92. Sudarsana Satakam
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Baghawat Geeta, Class 13
Baghawat Geeta, Class 13 Greetings All, Gita, Chapter # 2, Samkhya Yoga: Swamiji starts off by reminding us that Vyasa now presents Arjuna as a seeker of moksha. The fundamental human problem characterized by Raga (Likes), Dvesha (Dislikes) and Moha (delusion) is also called Samsara. Due to attachment, when we lose a person or an object, it causes us Shoka. In this state of Shoka our mind loses its discriminating faculty and is called Moha. This is the situation faced by Arjuna in battlefield. While we try making adjustments to the external world to solve such an internal problem, it only acts as a palliative or a first aid rather than as a remedy. In such a situation the aggrieved person should discuss his helplessness in solving the problem, and this state of helplessness is called Karpanya bhava or Dainya bhava. While Arjuna has discovered his problem he has not yet arrived at the helpless stage, the second stage of problem solving. Shloka #5: Arjuna says: If I fight and kill my two Gurus, I will only remember how they struggled and died in battle. Every moment I will remember how I killed Bhishma and Drona. My other option is not to fight and retire to the forest, where I will have to live on alms. Swamiji says Arjuna has to decide which course of action to take. He chooses Adharma. He feels he will be better off living in forest, on alms. For a Kshatriya and Grihastha, Bhiksha is not allowed. Giving up one’s Sva-Dharma is also a sin. -
The Science Behind Sandhya Vandanam
|| 1 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 Sri Vaidya Veeraraghavan – Nacchiyar Thirukkolam - Thiruevvul 2 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 �ी:|| ||�ीमते ल�मीनृिस륍हपर��णे नमः || Sri Nrisimha Priya ------------------------------------------------------------------------------------------ AN AU T H O R I S E D PU B L I C A T I O N OF SR I AH O B I L A M A T H A M H. H. 45th Jiyar of Sri Ahobila Matham H.H. 46th Jiyar of Sri Ahobila Matham Founder Sri Nrisimhapriya (E) H.H. Sri Lakshminrisimha H.H. Srivan Sathakopa Divya Paduka Sevaka Srivan Sathakopa Sri Ranganatha Yatindra Mahadesikan Sri Narayana Yatindra Mahadesikan Ahobile Garudasaila madhye The English edition of Sri Nrisimhapriya not only krpavasat kalpita sannidhanam / brings to its readers the wisdom of Vaishnavite Lakshmya samalingita vama bhagam tenets every month, but also serves as a link LakshmiNrsimham Saranam prapadye // between Sri Matham and its disciples. We confer Narayana yatindrasya krpaya'ngilaraginam / our benediction upon Sri Nrisimhapriya (English) Sukhabodhaya tattvanam patrikeyam prakasyate // for achieving a spectacular increase in readership SriNrsimhapriya hyesha pratigeham sada vaset / and for its readers to acquire spiritual wisdom Pathithranam ca lokanam karotu Nrharirhitam // and enlightenment. It would give us pleasure to see all devotees patronize this spiritual journal by The English Monthly Edition of Sri Nrisimhapriya is becoming subscribers. being published for the benefit of those who are better placed to understand the Vedantic truths through the medium of English. May this magazine have a glorious growth and shine in the homes of the countless devotees of Lord Sri Lakshmi Nrisimha! May the Lord shower His benign blessings on all those who read it! 3 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 4 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 ी:|| ||�ीमते ल�मीनृिस륍हपर��णे नमः || CONTENTS Sri Nrisimha Priya Owner: Panchanga Sangraham 6 H.H. -
In the Kingdom of Nataraja, a Guide to the Temples, Beliefs and People of Tamil Nadu
* In the Kingdom of Nataraja, a guide to the temples, beliefs and people of Tamil Nadu The South India Saiva Siddhantha Works Publishing Society, Tinnevelly, Ltd, Madras, 1993. I.S.B.N.: 0-9661496-2-9 Copyright © 1993 Chantal Boulanger. All rights reserved. This book is in shareware. You may read it or print it for your personal use if you pay the contribution. This document may not be included in any for-profit compilation or bundled with any other for-profit package, except with prior written consent from the author, Chantal Boulanger. This document may be distributed freely on on-line services and by users groups, except where noted above, provided it is distributed unmodified. Except for what is specified above, no part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by an information storage and retrieval system - except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper - without permission in writing from the author. It may not be sold for profit or included with other software, products, publications, or services which are sold for profit without the permission of the author. You expressly acknowledge and agree that use of this document is at your exclusive risk. It is provided “AS IS” and without any warranty of any kind, expressed or implied, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. If you wish to include this book on a CD-ROM as part of a freeware/shareware collection, Web browser or book, I ask that you send me a complimentary copy of the product to my address. -
Few Translation of Works of Tamil Sidhas, Saints and Poets Contents
Few translation of works of Tamil Sidhas, Saints and Poets I belong to Kerala but I did study Tamil Language with great interest.Here is translation of random religious works That I have done Contents Few translation of works of Tamil Sidhas, Saints and Poets ................. 1 1.Thiruvalluvar’s Thirukkual ...................................................................... 7 2.Vaan chirappu .................................................................................... 9 3.Neethar Perumai .............................................................................. 11 4.Aran Valiyuruthal ............................................................................. 13 5.Yil Vazhkai ........................................................................................ 15 6. Vaazhkkai thunai nalam .................................................................. 18 7.Makkat peru ..................................................................................... 20 8.Anbudamai ....................................................................................... 21 9.Virunthombal ................................................................................... 23 10.Iniyavai kooral ............................................................................... 25 11.Chei nandri arithal ......................................................................... 28 12.Naduvu nilamai- ............................................................................. 29 13.Adakkamudamai ........................................................................... -
Shodashi Somayaga, 2020 Mattur, Karnataka, India
SHODASHI SOMAYAGA, 2020 MATTUR, KARNATAKA, INDIA Jointly organized by: Dr Raja Vikram Aditya Charoen-Rajapark, Thailand Global Country of world Peace Foundation, Rajapark Maharishi Vedic University, Holland PV Ramana Reddy Foundation Sri Aurobindo International Foundation Shodashi Somayaga, 2020 – Mattur CONTENTS 1. The legend of Shodasi, Indra and Vritrasura (story from Rig Veda) ...................................................................3 2. Introduction ........................................................................................................................................................5 3. Yajamana & Ritwiks : ..........................................................................................................................................6 4. Protocols: ............................................................................................................................................................8 Stotras ....................................................................................................................................................................8 5. Sankalpa..............................................................................................................................................................9 6. Pravargya ......................................................................................................................................................... 11 7. Ritual Process: ................................................................................................................................................ -
Arsha November 08 Wrapper Final
Arsha Vidya Newsletter Rs. 15/- Vol. 11 November 2010 Issue 11 Arsha Vidya Pitham Arsha Vidya Gurukulam Arsha Vidya Gurukulam Swami Dayananda Ashram Institute of Vedanta and Institute of Vedanta and Sanskrit Sri Gangadhareswar Trust Sanskrit Sruti Seva Trust Purani Jhadi, Rishikesh P.O. Box No.1059 Anaikatti P.O. Pin 249 201, Uttarakhanda Saylorsburg, PA, 18353, USA Coimbatore 641 108 Ph.0135-2431769 Tel: 570-992-2339 Tel. 0422-2657001, Fax: 0135 2430769 Fax: 570-992-7150 Fax 91-0422-2657002 Website: www.dayananda.org 570-992-9617 Web Site : "http://www.arshavidya.in" Email: [email protected] Web Site : "http://www.arshavidya.org" Email: [email protected] Books Dept. : "http://books.arshavidya.org" Board of Trustees: Chairman: Board of Directors: Board of Trustees: Swami Dayananda President: Paramount Trustee: Saraswati Swami Dayananda Saraswati Swami Dayananda Saraswati Trustees: Vice Presidents: Swami Viditatmananda Saraswati Swami Suddhananda Chairman: Swami Tattvavidananda Saraswati Swami Aparokshananda R. Santharam Secretary: Swami Hamsananda Anand Gupta Trustees: Sri Rajnikant C. Soundar Raj Treasurer: Sri M.G. Srinivasan Piyush and Avantika Shah P.R.Ramasubrahmaneya Rajhah Ravi Sam Asst. Secretary: Arsha Vijnana Gurukulam N.K. Kejriwal Dr. Carol Whitfield 72, Bharat Nagar T.A. Kandasamy Pillai Amaravathi Road, Nagpur Ravi Gupta Maharashtra 410 033 Directors: Phone: 91-0712-2523768 Drs.N.Balasubramaniam (Bala) & Arul M. Krishnan Emai: [email protected] Ajay & Bharati Chanchani Dr.Urmila Gujarathi Secretary: Board of Trustees -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
CHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki Ramayana
CHAPTER – I : INTRODUCTION 1.1 Importance of Vamiki Ramayana 1.2 Valmiki Ramayana‘s Importance – In The Words Of Valmiki 1.3 Need for selecting the problem from the point of view of Educational Leadership 1.4 Leadership Lessons from Valmiki Ramayana 1.5 Morality of Leaders in Valmiki Ramayana 1.6 Rationale of the Study 1.7 Statement of the Study 1.8 Objective of the Study 1.9 Explanation of the terms 1.10 Approach and Methodology 1.11 Scheme of Chapterization 1.12 Implications of the study CHAPTER – I INTRODUCTION Introduction ―The art of education would never attain clearness in itself without philosophy, there is an interaction between the two and either without the other is incomplete and unserviceable.‖ Fitche. The most sacred of all creations of God in the human life and it has two aspects- one biological and other sociological. If nutrition and reproduction maintain and transmit the biological aspect, the sociological aspect is transmitted by education. Man is primarily distinguishable from the animals because of power of reasoning. Man is endowed with intelligence, remains active, original and energetic. Man lives in accordance with his philosophy of life and his conception of the world. Human life is a priceless gift of God. But we have become sheer materialistic and we live animal life. It is said that man is a rational animal; but our intellect is fully preoccupied in pursuit of materialistic life and worldly pleasures. Our senses and objects of pleasure are also created by God, hence without discarding or condemning them, we have to develop ( Bhav Jeevan) and devotion along with them. -
Shiva Panchakshara Stotram Nagendra Haraya Trilochanaya
SVT Vindhya Kaveri Class 2016-2017 Shiva Panchakshara Stotram Nagendra haraya Trilochanaya, Basmanga ragaya maheswaraya, Nithyaya shudhaya digambaraya, Tasmai “Na”karaya namashivaya. Mandakini salila chandana charchithaya, Nandeeswara pramadha nadha maheswaraya, Mandra pushpa bahu pushpa supoojithaya, Tasmai “Ma”karaya namashivaya. Shivaaya gowri vadanabja bala, Sooryaya daksha dwara naasakaya, Sri neela kantaya vrisha dwajaya, Tasmai “Si”karaya namashivaya. Vasishta kumbhodhbhava gowthamarya, Munendra devarchitha shekaraya, Chandrarka vaiswanara lochanaya, Tasmai “Va”karaya namashivaya. Yajna swaroopaya jada dharaya, Pinaka hasthathaya sanathanaya, Divyaya devaaya digambaraya, Tasmai “Ya”karaya namashivaya. Panchaksharamidham punyam, Ya padeth Shiva sannidhou, Shivaloka maapnothi, Shive na saha modathe. 1 SVT Vindhya Kaveri Class 2016-2017 Shiva is the destroyer among the trinity and is worshipped as their main deity by millions of Hindus. The holy word chant to worship him is made of five letters and is popularly called Panchakshara- “Na Ma Si Va ya”. In this popular stotra each of these letters is considered as him and he is praised for his great qualities. Nagendra haraya Trilochanaya, Basmanga ragaya maheswaraya, Nithyaya shudhaya digambaraya, Tasmai “Na”karaya namashivaya. My salutations to the letter “Na” , which is Shiva, Who wears as garland the king of snakes. Who has three eyes, Who wears ash all over Him, Who is the greatest Lord, Who is forever, Who is the cleanest, And who wears the directions themselves as dress Mandakini salila chandana charchithaya, Nandeeswara pramadha nadha maheswaraya, Mandra pushpa bahu pushpa supoojithaya, Tasmai “Ma”karaya namashivaya. My salutations to the letter “Ma” , which is Shiva, Who is bathed by waters of ganges, Who applies sandal paste all over him, Who has Lord Nandi as his chiefton, Who is the greatest lord, And who is worshipped by Mandhara and many other flowers. -
100. Sundarabahu Stavam V2
Sincere Thanks To: 1. SrI Srinivasan Narayanan for compiling, proof-reading and adding Sanskrit/ Tamil texts. 2. Nedumtheru SrI Mukund Srinivasan, www.srivaishnavam.com, www.pbase.com, www.divyadesamonline.com, www.dinamalar.com as well as many SwAmy kUresa bhaktas for their picture contributions. sadagopan.org 3. Smt Jayashree Muralidharan for eBook assembly NOTE: Please check out the beautiful pictures of swAmy kUresar at kUram available at: http://www.divyadesam.com/photo-feature/sri-koorathazhwan/ swami-koorathazhwan.shtml C O N T E N T S Slokams 1 - 26 PDF Slokams 27 - 30 3 – 7 Slokams 31 - 40 9 - 21 Slokams 41 - 50 22 - 33 Slokams 51 - 60 34 - 48 Slokams 61 - 70 50 - 65 sadagopan.org Slokams 71 - 80 66 - 80 Slokams 81 - 90 82 - 96 Slokams 91 - 100 98 - 113 Slokams 101 - 110 115 - 131 Slokams 111 - 120 133 - 151 Slokams 121 - 130 153 - 171 Slokams 131 - 132 175 - 177 Nigamanam 177 sadagopan.org mozhiyaik kadakkum AzhwAn ïI>. (iÖtIy Éag) (Vol 2) sadagopan.org For Vol 1, covering Slokams 1 to 26, please see Ahobilavalli Series e-Book # 68 at: http://www.ahobilavalli.org/ebooks_s8.htm 1 sadagopan.org SrI sundarabAhu perumAL 2 SrI: TANIYAN ïIvTsicûimïe_yae nm %i´mxImhe, yÊ´yôyIk{Qe yaiNt m¼lsUÇtam!. SrIvatsacihna miSrebhyo nama uktimadhImahe | yaduktaya: trayIkaNThe yAnti mangaLa sUtratAm || Dear BhaktAs of Lord SundarabAhu PerumAL of TirumAlirumcOlai: In the year 2008, the Ahobilavalli E-book team released the first Volume of SrI SundarabAhu stavam of SrI KUresar (68th E-boook at sadagopan.org www.ahobilavalli.org). We covered upto 26 Slokams there. In this volume we are presenting the rest of the slokams of this beautiful stavam as the humble samarpanam for swamy kUresar’s 1000th thirunakshatra mahotsava on the 3rd of February 2010. -
The Third Eye and Pineal Gland Connection
D.U.Quark Volume 5 Issue 1 Fall 2020 Article 2 12-27-2020 Rolling My Third Eye: The Third Eye and Pineal Gland Connection Shannon B. Jackson Follow this and additional works at: https://dsc.duq.edu/duquark Recommended Citation Jackson, S. B. (2020). Rolling My Third Eye: The Third Eye and Pineal Gland Connection. D.U.Quark, 5 (1). Retrieved from https://dsc.duq.edu/duquark/vol5/iss1/2 This Staff Piece is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in D.U.Quark by an authorized editor of Duquesne Scholarship Collection. Rolling My Third Eye: The Third Eye and Pineal Gland Connection By Shannon Bow Jackson D.U.Quark 2020. Volume 5 (Issue 1) pgs. 6-13 Published December 27, 2020 Staff Article Chances are the optometrist only checks that two of your eyes are functioning. But what about your third eye; who checks on that? A neurologist? Spiritual Healer? Yoga Instructor? Yourself? The answer might vary, given that this third eye is believed to reside within the pineal gland inside of the brain. The name “third eye” comes from the pineal gland’s primary function of ‘letting in light and darkness’, just as our two eyes do. This gland is the melatonin-secreting neuroendocrine organ containing light-sensitive cells that control the circadian rhythm (1). The diagram shows that nerve cells in the retinas of our eyes allow for light to be sensed. When there is light, the nerve cells in the retina then signal to the suprachiasmatic nucleus (SCN) in the hypothalamus.