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Nationalmerit-2020.Pdf
Rehabilitation Council of India ‐ National Board of Examination in Rehabilitation (NBER) National Merit list of candidates in Alphabatic Order for admission to Diploma Level Course for the Academic Session 2020‐21 06‐Nov‐20 S.No Name Father Name Application No. Course Institute Institute Name Category % in Class Remark Code Code 12th 1 A REENA PATRA A BHIMASEN PATRA 200928134554 0549 AP034 Priyadarsini Service Organization, OBC 56.16 2 AABHA MAYANK PANDEY RAMESH KUMAR PANDEY 200922534999 0547 UP067 Yuva Viklang Evam Dristibadhitarth Kalyan Sewa General 75.4 Sansthan, 3 AABID KHAN HAKAM DEEN 200930321648 0547 HR015 MR DAV College of Education, OBC 74.6 4 AADIL KHAN INTZAR KHAN 200929292350 0527 UP038 CBSM, Rae Bareli Speech & Hearing Institute, General 57.8 5 AADITYA TRIPATHI SOM PRAKASH TRIPATHI 200921120721 0549 UP130 Suveera Institute for Rehabilitation and General 71 Disabilities 6 AAINA BANO SUMIN MOHAMMAD 200926010618 0550 RJ002 L.K. C. Shri Jagdamba Andh Vidyalaya Samiti OBC 93 ** 7 AAKANKSHA DEVI LAKHAN LAL 200927081668 0550 UP044 Rehabilitation Society of the Visually Impaired, OBC 75 8 AAKANKSHA MEENA RANBEER SINGH 200928250444 0547 UP119 Swaraj College of Education ST 74.6 9 AAKANKSHA SINGH NARENDRA BAHADUR SING 201020313742 0547 UP159 Prema Institute for Special Education, General 73.2 10 AAKANSHA GAUTAM TARACHAND GAUTAM 200925253674 0549 RJ058 Ganga Vision Teacher Training Institute General 93.2 ** 11 AAKANSHA SHARMA MAHENDRA KUMAR SHARM 200919333672 0549 CH002 Government Rehabilitation Institute for General 63.60% Intellectual -
GRIET Students Data (UG and PG As on May 2018)
GRIET Students Data (UG and PG as on May 2018) S. NO Name (As per SSC) Reg. No 1 AZMEERA GANESH 18241A0101 2 ANABOYULA SRAVANI 18241A0102 3 ANUMATLA MANOJ 18241A0103 4 BYNA RISHITHA 18241A0104 5 BURA THARASRI 18241A0105 6 PUDARI BADRINATH GOUD 18241A0106 7 BALASANI ROHITH 18241A0107 8 BANDARI VEERA SWAMY 18241A0108 9 BANDI VARUN KUMAR 18241A0109 10 BASHIPAKA PRADEEP 18241A0110 11 BATHULA NIKHIL 18241A0111 12 BATIKIRI VEERENDRA SWAMY 18241A0112 13 BHUKYA SOUJANYA 18241A0113 14 BHUKYA VARUN NAYAK 18241A0114 15 BODDU PAVAN 18241A0115 16 BYAGARI RANGARAJU 18241A0116 17 CHADA RUCHITA 18241A0117 18 CHINTHAKUNTLA THRIVEEN 18241A0118 19 CV JASWANTH SURYA 18241A0119 20 DOSAPATI NISHU 18241A0120 21 G PRASANTH 18241A0121 22 GADDIPATI LOHITHA 18241A0122 23 GANGAM ROHITH REDDY 18241A0123 24 GOTTEMUKKALA GOVARDHAN 18241A0124 25 HRISHIKESH BANSAL 18241A0125 26 JANAPATHI RAJU 18241A0126 27 JYOTHIKA MANNAVA 18241A0127 28 K HARSHITHA REDDY 18241A0128 29 KOLAN RESHIKESH REDDY 18241A0129 30 KARRI BHARATH CHANDRA REDDY 18241A0130 31 KUPPALA NIHAR 18241A0131 32 KURVA LAVANYA 18241A0132 33 MADDIMSETTY SRI CHARAN 18241A0133 34 MAGANOOR MANASWINI 18241A0134 35 MALOTH BHAVSINGH 18241A0135 36 MALOTHU NAVEENA 18241A0136 37 MANDA ITHIHAS 18241A0137 38 MOHAMMAD ASHFAQ AHMED 18241A0138 39 MOHAMMED OMER SHAREEF 18241A0139 40 MUKUNDU NAVEEN 18241A0140 41 NALUMASU SAHITHI 18241A0141 42 NAMPELLY RAVI KUMAR 18241A0142 43 NARRA SHASHIDHAR REDDY 18241A0143 44 PATLOLA VINAY REDDY 18241A0144 45 PATTAMBETTY PAVANKUMAR 18241A0145 46 POLA THARUN 18241A0146 47 POSANI S V A KALYAN -
Striking Balance Between Tradition and Passion in Amulya Malladi's
The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 Striking Balance between Tradition and Passion in Amulya Malladi’s The Mango Season. A. Sophia Mary, Ph.d, Research Scholar, Department of English, Sri Sarada College for Women (Autonomous), Salem– 16. E-mail ID: [email protected] Abstract Amulya Malladi is a diasporic Indian writer in English and she is very famous for her seven novels namely A Breath of Fresh Air (2002), The Mango Season (2003), Serving Crazy with Curry (2004), Song of the Cuckoo Bird (2005), The Sound of Language (2007), A House for Happy Mothers (2016) and The Copenhagen Affair (2017). She received her bachelor degree in Electronics Engineering from Osmania University, Hyderabad India and master degree in Journalism from the University of Memphis, Tennessee, United States. Her novels have been translated into many languages like Dutch, German, Spanish, Danish, Romanian, Serbian and Tamil. Literature is an artistic creation especially in a written form with high and lasting merits. Although there are various literatures globally, the Indian writing in English has its unique taste among the readers. It is an amalgam of multilingual, multicultural and socio-historical themes. They are the exquisite creations of the Indian writers in English language. It also includes the works of the Indian diasporic writers. Malladi’s novels mainly focus on misunderstanding between two generations, changing status of women, family tension, conflict between modernity and traditional values, elusive nature of mind, etc. The Mango season is a dramatic portrayal of a modern young woman Priya, who must ultimately decide between the dogmatic tradition and heartfelt emotions. -
Contemporary British Literary Culture, Higher Education, and the Diversity Scandal
Contemporary British Literary Culture, Higher Education, and the Diversity Scandal by John Coleman A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Language and Literature Carleton University Ottawa, Ontario © 2019, John Coleman Abstract Sociologists have demonstrated that neoliberal British education policies reproduce cultural and racial homogeneity in creative industries workforces. These policies have made fine art and design programs key pathways to work in the creative economy. Yet escalating tuition and the reliance on unpaid internships to gain course credit have meant that students are increasingly drawn from the more affluent socio-economic communities – often predominantly white. The impact on contemporary British literature, particularly writing by minoritized authors, has been remarkable. Despite efforts to increase diversity in the literary book trades, the vast majority of publishing professionals are white, independently wealthy graduates of elite universities. Scholars have said little about how the literary field responds to, manifests, and perpetuates this escalating – and racialized – inequality, whose ramifications are evident in everything from Brexit to the emboldening of the anti-immigrant alt-right movement. My research takes up this task. I discuss how neoliberal education policy has privileged a relatively homogenous creative class, whose hegemony resonates across literary production and literature itself. I analyze responses to this class’ control over the literary sphere in chapters studying the reading charity BookTrust, the decibel program’s prizing of Hari Kunzru’s 2005 novel Transmission, and Spread the Word’s Complete Works Scheme for poets of colour. ii Acknowledgements The devotion of many family members, friends and loved ones has combined to form an invaluable support system throughout my time in university and while writing this dissertation. -
Durham Research Online
Durham Research Online Deposited in DRO: 05 August 2016 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Leante, Laura (2009) 'Urban Myth : bhangra and the dhol craze in the UK.', in Music in motion : diversity and dialogue in Europe. Bielefeld: Transcript Verlag, pp. 191-207. Further information on publisher's website: http://www.transcript-verlag.de/978-3-8376-1074-1/ Publisher's copyright statement: This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk (revised version – November 2008) 1 “Urban myth”: bhangra and the dhol craze in the UK Bhangra is believed to have originated in western Punjab (in today’s Pakistan) as a rural male dance performed to the rhythm of the dhol, a large double-headed barrel drum, to celebrate the spring harvest. -
ADKINS-DOCUMENT-2016.Pdf
Copyright Alexander Adkins 2016 ABSTRACT Postcolonial Satire in Cynical Times by Alexander Adkins Following post-1945 decolonization, many anticolonial figures became disenchanted, for they witnessed not the birth of social revolution, but the mere transfer of power from corrupt white elites to corrupt native elites. Soon after, many postcolonial writers jettisoned the political sincerity of social realism for satire—a less naïve, more pessimistic literary genre and approach to social critique. Satires about the postcolonial condition employ a cynical idiom even as they often take political cynicism as their chief object of derision. This dissertation is among the first literary studies to discuss the use of satire in postcolonial writing, exploring how and why some major Anglophone global writers from decolonization onward use the genre to critique political cynicisms affecting the developing world. It does so by weaving together seemingly disparate novels from the 1960s until today, including Chinua Achebe’s sendup of failed idealism in Africa, Salman Rushdie’s and Hanif Kureishi’s caricatures of Margaret Thatcher’s enterprise culture, and Aravind Adiga’s and Mohsin Hamid’s parodies of self-help narratives in South Asia. Satire is an effective form of social critique for these authors because it is equal opportunity, avoiding simplistic approaches to power and oppression in the postcolonial era. Satire often blames everyone—including itself—by insisting on irony, hypocrisy, and interdependence as existential conditions. Postcolonial satires ridicule victims and victimizers alike, exchanging the politics of blame for messiness, association, and implication. The satires examined here emphasize that we are all, to different degrees, mutually implicated subjects, especially in the era of global capitalism. -
Jihadism: Online Discourses and Representations
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Studying Jihadism 2 3 4 5 6 Volume 2 7 8 9 10 11 Edited by Rüdiger Lohlker 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 The volumes of this series are peer-reviewed. 37 38 Editorial Board: Farhad Khosrokhavar (Paris), Hans Kippenberg 39 (Erfurt), Alex P. Schmid (Vienna), Roberto Tottoli (Naples) 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Rüdiger Lohlker (ed.) 2 3 4 5 6 7 Jihadism: Online Discourses and 8 9 Representations 10 11 12 13 14 15 16 17 With many figures 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 & 37 V R unipress 38 39 Vienna University Press 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; 24 detailed bibliographic data are available online: http://dnb.d-nb.de. -
The Nothing Hanif Kureishi
JUNE 2018 Into the Night Sarah Bailey The riveting follow-up to The Dark Lake, acclaimed debut novel and international bestseller. Description 'The Dark Lake is a stunning debut that gripped me from page one and never eased up. Dark, dark, dark--but infused with insight, pathos, a great sense of place, and razor-sharp writing. It's going to be big and Sarah Bailey needs to clear a shelf for awards.' C. J. Box, #1 New York Times bestselling author Sarah Bailey's acclaimed debut novel The Dark Lake was a bestseller around the world and Bailey's taut and suspenseful storytelling earned her fitting comparisons with Gillian Flynn and Paula Hawkins. Into the Night is her stunning new crime novel featuring the troubled and brilliant Detective Sergeant Gemma Woodstock. This time Gemma finds herself lost and alone in the city, broken-hearted by the decisions she's had to make. Her new workplace is a minefield and the partner she has been assigned is uncommunicative and often hostile. When a homeless man is murdered and Gemma is put on the case, she can't help feeling a connection with the victim and the lonely and isolated life he led despite being in the middle of a bustling city. Then a movie star is killed in bizarre circumstances on the set of a major in the middle of aon the set of a major film shoot, and Gemma and her partner Detective Sergeant Nick Fleet have to put aside their differences to unravel the mysteries surrounding the actor's life and death. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
Aasif Mandvi, Actor, Writer, Correspondent for the Daily Show
Aasif Mandvi, Actor, Writer, Correspondent for The Daily Show Aasif Mandvi is widely known for his work as a correspondent on Comedy Central’s The Daily Show with John Stewart. Also a renowned theater actor, Mandvi starred in the critically acclaimed production of Ayad Akhtar’s play Disgraced at Lincoln Center. Mandvi’s recent work includes The Internship (2013), wherein he stars alongside Will Ferrell, Owen Wilson, and Vince Vaughn. His other upcoming projects include Million Dollar Arm alongside John Hamm. Mandvi is the recipient of the 1999 OBIE Award for his critically acclaimed play Sakina’s Restaurant. Mandvi both performed and conceived this one- man show, which later became the inspiration for his feature film Today’s Special. Additional New York stage credits include the Broadway revival of Oklahoma, directed by Trevor Nunn, Homebody/Kabul by Tony Kushner, subUrbia by Eric Bogosian, and Trudy Blue by Marcia Norman. Mandvi’s film credits include M Night Shyamalan's The Last Airbender, Merchant/Ivory’s The Mystic Masseur, The Proposal with Sandra Bullock, Ghost Town with Ricky Gervais, Music and Lyrics with Hugh Grant and Drew Barrymore, Spiderman 2, Freedomland, The Siege, and Analyze This. Additional feature film credits include It’s Kind of a Funny Story, Ruby Sparks, Premium Rush and Margin Call. Aasif has a recurring role on the new FOX show Us & Them. Notable television credits include Curb Your Enthusiasm, Sex and the City, Sleeper Cell, The Sopranos, The Bedford Diaries, Oz, CSI, Law & Order, and Tanner on Tanner, directed by Robert Altman. He is also known for recurring roles on Jericho and ER. -
Afrindian Fictions
Afrindian Fictions Diaspora, Race, and National Desire in South Africa Pallavi Rastogi T H E O H I O S TAT E U N I V E R S I T Y P R E ss C O L U MB us Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Rastogi, Pallavi. Afrindian fictions : diaspora, race, and national desire in South Africa / Pallavi Rastogi. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-0319-4 (alk. paper) ISBN-10: 0-8142-0319-1 (alk. paper) 1. South African fiction (English)—21st century—History and criticism. 2. South African fiction (English)—20th century—History and criticism. 3. South African fic- tion (English)—East Indian authors—History and criticism. 4. East Indians—Foreign countries—Intellectual life. 5. East Indian diaspora in literature. 6. Identity (Psychol- ogy) in literature. 7. Group identity in literature. I. Title. PR9358.2.I54R37 2008 823'.91409352991411—dc22 2008006183 This book is available in the following editions: Cloth (ISBN 978–08142–0319–4) CD-ROM (ISBN 978–08142–9099–6) Cover design by Laurence J. Nozik Typeset in Adobe Fairfield by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the Ameri- can National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Contents Acknowledgments v Introduction Are Indians Africans Too, or: When Does a Subcontinental Become a Citizen? 1 Chapter 1 Indians in Short: Collectivity