Head

Total Page:16

File Type:pdf, Size:1020Kb

Head <html><head></head><body><pre style="word-wrap: break-word; white-space: pre-wrap;">C A N A D A COURS UNIFI​ES DU QU​BEC PROVINCE DE QU​BEC CHAMBRE CRIMINELLE ET P​NALE DISTRICT DE MONTR​AL CAUSE NO.: 500-01-017372-928 ​TAPE: PROCES - SUITE PR​SENT: L'HONORABLE JUGE FRASER MARTIN, J.C.S. ET JURY NOM DES PARTIES: SA MAJEST​ LA REINE Plaignante, c. VALERY FABRIKANT Accus‚, COMPARUTIONS: Me Jean Lecours PROCUREUR DE LA PLAIGNANTE DATE DE L'AUDITION: LE 12 MARS 1993 FICHIER: 2469 P-5014 MICHEL DAIGNEAULT, S.O. TABLE DES MATIERES PAGE REPRESENTATIONS 3 WITNESS: DAVID MILLS (JUROR #6) Examined by the Court 8 WITH JURY 13 T​MOIN EXPERT: ROBERT DESJARDINS Interrog‚ par Me Lecours (VOIR-DIRE) 15 Interrog‚ par Me Lecours 17 REPRESENTATIONS 26 Interrog‚ par Me Lecours 38 Contre-interrog‚ par M. Fabrikant 72 WITHOUT JURY 85 WITH JURY 86 WITHOUT JURY 86 T​MOIN: BERNARD MARCIL Interrog‚ par la Cour 92 Contre-interrog‚ par M. Fabrikant 108 REPRESENTATIONS THE COURT : I came onto the bench alone because I have received a letter from a juror, plus another letter, ostensibly from one of the jurors' clients, which I will first of all invite you to take cognizance of, Mr. Lecours and then Mr. Fabrikant, Mr. Belleau. VALERY FABRIKANT : Well, this letter proves only one point, that there was really tampering with the jury... THE COURT : Would you hand the letter to Mr. Belleau, you've taken cognizance of the letter, sit down, I'll speak to you when I wish to hear from you. I'm dictating the rules, not you. Sit down or you'll be sat down. Okay. In sum and substance, it's a letter accompanied by another letter from one of his clients, from a juror who did not move, at least before me, for an exemption, claiming substantially economic grounds. There are however two parts of the letter which are troubling, one is the fourth paragraph on the first page, which uses the words: "I have already developed a firm conviction of Fabrikant's guilt." And the last paragraph, or an ultimate paragraph before the underlined: "Justice Martin, if I succumb to my jury duty my family will be out in the street before Fabrikant gets the punishment he deserves." First of all, Mr. Lecours, what is your position on this question? It's I who have to decide, I know what route I'm going to follow, but I would appreciate your input. Me JEAN LECOURS : Well, I was going to say you have discretion, I think you still have the power to exclude this person. From my experience, we discovered sometimes some criminal records and the Judge excused the person, it slipped through the process. But if we don't have the possibility to test, because it's easy for someone to come in the box and say, I... for me everybody is guilty... THE COURT : Well, that's the question, I... yes, I'm not about to exercise that discretion before there is a test. Me JEAN LECOURS : It's too late to verify whether it's just a reason to avoid duties. In this case I think the person might be excused because there is some bias in this letter. THE COURT : You perhaps go further than me, I was of a mind to see whether or not the juror was... how serious the juror was on that question. Mr. Fabrikant, what have you to say? VALERY FABRIKANT : Well, I request mistrial and new empanelling of jury because it looks like obvious that jury was tampered with in several ways. If anyone observed yesterday's choosing of the jury, then it was quite clear that Crown, having its enormous power of collecting information, already had information about jurors... THE COURT : Mr. Fabrikant, we are not hearing... I'm not going to countenance a motion for a mistrial. If you're making a motion for a mistrial, that's not what I asked you at the moment, I asked you in relation to... VALERY FABRIKANT : Well, if you didn't ask me to make a motion, I want to make a motion for mistrial, why do you forbid me to do so? THE COURT : Because you're out of order at the moment, I'm asking you what your position is with regard to the letter received from juror number 6. It's wonderful to debate about all sorts of things throughout the morning, but my problem at the moment is the question of juror number 6. Now, would you please address yourself to that, if you're not prepared to address yourself to that, sit down and I'll manage by myself. VALERY FABRIKANT : So when will I be able to make this motion of mistrial? If now it is not the time... THE COURT : Let me give you the short answer, now is not the time. VALERY FABRIKANT : Okay. When is the time then? THE COURT : I'm not prepared to tell you when the time is, at the moment I'm dealing with this letter, okay, so let us deal with this letter, I'm not going any further than that. Now have you anything to say with regard to this problem? VALERY FABRIKANT : Okay. I have to say, this letter indicates only that there is not just one person, just one person who came forward, but everybody else in the jury definitely was tampered with. Therefore, I think that elementary judicial dignity in this situation requires to declare a mistrial and start the jury selection again. THE COURT : Your motion for mistrial is dismissed. VALERY FABRIKANT : Well, I didn't make the motion. THE COURT : I read it as a motion, you announced it as a motion... VALERY FABRIKANT : Well, if it is a motion then let me continue my argumentation. THE COURT : If you have other argument to submit... No, I'm sorry, I wish... VALERY FABRIKANT : You cannot dismiss a motion as if it was presented, because I have more to say about it. THE COURT : Fine. Then save what you have to say for the minute and I'll reconsider what you have to say on your motion for a mistrial later on. Now would you address yourself to this question? VALERY FABRIKANT : Well, this is what I feel because if one juror came forward, there is guarantee there are others who didn't have the conscience to come forward, that's all. THE COURT : That's what you have to say? VALERY FABRIKANT : Yes. THE COURT : Mr. Belleau, have you any comments to make at all? Me BELLEAU : I agree with Mr. Lecours, My Lord, I think that the appearance of justice would demand that this candidate be... well, not a candidate, juror now, be excused. THE COURT : Fine. Well, I think I'll proceed with a short inquiry and we will see. Would you have juror number 6 brought in and taken to the witness box please, just have him step in the witness box. IN THE YEAR NINETEEN HUNDRED AND NINETY-THREE (1993), this twelfth (12th) day of the month of March, personally came and appeared: DAVID MILLS, born on October seventh (7th), nineteen hundred and forty (1940), freelance writer, confidential address; WHOM, after having been duly sworn, doth depose and say as follows: EXAMINED BY THE COURT : Q. You were here on Monday, Mr. Mills, is that right? A. Yes. Q. And you heard what I had to say when I addressed the jury panel on Monday? A. Yes, I did. Q. And you received a sheet of paper, you heard my explanation with regard to exemptions? A. Yes, I did, Your Honor. Q. Now, you correct me if I'm wrong, but if my sheet is correct, you didn't appear in order to make an exemption on Tuesday morning, is that right? A. That's correct, Your Honor, it's all explained in the letter. Did you have a chance to read it? Q. Well I had a chance to read it. But I am correct that nevertheless you didn't appear? A. I had made a... I had applied for an exemption right at the beginning. Q. Which was turned down? A. Which was turned down, I'm not even sure you saw it. Q. Well of course, I'm hardly clairvoyant. A. It was sent in by registered letter and I have received a registered letter in return denying it. Q. And the sheriff declined to grant you an exemption? A. At that time, that's correct. Q. Have you any idea the difficulty this causes at this stage? A. Your Honor, I believe that the process that we were briefed on on Monday was in fact the strategy of recruitment of jurors was changed obviously between then and Thursday because suddenly, instead of being drawn from a lot of... some four hundred and fifty (450) people minus exemptions, suddenly less than... fewer than a half of the first group were recruited and placed into the jury box instantly. Q. I said to you on Monday that if you had exemptions to ask for, ask for them on Tuesday, and you would have to be back on Thursday for jury selection, that's what you were there for yesterday, jury selection. A. I grant it. Following yesterday's session the reality of the situation... frankly I did not expect to be... I expected to be interviewed on the situation and been excluded because of bias. Q.
Recommended publications
  • UI Fêtes Dodge in Farewell Event
    MONDAY, JULY 24, 2017 THE INDEPENDENT DAILY NEWSPAPER FOR THE UNIVERSITY OF IOWA COMMUNITY SINCE 1868 DAILYIOWAN.COM 50¢ News To Know UI fêtes Dodge in farewell event Georgina Dodge will leave her position as chief diversity officer at the University of Iowa for a job at New chairman of Iowa Democratic Party Bucknell University. named By MOLLY HUNTER | [email protected] Former Democratic party executive Troy Price was chosen as Derek Eadon’s Career Highlights successor as chairman of the Iowa Democratic Party on July 22. · She serves on the national board The Democrats’ state of directors for the Association of central Title IX Administrators. committee chose Price · During her tenure at the UI, after Eadon Dodge served as the chief diversity resigned officer, associate vice president, for medical and Title IX coordinator. reasons. “The road · Before working at the UI for seven Price ahead will years, Dodge spent 14 years at chairman not be easy. Ohio State University, where she We’re facing worked for the Office of Minority opposition at every turn, but Affairs and the Department of I am confident that with the African American and African best volunteers, activists, and candidates, together, we will Studies Community Center. win up and down the ticket,” · Before Ohio State, she served Price said in a statement to a six-year enlistment in the the Des Moines Register. In addition to leading Iowa’s Navy working as an electronics largest LGBTQ advocacy group, technician on communications, One Iowa, Price also worked radar, and meteorological on the presidential campaigns equipment.
    [Show full text]
  • Jacknife Lee
    Jacknife Lee It is fair to say that Jacknife Lee has become one of the most sought after and highly influential producers currently at work. Lee’s career has encompassed work with some of the biggest and most influential artists on both sides of the Atlantic in the shape of Taylor Swift, U2, R.E.M., Kasabian, Robbie Williams and Neil Diamond. His work on U2’s “How To Dismantle An Atom Bomb” saw him collect two Grammy Awards in 2006 as well as Producer of the Year at the UK MMF Awards. He was also again Grammy nominated in 2013 for his work on Swift’s multi-million selling album “Red.” Currently working on what looks set to be the biggest album from Scottish alt-rock heroes Twin Atlantic and the debut album from The Gossip’s Beth Ditto, Lee has also produced a handful of tracks on Jake Bugg’s upcoming third album and is just about to commence work with Two Door Cinema Club after their successful collaboration on Beacon two years previously. In 2014, Lee was honoured to be asked to co-produce Neil Diamond’s “Melody Road” album alongside the tremendously talented Don Was. “Melody Road” debuted at #3 in America and #4 in the UK as it received universal critical acclaim. Lee has gained much recognition as a writer producer over the last five years. In 2014 also Lee co write and produced various singles for Kodaline’s second album “Coming Up For Air” which peaked at #2, while he also produced and co-wrote Twin Atlantic’s Radio 1 A-listed singles “Heart and Soul” and “Brothers and Sisters.” In addition, Lee spent some of the year writing and producing track for alternative urban artist Raury.
    [Show full text]
  • Fachlexik in Artikeln Über Populäre Musik
    STAATLICHE UNIVERSITÄT SANKT PETERSBURG Philologische Fakultät Lehrstuhl für Deutsche Philologie Anastasia Andreeva Fachlexik in Artikeln über populäre Musik am Beispiel der deutschsprachigen Presse Функционирование специальной лексики в статьях о популярной музыке (на материале немецкоязычной прессы) MASTERARBEIT Fachrichtung: 45.04.02 LINGUISTIK Masterstudiengang: «Theorie und Praxis verbaler Kommunikation» Wissenschaftliche Betreuerin: Dr. Phil. Elena Kovtunova Sankt Petersburg 2017 Inhaltsverzeichnis Generating Table of Contents for Word Import ... Einleitung Die vorliegende Masterarbeit untersucht Fachlexik aus dem Fachdiskurs populärer Musik in aktuellen deutschsprachigen Medientexten. Den Forschungsgegenstand bilden Fachwörter im Text: die Funktionen des Fachwortes im Medientext, sprachliche Vorgänge, die die Fachlexik in Artikeln über populäre Musik betreffen, und diskursive Repräsentation der Fachlexik im Kontext. Aktuelle Fachsprachenforschung zeigt, dass Fachlexik ihren Gebrauch nicht auf Fachtexte beschränkt. Es lässt sich beobachten, dass Fachwörter in unterschiedlichen Texten auftreten. Wenn Begriffe in einem massenmedialen Kontext vorkommen, stellt sich die Frage, ob die Einheiten von semantischen Modifikationen betroffen werden können. Vermutlich können Fachwörter determinologisiert und metaphorisiert werden oder Synonymie bzw. Polysemie im Kontext entwickeln. In vorliegender Masterarbeit wird Fachlexik innerhalb des Diskurses populärer Musik betrachtet, d.h. am Beispiel von Artikeln, die eine offene Gesamtheit von Texten
    [Show full text]
  • Our Father Cares.Pdf
    Our Father Cares Ellen G. White 1991 Information about this Book Overview This ePub publication is provided as a service of the Ellen G. White Estate. It is part of a larger collection. Please visit the Ellen G. White Estate website for a complete list of available publications. About the Author Ellen G. White (1827-1915) is considered the most widely translated American author, her works having been published in more than 160 languages. She wrote more than 100,000 pages on a wide variety of spiritual and practical topics. Guided by the Holy Spirit, she exalted Jesus and pointed to the Scriptures as the basis of one’s faith. Further Links A Brief Biography of Ellen G. White About the Ellen G. White Estate End User License Agreement The viewing, printing or downloading of this book grants you only a limited, nonexclusive and nontransferable license for use solely by you for your own personal use. This license does not permit republication, distribution, assignment, sublicense, sale, preparation of derivative works, or other use. Any unauthorized use of this book terminates the license granted hereby. © Copyright 2010 by the Ellen G. White Estate, Inc. For more information about the author, publishers, or how you can support this service, please contact the Ellen G. White Estate: (email address). We are thankful for your interest and feedback and wish you God’s blessing as you read. Contents Information about this Book . .1 Overview . .1 About the Author . .1 Further Links . .1 End User License Agreement . .1 Forward . .1 January—Sons and Daughters of God 15 We Are Called The Sons Of God .
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Gilbert Keith Chesterton - Poems
    Classic Poetry Series Gilbert Keith Chesterton - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Gilbert Keith Chesterton(29 May 1874 – 14 June 1936) Gilbert Keith Chesterton was an English writer. He published works on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." For example, Chesterton wrote "Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it." Chesterton is well known for his reasoned apologetics and even some of those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both progressivism and conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position more and more with Catholicism, eventually converting to Roman Catholicism
    [Show full text]
  • The Greatest Lie Ever Told
    The Greatest Lie Ever Told Artcile from: The Informer http://unitednationsoffilm.com/?p=2432 The government and legal system of the United States, Canada, Austraila, New Zealand and of course Britain, is totally controlled by the Crown. I have also stated that the British Monarch is not the Crown. The Crown is the Inner City of London, which is an independent State in London belonging to the Vatican system. It is a banking cartel which has a massive system around and beneath, which hides its true power The City is in fact the Knights Templar Church, also known as the Crown Temple or Crown Templar, and is located between Fleet Street and Victoria Embankment. The Temple grounds are also home to the Crown Offices at Crown Office Row. The Crown Temple controls the Global 'Legal' system, including those in the United States, Canada, Australia, and much more; this is because all Bar Associations are franchises of the International Bar Association at the Inns of Court at Crown Temple based at Chancery Lane in London. All Bar Associations are franchises of the Crown and all Bar Attorneys/ Barristers throughout the world pledge a solemn oath to the Temple, even though many may not be aware that this is what they are doing. Bar Association 'licensed' Solicitors / Barristers must keep to their Oath, Pledge and terms of allegiance to the Crown Temple if they are to be "called to the Bar" and work in the legal profession. The ruling Monarch is also subordinate to the Crown Temple, this as been so since the reign of King John in the 13th century when Royal Sovereignty was transferred to the Crown Temple and, through this, to the Roman Church.
    [Show full text]
  • Frances Ellen Watkins Harper - Poems
    Classic Poetry Series Frances Ellen Watkins Harper - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive www.PoemHunter.com - The World's Poetry Archive 1 Frances Ellen Watkins Harper(24 September 1825 – 22 February 1911) Frances Ellen Watkins Harper was an African American abolitionist and poet. Born free in Baltimore, Maryland, she had a long and prolific career, publishing her first book of poetry at twenty and her first novel, the widely praised Iola Leroy, at age 67. <b>Early Life and Education</b> Frances Ellen Watkins was born to free parents in Baltimore, Maryland. After her mother died when she was three years old in 1828, Watkins was orphaned. She was raised by her maternal aunt and uncle. She was educated at the Academy for Negro Youth, a school run by her uncle Rev. William Watkins, who was a civil rights activist. He was a major influence on her life and work. At fourteen, she found work as a seamstress. <b>Writing Career</b> Frances Watkins had her first volume of verse, Forest Leaves, published in 1845 (it has been lost). Her second book, Poems on Miscellaneous Subjects, published in 1854, was extremely popular. Over the next few years, it was reprinted numerous times. In 1859, her story “The Two Offers” was published in Anglo-African Magazine, the first short story to be published by an African American. She continued with her writing and continued to publish poetry after becoming a political activist. In 1892 she published Iola Leroy, or Shadows Uplifted. One of the first novels by an African-American woman, it sold well and was reviewed widely.
    [Show full text]
  • Interagera Med Robbie Williams På Google+
    2012-11-02 11:13 CET Interagera med Robbie Williams på Google+ Britain’s best–selling male solo artist Robbie Williams , celebrates the launch of his 9th studio album ‘Take the Crown’ by developing the world first bespoke artist Google Hangout app for fans. Robbie Williams Google Hangouts app is now launched in partnership with Google, Robbie Williams and Island Records. The app will contain the textures used for Robbie’s innovative ‘Take the Crown’ album artwork – a 3D bust of Robbie’s own head , rendered in numerous styles : Candy colour, Gold and Silver, created by Tom Hingston Studio. Fans will be able to overlay these textures over their own faces as they chat live to each other , to show their support and dynamically interact with the album art. This app marks an amazing opportunity for fans to engage with an artist’s album artwork in a truly non traditional way. A spokesman for Google+ said: 'Robbie's unique Google+ integration takes his fans to the next level of digital music experience. Google+ is the only destination for face-to-face artist interaction and the ultimate in fan engagement, bringing music fans closer to their idols than has ever been possible.' Robbie himself will encourage fans to submit videos of themselves interacting with the app and will promote his favourite videos via a Youtube playlist. The culmination of this campaign is the opportunity for fans to meet Robbie in a Hangout on November 5th. In the run up to this date fans from across the globe will have to plan Hangouts and create circles for Nov 5th in the hope that Robbie will surprise them in their Hangout.
    [Show full text]
  • Alexander Mission Topical Index
    ALEXANDER’S HYMNS NO. 3 With Standard Hymns EDITED BY CHARLES M. ALEXANDER AS USED IN THE CHAPMAN – ALEXANDER MISSION TOPICAL INDEX ADORATION and PRAISE. Nos. 4, 12, 46, 63, 69, 81, 88, 155, 176, 215, 217, 234, 235, 242, 246, 249, 258, 291, 305, 333, 334, 339, 348, 386, 390, 405. ASSURANCE. Nos. 1, 16, 47, 78, 90, 103, 113, 123, 128, 143, 148, 150, 172, 193, 216, 244, 302, 310, 311, 327, 343, 383, 385, 398, 408, 424. ATONEMENT, The. Nos. 31, 38, 54, 88, 92, 96, 131, 166, 167, 177, 187, 203, 216, 264, 304. BIBLE, The. Nos. 7, 43, 140, 142, 145, 147. CHILDREN'S HYMNS. Nos. 7, 45, 142, 219, 238, 268, 271, 304, 313, 314, 316, 317, 318, 319, 320, 321, 322, 323, 324, 325, 326, 329, 377. CHRIST AS FRIEND AND HELPER. Nos. 19, 23, 32, 46, 51, 98, 135, 143, 195, 206, 278, 300, 316, 326, 381, 399, 407, 411, 438. CHRIST AS SAVIOUR. Nos. 21, 22, 38, 58, 77, 83, 109, 114, 169, 171, 215, 264, 267, 287, 342, 379, 392, 403, 426, 437. CHRIST AS SHEPHERD. Nos. 17, 22, 132, 210, 230, 238, 269, 352. CHRISTIAN EXPERIENCE. Nos. 5, 9, 29, 49, 53, 60, 68, 75, 82, 153, 184, 202, 208, 225, 232, 236, 274, 288, 413, 419, 421, 433. CHRISTIAN SERVICE and SOUL WINNING. Nos. 10, 14, 20, 37, 42, 73, 79, 93, 94, 118, 138, 154, 158, 168, 182, 194, 213, 221, 259, 292, 381, 394, 414, 422, 432. CHRISTIAN WARFARE. Nos. 13, 65, 192, 228, 229, 240, 241, 245, 308, 351.
    [Show full text]
  • Jacknife Lee
    Jacknife Lee Title Artist Credit Forthcoming Album Two Door Cinema Club Co-Produced Melody Road Neil Diamond Devil’s Whisper Raury Produced Coming Up For Air / Various Tracks Kodaline Produced Honest / Single Kodaline Produced Love Stuff / Album Elle King Wrote/Produced Heart & Soul / Single Twin Atlantic Produced Brothers and Sisters / Single Something Great / Single One Direction Co-wrote / Produced The Last Chance / Single Taylor Swift LP Track/Co Wrote/Produced Take The Crown / Single Robbie Williams Co-Wrote/Produced Candy / Single Beacon Two Door Cinema Club Produced American Girl / Single Bonnie McKee Co-Wrote Back To Forever / Album Lissie Produced The Ghost Of The Mountain / Album Tired Pony LP Co Wrote/Produced/Mixed Fallen Empires / Album Snow Patrol Co- Wrote/Produced/Mixed Neck Of The Woods / Album Silversun Pickups Produced Move Like This / Album The Cars Produced/Mixed Collapse Into Now / Album REM Produced/Mixed The Place We Ran From / Album Tired Pony Wrote/Produced Film Soundtrack My Brothers Wrote/Produced Crystal Castles Various Tracks Crystal Castles Produced Live / Album REM Mixed Up To Now / Album Snow Patrol Co- Wrote/Produced/Mixed Soundtrack / Album Blur (Game) Wrote/Produced/Mixed Raditude / Weezer Weezer Produced Far / Various Tracks Regina Spektor Produced/Mixed Pork And Beans/ Single Weezer Produced Troublemaker / Single A Hundred Million Suns / Album Snow Patrol Produced/Mixed Intimacy / Album Bloc Party Produced/Mixed Accelerate / Album REM Produced/Mixed A Weekend In The City / Album Bloc Party Produced
    [Show full text]
  • The Legal Profession in Scotland
    YALE 'LAW JOURNAL VOL. V FEBRUARY, 1896 No. 3 THE LEGAL PROFESSION IN SCOTLAND. I. THE JUDICATURE. The Judges in Scotland, like those in England and elsewhere, belong to two classes, the salaried and unsalaried, but it is char- acteristic of the Scottish system that in it the unsalaried are of comparatively little consequence. The salaried judges do practi- cally the whole judicial work of the country, and of them accord- ingly I shall have most to say. It will simplify matters if I begin by stating some points common to all of the salaried judges in Scotland, whether they belong to the Supreme or inferior courts. All salaried judges in Scotland are appointed ad vitam aut cuvtpam and are removable only with great difficulty for miscon- duct. The judges of the Supreme Court cannot, be removed except upon an address presented to the Sovereign by both Houses of Parliament. In this way the consent of all three branches of the Legislature is required. The judges of the lower courts can be removed only by the Supreme Court, or upon a report by the two heads of the Supreme Court to the secretary for Scotland, as representing the Ministry. Practically, the appoint- ments are for life, and no instance of the removal of any judge high or low has occurred for the last half-century. There is no specified age at which a judge is bound to retire, and although complaints are sometimes heard that judges continue to hold office, when it would be better that they should retire, there seems little prospect of any remedy being applied.
    [Show full text]