The Nothing Hanif Kureishi
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ADKINS-DOCUMENT-2016.Pdf
Copyright Alexander Adkins 2016 ABSTRACT Postcolonial Satire in Cynical Times by Alexander Adkins Following post-1945 decolonization, many anticolonial figures became disenchanted, for they witnessed not the birth of social revolution, but the mere transfer of power from corrupt white elites to corrupt native elites. Soon after, many postcolonial writers jettisoned the political sincerity of social realism for satire—a less naïve, more pessimistic literary genre and approach to social critique. Satires about the postcolonial condition employ a cynical idiom even as they often take political cynicism as their chief object of derision. This dissertation is among the first literary studies to discuss the use of satire in postcolonial writing, exploring how and why some major Anglophone global writers from decolonization onward use the genre to critique political cynicisms affecting the developing world. It does so by weaving together seemingly disparate novels from the 1960s until today, including Chinua Achebe’s sendup of failed idealism in Africa, Salman Rushdie’s and Hanif Kureishi’s caricatures of Margaret Thatcher’s enterprise culture, and Aravind Adiga’s and Mohsin Hamid’s parodies of self-help narratives in South Asia. Satire is an effective form of social critique for these authors because it is equal opportunity, avoiding simplistic approaches to power and oppression in the postcolonial era. Satire often blames everyone—including itself—by insisting on irony, hypocrisy, and interdependence as existential conditions. Postcolonial satires ridicule victims and victimizers alike, exchanging the politics of blame for messiness, association, and implication. The satires examined here emphasize that we are all, to different degrees, mutually implicated subjects, especially in the era of global capitalism. -
RFC's Library's Book Guide
RFC’s Library’s Book Guide 2017 Since the beginning of our journey at the Royal Film Commission – Jordan (RFC), we have been keen to provide everything that promotes cinema culture in Jordan; hence, the Film Library was established at the RFC’s Film House in Jabal Amman. The Film Library offers access to a wide and valuable variety of Jordanian, Arab and International movies: the “must see” movies for any cinephile. There are some 2000 titles available from 59 countries. In addition, the Film Library has 2500 books related to various aspects of the audiovisual field. These books tackle artistic, technical, theoretical and historical aspects of cinema and filmmaking. The collec- tion of books is bilingual (English and Arabic). Visitors can watch movies using the private viewing stations available and read books or consult periodi- cals in a calm and relaxed atmosphere. Library members are, in addition, allowed to borrow films and/or books. Membership fees: 20 JOD per year; 10 JOD for students. Working hours: The Film Library is open on weekdays from 9:00 AM until 8:00 PM. From 3:00 PM until 8:00 PM on Saturdays. It is closed on Fridays. RFC’s Library’s Book Guide 2 About People In Cinema 1 A Double Life: George Cukor Patrick McGilligan 2 A Hitchcock Reader Marshall Dentelbaum & Leland Poague 3 A life Elia Kazan 4 A Man With a Camera Nestor Almenros 5 Abbas Kiarostami Saeed-Vafa & Rosenbaum 6 About John Ford Lindsay Anderson 7 Adventures with D.W. Griffith Karl Brown 8 Alexander Dovzhenko Marco Carynnk 9 All About Almodovar Epps And Kakoudeki -
ETHICAL DESIRE: BETRAYAL in CONTEMPORARY BRITISH FICTION a Dissertation by SOO YEON KIM Submitted to the Office of Graduate
ETHICAL DESIRE: BETRAYAL IN CONTEMPORARY BRITISH FICTION A Dissertation by SOO YEON KIM Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Major Subject: English ETHICAL DESIRE: BETRAYAL IN CONTEMPORARY BRITISH FICTION A Dissertation by SOO YEON KIM Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee David McWhirter Committee Members Mary Ann O’Farrell Theodore George Elizabeth Ho Head of Department M. Jimmie Killingsworth May 2010 Major Subject: English iii ABSTRACT Ethical Desire: Betrayal in Contemporary British Fiction. (May 2010) Soo Yeon Kim, B.A., Seoul National University; M.A., Seoul National University Chair of Advisory Committee: Dr. David McWhirter This dissertation investigates representations of betrayal in works by Hanif Kureishi, Salman Rushdie, Irvine Welsh, and Alan Hollinghurst. In rethinking “bad” acts of betrayal as embodying an ethical desire not for the good but for “the better,” this dissertation challenges the simplistic good/bad binary as mandated by neo-imperialist, late capitalist, and heteronormative society. In doing so, my project intervenes in the current paradigm of ethical literary criticism, whose focus on the canon and the universal Good gained from it runs a risk of underwriting moral majoritarianism and judgmentalism. I argue that some contemporary narratives of betrayal open up onto a new ethic, insofar as they reveal the unethical totalization assumed in ethical literary criticism’s pursuit of the normative Good. -
Re-Imagining Desire and Sexuality in the Work of Hanif Kureishi Andreas
Department of English Studies Re-imagining Desire and Sexuality in the Work of Hanif Kureishi Athanasiades Andreas Athanasiades Dissertation Submitted for the Award of the PhD Degree at the University of Cyprus Andreas June, 2013 ©Andreas Athanasiades Athanasiades Andreas Validation Page Doctoral Candidate: Andreas Athanasiades Title of Dissertation: Re-imagining Desire and Sexuality in the Work of Hanif Kureishi This dissertation was submitted in partial fulfilment of the requirements of the PhD programme in English Literature and Comparative Cultural Studies in the Department of English Studies and was approved by the members of the Examination Committee on April 16, 2013. Examination Committee: Internal Members Stephanos Stephanides, Professor, Department of English Studies, University of Cyprus (Research Supervisor). Maria Margaroni, Associate Professor, University of Cyprus (Committee Chair). Antonis Balasopoulos, Associate Professor, University of Cyprus. Athanasiades External Members Pablo Mukherjee, Associate Professor (Reader), University of Warwick, UK. Stavros Stavrou Karayanni, Associate Professor, European University, Cyprus. Andreas Σελίδα Εγκυρότητας Υποψήφιος Διδάκτορας: Αντρέας Αθανασιάδης Τίτλος Διατριβής: Η Επαναδιαπραγμάτευση των Εννοιών της Επιθυμίας και της Σεξουαλικότητας στο Έργο του Hanif Kureishi Η παρούσα Διδακτορική Διατριβή εκπονήθηκε στο πλαίσιο των σπουδών για απόκτηση Διδακτορικού Διπλώματος στο Τμήμα Αγγλικών Σπουδών, στο πρόγραμμα Αγγλική Λογοτεχνία και Συγκριτικές Πολιτισμικές Σπουδές και εγκρίθηκε -
Title Author Barcode Wolverine and the X Men Aaron, Jason 40006252J
Title Author Barcode Wolverine and the X Men Aaron, Jason 40006252J Three brothers / Ackroyd, Peter 31513400166687 Pig's foot / Acosta, Carlos 31513400121674 Above us the sky / Adams, Milly 31513500084889 The garden of burning sand / Addison, Corban 31513400116286 The White Tiger Adiga, Aravind 20187657- How to fall in love / Ahern, Cecelia 31513400122144 If You Could See Me Now Ahern, Cecelia 20204287P The gift / Ahern, Cecelia 20203934N The marble collector / Ahern, Cecelia 31513400221813 The Erl King's Daughter Aiken, Joan 22005223G The death of kings / Airth, Rennie 31513400294364 The splintered kingdom / Aitcheson, James 31513500045153 Flowers for Miss Pengelly Aitken, Rosemary 40007203G Death and Deception Alan, Ray 20192303K Dangerous Arrivals Allbeury, Ted 20181050H Chicken Licken Allen, Jonathan 22050572N First frost / Allen, Sarah Addison 31513400231416 Ripper / Allende, Isabel 31513400133562 The House of the Spirits / Allende, Isabel 31513500025320 Wish you were here / Alliott, Catherine 31513400181744 Turn of the Century Andersen, Kurt 20195912T The special dead / Anderson, Lin 31513400195447 A secret in the family / Andrews, Lyn 201989781 Days of Hope Andrews, Lyn 20192139R Friends forever Andrews, Lyn 20162067O From This Day Forth Andrews, Lyn 20160203E Maggie May Andrews, Lyn 20195301L Mersey Blues Andrews, Lyn 20084806S The Queen's promise / Andrews, Lyn 31513400097205 When Daylight Comes Andrews, Lyn 20145747U Broken Wings Andrews, Virginia 20163687X Into the Darkness Andrews, Virginia 40005614K A Prisoner of Birth Archer, -
Read On, Adventure Fans.” the NEW YORK TIMES
Praise for the novels of “Read on, adventure fans.” THE NEW YORK TIMES “A rich, compelling look back in time [to] when history and myth intermingled.” SAN FRANCISCO CHRONICLE “Only a handful of 20th century writers tantalize our senses as well as Smith. A rare author who wields a razor- sharp sword of craftsmanship.” TULSA WORLD 5689_Assegai.indd v 22/01/18 5:45 PM “He paces his tale as swiftly as he can with swordplay aplenty and killing strokes that come like lightning out of a sunny blue sky.” KIRKUS REVIEWS “Best Historical Novelist— I say Wilbur Smith, with his swashbuckling novels of Africa. The bodices rip and the blood flows. You can get lost in Wilbur Smith and misplace all of August.” STEPHEN KING “Action is the name of Wilbur Smith’s game and he is the master.” THE WASHINGTON POST zbu-callraven.indd 1 20/1/9 3:44 PM “Smith manages to serve up adventure, history and melodrama in one thrilling package that will be eagerly devoured by series fans.” PUBLISHERS WEEKLY “This well- crafted novel is full of adventure, tension, and intrigue.” LIBRARY JOURNAL “Life- threatening dangers loom around every turn, leaving the reader breathless . An incredibly exciting and satisfying read.” CHATTANOOGA FREE PRESS “When it comes to writing the adventure novel, Wilbur Smith is the master; a 21st century H. Rider Haggard.” VANITY FAIR zbu-callraven.indd 2 20/1/9 3:44 PM ALSO BY WILBUR SMITH Non- Fiction On Leopard Rock: A Life of Adventures The Courtney Series When the Lion Feeds Blue Horizon The Sound of Thunder The Triumph of the Sun A Sparrow -
Rebecca Fine Romanow
Rebecca Fine Romanow University Address: University of Rhode Island Film/Media Program 151 Swan Hall 60 Upper College Road Kingston, RI 02881 Email: [email protected] Phone: 401-874-9474 EDUCATION 2006 Ph.D., University of Rhode Island, English Awarded May, 2006 ABD, December, 2004, with Distinction Coursework completed, GPA 4.0, December, 2003 2000 M.A., University of Massachusetts Boston, English 2000. 3.88 GPA 1978 M.B.A., cum laude, Boston University, Graduate School of Management. 1974 A.B., cum laude, with Distinction in English Literature, Boston University. ______________________________________________________________________________ DISSERTATION Dissertation Committee: Professors John R. Leo, Stephen M. Barber, Alain-Philippe Durand, Ryan S. Trimm, Clement A. White. The Postcolonial Body in Queer Space and Time This dissertation, under the direction of John Leo, examines the ways in which the notion of the postcolonial correlates to Judith Halberstam’s idea of queer space and time where, in“[detaching] queerness from sexuality” (1), “queer space . .describes . .space enabled by the production of queer counterpublics” (6). Emphasizing authors, as well as film, from Africa, the Levant, and India in the diaspora in London from the mid-1960s through 1990, the reading of both postcolonial lands and subjects as “queer counterproductive” space reveals a depiction of bodies in these texts as located in and performing “queer space and time.” I argue that the first wave of postcolonial literatures and film produced by diasporics present the body as the site where the non-normative is performed, revealing the beginnings of a corporeal resistance to the re-colonization of the diasporic individual residing in England from the Wilson through the Thatcher regimes. -
Negotiating Britishness in Sam Selvon's the Lonely Londoners, Hanif Kureishi's the Buddha of Suburbia, and Zadie Smith's White Teeth
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2009 "This Blessed Plot": Negotiating Britishness in Sam Selvon's The Lonely Londoners, Hanif Kureishi's The Buddha of Suburbia, and Zadie Smith's White Teeth Kathleen Vickers The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Vickers, Kathleen, ""This Blessed Plot": Negotiating Britishness in Sam Selvon's The Lonely Londoners, Hanif Kureishi's The Buddha of Suburbia, and Zadie Smith's White Teeth" (2009). Graduate Student Theses, Dissertations, & Professional Papers. 8. https://scholarworks.umt.edu/etd/8 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. “THIS BLESSED PLOT”: NEGOTIATING BRITISHNESS IN SAM SELVON'S THE LONELY LONDONERS, HANIF KUREISHI'S THE BUDDHA OF SUBURBIA, AND ZADIE SMITH'S WHITE TEETH By Kathleen Anne Vickers MA (Hons) First Class, University of Dundee, Scotland, 2007 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in English Literature The University of Montana Missoula, MT Spring 2009 Approved by: Dr. David A. Strobel, Dean Graduate School Dr. Eric Reimer, Chair Department of English Dr. Kathleen Kane Department of English Dr. Hiltrudis Arens Department of Modern and Classical Languages and Literatures “The study of art that does not result in making the strong less willing to oppress the weak means little.” Booker T Washington, Inaugurating Address to the 1896 season of the Brooklyn Institute of Arts and Sciences. -
Project Nur, El FIC 150 "I Love My Air Fryer" Keto Diet Recipe Book
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Introduction: Backgrounds: Facts and Fictions of Multicultural London
Notes Introduction: Backgrounds: Facts and Fictions of Multicultural London 1. Conservative MP Aidan Burley, for instance, notoriously took to Twitter to denounce the ceremony as ‘leftist multicultural crap’ (quoted in Watt 2012, np). In the Daily Mail, Rick Dewsbury described the ceremony as a ‘bonanza of left-wing propaganda’ whose ‘multicultural equality agenda was so staged it was painful to watch’. Perhaps unsurprisingly, Dewsbury’s piece has subse- quently been removed from the website of the Daily Mail but can, at the time of writing, be viewed at www.freezepage.com/1343493744VDGIBPHPUW [accessed February 2014]. 2. All census data referred to is freely available online through government websites. See http://data.london.gov.uk [accessed February 2014]. 3. See ‘London migrants year of arrival’, http://data.london.gov.uk/taxonomy/ categories/demographics [accessed February 2014]. 4. See ‘Londoners born overseas data download’, available at http://data.london. gov.uk/census/themes/diversity [accessed February 2014]. 5. This data, from the Office for National Statistics, refers to the UK rather than to London specifically. See ‘Migration Statistics Quarterly Report, November 2013’, Figure 4.2: ‘Immigration from most common countries of last resi- dence for 2008–2012’. Available at www.ons.gov.uk/ons/dcp171778_335330. pdf [accessed February 2014]. 6. All data relating to UK book sales has been obtained from Nielsen BookScan UK and is correct as of February 2014. Nielsen’s sales figures are estimated to cover over 90 per cent of the UK trade book market. Coverage varies over the years, starting at about 65 per cent in 1998 and increasing to over 90 per cent. -
Curriculum Vitae Literary Agent
CURRICULUM VITAE Kwame Anthony Akroma-Ampim Kusi APPIAH Professor of Philosophy and Law, New York University Laurance S. Rockefeller University Professor of Philosophy and the University Center for Human Values Emeritus, Princeton University Honorary Fellow, Clare College, Cambridge Member, American Academy of Arts and Sciences, American Academy of Arts and Letters, American Philosophical Society, Royal Society of Literature Department of Philosophy New York University Law School New York University # 337, Vanderbilt Hall # 508, 5 Washington Place 40 Washington Square South New York, New York 10003 New York, New York 10012 (212) 998 8227 (212) 992 9787 E-MAIL: [email protected] E-MAIL: [email protected] EFAX: (413) 208 0985 Department Main Office Assistant, Giselle Tsikaridis (212) 998 8320 (212) 998 6653 fax: (212) 995 4179 [email protected] LITERARY AGENT: LECTURE AGENT: Lynn Nesbit David Lavin Janklow & Nesbit Associates The Lavin Agency 445 Park Avenue 222 Third Street, Suite 1130 New York, NY 10022 Cambridge, MA 02142 (212) 421 1700 (800) 762 4234 Fax: (212) 980 3671 Fax: (617) 225 7875 DATE AND PLACE OF BIRTH: 8 May 1954, London, England CITIZENSHIP: United States (Since Nov 21, 1997) LANGUAGES: Asante-Twi, English, French, German, Latin WEBSITE: http://www.appiah.net EDUCATION Clare College, Cambridge University, 1972-75, 1976-81 Exhibition, Medical Sciences 1972 First Class Honours (Part I b) 1974 Exhibition, Philosophy 1974 First Class Honours (Part II) 1975 BA (Honours), Philosophy 1975, MA 1980 PhD, Philosophy 1982 (Thesis: Conditions for Conditionals) Kwame Anthony Appiah ~ Curriculum Vitae ~ March 4, 2020 2 EMPLOYMENT New York University Professor of Philosophy and Law, January 2014- Princeton Laurance S. -
Berlinale 2001 Report
Berlinale 2001 Report By Ron Holloway Spring 2001 Issue of KINEMA INTERNATIONAL FILM FESTIVAL BERLIN 2001 IT fit the 2001 Berlinale (7-18 February 2001) like a glove: Stanley Kubrick’s 2001 -- A Space Odyssey as the closing night presentation. For back at the 1981 Berlinale, when Martin Scorsese delivered a fiery, passionate lecture on ”Color Fading,” he cited 2001 in particular to underscore the dilemma of colour preservation. Thanks to his efforts, and those of dedicated film archivists, Stanley Kubrick’s 2001: A Space Odyssey (1968) has now been restored to its original pristine colour photography -and was the undeniable hit of the Berlinale. When one recalls that Berlinale director Alfred Bauer had laboured far into the night to book Kubrick’s 2001 for the 1968 festival -- a failed effort now fulfilled -- this made for a particularly poignant evening. Stanley Kubrick’s widow attended the screening, together with his brother-in-law Jan Harlan, whose documentary Stanley Kubrick: A Life in Pictures was programmed as part of the tribute. And since Kirk Douglas was also being honoured with a festival homage, Kubrick’s Paths of Glory (1957) was equally well received at its special screening in the Berlinale Palast on Marlene-Dietrich-Platz. Surely the 51st Berlinale will be long remembered for its splendid Fritz Lang retrospective, the accompanying exhibition in the recently opened Filmmuseum Berlin, and the Special Screening of his classic Metropolis (Germany, 1925/26). Indeed, sellout crowds enthusiastically applauded the screenings, the silent films were shown with live musical accompaniment, the ”FL” catalogue runs 512 pages, and the exhibition is now scheduled to go on tour -- to Vienna, Paris, Los Angeles, and San Francisco.