BL Lutyens Liste
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
The Inspiration Behind Compositions for Clarinetist Frederick Thurston
THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing. -
BL Lutyens Liste II
54415. GALLIARD COLLECTION. Vol. LXIV. Arnold Krug, Elisabeth Lutyens, James Lyon, Hamish MacCunn, Sir John MacEwen: instrumental and vocal works; 1892-[1939]. ff. 47. Largest size 370 x 290 mm. 1. ff. 1-14. Krug: 'Zwei Sonatinen' for piano, op. 93; [1900]. 2. ff. 15-24. Lutyens: 'The Check Book: Children's Pieces' for piano; [1939]. 3. ff. 25-34. Lyon: String Quartet, op. 46a; 1921. 4. ff. 35-38. MacCunn: 'On a faded violet' (words, Shelley) for voice and piano; 1892. 5. ff. 39-42. MacCunn: Caprice for cello and piano; 1914. 6. ff. 43-47. MacEwen: 'Evening' (words, T. Moore) for two high voices and piano; [1898]. 56410. ELISABETH LUTYENS: opera, 'Isis and Osiris', lyric drama in three Acts, op. 79 (libretto, Lutyens after Plutarch); 1969-1970. Autograph score in pencil, with pencil conductor's markings in another hand [Michael Graubart?]. ff. 1-2 are sketches labelled 'basis'. Purchased from Bertram Rota, 19 Sept. 1970. Paper; ff. 103. Author's pencil foliation occurs in separate series to Acts I-III. 369 x 274mm. 56410*. ELISABETH LUTYENS: libretto, Isis and Osiris. Lyric Drama in Prologue and Three Acts; 1969-1970. Printed libretto. 57301. ELIZABETH LUTYENS: String Trio, op. 5, no. 6; [1939?]. Pencil score, copy. For a photocopy of the autograph score see Add. 64525. Transferred from the Music Room. ff. 5. 370 x 275mm. 59804. MACNAGHTEN CONCERTS COLLECTION. Vol. VIII. Elisabeth Lutyens: 'Six Tempi for ten Instruments', op. 42; 1957. Published London [1959]. ff. 23. 238 x 300mm. 59805. MACNAGHTEN CONCERTS COLLECTION. Vol. IX. Elisabeth Lutyens: 'Time Off? Not a Ghost of a Chance', charade in four scenes with three interruptions, op. -
Downloaded for Personal, Non-Commercial, Research Or Study Without Prior Permission and Without Charge
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2011) Colonial film: moving images of the British Empire. Other. [Author]. [Monograph] This version is available at: https://eprints.mdx.ac.uk/9930/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Theodor ADORNO (1903-1969). German Poet and Philosopher, Also a Composer
Theodor ADORNO (1903-1969). German poet and philosopher, also a composer. He was a pupil of Alban Berg and a member of Schoenberg’s circle in Vienna. He emigrated to the USA in 1934 but returned to Germany later to teach. His writings about composers include the influential Die Philosophie der neuen Musik (1949), mainly about Schoenberg and Stravinsky. Gilbert AMY (b.1936). French composer and conductor, and pupil of Olivier Messiaen. He attended Stockhausen’s Darmstadt courses and met Pierre Boulez in 1957. He was appointed by Jean-Marie Barrault ( q.v.) as Music Director of the Odéon Theatre, and later succeeded Pierre Boulez as Director of the Domaine Musical, and, still later, became Director of the Conservatoire in Lyon. Hedli ANDERSON (Antoinette Millicent Hedley Anderson). (1907-1990). English singer and actress. She studied in Germany and, on her return, appeared in cabaret and plays by Auden, Isherwood and Louis MacNeice ( to whom she was married from 1942-60).Composers who wrote for her included Benjamin Britten, Elisabeth Lutyens (q.v.) and William Alwyn. Auden’s famous poem Funeral Blues was written for her and set to music by Britten. In later life she ran a seafood restaurant in Co. Cork. Jean-Louis BARRAULT (1910-1994). French actor, director and mime artist. He portrayed Jean-Gaspard Deburau ( q.v.) in Marcel Carné’s 1945 film Les Enfants du Paradis. He was a member of the Comédie Française from 1940-46 where he directed famous productions of works by Claudel (q.v.) and Racine. He also acted in around 50 films. -
Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax Cameron Logan [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 12-2-2014 Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax Cameron Logan [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Logan, Cameron, "Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax" (2014). Doctoral Dissertations. 603. https://opencommons.uconn.edu/dissertations/603 i Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax Cameron Logan, Ph.D. University of Connecticut, 2014 This study explores the pitch structures of passages within certain works by Ralph Vaughan Williams and Arnold Bax. A methodology that employs the nonatonic collection (set class 9-12) facilitates new insights into the harmonic language of symphonies by these two composers. The nonatonic collection has received only limited attention in studies of neo-Riemannian operations and transformational theory. This study seeks to go further in exploring the nonatonic‟s potential in forming transformational networks, especially those involving familiar types of seventh chords. An analysis of the entirety of Vaughan Williams‟s Fourth Symphony serves as the exemplar for these theories, and reveals that the nonatonic collection acts as a connecting thread between seemingly disparate pitch elements throughout the work. Nonatonicism is also revealed to be a significant structuring element in passages from Vaughan Williams‟s Sixth Symphony and his Sinfonia Antartica. A review of the historical context of the symphony in Great Britain shows that the need to craft a work of intellectual depth, simultaneously original and traditional, weighed heavily on the minds of British symphonists in the early twentieth century. -
Jenny Doctor Head, Albino Gorno Memorial Music Library Associate Professor of Musicology College-Conservatory of Music
Section I: Taft Collection Application Cover Sheet Charles Phelps Taft Research Center at the University of Cincinnati Collections Purchase Application Each section (I-IV) should be placed at the start of a new page. All required materials must be included in a single document, uploaded to the electronic submissions system, no later than 5PM on the published day of the deadline. Intradepartmental review is required for this program. Applicants should submit their application with enough time to receive intradepartmental review prior to the close of the deadline. Taft does not accept an obligation to review applications that have not received intradepartmental review by the close of the deadline. I. General Information a. Name: XXXXX b. M#: XXXXXXXXXX c. Department: XX d. Position: AXXX e. Author/Editor/Compiler: Adam Matthew Digital and the Folger Shakespeare Library f. Title of Requested Materials: Shakespeare in Performance: Prompt Books from the Folger Shakespeare Library g. Publisher/Distributor: Adam Matthew Digital h. Date of Publication: September 2016 i. Edition: N/A j. Format: Electronic k. Series: N/A l. Price: $30,000 with an annual hosting fee of $150 (this includes a 25% discount from list price). The Library will put forward $10,000 and will assume the annual hosting fee. m. ISBN/ISSN: n. OCLC# (if known): 955294611 o. Place of Publication: Marlborough, Wiltshire. United Kingdom p. Other Funding Applied For or Received for This Project (list source and amounts requested and awarded): $10,000 from library general fund q. Is this a joint application? If “Yes” complete the following section for all participating faculty Not a joint application Section II Taft Grant History As a new faculty member, I have not previously applied for Taft funding. -
Download Booklet
MY DANCING DAY u A Good-Night [2.49] CHORAL MUSIC BY RICHARD RODNEY BENNETT i By Strauss George Gershwin, arr. RRB [2.52] o Sophisticated lady Duke Ellington, arr. RRB [3.51] Edward Goater tenor 1 My dancing day [5.33] 2 Gloria, Gloria [3.28] p Every time we say goodbye Cole Porter, arr. RRB [3.11] 3 In the bleak midwinter [3.41] Edward Goater tenor 4 New Year Carol [2.38] Olivia Robinson soprano Town and Country Total timings: [64.27] 5 The Sun has long been set [1.55] 6 Town and Country [5.09] BBC SINGERS Edward Goater tenor PAUL BROUGH CONDUCTOR Serenades www.signumrecords.com 7 Mistress Margaret [2.19] 8 Mistress Margery [1.55] 9 Mistress Anne [2.04] My dancing day Crowd, Billion Dollar Brain and Murder on the 0 My Darling Dear [5.02] Richard Rodney Bennett Orient Express to Four Weddings and a Funeral, q Mistress Isabel [2.27] Doctor Who and Titus Groan. He has appeared as a One of the most versatile musicians of his soloist in piano concertos, classical recitals, and as w The Apple Tree [3.03] generation, Richard Rodney Bennett has been accompanist to well-known jazz and cabaret artists at the forefront of British composition for nearly in numbers by George Gershwin, Jerome Kern, Irving Four poems of Thomas Campion half a century. His original compositions include Berlin and many other popular composers. e Winter Nights [2.44] numerous orchestral works, chamber, choral r Never Weather-beaten Saile [3.53] and piano works, ballets, songs, madrigals, jazz Bennett was born on 29 March 1936 into a t Fire, fire! [2.31] pieces and many award-winning film scores and musical family in Broadstairs, on the Kent coast, y The Hours of Sleepy Night [3.32] music for television, from Far From the Madding and began composing as a child. -
A Pilgrim Soul: the Life and Works of Elisabeth Lutyens
Also by Meirion and Susie Harries THE ACADEMY OF ST MARTIN IN THE FIELDS A Pilgrim Soul THE WAR ARTISTS (in conjunction with the Tate Gallery and the Imperial War Museum) OPERA TODAY THE LIFE AND WORK OF ELISABETH LUTYENS Meirion and Susie Harries '*i .. Michael Joseph LONDON To Lettice Cooper Contents List of Illustrations Vll MICHAEL JOSEPH LTD Acknowledgements IX Published by the Penguin Group 27 Wrights Lane, London WB 5TZ, England Viking Penguin Inc., 40 West 23rd Street, New York, New York 100\0, USA ~~~ 1 Penguin Books Australia Ltd, Ringwood, Victoria, Australia Penguin Books Canada Ltd, 2801.John Street, Markham, Ontario, Canada L3R IB4 Penguin Books (NZ) Ltd, 182-190 Wairau Road, Auckland 10, New Zealand 1 'Bowling Wides at Jesus' 5 Penguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England 2 One Apart 23 First published in Great Britain 1989 3 Fighting for the Faith 35 Copyright © Meirion and Susie Harries 1989 4 Anchoring the Heart 53 All rights reserved. Without limiting the rights under copyright 5 The European-looking Gentleman 72 reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, 6 Twelve-tone Lizzie 87 or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior 7 Just a Bloody Char 97 written permission of both the copyright owner and the above pu blisher of this book 8 'Do You Want It Good Or Do You Want It Thursday?' 113 Made and printed in Great Britain by 9 'Too Late to Mend' -
Modern Music
J & J LUBRANO MUSIC ANTIQUARIANS Catalogue 91 | December 2020 modern music autograph manuscripts, first & early editions, books, and iconography 20TH CENTURY PART II MODERN MUSIC autograph manuscripts, first & early editions, books, and iconography 20TH CENTURY PART 2 Front cover illustration detail from item #234 J & J Lubrano Music Antiquarians LLC 6 Waterford Way Syosset, NY 11791 U.S.A. (516) 922-2192 | [email protected] www.lubranomusic.com TABLE OF CONTENTS in order by composer’s surname 1 Adamo - Bryars 11 Cage - Elias 24 Feldman - Lutosławski 35 Mann - Primrosch 43 Reich - Szymański 56 Thomas - Wood 62 References 63 Conditions of Sale All items in the catalogue include a link to the item’s listing on our website with further details and purchasing options. Please see our Conditions of Sale notice at the back of the catalogue for further information. HIGHLIGHTS AUTOGRAPH MANUSCRIPTS Mark Adamo David Chaitkin John Corigliano Richard Danielpour Halim El-Dabh Jacobo Ficher Lee Hoiby Robert Mann Augusta Read Thomas George Tsontakis❖❖❖ Please also see a SPECIAL EXHIBITION of the works of AUGUSTA READ THOMAS at https://www.lubranomusic.com/showcase.php and visit our website at www.lubranomusic.com for descriptions of additional manuscripts by HALIM EL-DABH ADAMO - ANDRIESSEN ADAMO, Mark b. 1962 1. 1. No. 10: Supreme Virtue [Autograph manuscript] Double SATB choir Oblong quarto (278 x 208 mm). Unbound, folded. 29 pp. + 2 pp. of additional manuscript apparently not included in the final version. Notated in pencil on 16-stave paper. Signed and dated New York, Jan-April 1997. Supreme Virtue was commissioned by the Dale Warland Singers, who premiered the work in Minneapolis in June 2000. -
PDF (Final Accepted Dissertation for MA by Thesis)
Durham E-Theses Neoclassicism in the Music of William Alwyn: Selected Works 1938-45 SWEET, ELIZABETH How to cite: SWEET, ELIZABETH (2016) Neoclassicism in the Music of William Alwyn: Selected Works 1938-45, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11796/ Use policy This work is licensed under a Creative Commons Public Domain Dedication 1.0 (CC0) Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Neoclassicism in the Music of William Alwyn Selected Works 1938-45 Elizabeth Sweet Neoclassicism in the Music of William Alwyn Elizabeth Sweet Material Abstract In 1938 William Alwyn made the radical decision to abandon his previous composition methods and based future works upon the neoclassical compositional aesthetic. The second work to emerge was the Divertimento for Solo Flute, a composition on a single stave with substantial implicit contrapuntal writing. This thesis will examine both the Continental European and British musical context in the period leading up to Alwyn’s 1938 compositional crisis in order to provide a model for neoclassicism. This model will be used to assess Alwyn’s neoclassical compositions to evaluate Alwyn as a composer in the light of his stated wish to become a Bach or Beethoven. It will also include a brief musical biography in order to contextualise Alwyn’s neoclassical compositions within the wider body of his work. i Neoclassicism in the Music of William Alwyn Selected Works 1938-45 Elizabeth Sweet Submitted for the Degree of Master of Arts by Research Department of Music University of Durham 2016 ii Contents INTRODUCTION................................................................................................................. -
List of Women Composers Broadcast on BBC Radio 3 Since International Women’S Day 2015
List of women composers broadcast on BBC Radio 3 since International Women’s Day 2015 Lead Producer: Olwen Fisher [email protected] Editor: Edwina Wolstencroft [email protected] Kassia [810- (before) 865] Eastern Roman Hildegard of Bingen [1098-1179] German Suor Leonora D'Este [1515-1575] Italian Maddalena Casulana [c1544-c.1590] Italian Vittoria Aleotti [c.1575-(after)1620] Italian Sulpitia Cesis [1577-(before)1619] Italian Francesca Caccini [1587-(after)1641] Italian Caterina Assandra [1590-(after)1618] Italian Lucrezia Orsina Vizzana [1590-1662] Italian Chiara Margarita Cozzolani [1602-c.1676-78] Italian Leonora Duarte [1610-1678?] Flemish Barbara Strozzi [1619-1677] Italian Isabella Leonarda [1620-1704] Italian Maria Xaveria Perucona [c.1652-(after)1709] Italian Rosa Giacinta Badalla [c.a.1660-c.a.1710] Italian Élisabeth Claude Jacquet de la Guerre [1665-1729] French Camilla de Rossi [fl.1670-1710] Italian Maria Antonia Walpurgis Symphorosa [1724-1780] German Anna Bon (di Venezia) [1738-(after)1769] Italian Anna Amalia of Brunswick-Wolfenbüttel [1739-1807] German Marianna Martinez (or Marianne von Martinez) [1744-1812] Austrian Maddalena Laura Sirmen [1745-1818] Italian Sophia Giustina Dussek [1775-1831] Scottish of Italian descent Maria Theresia Paradis (also von Paradies) [1759-1824] Austrian Marie Bigot [1786-1820] French Maria Szymanowska [1789-1831] Polish Gertrude van den Bergh [1793-1840] Dutch Louise Farrenc [1804-1875] French Fanny Mendelssohn Hensel [1805-1847] German Maria Malibran [1808-1836] Spanish -