George Sand No Brasil George Sand in Brazil
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La Petite Fadette
George Sand LLaa ppeettiittee FFaaddeettttee BeQ LLaa ppeettiittee FFaaddeettttee par George Sand (Aurore Dupin) La Bibliothèque électronique du Québec Collection À tous les vents Volume 50 : version 1.01 2 De la même auteure, à la Bibliothèque : La Comtesse de François le Champi Rudolstadt Teverino Consuelo Lucrezia Floriani Le meunier d’Angibault Le château des Désertes Horace Les maîtres sonneurs La dernière Aldini Francia Le secrétaire intime Pauline, suivi de Les maîtres mosaïstes Metella Voyage dans le cristal La marquise, suivi de Indiana Lavinia et Mattea Valentine Les ailes de courage Leone Leoni Légendes rustiques La mare au diable Un hiver à Majorque Les dames vertes Aldo le rimeur Simon Nanon 3 La petite Fadette Image de couverture : Le gué des Roulettes, à Nohant. 4 Préfaces I Nohant, septembre 1848. Et, tout en parlant de la République que nous rêvons et de celle que nous subissons, nous étions arrivés à l’endroit du chemin ombragé où le serpolet invite au repos. – Te souviens-tu, me dit-il, que nous passions ici, il y a un an, et que nous nous y sommes arrêtés tout un soir ? Car c’est ici que tu me racontas l’histoire du Champi, et que je te conseillai de l’écrire dans le style familier dont tu t’étais servi avec moi. – Et que j’imitais de la manière de notre Chanvreur. Je m’en souviens, et il me semble que, depuis ce jour-là, nous avons vécu dix ans. – Et pourtant la nature n’a pas changé, reprit 5 mon ami : la nuit est toujours pure, les étoiles brillent toujours, le thym sauvage sent toujours bon. -
ABSTRACT George Sand and Her Heroines: Boundary-Breaking
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Indiana As a Righting of Bernardin De Saint-Pierre's Paul Et Virginie
RE· DEFINING IDYLLIC LOVE: GEORGE SAND'S INDIANA AS A RIGHTING OF BERNARDIN DE SAINT-PIERRE'S PAUL ET VIRGINIE by Syl vie L. F. Richards "Les hommes naissent asiatiques. emopeens. fran~ais, anglais; Us sont cultivateurs, marchands, soldats; mais dans tout pays les femmes naissent, vivent. et meurent femme ....Ainsi les femmes n'appartiennent qu' au genre humain. Elles le rappellent sans cesse a l'humanite par leurs sentiments natw'els et meme par leurs passions" (Bernardin. Paul 58). With this illustrative statement, Bemardin de Saint-Pierre defined women's roles in society in what he perceived to be a positive framework based upon natural law as understood in late eighteenth-century France. This understanding of gender roles formed the deep structure for his most influential, idyllic romance Paul et Virginie. Quicldy hailed as a classic, the novel would become the prototype for a generation of novel writers, including Aaubert whose Emma Bovary would become poisoned by the unrealistic love expectation found in Paul et Virginie, and by the lack of personal definition for women endemic in the society and confirmed by the novel's subtext. Aaubert would even name Mme. Aubain's children Paul and Virginie as an ironic twist in his 1876 short story Un ereUT simple. For George Sand, the condition of woman as expressed by Bemardin was untenable. Indiana, her first independant novel, written under her new pen name, is a deliberate rewrite of Paul et Virginie. Not only does she compare her heroine with Virginie intratextually, Sand sets her novel on the tie Bourbon, about 400 miles east of Madagascar and southeast of l'tIe Maurice, the place occupied by Paul and Virginie. -
Horace by George Sand Discussion Questions Used at SPL June 2008
Southfield Public Library Horace by George Sand Discussion questions used at SPL June 2008 1. This book was written in 1841 - does anything in it still seem relevant? 2. Though it was translated, it seemed as though the translator was trying very hard to keep it from being modernized - how do you think he did in keeping the flavor of the 19th century? 3. Did you find it difficult to read? The writing is very formal, very detailed, with long, long sentences – is that different from things you usually read? 4. In general, how were the women portrayed? Were you surprised by any of them? 5. In general, how were the men portrayed? Again, were you surprised by any of them? 6. What did you think of Horace - was Theophile’s introduction of him in the first chapter intriguing? Did you think you would like him? 7. Did he have any endearing traits? What about annoying ones? What was it about him that made some people care for him? Was he crazy? Just young? Shallow? Manipulative? Did he have any deep relationships? 8. What did you think of Theophile? What did you think of his relationship with Eugenie? Was it a satisfying one for both of them? Why do you think he stayed in the neighborhood instead of being a doctor in a richer area? 9. What about Eugenie - what sort of woman was she? What do you think she thought of her relationship with Theophile? 10. And then there is Marthe - how would you describe her? 11. What did you think of Paul Arsene? 12. -
The Most Womanly Woman” 1
Arcadia University ScholarWorks@Arcadia Faculty Curated Undergraduate Works Undergraduate Research Fall 2015 The oM st Womanly Woman Lily Keener Arcadia University, [email protected] Arcadia University has made this article openly available. Please share how this access benefits ouy . Your story matters. Thank you. Follow this and additional works at: http://scholarworks.arcadia.edu/undergrad_works Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Keener, Lily, "The osM t Womanly Woman" (2015). Faculty Curated Undergraduate Works. Paper 30. http://scholarworks.arcadia.edu/undergrad_works/30 This Article is brought to you for free and open access by the Undergraduate Research at ScholarWorks@Arcadia. It has been accepted for inclusion in Faculty Curated Undergraduate Works by an authorized administrator of ScholarWorks@Arcadia. For more information, please contact [email protected]. “The Most Womanly Woman” 1 “The Most Womanly Woman”1 Lily Keener Well Behaved Women Seldom Make History, Dr. Jeanne Buckley 10 December 2015 1 Quoted from Alfred de Musset “The Most Womanly Woman” 2 This paper analyzes the life of 19th century French woman Aurore Dupin, otherwise known as the author George Sand. It largely details the events of her life, especially her adolescent and early 20’s, with a specific focus on how the people and events that occurred during those times affected Dupin’s sense of independence and general deviance from the social customs of 1800s France. I also discuss the impact the writings of George Sand had on the people and literature of 19th century France and beyond concerning the portrayal of women and the concept of Idealist writing. -
George Sand and the Lure of the Heights: Indiana and Jacques
George Sand and the Lure of the Heights: Indiana and Jacques Richard B. Grant University of Texas, Austin Current scholarship on George Sand has managed to get beyond the exteriors of her biography and has reached into the complex and troubled inner world of her psyche.1 There remains, however, a general tendency among the reading public, and even among some critics of nineteenth-century French literature, that most of her novels are easy to grasp, that they are more obvious than problematic, or in Roland Barthes‟ terminology, more lisibles than scriptibles. From Indiana, which protests loudly against any oppressive marriage bond to, say, Mlle la Quintinie, with its open anti-clericalism, the general opinion continues to be that, except perhaps for Lélia and Consuelo and its sequel, most of her fiction is easily assimilated. Sand‟s supposedly obvious fictions are not all that obvious, and it has been easy for critics to miss some important insights. To illustrate, I would like to reexamine two of her earliest efforts. One, Indiana (1832), is well known; the other, Jacques (1834) is less so. I will approach these two works by focusing on a motif that has not attracted systematic attention: the flight from the corrupt lowlands and their so-called civilization up into the solitude and purity of the mountain heights. The topos is hardly new, of course. Sand naturally shared in the universal tradition, one reemphasized by the entire Romantic generation, that “up there” one finds God, the sublime, and the pure, whereas “down here” life is compromise at best and often an outright mess. -
Revue Akofena
Akofena, Revue scientifique des Sciences du Langage, Lettres, Langues & Communication www.revue-akofena.org Akofena PÉRIODIQUE : SEMESTRIEL --------- IMPACT FACTOR [année 2020] : 2,5 Creative Commons Attribution 4.0 International Licence (CC BY 4.0) Sous-direction du dépôt légal, 1er trimestre Dépôt légal n°16304 du 06 Mars 2020 Éditeur ISSN-L (imprimé) 2706–6312 eISSN (en ligne) 2708–0633 https://www.africabib.org/rec.php?RI D=A00006474 https://reseau- mirabel.info/revue/7228/Akofena_revue_scientifique_des_sciences_du_langage_lettres_langues_et_communicat ion http://www.sindexs.org/JournalList.aspx?ID=7131 https://www.worldcat.org/title/revue-akofena-hors-srie/oclc/1151418959&referer=brief_results http://journal-index.org/index.php/asi/article/view/4907 http://ezb.uni-regensburg.de/ezeit/detail.phtml?bibid=SUBHH&colors=7&lang=de&jour_id=466175 hhttps://searchworks.stanford.edu/vie w/13629336 https://dbh.nsd.uib.no/publiseringskanaler/erihplus/periodical/info.action?id=498446 https://portal.issn.org/resource/ISSN/2708- https://www.sub.uni- 0633 hamburg.de/de/recherche/elektronische- zeitschriftenbibliothek/detail/titel/466175.html https://journals.indexcopernicus.com/search/details?id=64222 https://www.entrevues.org/revues/akofena/ https://linguistlist.org/pubs/journals/get-journals.cfm?JournalID=70242 Pour plus d’informations sur toutes nos bases d’indexation internationale : http://revue-akofena.org/index.php/indexation-internationale/ COMITÉ DE RÉDACTION Directeur de Publication ASSANVO Amoikon Dyhie, Université FHB, Côte d’Ivoire -
Water Imagery in George Sand's Work
Water Imagery in George Sand’s Work Water Imagery in George Sand’s Work Edited by Françoise Ghillebaert and Madeleine Vala Water Imagery in George Sand’s Work Edited by Françoise Ghillebaert and Madeleine Vala This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Françoise Ghillebaert, Madeleine Vala and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-1579-6 ISBN (13): 978-1-5275-1579-6 Cover image: Le bord de la Creuse à Gargilesse, promenade habituelle de George Sand / River Creuse in Gargilesse, George Sand’s customary walk. Dessinateur Eugène Grandsire. Lithographie Joliet. Date: 19th century. Open license. Artist Eugène Grandsire. Lithograph Joliet. http://www.bn-limousin.fr/items/show/144 I dedicate this book to all the people who were left without water and power for weeks, and even months after Hurricane María hit the island of Puerto Rico on September 20, 2017. To my mother and father For their unconditional support TABLE OF CONTENTS Acknowledgments ................................................................... xi Introduction ........................................................................... xiii Françoise Ghillebaert Chapter One: Life and Death in Bodies of Water Part 1: Drowning Imagery Death by Water: A Triad of Ambiguity in Indiana and Lélia ................................................................................... 5 Abbey Carrico De l’eau noire du suicide à la féerie merveilleuse de l’illusion blanche .............................................................. -
Sand's Ancestry
6 Fran~oise Ghillebaert Introduction 7 However, Rose et Blanche remains together with Consuela because both no Sand's aristocratic ancestors led a libertine life from which her grand vels present female artists~ This new organization underscores the progres mother set apart. She was a noble soul herself who "traversa ce monde de sion in Sand's character portrayal from woman-slave to liberated female art seductions et cette foule d'hommages sans songer a autre chose qu'a cultiver ist. Incidentally, this new organization will demonstrate continuity in the les arts et a former son esprit," Sand writes (OA 1: 36). As the natural daugh Sandian heroines' identity development. Finally, an examination of the rela ter of Maurice de Saxe and Marie Rinteau--called de Verrieres, Marie tionship of the heroines to God, as a result of their identity search will be Aurore de Saxe was an aristocrat with royal ancestry, but she was afflicted completed with a case-by-case analysis. In the course of deriving the he with illegitimate births and misalliances in her lineage. She repeatedly roines' religious beliefs from the texts, this book will offer another insight to pleaded to Louis XV to be acknowledged as the natural daughter of Maurice the debate over Sand's religious opinions raised by previous scholars. de Saxe and finally was granted permission in 1766 to bear her father's The impulses underlying the disguised Sandian protagonists dictated the name. She then married the Count de Hom who soon died in a dual. Mter the organization of this book. -
A Collaborative Essay on the First Ten Years (1976-1986)
The George Sand Association at Thirty: Sand’s literary legacy.3 An invitation from A Collaborative Essay on the First Ten Natalie to appear at Hofstra was also part of his itinerary. The response of the scholars who Years (1976-1986) attended M. Lubin’s talks inspired her to (Written on the Occasion of the Thirtieth Anniversary organize a conference, “The George Sand of the Founding of the GSA) Centennial, November 1976.” The following history has emerged from documents from our “It all began in the spring of 1976,” Natalie archives, as well as from the records and recollections of others in addition to the four Datlof recalled, as we sat around a table at a 4 Chinese restaurant in Greenwich Village. The mentioned above. four of us—Natalie, Marie Collins, Alex Szogyi, Sponsored jointly by various Hofstra and Thelma Jurgrau—founding members of the departments, the conference program focused on Friends of George Sand, from which the George Sand within the social, political, and cultural Sand Association originated—met to go back to context of her time and place. In his message of that historical moment in our collective memory. welcome, President James Shuart paid tribute to At that time, Natalie was attending Professor her as “an extraordinary woman who dominated Edwin L. Dunbaugh’s seminar in European the cultural world in her lifetime.” Two of Cultural History at Hofstra University. Assigned eleven presenters focused on Sand’s writing— to choose an influential nineteenth-century Nancy Rogers on social protest in Sand’s early figure, she chose George Sand for her role as the work, and Alex Szogyi on the narrative voice in unofficial Minister of Propaganda who wrote a Lucrezia Floriani. -
La Petite Fadette
Traduire George Sand: La Petite Fadette Cristina Solé Castells Universitat de Lleida cristina.sole.telefonica.net Rebut: 15 Gener 2008 Acceptat: 30 Abril 2008 REsUM: Traduir George Sand: La Petite Fadette L'article realitza una reflexi6 sobre diferents elements lingüístics, estilístics, semantics, estetics i idiosincratics que condicionen la traducci6 de La petite Fadette de George Sand. Incideix en les dificultats trobades, així com en l'anaIisi de diferents criteris de traducci6 i les solucions escollides a l'hora de traduir la novel'la a la llengua catalana. P ARAULES CLAU: Traducci6, estil, estetica, dificultats, solucions. RÉSUMÉ: Traduire George Sand: La Petite Fadette L' auteur consigne dans cet article ses réflexions a propos des différents éléments linguistiques, stylistiques, sémantiques, esthétiques et idiosyncrasiques qui conditionnent la traduction de La petite Fadette de George Sand. 11 met l'accent sur les difficultés auxquelles il s'est heurté, ainsi que dans l'analyse de différents criteres de traduction et dans les choix faits lors de la traduction de ce roman a la langue catalane. MOTS-CLÉ: Traduction, style, esthétique, difficultés, solutions. GEORGB SANO. LA DAME DE NOHANT. LBs ROMANS CHAMP1lTREs (2009): 281-289. ISSN: 1138-4573 281 CRISTINA SOLÉ CASTELLS RESUMEN: Traducir a George Sand: La Petite Fadette El artículo realiza una reflexión sobre diferentes elementos lingüísticos, estilísticos, semánticos, estéticos e idiosincráticos que condicionan ;la traducción de La petite Fadette, de George Sand. Incide en las dificultades encontradas, así como en el análisis de diferentes criterios de traducción y las soluciones escogidas a la hora de verter la novela a la lengua catalana. PALABRAS CLAVE: Traducción, estilo, estética, dificultades, soluciones. -
Il Y a 200 Ans, Naissait Aurore Dupin
Il y a 200 ans, naissait Aurore Dupin Françoise Vanhemelryck C’est en feuilletant le programme du Théâtre du Méridien pour la saison nouvelle que je découvris, en août dernier, que l’on s’apprêtait à fêter en 2004 le bicentenaire de la naissance de George Sand. Je n’y prêtai pas trop d’attention, George Sand ne figurant pas parmi mes auteurs préférés. Je n’avais lu d’elle que ses romans champêtres et Indiana. En préparant un voyage à Venise, je retombai sur son nom et je me mis à penser que ce n’était peut-être pas un hasard ou une simple coïncidence, mais un signe du destin ou même un appel (spirituel ou spiritiste) de celle que j’avais mal connue et méconnue jusque-là. Cette pensée m’intrigua et me poussa à mieux me documenter sur George Sand, son séjour à Venise et ses amours turbulentes avec Alfred de Musset dans la cité des doges. Je relus La Mare au Diable et La Petite Fadette et je fus conquise par la limpidité, la franchise à la fois gracieuse et rustique de ces textes. Après, je lus, pour la première fois, les œuvres autobiographiques de George Sand et sa correspondance avec Musset et j’acquis peu à peu la certitude que derrière son pseudonyme masculin se cachait une psychologie purement féminine, que George Sand n’était pas cette espèce d’hermaphro- dite ou transsexuelle littéraire et pas non plus cette dévoreuse d’hommes comme une certaine critique puritaine et un lectorat trop sévère et censeur nous l’ont fait croire si longtemps.