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Theatres at which ACA graduates have worked since graduation: Broadway, King Lear with Christopher Plummer Broadway, Merchant of Venice with Al Pacino 1st National Broadway Tour: August: Osage County 1st National Broadway Tour: The Graduate 1st National Broadway Tour: Spamalot National Tour: The SantaLand Diaries 34 West Theatre Company (NYC) 59E59 Theater (NYC) Acting Company Actor's Express Actors Shakespeare Company at New Jersey City University Actors Shakespeare Project Actors Theatre of Louisville* Actors Theatre of Minnesota Arden Theatre Adrienne Alabama Shakespeare Festival Alliance Theatre* American Century Theater American Globe Theatre American Players Theatre, Wisconsin American Repertory Theater* American Shakespeare Center American Theater Company A Noise Within Antaeus Theatre Company Arena Stage* Artists Repertory Theatre Arts Alive Theatre Arts Center of Coastal Carolina Arts United DC ArtsWest Arvada Center Atlas Performing Arts Attic Theatre and Film Center, L.A. Austin Playhouse Austin Shakespeare Baltimore Shakespeare Festival Baltimore Symphony Orchestra Barnstormers Barrington Stage (Berkshires) Bay Theatre, Annapolis Beckett Theatre, Theatre Row Berkeley Repertory Theatre* You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) Black Repertory Company of St. Louis Blue Herron Theatre, NYC Boston Playwrights' Theater Boston Theatre Works Breaking String Theatre Brooklyn Academy of Music (BAM) Outdoor Arts Festival Bunbury Theatre Cadence Theatre Company -
Bridgewater Review, Vol. 28, No. 1, June 2009
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Virtual Commons - Bridgewater State University Bridgewater Review Volume 28 | Issue 1 Article 1 Jun-2009 Bridgewater Review, Vol. 28, No. 1, June 2009 Recommended Citation Bridgewater State College. (2009). Bridgewater Review. 28(1). Available at: http://vc.bridgew.edu/br_rev/vol28/iss1/1 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. VOLUME 28 NUMBER 1 JUNE 2009 Bridgewater Review BRIDGEWATER STATE COLLEGE The First Building at Bridgewater State College painting by Mary Crowley “The first building to be erected specifically for normal school work in America was built at Bridgewater in 1846. The years of experiment were successfully passed. A total of ten thousand dollars was raised, one half of that sum by public subscription, and the remainder from state funds. Col. Abram Washburn donated a lot of land one and one-quarter acres and George B. Emerson of Boston provided the furnace for heating the building. It was a small, wooden, two-story structure containing a large schoolroom, and two recitation rooms in the upper story, and a Model School room, a chemical room, and two anterooms on the lower floor.” —Special Collections. VOLUME 28 NUMBER 1 JUNE 2009 TS N TE N CO Bridgewater Review INSIDE FRONT COVER ON THE COVER The First Building Mercedes Nuñez, at Bridgewater State College Professor of Art: RANDOM PREOCCUPATION, Tu Leyenda. INSIDE BACK COVER Additional works by Professor Nuñez, Bridgewater State College’s entitled, Random Preoccupations are First Dorm on pages 15–18. -
The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play. -
Jihadism: Online Discourses and Representations
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Studying Jihadism 2 3 4 5 6 Volume 2 7 8 9 10 11 Edited by Rüdiger Lohlker 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 The volumes of this series are peer-reviewed. 37 38 Editorial Board: Farhad Khosrokhavar (Paris), Hans Kippenberg 39 (Erfurt), Alex P. Schmid (Vienna), Roberto Tottoli (Naples) 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Rüdiger Lohlker (ed.) 2 3 4 5 6 7 Jihadism: Online Discourses and 8 9 Representations 10 11 12 13 14 15 16 17 With many figures 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 & 37 V R unipress 38 39 Vienna University Press 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; 24 detailed bibliographic data are available online: http://dnb.d-nb.de. -
Positioning Women to Win to Guide Me Through the Challenging Issues That Arise During My Campaign for Re-Election.”
P o s i t ion i ng Wom e n to Wi n New Strategies for Turning Gender Stereotypes Into Competitive Advantages The Barbara Lee Family Foundation “Running my gubernatorial race was very different than running my previous race, and the Governor’s Guidebook series played an integral role in answering the questions I didn’t even know to ask. I will certainly rely on Positioning Women to Win to guide me through the challenging issues that arise during my campaign for re-election.” – Governor Christine Gregoire “Winning an election can never be taken for granted. The Governors Guidebook series arms both incumbents and first- time challengers with the “do’s” and “don’ts” of effectively communicating your achievements and vision. Leaders, regardless of gender, must develop a realistic and hopeful vision and be able to clearly articulate it to their supporters.” – Governor Linda Lingle P o s i t ion i ng Wom e n to Wi n New Strategies for Turning Gender Stereotypes Into Competitive Advantages DeDication Dedicated to the irrepressible spirit of the late Governor Ann Richards. acknowleDgements I would like to extend my deep appreciation to three extraordinary women who have served as Director at the Barbara Lee Family Foundation: Julia Dunbar, Amy Rosenthal and Alexandra Russell. I am also grateful for the support of the wonder women at “Team Lee”: Kathryn Burton, Moire Carmody, Hanna Chan, Monique Chateauneuf, Dawn Huckelbridge, Dawn Leaness, Elizabeth Schwartz, Mandy Simon and Nadia Berenstein. This guidebook would not have been possible without the vision and hard work of our political consultants and their staffs: Mary Hughes, Celinda Lake, Christine Stavem, Bob Carpenter and Pat Carpenter. -
Program Booklet
February 9 & 16 Nashoba-wheelockfam5.5x7.5.indd 1 9/23/19 3:16 PM WFT@BU January/February 2020 Why Little Women? “It was the best of times, it was the worst of times.” “Call me Ishmael.” And “Christmas won’t be Christmas without any presents.” Little Women is on a short list of great works of literature featuring famous first lines. I returned to these opening lines for our first rehears- al and realized that the first two pages of Louisa May Alcott’s classic novel contain all the ingredients of her story: The four sisters are the first four characters whose voices we hear – this is a story about them. Jo has the first of these four lines – she will be the trailblazing leader of the sisters. Father is away at war – this is a matriarchal home. Marmee has asked her daughters to sacrifice their Christmas presents so as not to “spend money for pleasure, when our men are suffering so in the army” — this family is generous and mission-driven. Each sister has a different passion: books, music, drawing — this family does not have a lot, but they do have each other. It is their charity, love, and fire that make this family the Marches, that enable us to see ourselves in one of the four sisters, or parts of ourselves in all. As a young reader and moviegoer, what always spoke to me about Little Women is the rebel story of a young woman defying the gender norms of her time period through writing her own story. -
Stick Fly Program
theatre.indiana.edu STICK FLY BY LYDIA R. DIAMOND DIRECTED BY LERALDO ANZALDUA A DIGITAL EVENT IU Theatre & Dance wishes to acknowledge and honor the Miami, Delaware, Potawatomi, and Shawnee people, on whose ancestral homelands and resources PRESENTS Indiana University was built. LIVE STICK FLY PERFORMANCE by Lydia R. Diamond The mission of the Department of Theatre, Drama, and Contemporary Dance is to advance the art, scholarship, and appreciation of theatre and dance and its DIRECTOR Leraldo Anzaldua place in society. We pursue this mission collectively STAGE MANAGER Jorie Miller and as individuals through theatrical productions, scholarship and publication, presentation of our work in national and international venues, formal instruction, and individual mentoring. The Department of Theatre, Drama, and Contemporary Dance is accredited by the National Association of Schools of Theatre and is a member of the University/ Stick Fly is presented by arrangement with Concord Theatricals on behalf of Resident Theatre Association Samuel French, Inc. www.concordtheatricals.com and United States Institute for Theatre Technology. Stick Fly was developed in part at Chicago Dramatists, originally produced by Congo Square Theatre and subsequently produced by McCarter Theatre Center. A further developmental production directed by Kenny Leon, was LIVING produced jointly by Arena Stage and the Huntington Theatre Company. IMPACT The video and/or audio recording of this production is strictly prohibited. A DIGITAL EVENT | FEBRUARY 12–13, 2021 3 Cast Production -
UI Fêtes Dodge in Farewell Event
MONDAY, JULY 24, 2017 THE INDEPENDENT DAILY NEWSPAPER FOR THE UNIVERSITY OF IOWA COMMUNITY SINCE 1868 DAILYIOWAN.COM 50¢ News To Know UI fêtes Dodge in farewell event Georgina Dodge will leave her position as chief diversity officer at the University of Iowa for a job at New chairman of Iowa Democratic Party Bucknell University. named By MOLLY HUNTER | [email protected] Former Democratic party executive Troy Price was chosen as Derek Eadon’s Career Highlights successor as chairman of the Iowa Democratic Party on July 22. · She serves on the national board The Democrats’ state of directors for the Association of central Title IX Administrators. committee chose Price · During her tenure at the UI, after Eadon Dodge served as the chief diversity resigned officer, associate vice president, for medical and Title IX coordinator. reasons. “The road · Before working at the UI for seven Price ahead will years, Dodge spent 14 years at chairman not be easy. Ohio State University, where she We’re facing worked for the Office of Minority opposition at every turn, but Affairs and the Department of I am confident that with the African American and African best volunteers, activists, and candidates, together, we will Studies Community Center. win up and down the ticket,” · Before Ohio State, she served Price said in a statement to a six-year enlistment in the the Des Moines Register. In addition to leading Iowa’s Navy working as an electronics largest LGBTQ advocacy group, technician on communications, One Iowa, Price also worked radar, and meteorological on the presidential campaigns equipment. -
Lady M Program
CURTIS R PRIEM EXPERIMENTAL MEDIA AND PERFORMING ARTS CENTER EMPAC.RPI.EDU Heartbeat Opera Welcome Ethan Heard & Louisa Proske, Co-Artistic Directors Presents: Dearest Audience, Heartbeat Opera was founded on the principle of meeting restrictions with creativity and imagination. In our six seasons, we’ve innovated across all aspects of opera to show that the art form can pack a potent punch even when it is produced on a leaner budget. We are proud that The New York Times celebrated this core belief, Lady M calling our productions “icy vodka shots of opera instead of ladles of cream sauce.” an online fantasia of Verdi’s Macbeth May 11-20, 2020 Today, we are facing our biggest restriction yet—the inability to share opera in a physical space. The world is out of joint. We are devastated by the human toll of this crisis. We deeply feel the threat it poses to the livelihood of artists and of the This work is co-presented by The Curtis R. Priem Experimental Media performing arts world. And so we ask ourselves: what good can we do in a time so full and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute. of fear and uncertainty? We believe it is our duty to seize this moment and find new modes of creating CREATIVE TEAM together. This is why we decided not to cancel Lady M, but to move it into virtual Giuseppe Verdi / Composer space. The passion to express ourselves prevails. We take pride in providing work for Francesco Maria Piave with additions by Andrea Maffei / Librettist artists during this time of financial hardship. -
Here in the United Online Premieres Too
Image : Self- portrait by Chila Kumari Singh Burman Welcome back to the festival, which this Dive deep into our Extra-Ordinary Lives strand with amazing dramas and year has evolved into a hybrid festival. documentaries from across South Asia. Including the must-see Ahimsa: Gandhi, You can watch it in cinemas in London, The Power of The Powerless, a documentary on the incredible global impact of Birmingham, and Manchester, or on Gandhi’s non-violence ideas; Abhijaan, an inspiring biopic exploring the life of your own sofa at home, via our digital the late and great Bengali actor Soumitra Chatterjee; Black comedy Ashes On a site www.LoveLIFFatHome.com, that Road Trip; and Tiger Award winner at Rotterdam Pebbles. Look out for selected is accessible anywhere in the United online premieres too. Kingdom. Our talks and certain events We also introduce a new strand dedicated to ecology-related films, calledSave CARY RAJINDER SAWHNEY are also accessible worldwide. The Planet, with some stirring features about lives affected by deforestation and rising sea levels, and how people are meeting the challenge. A big personal thanks to all our audiences who stayed with the festival last We are expecting a host of special guests as usual and do check out our brilliant year and helped make it one of the few success stories in the film industry. This online In Conversations with Indian talent in June - where we will be joined year’s festival is dedicated to you with love. by Bollywood Director Karan Johar, and rapidly rising talented actors Shruti Highlights of this year’s festival include our inspiring Opening Night Gala Haasan and Janhvi Kapoor, as well as featuring some very informative online WOMB about one woman gender activist who incredibly walks the entire Q&As on all our films. -
Focus on What Works
Focus on What Works 2008 Annual Report Center for Shamie Center for Center for School Reform Better Government Economic Opportunity PIONEER INSTITUTE 2008 Annual Report Pioneer’s Mission ounded in 1988, Pioneer Institute is a non-partisan public policy think tank committed to keeping F Massachusetts economically competitive and to strengthening the core values of an open society. To inspire market-driven policy reforms, Pioneer promotes individual freedom and responsibility and limited, accountable government. Directors Pioneer’s Centers Nancy S. Anthony Center for School Reform Michael A. Ervolini Mission: Increase educational options available to Stephen Fantone students and parents, drive system-wide reform, and ensure Joseph M. Giglio accountability in public education. The Center’s work builds on Pioneer’s legacy as a recognized leader in the charter public Kerry Healey school movement and as a champion of greater academic rigor Ellen Roy Herzfelder in Massachusetts’ elementary and secondary schools. Current initiatives promote choice and competition, school-based Charles C. Hewitt III management, and enhanced academic performance in public Dr. Fred Hochberg schools. Alfred D. Houston C. Bruce Johnstone Shamie Center for Better Government Alan R. Morse Jr. Mission: Promote limited, accountable government, Beth Myers competitive delivery of public services, elimination of unnecessary regulation, and a focus on core government Lovett C. Peters functions. Current initiatives promote reform of the state John E. Reed WUDQVSRUWDWLRQ V\VWHP SXEOLF HPSOR\HH EHQH¿W UHIRUP and VRXQG¿VFDOPDQDJHPHQWLQVWDWHDQGORFDOJRYHUQPHQW Mark V. Rickabaugh Diane Schmalensee Alan Steinert, Jr. Center for Economic Opportunity William B. Tyler Mission: Keep the Commonwealth competitive by Walter G. Van Dorn promoting a healthy business climate and reducing the cost of doing business in Massachusetts. -
Issue 2 2015|2016 SEASON
2015|2016 SEASON Issue 2 TABLE OF Dear Friend, It has finally happened. It always CONTENTS seemed that Kiss Me, Kate was the perfect show for the Shakespeare 1 Title page Theatre Company to produce. It is Recipient of the 2012 Regional Theatre Tony Award® one of the wittiest musical comedies 3 Cast in the canon, featuring the finest Artistic Director Michael Kahn score Cole Porter ever wrote, Executive Director Chris Jennings 4 Director’s Word stuffed to the brim with songs romantic, hilarious, and sometimes both. It is also, not coincidentally, a landmark 8 Story, Musical Numbers adaptation of Shakespeare, a work that no less a critic than and Orchestra W.H. Auden considered greater than Shakespeare’s own The Taming of the Shrew. 9 Music Director’s Word All I can say to the multitudes who have suggested this show to me over the past 29 years is that we waited 13 About the Authors until the moment was right: until we knew we could do a production that could satisfy us, with a cast that could 14 The Taming of work wonders with this material. music and lyrics by Cole Porter the Screwball book by Samuel and Bella Spewack Also, of course, with the right director. He doesn’t need 18 It Takes Two any introduction, having directed two classic (and Performances begin November 17, 2015 classically influenced) musicals for us—2013–2014’s Opening Night November 23, 2015 (Times Two) award-winning staging of A Funny Thing Happened on the Sidney Harman Hall Way to the Forum and 2014–2015’s equally magnificent 24 Mapping the Play Man of La Mancha—but nonetheless I am very happy that STC Associate Artistic Director Alan Paul has agreed to Director Fight Director 26 Kiss Me, Kate and complete his trifecta with Kiss Me, Kate.