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The Sasanian Tradition in ʽabbāsid Art: Squinch Fragmentation As The
The Sasanian Tradition in ʽAbbāsid Art: squinch fragmentation as The structural origin of the muqarnas La tradición sasánida en el arte ʿabbāssí: la fragmentación de la trompa de esquina como origen estructural de la decoración de muqarnas A tradição sassânida na arte abássida: a fragmentação do arco de canto como origem estrutural da decoração das Muqarnas Alicia CARRILLO1 Abstract: Islamic architecture presents a three-dimensional decoration system known as muqarnas. An original system created in the Near East between the second/eighth and the fourth/tenth centuries due to the fragmentation of the squinche, but it was in the fourth/eleventh century when it turned into a basic element, not only all along the Islamic territory but also in the Islamic vocabulary. However, the origin and shape of muqarnas has not been thoroughly considered by Historiography. This research tries to prove the importance of Sasanian Art in the aesthetics creation of muqarnas. Keywords: Islamic architecture – Tripartite squinches – Muqarnas –Sasanian – Middle Ages – ʽAbbāsid Caliphate. Resumen: La arquitectura islámica presenta un mecanismo de decoración tridimensional conocido como decoración de muqarnas. Un sistema novedoso creado en el Próximo Oriente entre los siglos II/VIII y IV/X a partir de la fragmentación de la trompa de esquina, y que en el siglo XI se extendió por toda la geografía del Islam para formar parte del vocabulario del arte islámico. A pesar de su importancia y amplio desarrollo, la historiografía no se ha detenido especialmente en el origen formal de la decoración de muqarnas y por ello, este estudio pone de manifiesto la influencia del arte sasánida en su concepción estética durante el Califato ʿabbāssí. -
Islamic Geometric Patterns Jay Bonner
Islamic Geometric Patterns Jay Bonner Islamic Geometric Patterns Their Historical Development and Traditional Methods of Construction with a chapter on the use of computer algorithms to generate Islamic geometric patterns by Craig Kaplan Jay Bonner Bonner Design Consultancy Santa Fe, New Mexico, USA With contributions by Craig Kaplan University of Waterloo Waterloo, Ontario, Canada ISBN 978-1-4419-0216-0 ISBN 978-1-4419-0217-7 (eBook) DOI 10.1007/978-1-4419-0217-7 Library of Congress Control Number: 2017936979 # Jay Bonner 2017 Chapter 4 is published with kind permission of # Craig Kaplan 2017. All Rights Reserved. This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
The Kingdom of Afghanistan: a Historical Sketch George Passman Tate
University of Nebraska Omaha DigitalCommons@UNO Books in English Digitized Books 1-1-1911 The kingdom of Afghanistan: a historical sketch George Passman Tate Follow this and additional works at: http://digitalcommons.unomaha.edu/afghanuno Part of the History Commons, and the International and Area Studies Commons Recommended Citation Tate, George Passman The kingdom of Afghanistan: a historical sketch, with an introductory note by Sir Henry Mortimer Durand. Bombay: "Times of India" Offices, 1911. 224 p., maps This Monograph is brought to you for free and open access by the Digitized Books at DigitalCommons@UNO. It has been accepted for inclusion in Books in English by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. Tate, G,P. The kfn&ean sf Af&mistan, DATE DUE I Mil 7 (7'8 DEDICATED, BY PERMISSION, HIS EXCELLENCY BARON HARDINGE OF PENSHURST. VICEROY AND GOVERNOR-GENERAL OF INDIA, .a- . (/. BY m HIS OBEDIENT, SERVANT THE AUTHOR. il.IEmtev 01 the Asiniic Society, Be?zg-nl, S?~rueyof I~din. dafhor of 'I Seisinqz : A Menzoir on the FJisio~y,Topo~rcrphj~, A7zliquiiies, (112d Peo$Ie of the Cozi?zt~y''; The F/.o?zlic7,.~ of Baluchisia'nn : Travels on ihe Border.? of Pe~szk n?zd Akhnnistnn " ; " ICalnf : A lMe??zoir on t7ze Cozl7~try and Fnrrzily of the Ahntadsai Khn7zs of Iinlnt" ; 4 ec. \ViTkI AN INrPR<dl>kJCTOl2Y NO'FE PRINTED BY BENNETT COLEMAN & Co., Xc. PUBLISHED AT THE " TIMES OF INDIA" OFFTCES, BOMBAY & C.1LCUTT-4, LONDON AGENCY : gg, SI-IOE LANE, E.C. -
Natural Landscapes & Gardens of Morocco 2022
Natural Landscapes & Gardens of Morocco 2022 22 MAR – 12 APR 2022 Code: 22206 Tour Leaders Paul Urquhart Physical Ratings Explore Morocco’s rich culture in gardening and landscape design, art, architecture & craft in medieval cities with old palaces and souqs, on high mountain ranges and in pre- Saharan desert fortresses. Overview This tour, led by garden and travel writer Paul Urquhart, is a feast of splendid gardens, great monuments and natural landscapes of Morocco. In Tangier, with the assistance of François Gilles, the UK’s most respected importer of Moroccan carpets, spend two days visiting private gardens and learn about the world of Moroccan interiors. While based in the charming Dar al Hossoun in Taroudant for 5 days, view the work of French landscape designers Arnaud Maurières and Éric Ossart, exploring their garden projects designed for a dry climate. View Rohuna, the stunning garden of Umberto Pasti, a well-known Italian novelist and horticulturalist, which preserves the botanical richness of the Tangier region. Visit the gardens of the late Christopher Gibbs, a British antique dealer and collector who was also an influential figure in men’s fashion and interior design in 1960s London. His gorgeous cliff-side compound is set in 14 acres of plush gardens in Tangier. In Marrakesh, visit Yves Saint Laurent Museum, Jardin Majorelle, the Jardin Secret, the palmeraie Jnane Tamsna, André Heller’s Anima and take afternoon tea in the gardens of La Mamounia – one of the most famous hotels in the world. Explore the work of American landscape architect, Madison Cox: visit Yves Saint Laurent and Pierre Bergé’s private gardens of the Villa Oasis and the gardens of the Yves Saint Laurent Museum in Marrakesh. -
DTP102288.Pdf
Contents 1. SELECTED HISTORICAL BACKGROUND ................................................................... 2 2. PROJECT OBJECTIVES ................................................................................................ 4 3. PROJECT ACTIVITIES ................................................................................................... 4 3.1 ENABLING WORKS ................................................................................................ 5 3.1.1 Fencing: ............................................................................................................. 5 3.1.2 Scaffolding: ........................................................................................................ 5 3.1.3 Clearance Works: .............................................................................................. 5 3.1.4 Excavations: ...................................................................................................... 5 3.2 CONSOLIDATION WORKS: ................................................................................... 6 3.2.1 Dismantling of previous works and reconstruction of buttresses: ..................... 6 3.2.2 Structural Consolidation: ................................................................................... 6 3.2.3 Construction of timber cover: .......................................................................... 11 3.2.4 External Finishes: ............................................................................................ 11 4. PROJECT DATA .......................................................................................................... -
Geometric Analysis of Forumad Mosques' Ornaments
Proceedings of Bridges 2013: Mathematics, Music, Art, Architecture, Culture Geometric Analysis of Forumad Mosques’ Ornaments Mahsa Kharazmi Reza Sarhangi Department of Art and Architecture Department of Mathematics Tarbiat Modares University Towson University Jalale Ale Ahmad Highway, Tehran, Iran Towson, Maryland, 21252 [email protected] [email protected] Abstract This article analyzes the architectural designs and ornaments of a 12th century structure in Iran. Friday Mosque of Forumad, Masjid-i Jami' Forumad is a prototype mosque in Persian architecture using an application of ornaments. Architectural ornaments are important examples of practical geometry. The brilliant stucco ornaments, elaborate strapwork patterns with turquoise and cobalt blue, and floral motifs with underlying geometric patterns, made this mosque a worthwhile building in early Iranian-Islamic period. By introducing the mosque’s features, the ornaments that adorn some of the walls will be analyzed and geometric methods for constructing their underlying designs will be presented. 1 Introduction Early mosques were simple buildings with no decoration. After some decades and under the influence of advanced civilizations of conquered territories, architectural ornaments entered into their existence. Since Islamic thought prohibited artists and craftsmen of creating human figures, they turned their attention to abstract forms. They also benefited from mathematics, which flourished in early Islamic period in Baghdad. This resulted to a widespread movement in Islamic geometric art. Even though the designers of those structures had remarkable knowledge of applied geometry, there exist few written records to explain various methods that they employed for constructions of their designs [7]. Nevertheless, based on the detailed and sophisticated geometric designs in these documents we may suggest that some degree of mathematical literacy may have existed among the master builders, architects and master engineers [1]. -
Arh 362: Islamic Art
ARH 362: ISLAMIC ART CLUSTER REQUIREMENT: 4C, THE NATURE OF GLOBAL SOCIETY COURSE DESCRIPTION This course surveys the art and architecture of the Islamic world from the 7th through the 20th centuries. By looking at major themes and regional variations of Islamic art and architecture, the course examines how meanings in various socio-political and historical contexts have been encoded through forms, functions, as well as the aesthetic features of arts, crafts, and the built environment. The last portion of the course, spanning the 19th to the late 20th centuries, examines the West’s discovery of the Islamic arts as well as the integration of Western ideas into indigenous ones. This course can only briefly address some of the major themes. The topics (especially those pertinent to the modern period) are introduced through a number of key readings, but they should be merely seen as introductions, providing possible directions for future and more advanced studies. Discussions and questions are always encouraged. The readings, which have been selected to supplement the required textbooks, are particularly chosen to serve this purpose. COURSE-SPECIFIC OUTCOMES Gain valuable information about Islamic art and design as well as the cultures that gave shape to them Read critically and interpret and evaluate art historical issues in relation to socio-political conditions in non-Western contexts Develop a foundation for writing good critical essays about non-Western art and material culture Research non-Western art in a museum context Comparative studies of Western and Non-Western styles in a variety of media, including 2D and 3D art and design as well as architecture. -
Lalbagh Rethought Exploring the Incomplete Mughal Fortress in Dhaka, Bangladesh
International Conference on Universal Design in Built Environment ( ICUDBE 2011) Kulliyah of Architecture and Environmental Design International Islamic University Malaysia 22-23 November 2011 Lalbagh Rethought Exploring the incomplete Mughal fortress in Dhaka, Bangladesh Md Mizanur Rashid (PhD) Department of Architecture, Kulliyah of Architecture and Environmental Design (KAED) International Islamic University of Malaysia (IIUM) Kuala Lumpur, Malaysia ABSTRACT Lalbagh Fort is probably the most ambitious building activity undertaken by the Mughal rulers of Dhaka. Although the complex coined the name ‘Lalbagh Fort’ because of its huge fortification walls and gateways, the master plan and the layouts of the buildings that still exist suggest little or no similarity with the other Mughal forts either in Bengal or any other parts of India. The construction of the complex ran only for one decade and it was left abandoned for unknown reason. The brief history of the megaproject had been buried since 1688 and the fort remained incomplete till date. Several attempts have been made so far to recover the memories of this monument after the amnesia of centuries. However, the incomplete nature of construction, the limited amount of archaeological resource, literary evidences and epigraphic records at the disposal of the architectural historians appears as the main thicket. Filling up this lacuna using these apparently inconspicuous resources certainly put the existing discourse regarding this monument in a perplexed situation. This perplexity is the character of the architecture of Lalbagh today. It poses a long list of questions regarding its original master plan, its purpose and its history of construction, of which we are yet to provide definite answers being in a telescopic distance. -
Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh Farzana Sharmin Hfwu Nürtingen Geislingen, [email protected]
Proceedings of the Fábos Conference on Landscape and Greenway Planning Volume 6 Adapting to Expanding and Contracting Article 21 Cities 2019 Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh Farzana Sharmin HfWU Nürtingen Geislingen, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/fabos Part of the Environmental Design Commons, Geographic Information Sciences Commons, Historic Preservation and Conservation Commons, Landscape Architecture Commons, Nature and Society Relations Commons, Remote Sensing Commons, Urban, Community and Regional Planning Commons, and the Urban Studies and Planning Commons Recommended Citation Sharmin, Farzana (2019) "Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh," Proceedings of the Fábos Conference on Landscape and Greenway Planning: Vol. 6 , Article 21. DOI: https://doi.org/10.7275/pcnk-h124 Available at: https://scholarworks.umass.edu/fabos/vol6/iss1/21 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Proceedings of the Fábos Conference on Landscape and Greenway Planning by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Sharmin: Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh Lalbagh: an Incomplete Depiction of Mughal Garden in Bangladesh Farzana Sharmin HfWU Nürtingen Geislingen Abstract Lalbagh Fort Complex is one of the extravagant examples built by the Mughal Empire in Bangladesh, documented in UNESCO World Heritage tentative List. While there are several Mughal structures found in the Indian sub-continent, this incomplete fort is the only footprint of encamped Mughal garden style that remains in the capital of Bengal, Jahangirnagar (now Dhaka). -
Ebook Download Islamic Geometric Patterns Ebook, Epub
ISLAMIC GEOMETRIC PATTERNS PDF, EPUB, EBOOK Eric Broug | 120 pages | 13 May 2011 | Thames & Hudson Ltd | 9780500287217 | English | London, United Kingdom Islamic Geometric Patterns PDF Book You May Also Like. Construction of girih pattern in Darb-e Imam spandrel yellow line. Charbagh Mughal Ottoman Paradise Persian. The circle symbolizes unity and diversity in nature, and many Islamic patterns are drawn starting with a circle. Main article: Shabaka window. Pair of Minbar Doors. MC Escher: the graphic work. But auxetic materials expand at right angles to the pull. The strapwork cuts across the construction tessellation. Scientific American 1 Classification of a pattern involves repeating the unit-design by isometry formulas translation, mirroring, rotation and glide reflections to generate a pattern that can be classified as 7-freize patterns or the wallpaper patterns. Tarquin Publications. Islamic geometric patterns. For IEEE to continue sending you helpful information on our products and services, please consent to our updated Privacy Policy. They form a three-fold hierarchy in which geometry is seen as foundational. The researcher traced the existing systems associated with the classification of Islamic geometric patterns i. The Arts of Ornamental Geometry. Because weaving uses vertical and horizontal threads, curves are difficult to generate, and patterns are accordingly formed mainly with straight edges. Iran Persia , — A. Muqarnas are elaborately carved ceilings to semi-domes , often used in mosques. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. Eva Baer [f] notes that while this design was essentially simple, it was elaborated by metalworkers into intricate patterns interlaced with arabesques, sometimes organised around further basic Islamic patterns, such as the hexagonal pattern of six overlapping circles. -
Sacred Right Defiled: China’S Iron-Fisted Repression of Uyghur Religious Freedom
Sacred Right Defiled: China’s Iron-Fisted Repression of Uyghur Religious Freedom A Report by the Uyghur Human Rights Project Table of Contents Executive Summary...........................................................................................................2 Methodology.......................................................................................................................5 Background ........................................................................................................................6 Features of Uyghur Islam ........................................................................................6 Religious History.....................................................................................................7 History of Religious Persecution under the CCP since 1949 ..................................9 Religious Administration and Regulations....................................................................13 Religious Administration in the People’s Republic of China................................13 National and Regional Regulations to 2005..........................................................14 National Regulations since 2005 ...........................................................................16 Regional Regulations since 2005 ..........................................................................19 Crackdown on “Three Evil Forces”—Terrorism, Separatism and Religious Extremism..............................................................................................................23 -
Natural Landscapes & Gardens of Morocco
Natural Landscapes & Gardens of Morocco 18 APR – 9 MAY 2017 Code: 21704 Tour Leaders Sabrina Hahn Physical Ratings Explore Morocco’s rich culture in gardening and landscape design, art, architecture & craft in medieval cities with old palaces and souqs, on high mountain ranges and in pre- Saharan desert fortresses. Overview Tour Highlights This tour, led by Sabrina Hahn, horticulturalist, garden designer and expert gardening commentator on ABC 720 Perth, is a feast of splendid gardens, great monuments and natural landscapes of Morocco. In Tangier, with the assistance of François Gilles, the UK's most respected importer of Moroccan carpets, spend two days visiting a variety of private gardens and learning about the world of Moroccan interiors. François' work has been featured in many publications such as World of Interiors, House & Garden, Sunday Telegraph, and many more. While based in a charming dar in Taroudant for 6 days, join renowned French landscape designers Arnaud Maurières and Éric Ossart, exploring their garden projects designed for a dry climate. Explore the work of American landscape architect, Madison Cox, with a visit to Pierre Bergé's Villa Léon L’Africain and Villa Mabrouka in Tangier. View the stunning garden of Umberto Pasti, a well-known Italian novelist and horticulturalist, whose garden is a 'magical labyrinth of narrow paths, alleyways and walled enclosures'. Enjoy lunch at the private residence of Christopher Gibbs, a British antique dealer and collector who was also an influential figure in men’s fashion and interior design in 1960s London. His gorgeous cliff- side compound is set in 14 acres of plush gardens.