kolkata: Ananda Publishers 1996; 119p. Rs.30 8172153198 It is one of the most famous detective story and compilation of other fun stories. 7. Aajgubi Galpo Bardhan, Adrish (ed.) : Orient Longman 1989; 117p. Rs.12 861319699 A volume on interesting and detective stories of Adrish Bardhan. 8. Aamar banabas Chakraborty, Amrendra : Swarnakhar Prakashani 1993; 24p. Rs.12 It is nice poetry for childrens written by Amarendra Chakraborty. 9. Aamar boi Mitra, Premendra : Orient Longman 1988; 40p. Rs.6 861318080 Amar Boi is a famous Primer-cum-beginners book written by Premendra Mitra. 10. Aat Rahasya Phukan, Bandita New Delhi: Fantastic ; 168p. Rs.27 This is a collection of eight humour A Mystery Stories. 12. Aatbhuture Mitra, Khagendranath Kolkata: Ashok Prakashan 1996; 140p. Rs.25 A collection of defective stories pull of wonder & surprise. 13. Abak Jalpan lakshmaner shaktishel jhalapala Ray, Kumar Kolkata: National Book Agency 2003; 58p.
    [Show full text]
  • Kala Bhavana, Visva-Bharati Under Graduate Syllabus, Objectives and Outcomes (Cbcs)
    DEPARTMENT OF DESIGN (CERAMIC & GLASS) KALA BHAVANA, VISVA-BHARATI UNDER GRADUATE SYLLABUS, OBJECTIVES AND OUTCOMES (CBCS) The four years Undergraduate BFA programme at Kala Bhavana begins with a 1-year Foundation Course. In the foundation course, the students get introduced with all discipline of visual art. Foundation course is followed by three years of specialization in Department of Design (Ceramic & Glass) I. Department of Design (Ceramic & Glass) component in the 1 year BFA Foundation programme Programme & Course Name Course Content Objective Expected Outcome Semester and Credits 1st. Year BFA – BFA/CG-F 1 It enhances /helps students to understand their In outdoor studies, students use very many Foundation 2 credits 1. Nature study on paper and immediate surroundings in the context of different traditional mediums and methods (Integrated basic understanding of observations of certain images and experiences which also help them to execute or approach Course) Ceramics ‘pottery/images they are gaining, more closely. They learn to images in multiple manners. articulate the use of lines, colours, shapes and Finally and most importantly they observe ST in coiling technique 1 . Semester forms of different given images around them. Also certain images around them and try to execute Course Name: (earthen ware). grows an understanding of different things from in different mediums, get attached to their BFA/CG-F 1, 2 Study of traditional daily observations, which gradually used in present situations and understand their own Course Credit: 2 terracotta forms and compositions. presence. Duration 90 Days copying in clay (earthen Learns multiple shapes, quality of objects, To develop their observation power/quality, (July to ware).
    [Show full text]
  • IP Tagore Issue
    Vol 24 No. 2/2010 ISSN 0970 5074 IndiaVOL 24 NO. 2/2010 Perspectives Six zoomorphic forms in a line, exhibited in Paris, 1930 Editor Navdeep Suri Guest Editor Udaya Narayana Singh Director, Rabindra Bhavana, Visva-Bharati Assistant Editor Neelu Rohra India Perspectives is published in Arabic, Bahasa Indonesia, Bengali, English, French, German, Hindi, Italian, Pashto, Persian, Portuguese, Russian, Sinhala, Spanish, Tamil and Urdu. Views expressed in the articles are those of the contributors and not necessarily of India Perspectives. All original articles, other than reprints published in India Perspectives, may be freely reproduced with acknowledgement. Editorial contributions and letters should be addressed to the Editor, India Perspectives, 140 ‘A’ Wing, Shastri Bhawan, New Delhi-110001. Telephones: +91-11-23389471, 23388873, Fax: +91-11-23385549 E-mail: [email protected], Website: http://www.meaindia.nic.in For obtaining a copy of India Perspectives, please contact the Indian Diplomatic Mission in your country. This edition is published for the Ministry of External Affairs, New Delhi by Navdeep Suri, Joint Secretary, Public Diplomacy Division. Designed and printed by Ajanta Offset & Packagings Ltd., Delhi-110052. (1861-1941) Editorial In this Special Issue we pay tribute to one of India’s greatest sons As a philosopher, Tagore sought to balance his passion for – Rabindranath Tagore. As the world gets ready to celebrate India’s freedom struggle with his belief in universal humanism the 150th year of Tagore, India Perspectives takes the lead in and his apprehensions about the excesses of nationalism. He putting together a collection of essays that will give our readers could relinquish his knighthood to protest against the barbarism a unique insight into the myriad facets of this truly remarkable of the Jallianwala Bagh massacre in Amritsar in 1919.
    [Show full text]
  • DATE of ENTRANCE PD, UG, Cert., Dip, ADV 2018
    VISVA-BHARATI Information relating to Admission to Pre-Degree, UG, Certificate, Diploma & Advanced Diploma Courses PRE- DEGREE (CLASS XI ) (ADMISSION WILL BE MADE ON MERIT BASIS) TENTATIVE DATE TENTATIVE DATE Sl. COURSE BHAVANA COURSE NAME FOR PUBLICATION OF ONLINE TIME VENUE No. TYPE OF MERIT LIST ADMISSION 1 Patha Bhavana Pre-Degree Humanities 2 Patha Bhavana Pre-Degree Science (Online Admission Process will be notified shortly after publication of the merit 25/06/2018 3 Siksha Satra Pre-Degree Humanities list ) 4 Siksha Satra Pre-Degree Science UG COURSES (ADMISSION STRICTLY ON MERIT BASIS) TENTATIVE DATE TENTATIVE DATE Sl. COURSE BHAVANA COURSE NAME FOR PUBLICATION OF TIME VENUE No. TYPE OF MERIT LIST ONLINE ADMISSION 1 UG B.A - Japanese(Hons) 2 UG B.A - BENGALI B.A - Chinese (Prep) 3 UG FOLLOWED BY HONS. 4 UG B.A - ENGLISH B.A - EUROPEAN 5 UG STUDIES 6 UG B.A - HINDI Bhasha Bhavana, B.A - INDO- TIBETIAN (Online Admission Process will be notified shortly after publication 7Visva-Bharati, UG 25/06/2018 (hons) of the merit list ) Santiniketan B.A - INDO- 8 UG TIBETIAN(Prep.) Followed by Hons B.A - Japanese (Prep.) 9 UG followed by Honours. 10 UG B.A - PERSIAN (HONS) B.A - PERSIAN(Prep.) 11 UG followed by Hons 12 UG B.A - SANSKRIT B.A - ANCIENT INDIAN 13 UG HISTORY, CULTURE & ARCHAEOLOGY B.A - COMPARATIVE 14Vidya Bhavana, UG Visva-Bharati, RELIGION 15Santiniketan UG B.A - ECONOMICS 16 UG B.A - GEOGRAPHY 17 UG B.A - HISTORY 18 UG B.A - PHILOSOPHY 19 UG B.Sc - BOTANY 20 UG B.Sc - CHEMISTRY (Online Admission Process will be notified shortly after publication B.Sc - COMPUTER 25/06/2018 21Siksha Bhavana, UG SCIENCE of the merit list ) Visva-Bharati, 22 UG B.Sc - MATHEMETICS Santiniketan 23 UG B.Sc - PHYSICS 24 UG B.Sc - STATISTICS 25 UG B.Sc - ZOOLOGY Palli Siksha 26 Bhavana, Visva- UG B.Sc.
    [Show full text]
  • Raja Ravi Varma 145
    viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art.
    [Show full text]
  • Short Report
    Fifth All India Conference of China Studies Visva-Bharati, Santiniketan, December 15-16, 2012 REPORT Day One: 15 December 2012 Inaugural Session Chair: Professor Sushanta Duttagupta, Vice-Chancellor, Visva Bharati The Inaugural Session of the Fifth All India Conference of China Studies was held in Lipika Auditorium of Visva-Bharati. The session was chaired by Prof. Sushanta Dattagupta, Vice Chancellor of Visva-Bharati University. The dignitaries and participants were welcomed by Dr. Avijit Banerjee, Conference Co-convenor and Head, Cheena Bhavana, Visva-Bharati. Prof. Alka Acharya, Director, Institute of Chinese Studies (ICS), and Prof. Artatrana Nayak, Principal, Bhasa Bhavana, Visva-Bharati, greeted the participants and conveyed their wishes for a successful conference. In the Introductory Remarks, Prof. Monoranjan Mohanty, Chairperson, ICS, spoke about Tagore’s philosophy of the Visva Manava or the Universal Man and underscored Tagore’s vision that a holistic approach to music, science, knowledge and nature would lead the minds to a state of creative unity. He mentioned that Santiniketan was a pilgrimage to China scholars of India. Gurudev Rabindranath Tagore and Prof. Tan Yunshan conceived and built Cheena Bhavana as a repository of India-China civilizational interaction, and it is indeed the birthplace of China Studies in modern India. He hoped that the conference will begin an interactive phase between Cheena Bhavana and ICS, that will strengthen cooperation in the areas of cultural, historical, literary and classical studies. He further 1 stated that today China Studies in India faces new challenges that call for deeper understanding of both history and culture. Therefore, it is appropriate that the focal theme of the conference to be held here in Visva Bharati is history, historiography and reinterpreting history, as this was the mission of Tagore and Tan Yun-shan.
    [Show full text]
  • Tagore: His Educational Theory and Practice and Its Impact on Indian Education
    TAGORE—HIS EDUCATIONAL THEORY AND PRACTICE AND ITS IMPACT ON INDIAN EDUCATION By RADHA VINOD JALAN A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1976 ACKNOWLEDGEMENTS The completion of this study would not have been possible without the help and support of a number of in- dividuals. The writer wishes to express her sincere appreciation to her chairman. Dr. Hal G. Lewis, for his interest. in and understanding guidance through all phases of this study until its completion. The assistance of the other members of her committee was invaluable, and appreciation is expressed to Dr. Austin B. Creel and Dr. Vynce A. Hines. Appreciation is also expressed to Mrs. Voncile Sanders for her expert typing of the final copy. The writer is grateful to her husband Vinod, and our daughter, for their sacrifice, devotion, and inspiration. TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ABSTRACT CHAPTER I INTRODUCTION 1 II RELATED EDUCATIONAL READINGS. 7 Tagore's Selected Writings on Education ........... 8 Some Significant Works on Tagore 19 Notes 29 Ill THE EDUCATIONAL THEORY OF TAGORE. 31 Background for Tagore ' s Theory . 31 Characteristics of Indian Education During Tagore's Time . 31 Tagore's Childhood Ex- periences Regarding Education. 36 Aims of Education 39 Summary. 46 Ideal Education. ... 46 Summary 52 Congruency Between Education and Society 53 Notes 59 IV PRACTICAL ASPECTS OF TAGORE'S THEORY. 60 TABLE OF CONTENTS (Continued) Page Origin and Development of the Institution 50 Main Divisions of the Institution 57 Patha-Bhavana (The School).
    [Show full text]
  • Elective English - III DENG202
    Elective English - III DENG202 ELECTIVE ENGLISH—III Copyright © 2014, Shraddha Singh All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara SYLLABUS Elective English—III Objectives: To introduce the student to the development and growth of various trends and movements in England and its society. To make students analyze poems critically. To improve students' knowledge of literary terminology. Sr. Content No. 1 The Linguist by Geetashree Chatterjee 2 A Dream within a Dream by Edgar Allan Poe 3 Chitra by Rabindranath Tagore 4 Ode to the West Wind by P.B.Shelly. The Vendor of Sweets by R.K. Narayan 5 How Much Land does a Man Need by Leo Tolstoy 6 The Agony of Win by Malavika Roy Singh 7 Love Lives Beyond the Tomb by John Clare. The Traveller’s story of a Terribly Strange Bed by Wilkie Collins 8 Beggarly Heart by Rabindranath Tagore 9 Next Sunday by R.K. Narayan 10 A Lickpenny Lover by O’ Henry CONTENTS Unit 1: The Linguist by Geetashree Chatterjee 1 Unit 2: A Dream within a Dream by Edgar Allan Poe 7 Unit 3: Chitra by Rabindranath Tagore 21 Unit 4: Ode to the West Wind by P B Shelley 34 Unit 5: The Vendor of Sweets by R K Narayan 52 Unit 6: How Much Land does a Man Need by Leo Tolstoy 71 Unit 7: The Agony of Win by Malavika Roy Singh 84 Unit 8: Love Lives beyond the Tomb by John Clare 90 Unit 9: The Traveller's Story of a Terribly Strange Bed by Wilkie Collins 104 Unit 10: Beggarly Heart by Rabindranath Tagore 123 Unit 11: Next Sunday by
    [Show full text]
  • PAINTING (New Pattern) Subject Code *H505*
    *H505* 2018 III 19 1000 Seat No. : Time : 2 Hours PAINTING (New Pattern) Subject Code # # 0 Total No. of Questions : 4 (Printed Pages : 3) Maximum Marks : 40 1. A) Write short notes on any one of the following : [2½] i) Adornment of Bride. ii) Raja Ravi Verma. iii) Pahari school. B) Look at the picture below and answer the questions given with reference to the picture. [2½] M O T H E R T E R E S A P a g e N o : 1 1 4 i) Who has painted the picture ? ii) What is the title of the painting ? iii) Where is the painting now displayed ? iv) Which medium has been used by the Artist to paint the picture ? v) What is the size of the painting ? C) Fill in the blanks with correct answers given in the brackets. [5] (Royal, Blessings, Pahari, Gestures, 19th CAD) i) Rajasthani painting flourished from 16th to ___________ ii) The ___________ school narrates Indian mythological and religious stories. iii) Ravi Verma belonged to the ____________ family of Travancore. iv) A devine light is pouring down to Chaitanya suggesting the ____________ v) Adornment of Bride was achieved by the use of hand ____________ H-505 -1- P.T.O. *H505* 2. A) Answer the following questions in a single sentence. [5] i) Which colour is mainly used in Warli painting ? ii) Where did the N.S. Bendre studied ? iii) How was Amrita Shergil influenced ? iv) What did Jamini Roy rediscovered ? v) How did earlier picture were drawn ? B) Tick the odd one out.
    [Show full text]
  • SUBSTR DESCR International Schools ICELAND 001041 Haskoli
    SUBSTR DESCR International Schools ICELAND 001041 Haskoli Islands 046908 Icelandic Col Social Pedagogy 001042 Kennarahaskoli Islands 002521 Taekniskoli Islands 002521 Technical College Iceland 001042 Univ Col Education Iceland 001041 Univ Iceland INDIA 000702 A Loyola Col 000678 Abhyuday Skt Col 000705 Ac Col 000705 Ac Col Commerce 000705 Ac Training Col 000629 Academy Of Architecture 000651 Acharatlal Girdharlal Teachers 000705 Acharya Brajendra Nath Seal Co 000701 Acharya Thulasi Na Col Commerc 000715 Adarsh Degree Col 000707 Adarsh Hindi Col 000715 Adarsh Vidya Mandir Shikshak 000710 Adarsha Col Ed 000698 Adarsha Ed Societys Arts Sci C 000710 Adhyapak Col 000701 Adichunchanagiri Col Ed 000701 Adichunchanagiri Inst Tech 000678 Adinath Madhusudan Parashamani 000651 Adivasi Arts Commerce Col Bhil 000651 Adivasi Arts Commerce Col Sant 000732 Adoni Arts Sci Col 000710 Ae Societys Col Ed 000715 Agarwal Col 000715 Agarwal Evening Col 000603 Agra University 000647 Agrasen Balika Col 000647 Agrasen Mahila Col 000734 Agri Col Research Inst Coimbat 000734 Agri Col Research Inst Killiku 000734 Agri Col Research Inst Madurai 000710 Agro Industries Foundation 000651 Ahmedabad Arts Commerce Col 000651 Ahmedabad Sci Col 000651 Ahmedabad Textile Industries R 000710 Ahmednagar Col 000706 Aizwal Col 000726 Aja Col 000698 Ajantha Ed Societys Arts Comme 000726 Ajra Col 000724 Ak Doshi Mahila Arts Commerce 000712 Akal Degree Col International Schools 000712 Akal Degree Col Women 000678 Akhil Bhartiya Hindi Skt Vidya 000611 Alagappa College Tech, Guindy 002385
    [Show full text]
  • Tagore's Visva-Bharati: an Inclusive Society
    © 2018 IJRAR August 2018, Volume 5, Issue 3 www.ijrar.org (E-ISSN 2348-1269, P- ISSN 2349-5138) Tagore’s Visva-Bharati: An Inclusive Society 1Subhajit Jana, 2Dr. Tarini Halder, 3Golam Ahammad 1B.Ed. Trainee, 2Assistant Professor, 3Assistant Professor 1Department of Education 1University of Kalyani, Kalyani, West Bengal, India Abstract: The myriad personality, the poet, novelist and educationist Rabindranath Tagore innovated an international institution by the name Visva-Bharati which is a hundred miles away from north Kolkata at Santiniketan on December 1921 that is influenced by his life philosophy, social philosophy and educational philosophy. The purpose of the study is to define the objectives and various features of Visva-Bharati that established it as an inclusive society. The study was conducted based on the documents review and the entire analysis drawn on the basis of qualitative data. The main objective of Visva-Bharati is to follow the humanity and universal brotherhood which is far from any kind of religious, caste, lingual, ethnic, cultural, demographic discrimination. Visva-Bharati is an educational institution, but it is a different one, where students are taught in the peaceful and open air, where natural, secular and seasonal ceremonies, festivals and fairs are celebrated instead of religious, ethnic rituals and festivals, and where the wider concepts of internationalism, humanism and universal brotherhood are rooted in philosophy of Tagore that ‘the whole world can find in a single nest.’ Finally, the researchers concluded that the Visva-Bharati is a miniature of inclusive society of world for its inclusive nature of various knowledge; culture of East and West; man, women and natural living and non-living beings; various religious, lingual, castes, creeds, provinces, and classes’ people; and villagers and cities’ people.
    [Show full text]
  • Here Is No Peace for Our Director, ACN Community
    UPRISE Deh Salei Ek Somare Aadie CONTENTS >Message from Director ……… 1 >Special message from Chakma > Prince Aryadev Roy Chakma ………. 2 >Message from Chief Published by: Arunachal Chakma News Adviser, APCSU ………. 4 (ACN) Write to us at: > From the editorial board ………. 5 [email protected], For Comments: >Article Section ………. 6-29 [email protected] >Stories and Poetries ………. 30-44 > Pride of the Chakma Published in April 2015 Community ……... 45 © ACN, 2015 No part of this publication > Chakmas on musical can be reproduced without Vibes .….…. 46 the prior permission of ACN > Chakma community in Delhi-NCR welcomes Bizu …….. 47 Cover designed by Romel Chakma (Bangalore) UPRISE Deh Salei Ek Somare Aadie 1 Message from Director, ACN Dear Readers, bring about a new harmonious commu- nity that we may feel proud to be from It is with much joy and anticipa- Chakma community in others apprecia- tion that we (Arunachal Chakma News) tion. going to be publish the magazine during this year Bizu. On behalf of the ACN Finally, I wish to encourage more Team, I would like to extend a very contributions from the entire community warm wishes and greetings, “A VERY and especially from the youth to show HAPPY BIZU TO ENTIRE COMMUNITY”. I their creative talent and ensure a contin- take this opportunity to say thanks to all ued success of the Arunachal Chakma of whom have volunteered to contribute News and its forthcoming publications. to the success of the magazine. I am Authors, reviewers and guest editors are also grateful and thankful to Upasak always welcome. We also welcome com- Punya and Upasak Tejang for making ments and suggestions that could im- the magazine a reality.
    [Show full text]