The Role of Mathematics and Geometry in Formation of Persian Architecture
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The Sasanian Tradition in ʽabbāsid Art: Squinch Fragmentation As The
The Sasanian Tradition in ʽAbbāsid Art: squinch fragmentation as The structural origin of the muqarnas La tradición sasánida en el arte ʿabbāssí: la fragmentación de la trompa de esquina como origen estructural de la decoración de muqarnas A tradição sassânida na arte abássida: a fragmentação do arco de canto como origem estrutural da decoração das Muqarnas Alicia CARRILLO1 Abstract: Islamic architecture presents a three-dimensional decoration system known as muqarnas. An original system created in the Near East between the second/eighth and the fourth/tenth centuries due to the fragmentation of the squinche, but it was in the fourth/eleventh century when it turned into a basic element, not only all along the Islamic territory but also in the Islamic vocabulary. However, the origin and shape of muqarnas has not been thoroughly considered by Historiography. This research tries to prove the importance of Sasanian Art in the aesthetics creation of muqarnas. Keywords: Islamic architecture – Tripartite squinches – Muqarnas –Sasanian – Middle Ages – ʽAbbāsid Caliphate. Resumen: La arquitectura islámica presenta un mecanismo de decoración tridimensional conocido como decoración de muqarnas. Un sistema novedoso creado en el Próximo Oriente entre los siglos II/VIII y IV/X a partir de la fragmentación de la trompa de esquina, y que en el siglo XI se extendió por toda la geografía del Islam para formar parte del vocabulario del arte islámico. A pesar de su importancia y amplio desarrollo, la historiografía no se ha detenido especialmente en el origen formal de la decoración de muqarnas y por ello, este estudio pone de manifiesto la influencia del arte sasánida en su concepción estética durante el Califato ʿabbāssí. -
Celebrating Nowruz in Central Asia
Arts & Traditions Along the Silk Road: Celebrating Nowruz in Central Asia Dear Traveler, Please join Museum Travel Alliance from March 12-26, 2021 on Arts & Traditions Along the Silk Road: Celebrating Nowruz in Central Asia. Observe the ancient traditions of Nowruz (Persian New Year) in Bukhara, visiting private family homes to participate in elaborate ceremonies not often seen by travelers. Join the director for exclusive, after-hours access to Gur-e-Amir, the opulent tomb of Mongol conqueror Amir Timur (Tamerlane) in Samarkand. Explore the vast archaeological site of Afrasiab, and marvel at the excavated treasures in its dedicated museum in the company of a local archaeologist. We are delighted that this trip will be accompanied by Helen Evans as our lecturer from The Metropolitan Museum of Art. This trip is sponsored by The Metropolitan Museum of Art. We expect this program to fill quickly. Please call the Museum Travel Alliance at (855) 533-0033 or (212) 302-3251 or email [email protected] to reserve a place on this trip. We hope you will join us. Sincerely, Jim Friedlander President MUSEUM TRAVEL ALLIANCE 1040 Avenue of the Americas, 23rd Floor, New York, NY 10018 | 212-302-3251 or 855-533-0033 | Fax 212-344-7493 [email protected] | www.museumtravelalliance.com BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Travel with March -
Policy Notes the Washington Institute for Near East Policy ■ 2019 ■ Pn58
POLICY NOTES THE WASHINGTON INSTITUTE FOR NEAR EAST POLICY ■ 2019 ■ PN58 SAEID GOLKAR THE SUPREME LEADER AND THE GUARD Civil-Military Relations and Regime Survival in Iran As the Islamic Republic concludes its fourth decade, the country faces three converging threats. The first involves its Supreme Leader, Ayatollah Ali Khamenei, who turns eighty this year and is, according to some reports, in poor health. The succession process could create a severe political struggle, possibly unsettling the entire regime. The second challenge is growing dissatisfaction among the population, evidenced by a rising incidence of strikes and protests throughout the country. These now occur daily. And the third has to do with economic hardships associated with the reimposition of U.S. sanctions, a development that could potentially exacerbate ongoing protests and further destabilize the regime. © 2019 THE WASHINGTON INSTITUTE FOR NEAR EAST POLICY. ALL RIGHTS RESERVED. SAEID GOLKAR To neutralize these threats, the Islamic Republic This study is divided into four sections. The first and the Supreme Leader are increasingly relying on examines the IRGC’s position and structure within their security and coercive mechanisms, foremost the Iran’s military. The second looks at the mechanisms Islamic Revolutionary Guard Corps (IRGC) and its and strategies Ayatollah Khamenei uses to control civilian militia force, known as the Basij. Indeed, the the Guard, especially indoctrination, which is carried most important factor in the survival and transition out through entities known as ideological-political of political regimes is the loyalty of the armed forces. organizations (IPOs) across Iran’s military. This sec- Dictators cannot stay in power if they lose support tion outlines, in particular, the internal structure of the from their national military. -
Continuity and Change in the Mongol Army of the Ilkhanate
CHAPTER 2 Continuity and Change in the Mongol Army of the Ilkhanate Reuven Amitai One of the important trends of late medieval societies in much of the Islamic world is that the military elite became increasingly identified with the political ruling class. This tendency possibly reached its height in the Mamluk Sultanate of Egypt and Syria. One cannot go quite so far when describing the nature of Mongol rule in Iran and the surrounding countries, but it would be fair to state that the army was the most important institution in the Ilkhanid state (and Mongol states as a whole). It is thus not surprising that the study of mili- tary aspects of the Ilkhanate (and the Mongol armies that preceded it) have received some serious attention in modern scholarship. Mention can be made of the important studies on the Mongol armies in the Middle East (some of them parts of larger works) by Bertold Spuler,1 David Morgan,2 C. E. Bosworth,3 John M. Smith, Jr.4 and Arsenio Martinez.5 To this can be added very useful studies on the Mongol army as a whole by H. Desmond Martin,6 S. R. Turnbull,7 Robert Reid,8 Witold Świętosławski,9 Timothy May,10 and others, which help us understand the background of much of the Mongol military activity in the countries today known as the Middle East. My own contributions to the study of the Mongol military machine have generally been in connection with the ongoing Ilkhanid war with the Mamluks, and I have tried to put this war in 1 Spuler, Die Mongolen in Iran, 330–48. -
Annual Statistical Bulletin 2013 Annual Statistical Bulletin
2013 OPEC OPEC Annual Statistical Bulletin 2013 Annual Statistical Bulletin OPEC Helferstorferstrasse 17, A-1010 Vienna, Austria Organization of the Petroleum Exporting Countries www.opec.org Team for the preparation of the OPEC Annual Statistical Bulletin 2013 Director, Research Division Editorial Team Omar Abdul-Hamid Head, Public Relations and Information Department Project Leader Angela Agoawike Head, Data Services Department Adedapo Odulaja Editor Alvino-Mario Fantini Coordinator Ramadan Janan Design and Production Coordinator Alaa Al-Saigh Statistics Team Pantelis Christodoulides, Hannes Windholz, Senior Production Assistant Mouhamad Moudassir, Klaus Stöger, Harvir Kalirai, Diana Lavnick Mohammad Sattar, Ksenia Gutman Web and CD Application Dietmar Rudari, Zairul Arifin Questions on data Although comments are welcome, OPEC regrets that it is unable to answer all enquiries concerning the data in the ASB. Data queries: [email protected]. Advertising The OPEC Annual Statistical Bulletin now accepts advertising. For details, please contact the Head, PR and Information Department at the following address: Organization of the Petroleum Exporting Countries Helferstorferstrasse 17, A-1010 Vienna, Austria Tel: +43 1 211 12/0 Fax: +43 1 216 43 20 PR & Information Department fax: +43 1 21112/5081 Advertising: [email protected] Website: www.opec.org Photographs Page 5: Diana Golpashin. Pages 7, 13, 21, 63, 81, 93: Shutterstock. © 2013 Organization of the Petroleum Exporting Countries ISSN 0475-0608 Contents Foreword 5 Tables Page Section 1: -
Celebrating Thirty Years of Muqarnas
Muqarnas An Annual on the Visual Cultures of the Islamic World Celebrating Thirty Years of Muqarnas Editor Gülru Necipoğlu Managing Editor Karen A. Leal volume 30 Sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts LEIDEN • BOSTON 2013 © 2013 Koninklijke Brill NV ISBN 978 90 04 25576 0 CONTENTS Gülru Necİpoğlu, Reflections on Thirty Years of Muqarnas . 1 Benedict Cuddon, A Field Pioneered by Amateurs: The Collecting and Display of Islamic Art in Early Twentieth-Century Boston . 13 Silvia Armando, Ugo Monneret de Villard (1881–1954) and the Establishment of Islamic Art Studies in Italy . 35 Ayşİn Yoltar-Yildirim, Raqqa: The Forgotten Excavation of an Islamic Site in Syria by the Ottoman Imperial Museum in t he Early Twentieth Century . 73 D. Fairchild Ruggles, At the Margins of Architectural and Landscape History: The Rajputs of South Asia . 95 Jennifer Pruitt, Method in Madness: Recontextualizing the Destruction of Churches in the Fatimid Era . 119 Peter Christensen, “As if she were Jerusalem”: Placemaking in Sephardic Salonica . 141 David J. Roxburgh, In Pursuit of Shadows: Al-Hariri’s Maqāmāt . 171 Abolala Soudavar, The Patronage of the Vizier Mirza Salman . 213 Lâle Uluç, An Iskandarnāma of Nizami Produced for Ibrahim Sultan . 235 NOTES AND SOURCES Serpİl Bağci, Presenting Vaṣṣāl Kalender’s Works: The Prefaces of Three Ottoman Albums . 255 Gülru Necİpoğlu, “Virtual Archaeology” in Light of a New Document on the Topkapı Palace’s Waterworks and Earliest Buildings, circa 1509 . 315 Ebba Koch, The Wooden Audience Halls of Shah Jahan: Sources and Reconstruction . -
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Theme IV Societies in Central Islamic Lands Time Line Pre-Islamic Arab World Arabian Peninsula: Sarakenoi/Saraceni Arab Tribes: Quraysh, Aws, Khazraj Pre-Islamic Cities Mecca, Yathrib/Medina, Taif Rise of Islam Prophet’s march from Mecca to Medina (Hijara): 622 Caliph Abu Bakr: 632-634 Caliph Umar: 634-644 Caliph Usman: 644-656 Caliph Ali: 656-661 The Ummayad Caliphate: 661-684 Late Ummayad Caliphate: 684-750 The Abbasid Caliphate: 750-1258 Photograph: Manuscript folio with depiction by Yahya ibn Vaseti found in the Maqama of Hariri located at the BibliothequeNationale de France. Image depicts a library with pupils in it, 1237 Courtesy: Zereshk, September 2007 Source: https://upload.wikimedia.org/wikipedia/commons/2/2c/Maqamat_hariri.jpg UNIT 12 PRE-ISLAMIC ARAB WORLD AND ITS CULTURE* Structure 12.0 Objectives 12.1 Introduction 12.2 Tribal Confederations in Arabia 12.2.1 The Dominant Tribes of The Arabian Peninsula 12.2.2 Religious Diversity in The Arabian Peninsula 12.3 Tribal and Religious Practices 12.3.1 Religious and Ritual Practices of The Meccans 12.3.2 Religious and Ritual Practices at Medina 12.4 The Arab Trading Network before the 6th Century 12.5 Political Structure in Pre-Islamic Arabia 12.6 Social Structures in Pre-Islamic Arabia 12.6.1 Tribal Structure and Leadership 12.6.2 Inequality and Slavery 12.6.3 The Elite Camel Nomads 12.6.4 Intra-Tribal Warfare 12.7 Economic Conditions 12.7.1 Camel Nomadism 12.7.2 Agriculture in Arabia 12.7.3 Industry and Mining in Arabia 12.8 Literature of the Pre-Islamic Period 12.9 Summary 12.10 Keywords 12.11 Answers to Check Your Progress Exercises 12.12 Suggested Readings 12.13 Instructional Video Recommendations 12.0 OBJECTIVES The study of pre-Islamic Arabia is an important area of study in order to understand the history of the region in which Islam developed. -
The Kingdom of Afghanistan: a Historical Sketch George Passman Tate
University of Nebraska Omaha DigitalCommons@UNO Books in English Digitized Books 1-1-1911 The kingdom of Afghanistan: a historical sketch George Passman Tate Follow this and additional works at: http://digitalcommons.unomaha.edu/afghanuno Part of the History Commons, and the International and Area Studies Commons Recommended Citation Tate, George Passman The kingdom of Afghanistan: a historical sketch, with an introductory note by Sir Henry Mortimer Durand. Bombay: "Times of India" Offices, 1911. 224 p., maps This Monograph is brought to you for free and open access by the Digitized Books at DigitalCommons@UNO. It has been accepted for inclusion in Books in English by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. Tate, G,P. The kfn&ean sf Af&mistan, DATE DUE I Mil 7 (7'8 DEDICATED, BY PERMISSION, HIS EXCELLENCY BARON HARDINGE OF PENSHURST. VICEROY AND GOVERNOR-GENERAL OF INDIA, .a- . (/. BY m HIS OBEDIENT, SERVANT THE AUTHOR. il.IEmtev 01 the Asiniic Society, Be?zg-nl, S?~rueyof I~din. dafhor of 'I Seisinqz : A Menzoir on the FJisio~y,Topo~rcrphj~, A7zliquiiies, (112d Peo$Ie of the Cozi?zt~y''; The F/.o?zlic7,.~ of Baluchisia'nn : Travels on ihe Border.? of Pe~szk n?zd Akhnnistnn " ; " ICalnf : A lMe??zoir on t7ze Cozl7~try and Fnrrzily of the Ahntadsai Khn7zs of Iinlnt" ; 4 ec. \ViTkI AN INrPR<dl>kJCTOl2Y NO'FE PRINTED BY BENNETT COLEMAN & Co., Xc. PUBLISHED AT THE " TIMES OF INDIA" OFFTCES, BOMBAY & C.1LCUTT-4, LONDON AGENCY : gg, SI-IOE LANE, E.C. -
Natural Landscapes & Gardens of Morocco 2022
Natural Landscapes & Gardens of Morocco 2022 22 MAR – 12 APR 2022 Code: 22206 Tour Leaders Paul Urquhart Physical Ratings Explore Morocco’s rich culture in gardening and landscape design, art, architecture & craft in medieval cities with old palaces and souqs, on high mountain ranges and in pre- Saharan desert fortresses. Overview This tour, led by garden and travel writer Paul Urquhart, is a feast of splendid gardens, great monuments and natural landscapes of Morocco. In Tangier, with the assistance of François Gilles, the UK’s most respected importer of Moroccan carpets, spend two days visiting private gardens and learn about the world of Moroccan interiors. While based in the charming Dar al Hossoun in Taroudant for 5 days, view the work of French landscape designers Arnaud Maurières and Éric Ossart, exploring their garden projects designed for a dry climate. View Rohuna, the stunning garden of Umberto Pasti, a well-known Italian novelist and horticulturalist, which preserves the botanical richness of the Tangier region. Visit the gardens of the late Christopher Gibbs, a British antique dealer and collector who was also an influential figure in men’s fashion and interior design in 1960s London. His gorgeous cliff-side compound is set in 14 acres of plush gardens in Tangier. In Marrakesh, visit Yves Saint Laurent Museum, Jardin Majorelle, the Jardin Secret, the palmeraie Jnane Tamsna, André Heller’s Anima and take afternoon tea in the gardens of La Mamounia – one of the most famous hotels in the world. Explore the work of American landscape architect, Madison Cox: visit Yves Saint Laurent and Pierre Bergé’s private gardens of the Villa Oasis and the gardens of the Yves Saint Laurent Museum in Marrakesh. -
Education and Emigration: the Case of the Iranian-American Community
Education and Emigration: The case of the Iranian-American community Sina M. Mossayeb Teachers College, Columbia University Roozbeh Shirazi Teachers College, Columbia University Abstract This paper explores the plausibility of a hypothesis that puts forth perceived educational opportunity as a significant pull factor influencing Iranians' decisions to immigrate to the United States. Drawing on various literatures, including research on educational policy in Iran, government policy papers, and figures from recent studies and census data, the authors establish a case for investigating the correlation between perceived educational opportunity (or lack thereof) and immigration. Empirical findings presented here from a preliminary survey of 101 Iranian-born individuals living in the U.S. suggest that such a correlation may indeed exist, thus providing compelling grounds for further research in this area. The paper expands on existing literature by extending prevailing accounts of unfavorable conditions in Iran as push factors for emigration, to include the draw of perceived educational opportunity, as a coexisting and influential pull factor for immigration to the U.S. Introduction Popular discourse about Iranian immigration to the United States focuses on the social and political freedoms associated with relocation. The prevailing literature on Iranian immigration explains why people leave Iran, but accounts remain limited to a unilateral force--namely, unfavorable conditions in Iran. Drawing on existing studies of Iranian educational policies and their consequences, we propose an extension to this thesis. We hypothesize that perceived educational opportunity is a significant attraction for Iranians in considering immigration to the U.S. To establish a foundation for our research, we provide a background on Iran's sociopolitical climate after the 1978/1979 revolution and examine salient literature on Iran's higher education policy. -
Desert Utopia: the Hidden Unity of Iranian Architecture Conceptualization Behind the Making of a Documentary Film
American International Journal of Humanities and Social Science Vol. 4 No. 2; April 2018 Desert Utopia: The Hidden Unity of Iranian Architecture Conceptualization behind the Making of a Documentary Film Khosrow Bozorgi Professor of Architecture and Urban Design Director, Center for Middle Eastern Architecture and Culture College of Architecture, University of Oklahoma United States of America NARRATIVE Desert Utopia will examine the history of architecture in three desert cities in Iran, exploring unique aspects of the built environment that enabled people to flourish in one of the world’s harshest climates. Although the film will focus on the history of Iranian desert architecture spanning thousands of years, this project is nevertheless timely for today’s American audiences. Due to concerns about global environmental change, sustainable building techniques have emerged as a topic of increasing interest over the past two decades. This interest encompasses themes such as the use of local building materials, creative ways to minimize water use (and water waste), and ways to reduce the amount of energy spent on heating and cooling. Furthermore, the geopolitics of the last two decades also have piqued Americans’ curiosity about the Middle East, especially Iran, but for many people, their knowledge about this part of the world is spotty or even misinformed. Desert Utopia is therefore a film that comes at the right time: It will help satisfy Americans’ curiosity about environmentally sound architecture while filling some of the gaps in their knowledge about Iranian culture and history. However, Desert Utopia is more than simply a film about sustainable architecture in Iranian history. -
Decoding Geometry, Proportions and Its Relationship with Aesthetics in Traditional Iranian Architecture
Original Article Decoding geometry, proportions and its relationship with aesthetics in traditional Iranian architecture Shayan Mahmoudi *, Ali Rezvani, Seyed Alireza Hosseini Vahdat Bachelor degree in Architecture, Shahid Beheshti Technical and Vocational Junior College, Karaj Branch, Department of Art and Architecture, Karaj, Iran. Abstract Certain proportions can be observed in creation and design of nature various forms. These proportions are geometrical relationships that are immaterial in origin and follow the spiritual and supernatural principles of their subject sacredness and have symbolic language and spiritual characteristics. Geometry was inseparable from other four Pythagorean sciences in traditional world, including geometric relationships, arithmetic (number), music and astronomy. We always need geometry knowledge in order to construct a building from first steps to final steps. Using proportions is particularly important because of creating visual aesthetic in visual and architectural arts, and almost all artworks are based on some form of proportion. This research tries to decode the work and find the aim and true purpose of its creator in responding the hypothesis that architect knowledge of geometry and his creative use facilitates the conversion of concept into space and form in designing process and minimizes concept erosion of process through studying architecture, geometry and existing proportions. The results obtained from library and field studies by descriptive-analytical method show that different proportions