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Welkom Welcome Welkom Welcome Sinds 1987 opent het Holland Dance Festival in 2018 voor de 16e keer een venster op de wereld van de internationale dans. Er is veel te ontdekken in ons exclusieve programma dat bijna uitsluitend bestaat uit Nederlandse primeurs: 52 voorstellingen van 20 producties uit 19 landen maken het internationale karakter en de veelzijdigheid van de dans zichtbaar. Het programma van de volgende editie is op zijn zachtst gezegd eclectisch: de introduc- tie van de op het ijs schaatsende dansers van Le Patin Libre uit Canada, de ‘Dancing Grand- mothers’ van Eun-Me Ahn uit Korea en de lang verwachte terugkomst van de legendarische Martha Graham Dance Company uit New York. Zij laten allen zien waar het Holland Dance Festival voor staat: de verassende diversiteit van de dans. Als er naar de bezoekersaantallen van de Nederlandse dansinstellingen — waaronder het Holland Dance Festival — gekeken wordt, kunnen we constateren dat dans ongekend populair is, en niet alleen bij een publiek van danskenners. Het Holland Dance Festival wil graag een bijdrage leveren aan het vergroten en versterken van deze voor Nederland zo kenmerkende kunstvorm zonder taalbarrières. Met deze gedachte is het festivalprogramma 2018 tot stand gekomen: liefde voor de dans, oog voor hoge kwaliteit, vernieuwing en verras- sing. Het enige wat u hoeft te doen is: genieten! For the 16th time since 1987, the Holland Dance Festival opens a window to the world of internati- onal dance. There is much to discover for Dutch audiences in the exclusive program of first-time presentations: 52 performances of 20 productions from 19 different countries illustrate the interna- tionality and diversity of dance today. The programme of the coming edition is eclectic to say the least: the introduction of the ice-skating dancers of Le Patin Libre from Canada, Eun-Me Ahn’s ‘Dancing Grandmothers’ from Korea or the much anticipated return of the legendary Martha Graham Dance Company from New York. They all reflect what the Holland Dance Festival is about: the astounding diversity of dance. Looking at audience attendance numbers of the Dutch dance institutions — including the Holland Dance Festival — we can safely conclude that dance is not only popular with specialized but general audiences. The Holland Dance Festival would like to contribute to stabilizing and strengthening this art form without language barriers, which is so defining for the cultural profile of the Netherlands. Keeping this in mind, the festival programme 2018 was put together with love and passion for dance, eye for artistic quality, innovation and surprise. All you have to do is: enjoy! Samuel Wuersten Artistic and Executive Director Holland Dance Festival content 5 Interviews 6 The wonder of gliding Le Patin Libre 14 The Legend is back! Martha Graham Dance Company 28 ‘Graham’s creations are no museum pieces but hot and happening’ Anita van Dolen and Samuel Wuersten 34 The Korean grandmothers of choreographer Eun-Me Ahn Eun-Me Ahn Company 43 71 81 Packages More te see Information Arrangementen Meer te beleven Algemene informatie 47 77 92 Programme Workshops Timetable Programma Masterclass en Films Blokkenschema 3 interviews inter views Anne Souder in Martha Graham’s ‘Maple Leaf Rag’. Foto: Hibbard Nash Photography 5 interview The wonder of gliding ‘Cutting edge ice dance’ Foto: Zoé Anne Foto: by Le Patin Libre conquers the world 7 interview Alexandre Hamel Le Patin Libre The wonder of gliding ‘Vertical Influences will blow your mind.’ “Een stelletje gefrustreerde grumpy mannelijke “A bunch of frustrated grumpy male skaters”. This De nieuwste show van het Canadese Le Patin Libre kreeg wereldwijd schaatsers.” Zo omschrijft Alexandre Hamel, la- is how Alexandre Hamel describes himself and oth- chend en met veel gevoel voor ironie, zichzelf en er founders of Le Patin Libre, smiling and with a vijfsterrenrecenies. Het collectief van kampioenkunstschaatsers — dat de andere oprichters van Le Patin Libre. Hamel: great sense of irony. Hamel: “Speaking for myself: I zich doelbewust afkeerde van de wedstrijdsport en commerciële shows “Sprekend voor mijzelf: ik was het zat om medail- was tired of winning medals. From when I was nine les te winnen. Van mijn negende tot mijn tweeën- until I was twenty two all I ever did was participate als Holiday- en Disney on Ice — onderzoekt als eerste ter wereld de twintigste heb ik niet anders gedaan dan kunst- in figure skating matches. For a short time after mogelijkheden van moderne- en urbandans op het ijs. “We hebben de schaatswedstrijden rijden. Daarna heb ik nog korte that I did some shows but I quickly realized: Disney schaatsdanskunst als het ware ‘uitgepuurd’, als een schilder die nog tijd shows gereden, maar ik wist al gauw: Disney on Ice is really not for me.” on Ice is écht niet mijn ding.” Hamel radically changed course in 2005 and slechts een rood vlak op een doek schildert.” Samen met vier collega-kunstschaatsers — started Le Patin Libre with four other figure skaters die dezelfde ontevredenheid voelden — gooide who felt the same dissatisfaction. “The name says it ‘Vertical Influences will blow your mind.’ Hamel in 2005 het roer radicaal om en startte Le all: we wanted to keep on skating but at the same Patin Libre. “De naam zegt het al: we wilden blij- time we wanted to be free and independent and The latest show by the Canadian Le Patin Libre received five star reviews ven schaatsen, maar tegelijkertijd compleet vrij en use our passion for dance in a completely different worldwide. The collective of champion skaters — that purposely turned onafhankelijk zijn en daarbij onze passie voor dans manner” op een heel andere manier aanwenden.” “ We started out very basic: during the winter away from competitive sport and commercial shows like Holiday- and “We begonnen heel simpel: tijdens het win- carnivals in Quebec and at other ‘outdoor parties’ Disney on Ice — is the first in the world to explore the potential of contem- tercarnaval in Quebec en bij andere ‘outdoorpar- we would give short shows on frozen ponds and ice ties’ gaven we kleine showtjes op bevroren vijvers skating rinks. It had nothing to do with traditional porary and urban dance on ice. “In a sense we ‘filtered’ the art of ice dancing en schaatsbaantjes. Met het traditionele kunst- figure skating, which would have been totally inap- like a painter that fills the canvas with merely a red square.” schaatsen had dat niets van doen, dat zou bij dat propriate for those events. We did a simple acrobat- soort gelegenheden ook totaal niet passen. Wij ic routine and made up all sorts of weird stories Tekst / Text Astrid van Leeuwen voerden een simpele acrobatische routine uit en around them. By the way, we stopped doing that bedachten daarbij allerlei weirde verhaaltjes. Met pretty quickly because we are bad actors and you dat laatste zijn we trouwens al snel gestopt, want have to stick to doing what you’re really good at, we zijn slechte acteurs en je moet doen waar je écht and that’s skating.” Hamel says that for him and his goed in bent en dat is schaatsen.” friends that first period was “absolutely freeing”. Voor Hamel en zijn vrienden was die eerste “Precisely because we started out small we could periode, zegt hij, ‘absoluut bevrijdend’. “Juist om- experiment endlessly. With crazy things, compli- dat we klein begonnen, konden we eindeloos expe- cated things. Each new discovery gave us an in- rimenteren. Met idiote dingen, gecompliceerde tense sense of joy.” dingen. Elke nieuwe ontdekking gaf ons een intens blij gevoel.” ROCK-’N-ROLL The first of the more professional shows of Le Patin ROCK-’N-ROLL Libre, according to Hamel (now 33) veered be- De eerste, meer professionele shows van Le Patin tween folk and rock-‘n-roll, with a lot of humor and Libre bewogen zich, aldus Hamel (inmiddels 33) acrobatics thrown in. “And we still love to do those tussen folk en rock-’n-roll, met daarbij veel acroba- kinds of performances from time to time. But slow- tiek en humor. “En we vinden het nog steeds leuk ly but surely our style developed towards abstract om af en toe dat soort optredens te doen. Maar contemporary and urban dance. “In a sense we ‘fil- Alexandre Hamel langzaam maar zeker ontwikkelde onze stijl zich tered’ the art of ice dancing, cleansed it of all super- Artistic Director Le Patin Libre Libre Le Patin Foto: steeds meer richting abstracte moderne- en urban- fluous pretension and frills and reduced it to the 8 9 interview Alexandre Hamel Le Patin Libre The wonder of gliding dans. We hebben de schaatsdanskunst als het ware essence. Like a painter that fills the canvas with schaatsen. Maar toen hij met ons werkte begon hij The fifth member of the group, Jasmin Boivin, is ‘uitgepuurd’, haar gezuiverd van alle overbodige merely a red square.” voor het eerst op het ijs te dansen, in een stijl die self-taught. He started out with us as a composer. poespas en tierelantijnen en teruggebracht naar de The base is, Hamel says, the technique of glid- heel dicht tegen de urbandans aan ligt, en echt: ik He used to play ice hockey — almost everyone in essentie. Zoals een schilder die nog slechts een ing. “At the heart skating is obviously not about heb nog nooit iemand zich zó snel tot een ware Canada does something that requires skating. But rood vlak op een doek schildert.” complex twists and jumps but about the gliding. virtuoos zien ontwikkelen.” when he started to work with us he began to dance De basis is daarbij, zegt Hamel, de glijtechniek. Indeed, when you eliminate all those spectacular Die openheid voor talent van buitenaf ken- on ice for the first time, in a style that was very close “In de kern gaat schaatsen natuurlijk niet om inge- gems it turned out that gliding — in an immobile or merkt Le Patin Libre.
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