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How Geoffrey of Monmouth Influenced the Story of King Arthur
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 6-10-2019 The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur Marcos Morales II [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Cultural History Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Morales II, Marcos, "The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur" (2019). Student Theses, Papers and Projects (History). 276. https://digitalcommons.wou.edu/his/276 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur. By: Marcos Morales II Senior Seminar: HST 499 Professor David Doellinger Western Oregon University June 05, 2019 Readers Professor Elizabeth Swedo Professor Bau Hwa Hsieh Copyright © Marcos Morales II Arthur, with a single division in which he had posted six thousand, six hundred, and sixty-six men, charged at the squadron where he knew Mordred was. They hacked a way through with their swords and Arthur continued to advance, inflicting terrible slaughter as he went. It was at this point that the accursed traitor was killed and many thousands of his men with him.1 With the inclusion of this feat between King Arthur and his enemies, Geoffrey of Monmouth shows Arthur as a mighty warrior, one who stops at nothing to defeat his foes. -
April 2017 Issue
4.2017 the VOLUME TWO ISSUE TWO alliancealways aligned with clients in mind BUILDING SPACES FOR WELLNESS WELL Building Standards are leading a movement to make the built environment healthier and happier for the people who occupy the space. ALSO IN THIS ISSUE: Strang’s Paul Wagner recalls his life at Taliesin and Taliesin West. The many ways we love Madison and the many things we’re doing about it. 6411 MINERAL POINT RD 608.276.9200 MADISON, WI 53705 WWW.STRANG-INC.COM THE VIEW FROM HERE Hello and welcome back to the alliance. For decades, Strang has practiced the environmentally balanced tenets within Leadership in Energy and Environmental Design, or LEED. We continue our sustainable practices by using energy modeling software, exacting control systems designs and a continually updated database of bio-based materials. Now, let’s take this stewardship mindset one step further. While buildings which protect our environment are imperative, designs which safeguard and nurture the occupants are every bit as important. Therefore, Strang subscribes to the WELL Building Standards™ whose mission is to improve human health and well- being in buildings and communities across the world. Strang president, Larry Barton, is one of a small group of WELL-certified architects in Wisconsin. In our cover story, Larry explains why LEED and WELL-Built together are critical to project success. ALSO IN THIS ISSUE ▪ Our colleague Paul Wagner celebrates 35 years in architecture, a journey he began as a student at Frank Lloyd Wright’s School of Architecture in the desert foothills of Scottsdale, Arizona. Enjoy his account of life lived, the Wright way. -
Storytelling in Medieval Wales
Oral Tradition, 7/2 (1992):231-57 Storytelling in Medieval Wales Sioned Davies The Storyteller Very little is known of the storyteller and his functions in medieval Welsh society. Welsh sources imply that tales were recited in prose by professional storytellers—the cyfarwyddiaid (singular cyfarwydd). In medieval Ireland, there is evidence to suggest that the composition of both prose and poetry was linked to the fili, the poet, although storytelling was not one of his main functions.1 In Wales, however, there is no direct evidence regarding the relationship between the bardd (poet) and cyfarwydd (storyteller). One much quoted passage in an eleventh-century tale tells of Gwydion and his companions visiting the court of Pryderi in the guise of poets2— They were made welcome. Gwydion was placed beside Pryderi that night. “Why,” said Pryderi, “gladly would we have a tale [cyfarwyddyd] from some of the young men yonder.” “Lord,” said Gwydion, “it is a custom with us that the first night after one comes to a great man, the chief bard [pencerdd] shall have the say. I will tell a tale gladly.” Gwydion was the best teller of tales [cyfarwydd] in the world. And that night he entertained the court with pleasant tales and storytelling [cyfarwyddyd] till he was praised by everyone in the court. —while on another occasion Gwydion, in the guise of a poet from Glamorgan (in South Wales) is made welcome at a North Wales court and narrates cyfarwyddyd (stories) after feasting (Jones and Jones 1949:67). Both passages are open to interpretation regarding the role and significance 1 Mac Cana 1980; see also Bromwich 1978:lxxxiii-lxxxvi. -
The Thirteenth Mt Haemus Lecture
THE ORDER OF BARDS OVATES & DRUIDS MOUNT HAEMUS LECTURE FOR THE YEAR 2012 The Thirteenth Mt Haemus Lecture Magical Transformation in the Book of Taliesin and the Spoils of Annwn by Kristoffer Hughes Abstract The central theme within the OBOD Bardic grade expresses the transformation mystery present in the tale of Gwion Bach, who by degrees of elemental initiations and assimilation becomes he with the radiant brow – Taliesin. A further body of work exists in the form of Peniarth Manuscript Number 2, designated as ‘The Book of Taliesin’, inter-textual references within this material connects it to a vast body of work including the ‘Hanes Taliesin’ (the story of the birth of Taliesin) and the Four Branches of the Mabinogi which gives credence to the premise that magical transformation permeates the British/Welsh mythological sagas. This paper will focus on elements of magical transformation in the Book of Taliesin’s most famed mystical poem, ‘The Preideu Annwfyn (The Spoils of Annwn), and its pertinence to modern Druidic practise, to bridge the gulf between academia and the visionary, and to demonstrate the storehouse of wisdom accessible within the Taliesin material. Introduction It is the intention of this paper to examine the magical transformation properties present in the Book of Taliesin and the Preideu Annwfn. By the term ‘Magical Transformation’ I refer to the preternatural accounts of change initiated by magical means that are present within the Taliesin material and pertinent to modern practise and the assumption of various states of being. The transformative qualities of the Hanes Taliesin material is familiar to students of the OBOD, but I suggest that further material can be utilised to enhance the spiritual connection of the student to the source material of the OBOD and other Druidic systems. -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
Chwedlau'r Oesau Canol | Prifysgol Bangor University
10/01/21 Chwedlau'r Oesau Canol | Prifysgol Bangor University Chwedlau'r Oesau Canol View Online A.H. Diverres, ‘Iarlles Y Ffynnawn and Le Chevalier Au Lion: Adaptation or Common Source?’, Studia Celtica, 16/17 (1981), 144–62 Bobi Jones, ‘Y Rhamantau Cymraeg A’u Cysylltiad â'r Rhamantau Ffrangeg’, Llên Cymru, 4 (1956), 208–27 Bowen, Geraint, ‘Dwy Chwedl a Thair Rhamant’, in Y Traddodiad Rhyddiaith Yn Yr Oesau Canol: (darlithiau Dewi Sant), pp. 143–75 Breudwyt Maxen Wledic (Dublin: School of Celtic Studies, Dublin Institute for Advanced Studies, 2005) Bromwich, Rachel, Trioedd Ynys Prydein: The Triads of the Island of Britain, 3rd ed (Cardiff: University of Wales Press, 2006) <https://www-jstor-org.ezproxy.bangor.ac.uk/stable/j.ctt9qhf8w> Bromwich, Rachel, and D. Simon Evans, Culhwch and Olwen: An Edition and Study of the Oldest Arthurian Tale (Cardiff: University of Wales Press, 1992) Bromwich, Rachel, Jarman, A. O. H., and Roberts, Brynley F., The Arthur of the Welsh: The Arthurian Legend in Medieval Welsh Literature (Cardiff: University of Wales Press, 1991) Brynley F. Roberts, ‘Owein Neu Iarlles Y Ffynnon’, in Ysgrifau Beirniadol, ed. by J.E. Caerwyn Williams, 1977, x, 124–43 Brynley, F Roberts, ‘Peredur Son of Efrawg’, in Perceval =: Parzival : A Casebook, 2002, pp. 105–18 ———, ‘The Idea of a Welsh Romance’, in Studies on Middle Welsh Literature, 1992, pp. 132–46 ———, ‘Ystoria’, The Bulletin of the Board of Celtic Studies, 26 (1974) Mac Cana, Proinsias, Branwen, Daughter of Llyr: A Study of the Irish Affinities and of the Composition -
Creation of a Bibliography of Welsh-Celtic Literature: a Case Study on the Suitability of Using Online Catalogues for Bibliographic Research
Creation of a bibliography of Welsh-Celtic literature: a case study on the suitability of using online catalogues for bibliographic research by Mary L. Evans, B.A.(Hons.) A master's dissertation, submitted in partial fulfilment of the requirements of the award of the Master of Arts degree of the Loughborough University of Technology September 1994 Supervisor: Inese A. Smith, B.A, M.A. Department of Information and Library Studies ® Mary L.Evans, 1994 Abstract The dissertation discusses the creation of a bibliography of Welsh-Celtic literature and considers the usefulness of OPACs as a bibliographic information source. It asks whether OPACs can be relied upon to be the sole information source when conducting a bibliographic search. Different aspects of OPAC use are discussed in relation to the subject of Welsh-Celtic literature. These include: the search facilities that OPACs offer; aspects of searching in a bilingual subject and the development of bilingual OPACs; the subject headings required for searching in this subject. The dissertation concludes that OPACs can be useful to bibliographic research. However, the limited scope of the information they include and the poor quality and level of the information that they contain means that they cannot be relied upon to be an entirely accurate and comprehensive source. Acknowledgements I wish to express my thanks to my supervisor, Inese Smith, for guidance and encouragement. To all those who took the time to respond to my questionnaire and to m·y parents for their support. Contents Page No. Chapter 1 Introduction 1.1 Purpose of the dissertation 1 1.2 Choice of information source 2 1.3 Advantages of OPACs 3 1.4 Other sources 4 1.5 Outline of dissertation 6 Chapter 2 Definition of Celtic literature 2. -
The Figure of Taliesin in Charles Williams' Arthuriad
Volume 10 Number 1 Article 4 4-15-1983 The Figure of Taliesin in Charles Williams' Arthuriad Richard Woods Stritch School of Medicine, IL Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Woods, Richard (1983) "The Figure of Taliesin in Charles Williams' Arthuriad," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 10 : No. 1 , Article 4. Available at: https://dc.swosu.edu/mythlore/vol10/iss1/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses Taliesin as a historical personage and as a legendary and mythological figure, and specifically the sources for Williams’s portrayal of Taliesin in his Arthurian poetry. Speculates on why Williams chose Taliesin as the “romantic focus” of his poems, how he conceived his role, and why he departed from traditional sources. -
Geoffrey of Monmouth and Medieval Welsh Historical Writing
Chapter 9 The Most Excellent Princes: Geoffrey of Monmouth and Medieval Welsh Historical Writing Owain Wyn Jones A late 14th-century manuscript of Brut y Brenhinedd (“History of the Kings”), the Welsh translation of Geoffrey of Monmouth’s De gestis Britonum, closes with a colophon by the scribe, Hywel Fychan, Hywel Fychan ap Hywel Goch of Buellt wrote this entire manuscript lest word or letter be forgotten, on the request and command of his master, none other than Hopcyn son of Tomos son of Einion … And in their opinion, the least praiseworthy of those princes who ruled above are Gwrtheyrn and Medrawd [Vortigern and Mordred]. Since because of their treachery and deceit and counsel the most excellent princes were ruined, men whose descendants have lamented after them from that day until this. Those who suffer pain and subjection and exile in their native land.1 These words indicate the central role Geoffrey’s narrative had by this point as- sumed not only in vernacular historical writing, but also in the way the Welsh conceived of their past and explained their present. Hywel was writing around the time of the outbreak of Owain Glyn Dŵr’s revolt, and the ethnic and co- lonial grievances which led to that war are here articulated with reference to the coming of the Saxons and the fall of Arthur.2 During the revolt itself, Glyn Dŵr’s supporters justified his cause with reference to the Galfridian past, for 1 Philadelphia, Library Company of Philadelphia, 8680.O, at fol. 68v: “Y llyuyr h6nn a yscri- uenn6ys Howel Vychan uab Howel Goch o Uuellt yn ll6yr onys g6naeth agkof a da6 geir neu lythyren, o arch a gorchymun y vaester, nyt amgen Hopkyn uab Thomas uab Eina6n … Ac o’e barn 6ynt, anuolyannussaf o’r ty6yssogyon uchot y llywyassant, G6rtheyrn a Medra6t. -
Arthurian Personal Names in Medieval Welsh Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aberystwyth Research Portal ʹͲͳͷ Summary The aim of this work is to provide an extensive survey of the Arthurian personal names in the works of Beirdd y Tywysogion (the Poets of the Princes) and Beirdd yr Uchelwyr (the Poets of the Nobility) from c.1100 to c.1525. This work explores how the images of Arthur and other Arthurian characters (Gwenhwyfar, Llachau, Uthr, Eigr, Cai, Bedwyr, Gwalchmai, Melwas, Medrawd, Peredur, Owain, Luned, Geraint, Enid, and finally, Twrch Trwyth) depicted mainly in medieval Welsh prose tales are reflected in the works of poets during that period, traces their developments and changes over time, and, occasionally, has a peep into reminiscences of possible Arthurian tales that are now lost to us, so that readers will see the interaction between the two aspects of middle Welsh literary tradition. Table of Contents Acknowledgements ...................................................................................................... 3 Bibliographical Abbreviations and Short Titles ....................................................... 4 Introduction .................................................................................................................. 9 Chapter 1: Possible Sources in Welsh and Latin for the References to Arthur in Medieval Welsh Poetry .............................................................................................. 17 1.1. Arthur in the White Book of Rhydderch and the -
John Cowper Powys's Porius: a Reader's Companion
John Cowper Powys: Porius A Reader’s Companion Updated and Expanded Edition W. J. Keith April 2009 “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this “Companion” is to provide background information that will enrich a reading of Powys’s novel/romance. It glosses Welsh, classical, biblical, and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. (When a quotation is involved, the passage is listed under the first word even if it is “a” or “the.”) It was first made available on the Internet and in booklet form in 2004, and has subsequently been updated and revised from time to time. The present version has been thoroughly reset and expanded. Numerous errors discovered in the intervening years have been corrected. All page-references are to Judith Bond and Morine Krissdóttir’s edition published by Overlook Duckworth in 2007, with those to Wilbur T. Albrecht’s 1994 edition from Colgate University Press following in square brackets. Since the latter contained many errors and inconsistencies, the words listed often appear there in somewhat different form. Moreover, because the editions are based on different copy-texts, some references appear only in one of the editions; when those occurring in only one version require separate annotation, they have been identified and glossed. References to other JCP books published during his lifetime will be either to the first editions or to reprints that reproduce the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. -
Celtic Motifs in the Provençal Arthurian Romance, Jaufre: the Grail Legend Before Perceval
72-4627 ROOT, Martha James, 1939- CELTIC MOTIFS IN THE PROVENCAL ARTHURIAN ROMANCE, JAUFRE: THE GRAIL LEGEND BEFORE PERCEVAL. The Ohio State University, Ph.D., 1971 Language and Literature, modern University Microfilms, A XERQ\ Company, Ann Arbor, Michigan CELTIC MOTIFS IN THE PROVENCAL ARTHURIAN ROMANCE, JAUFRE; THE GRAIL LEGEND BEFORE PERCEVAL DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Martha James Root, A.B., M.A. The Ohio State University 1971 Approved hy Department of Romance Languages' PLEASE NOTE: Some Pages have in d is tin c t print. Filmed as received. UNIVERSITY MICROFILMS ACI®OWLEDGEMENTS I wish to express my appreciation to my adviser, Mrs. Eleanor Bulatkin, to my parents, grandmother, and husband and to Anne Tilton and Janet Zimmerman. ii VITA November 22, 1 9 3 9 ........... Born - East Chicago, Indiana 1 9 6 1 ....................... A.B., Miami University, Oxford, Ohio I96 I-I965 ................... Teaching Assistant, Department of Romance Languages, The Ohio State University, Columbus, Ohio 196^ . M.A., The Ohio State University, Columbus, Ohio 1965-1966 ................... Lecturer, Bucknell University, Lewisburg, Pennsylvania FIELDS OF STUDY Major Field: French Literature Minor Fields: Spanish Literature Provencal Literature iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ii VITA iii INTRODUCTION X Manuscript Editions Metric Form, Dialect, Localization Date of Composition Purpose of Dissertation Celtic Motifs The Qp.es ting Hero J aufre Chapter I. ARTHUR'S ADVENTURES 28 The Red Beast The Giant Bird II. THE KNIGHT JAUFRE 63 III. THE WOUND, THE WASTING AND THE LAMENT 68 IV.