DOCSLIB.ORG

Full ISBD Examples Preliminary Edition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Full ISBD Examples Preliminary Edition Full ISBD Examples Preliminary edition Supplement to the preliminary consolidated edition of the International Standard Bibliographic Description (ISBD) Compiled by the ISBD Examples Study Group Approved by the ISBD Review Group and the Standing Committee of the Cataloguing Section of the International Federation of Library Associations and Institutions October 2009 Revised 14 December 2009 The Hague International Federation of Library Associations and Institutions ISBD Review Group http://www.ifla.org/en/isbd-rg Full ISBD Examples October 2009 CONTENTS Introduction............................................................................................................................................... 4 Specification of the examples................................................................................................................... 6 Contributors .............................................................................................................................................. 9 Full ISBD Examples by Language of Cataloguing ..................................................................................11 Arabic.................................................................................................................................................. 12 Chinese............................................................................................................................................... 20 Croatian .............................................................................................................................................. 28 Danish................................................................................................................................................. 33 Dutch................................................................................................................................................... 40 English ................................................................................................................................................ 44 Finnish ................................................................................................................................................ 58 French................................................................................................................................................. 65 German ............................................................................................................................................... 73 Italian .................................................................................................................................................. 85 Japanese ............................................................................................................................................ 92 Korean .............................................................................................................................................. 104 Portuguese.........................................................................................................................................113 Russian ..............................................................................................................................................119 Spanish ............................................................................................................................................. 133 Swedish ............................................................................................................................................ 146 Index by GMD (general material designation)...................................................................................... 153 2 Full ISBD Examples October 2009 ISBD Examples Study Group Jaesun Lee (chair) National Library of Korea Elena Escolano Rodríguez Biblioteca Nacional, Spain Bill Garrison University of South Florida, USA (August 2007–May 2008) John Hostage Harvard Law School Library, USA Dorothy McGarry University of California, Los Angeles, USA ISBD Review Group (as of September 2009) Elena Escolano Rodríguez (chair) Biblioteca Nacional, Spain Françoise Bourdon Bibliothèque nationale de France (to Aug. 2009) Renate Gömpel Deutsche Nationalbibliothek, Germany Ben Gu National Library of China Mauro Guerrini Università di Firenze, Italy Tuula Haapamäki National Library of Finland John Hostage Harvard Law School Library, USA Lynne C. Howarth Faculty of Information Studies, University of Toronto, Canada Natalia Kasparova Russian State Library Irena Kavčič National and University Library, Slovenia Jaesun Lee National Library of Korea Françoise Leresche Bibliothèque nationale de France Dorothy McGarry University of California, Los Angeles, USA Eeva Murtomaa National Library of Finland (to Aug. 2009) Glenn Patton OCLC Online Computer Library Center, USA Mirna Willer University of Zadar, Croatia (to Aug. 2009) 3 Full ISBD Examples October 2009 Introduction This supplement to the preliminary consolidated edition of the International Standard Bibliographic Description (ISBD) provides full examples in sixteen languages of cataloguing, i.e., the languages used for notes and other non-transcribed parts of the description. The purpose of the supplement is to make it easy to understand the structure of the ISBD and to improve efficiency in the practical application of the preliminary consolidated edition of the ISBD. This first issue of the supplement is designated as a preliminary edition. The ISBD Review Group did not want to further delay the publication to replace the general material designation in the examples with the new Area 0 for Content Form and Media Type that was approved in June 2009. After a revised version of the consolidated ISBD is released, these examples will be updated to reflect those changes. During the meeting of the ISBD Review Group at the 2007 World Library and Information Congress in Durban, South Africa, it was agreed to create the supplement after listening to the opinions of people from many sectors of the cataloguing community. In November 2007, the submission guidelines for ISBD examples were distributed to people who would provide examples. The guidelines included an explanation of how to create examples and some model examples. Many contributors participated in this project to compile various examples in a variety of languages for this supplement. Some of the individuals were from the IFLA Cataloguing Section Standing Committee and/or the ISBD Review Group (see the list of example contributors). The others were other IFLA section members and participants in the IFLA Meetings of Experts on an International Cataloguing Code. The contributors submitted the examples in the languages used in their countries so that more than 200 examples cover the following languages of cataloguing: Arabic, Chinese, Croatian, Danish, Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Portuguese, Russian, Spanish, and Swedish. From May to October 2008, all examples received were uploaded to the ISBD RG wiki. Many comments were made. Examples were corrected in line with those comments, and some questions remained for ambiguous comments. The corrected examples were sent to each provider and then modified again. After this process, the ISBD RG reviewed and approved the examples. During all these processes, many comments helped to make the current ISBD more efficient and practical, and made us aware of the importance of examples. As a result of these efforts, the supplement is being published only on the IFLA Web site because in the forthcoming consolidated ISBD, the general material designation (GMD) will be replaced by a new “content/medium” structure. When the new structure is released, the examples also will be revised to take the changes into account. 4 Full ISBD Examples October 2009 The examples will contribute to increasing the consistency of cataloguing among different countries. The work of this supplement was accomplished by contributions and cooperation from contributors of the examples and the ISBD Review Group members. Seoul, Korea Jaesun Lee, Chair September 2009 ISBD Examples Study Group 5 Full ISBD Examples October 2009 Specification of the examples Basis of the full examples International standard bibliographic description (ISBD) / recommended by the ISBD Review Group ; approved by the Standing Committee of the IFLA Cataloguing Section. — Preliminary consolidated ed. — München : K.G. Saur, 2007. — 1 vol. (loose-leaf) ; 32 cm. — (IFLA series on bibliographic control ; vol. 32). — ISBN 978-3- 598-24280-9. Scope of the examples z GMD (general material designation) The following GMDs are authorised for use in the ISBD: o Cartographic resource o Electronic resource o Graphic o Hologram* o Microform o Motion picture o Multimedia resource o Notated music o Printed text o Sound recording o Videorecording o Visual projection * No example for “Hologram” was provided for this supplement. z In the near future, these examples will be changed to show the Content/Medium component, which was approved for the forthcoming consolidated edition of the ISBD. z The GMD in ISBD records can be different from those listed above depending on the country’s cataloguing rules, and will appear in the language chosen by the cataloguing agency. Arrangement and labelling of the examples The examples are arranged alphabetically by language of cataloguing and then by GMD. This is followed by an index in alphabetical order of the GMD. All areas of description
Load more

Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Broadcasting the Arts: Opera on TV
    Broadcasting the Arts: Opera on TV With onstage guests directors Brian Large and Jonathan Miller & former BBC Head of Music & Arts Humphrey Burton on Wednesday 30 April BFI Southbank’s annual Broadcasting the Arts strand will this year examine Opera on TV; featuring the talents of Maria Callas and Lesley Garrett, and titles such as Don Carlo at Covent Garden (BBC, 1985) and The Mikado (Thames/ENO, 1987), this season will show how television helped to democratise this art form, bringing Opera into homes across the UK and in the process increasing the public’s understanding and appreciation. In the past, television has covered opera in essentially four ways: the live and recorded outside broadcast of a pre-existing operatic production; the adaptation of well-known classical opera for remounting in the TV studio or on location; the very rare commission of operas specifically for television; and the immense contribution from a host of arts documentaries about the world of opera production and the operatic stars that are the motor of the industry. Examples of these different approaches which will be screened in the season range from the David Hockney-designed The Magic Flute (Southern TV/Glyndebourne, 1978) and Luchino Visconti’s stage direction of Don Carlo at Covent Garden (BBC, 1985) to Peter Brook’s critically acclaimed filmed version of The Tragedy of Carmen (Alby Films/CH4, 1983), Jonathan Miller’s The Mikado (Thames/ENO, 1987), starring Lesley Garret and Eric Idle, and ENO’s TV studio remounting of Handel’s Julius Caesar with Dame Janet Baker. Documentaries will round out the experience with a focus on the legendary Maria Callas, featuring rare archive material, and an episode of Monitor with John Schlesinger’s look at an Italian Opera Company (BBC, 1958).
    [Show full text]
  • University of Pardubice Faculty of Arts and Philosophy the City in Songs
    University of Pardubice Faculty of Arts and Philosophy The City in Songs, Songs in the City: The Image of New York in the Folk Music of the 1960s Tomáš Racek Bachelor Thesis 2016 1 2 3 Prohlašuji: Tuto bakalářskou práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem použil, jsou uvedeny v seznamu literatury. Byl jsem seznámen s tím, že na moji práci se vztahují práva a povinnosti vyplývající ze zákona č.121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním mé práce v Univerzitní knihovně. V Pardubicích dne 29. 6. 2014 Tomáš Racek 4 Acknowledgements I would like to express my gratitude to my supervisor PhDr. Ladislav Vít, Ph.D. for his assistance, especially in the early stages of writing, and together with other university teachers, for all the effort they put in their valuable and inspirational lessons. I would also like to thank my mother, partner and children for their love, support, encouragement and patience during my studies. 5 ANOTATION This bachelor thesis is concerned with the image of New York City in the folk music of the 1960s, specifically in the song lyrics of the North American singer-songwriters Bob Dylan, Paul Simon, Joni Mitchell, Fred Neil, Phil Ochs, John Phillips, John Sebastian and Joey Levine.
    [Show full text]
  • Liv Som Arn Julfesten Biohelgen Göteborg I 8
    NÖJE I 13 I 14 I 15–16 Mikael om sitt Guide till bästa City kollar hela LIV SOM ARN JULFESTEN BIOHELGEN GÖTEBORG I 8 SSILVIAILVIA I SSTORTOR 12 sept 2006–21 dec 2007 JJULINTERVJUULINTERVJU Tack alla läsare nu säger vi adjö Det är med sorg i hjärtat som jag tvärs emot.” Men även vår framtids- packar ihop på City och går vidare. siarartikel ”Så lever vi i Göteborg om För det har varit en fantastisk tid. Ett tio år” prisades för att det var en kul drygt år fylld med inspiration, glädje idé där vi tänkt till på många olika och intressanta möten med läsare. områden. Trots att City försvinner från Göte- Förutom de här två reportagen är borg vet jag att vi gjort ett intryck. det mycket annat vi är nöjda med. Göteborg City har haft drygt tre Här intill kan ni läsa mer om våra läsare per tryckt tidning. Det om olika artiklar och serier. något är en fantastisk siffra och ett betyg på hur ni, läsarna, ser tidningen Jag är omåttligt stolt över min fan- som något värdefullt. För det betyder tastiska redaktion. Vi har lärt oss att du, din arbetskamrat eller din mycket under den här tiden och har familjemedlem tagit tidningen med alla utvecklats. Jag är säker på att alla sig någonstans och låtit minst två kommer gå vidare till nya, djärva ut- personer till ta del av den. maningar. Kolportörerna har varit vårt ansikte Göteborg City har även blivit prisad utåt, Citys förlängda arm i stads- för några reportage som vi haft i tid- bilden.
    [Show full text]
  • Boston Symphony Orchestra
    Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New
    [Show full text]
  • Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and
    [Show full text]
  • 012521-DRAFT-Bothsidesnow
    Both Sides Now: Singer-Songwriters Then and Now An Etz Chayim Fifth Friday SHABBAT SERVICE Kabbalat Shabbat • Happy • Shower the People You Love With Love L’Cha Dodi (to Sweet Baby James) Bar’chu • Creation: Big Yellow Taxi • Revelation: I Choose Y0u Sh’ma • Both Sides Now + Traditional Prayer • V’ahavta: All Of Me • Redemption: Brave Hashkiveynu / Lay Us Down: Beautiful Amidah (“Avodah” / Service) • Avot v’Imahot: Abraham’s Daughter • G’vurot: Music To My Eyes • K’dushat haShem: Edge Of Glory • R’Tzeih: Chelsea Morning • Modim: The Secret Of LIfe • Shalom: Make You Feel My Love (instrumental & reflection) D’Var Torah • Miriam’s Song Congregation Etz Chayim Healing Prayer: You’ve Got a Friend Palo Alto, CA Aleynu Rabbi Chaim Koritzinsky Mourners’ Kaddish: Fire And Rain + Traditional Prayer Birchot Hamishpachah / Parents Bless their Children: Circle Game + Inclusive Blessing of Children Closing Song: Adon Olam (to Hallelujah) Both Sides Now Shabbat, 1/29/21 • Shabbat Evening Service, page 1 Kavannah for Our Service For this Fifth Friday Shabbat service we will experience songs by a diverse array of singer- songwriters in place of many of our traditional prayers. The intent is to lift up the prayers by viewing them through a new lens, and perhaps gain new insight into beloved, contemporary songs, whether familiar or new to us. “Both Sides Now” speaks to several relevant themes in our service and in our hearts: • This week’s Torah portion, B’Shallah, begins with our Israeilite ancestors in slavery, on one side of the Sea of Reeds and ends with them as a newly freed people on the other side.
    [Show full text]
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]
  • Half a Century with the Swedish Film Institute
    Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other.
    [Show full text]
  • Cd Book Giuseppe Verdi
    head Giuseppe Verdi Giuseppe Verdi Plácido Domingo Rosalind Plowright Brigitte Fassbaender Giorgio Zancanaro Orchestra e Coro dell’Accademia Nazionale di Santa Cecilia Carlo Maria Giulini Überreicht durch / Remis par www.universalmusic.ch 476 972-8 This Compilation: ® & © 2006 Universal Music Switzerland GmbH Compiled by Universal Music Strategic Marketing Images grâcieusement mises à disposition par la Fondation Avenches Oper a 0 028947 697282 Artwork by juan vergara www.vlv.ch 04 01 cd book PANTONE 196 EC 1 Total number of colors: CMYK + 1 head Plácido Domingo Rosalind Plowright Brigitte Fassbaender Giorgio Zancanaro Orchestra e Coro dell’Accademia Nazionale di Santa Cecilia Carlo Maria Giulini 01 . All'erta! All'erta! 3:07 07 . Non m'inganno… Ella scende! … Di geloso amor 4:40 13 . Di quella pira 2:13 02 . Di due figli vivea padre beato 4:43 08 . Vedi! le fosche notturne spoglie 2:51 14 . D'amor sull'ali rosee 4:04 03 . Che più t'arresti? 2:19 09 . Stride la vampa! 2:43 15 . Miserere - Ah! che la morte ognora 3:03 04 . Tacea la notte placida … Di tale amor 6:25 10 . Il balen del suo sorriso … Per me, ora fatale 3:34 16 . Sì, la stanchezza m’opprime 3:53 05 . Tace la notte! 1:52 11 . Ah! Sì, ben mio 3:42 17 . Che! … Non m'inganna quel fioco lume? 4:58 06 . Deserto sulla terra 1:56 12 . Manrico? - Che? - La zingara 0:48 18 . Ti scosta! - Non respingermi 3:49 Überreicht durch / Remis par 02 03 cd book PANTONE 196 EC 1 GRIS 50% Total number of colors: 2 head Giuseppe Verdi cd inlay inside CMYK Total number of colors: 2 head 476 972-8 476 972-8 Giuseppe Verdi Il Trovatore Il Conte di Luna Giorgio Zancanaro Leonora Rosalind Plowright Azucena Brigitte Fassbaender Manrico (Il Trovatore) Plácido Domingo Ferrando Evgeny Nesterenko Ines Anna di Stasio Ruiz Walter Gullino Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia Carlo Maria Giulini 01 .
    [Show full text]
  • Digital Teknik Blir Teaterns Fjärde Ben Filmbranschen Kritisk Till
    Teaterförbundets tidning NR: 6-2015 Bredd skapar frihet för Sharon Dyall Filmbranschen kritisk till momsfinansiering Digital teknik blir teaterns fjärde ben LEDARE Filmpolitikens innehåll lika viktigt som finansiering närligt verksamma. Du kan läsa mer om vad det innebär i den Det kommer att bli en het filmhöst, lita på det! Det folder som följer med detta nummer av scen & film. märktes redan efter det att kulturministern i maj meddelade att I förutsättningarna för avtalet ingick att regeringen öron- det otidsenliga filmavtalet ska upphöra och en ny filmpolitik märkte de pengar som frigjordes genom förändrade pensionsreg- byggas upp. Teaterförbundet för scen och film välkomnade be- ler för så kallade kvalitetsstärkande insatser. Dessa uppgår inled- skedet, men det gör långt ifrån alla parter. ningsvis till 60 miljoner kronor per år för att senare öka till 120 Under politikerveckan i Almedalen höjdes flera röster till för- miljoner och ska användas för bland annat kompetensutveckling. svar för den nuvarande avtalsmodellen och man menar att förslag Det är nu viktigt att regeringen lever upp till dessa utfästelser och om momshöjning blir till en biografdöd på mindre orter. att pengarna inte blir en allmän kompensation för den urholk- Remisstiden för det förslag som utarbetats inom kulturdepar- ning som skett av de statliga anslagen för scenkonsten. tementet avslutades i början av augusti och i december ska enligt Också när det gäller den fria scenkonsten finns stora och berät- planerna riksdagen presenteras ett förslag att ta ställning till. tigade förväntningar. Det upprop som Teaterförbundet tillsam- I remissvaren kan man läsa både ett stort stöd för en helstatlig mans med Danscentrum och Teatercentrum formulerade före filmpolitik och ett brett motstånd mot den höjda biografmomsen valet fick ett mycket positivt gensvar men de konkreta förslagen som är tänkt att ligga till grund för finansieringen av den fram- återstår att förverkliga.
    [Show full text]
  • 4920 10 Cc D22-01 2Pac D43-01 50 Cent 4877 Abba 4574 Abba
    ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE Código INTÉRPRETE MÚSICA TRECHO DA MÚSICA 4920 10 CC I´M NOT IN LOVE I´m not in love so don´t forget it 19807 10000 MANIACS MORE THAN THIS I could feel at the time there was no way of D22-01 2PAC DEAR MAMA You are appreciated. When I was young 9033 3 DOORS DOWN HERE WITHOUT YOU A hundred days had made me older 2578 4 NON BLONDES SPACEMAN Starry night bring me down 9072 4 NON BLONDES WHAT´S UP Twenty-five years and my life is still D36-01 5 SECONDS OF SUMMER AMNESIA I drove by all the places we used to hang out D36-02 5 SECONDS OF SUMMER HEARTBREAK GIRL You called me up, it´s like a broken record D36-03 5 SECONDS OF SUMMER JET BLACK HEART Everybody´s got their demons even wide D36-04 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT Simmer down, simmer down, they say we D43-01 50 CENT IN DA CLUB Go, go, go, go, shawty, it´s your birthday D54-01 A FLOCK OF SEAGULLS I RAN I walk along the avenue, I never thought I´d D35-40 A TASTE OF HONEY BOOGIE OOGIE OOGIE If you´re thinkin´ you´re too cool to boogie D22-02 A TASTE OF HONEY SUKIYAKI It´s all because of you, I´m feeling 4970 A TEENS SUPER TROUPER Super trouper beams are gonna blind me 4877 ABBA CHIQUITITA Chiquitita tell me what´s wrong 4574 ABBA DANCING QUEEN Yeah! You can dance you can jive 19333 ABBA FERNANDO Can you hear the drums Fernando D17-01 ABBA GIMME GIMME GIMME Half past twelve and I´m watching the late show D17-02 ABBA HAPPY NEW YEAR No more champagne and the fireworks 9116 ABBA I HAVE A DREAM I have a dream a song to sing…
    [Show full text]