DOCSLIB.ORG

Cedar Lake’S Farewell Performances Are Dedicated to Season Sponsor: Nancy Laurie, Greg Mudd, and Benoit-Swan Pouffer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cedar Lake’S Farewell Performances Are Dedicated to Season Sponsor: Nancy Laurie, Greg Mudd, and Benoit-Swan Pouffer BAM 2015 Winter/Spring Season #CEDARLAKE Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Cedar Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Lake Executive Producer Contemporary Ballet BAM Howard Gilman Opera House Jun 3—6 PROGRAM A—Jun 3 & 5, 7:30pm My Generation by Richard Siegal Ten Duets on a Theme of Rescue by Crystal Pite Rain Dogs by Johan Inger Running time: two hours including two intermissions PROGRAM B —Jun 4 & 6, 7:30pm Indigo Rose by Jirˇí Kylián Ten Duets on a Theme of Rescue by Crystal Pite Necessity, Again by Jo Strømgren Running time: two hours including two intermissions Cedar Lake’s farewell performances are dedicated to Season Sponsor: Nancy Laurie, Greg Mudd, and Benoit-Swan Pouffer. Support for the Signature Artists Series provided by the Howard Gilman Foundation Leadership support for dance at BAM provided by The Harkness Foundation for Dance Major support for dance at BAM provided by The SHS Foundation Cedar Lake Contemporary Ballet DANCERS Jon Bond • Nickemil Concepcion • Joaquim de Santana • Vânia Doutel Vaz Joseph Kudra • Navarra Novy-Williams • Raymond Pinto • Guillaume Quéau • Matthew Rich • Ida Saki • Ebony Williams • Jin Young Won Apprentices: Patrick Coker • Daphne Fernberger Casting subject to change PROGRAM A—Jun 3 & 5, 7:30pm MY GENERATION (World Premiere) Choreography by Richard Siegal Costume design by Bernhard Willhelm Styling by Edda Gudmun Lighting design by Stan Pressner Music by Atom™ (Uwe Schmidt) Performed by Jon Bond, Nickemil Concepcion, Joaquim de Santana, Vânia Doutel Vaz, Daphne Fernberger, Navarra Novy-Williams, Raymond Pinto, Guillaume Quéau, Matthew Rich, Ida Saki, Ebony Williams, Jin Young Won Music credits: “My Generation,” words and music by Peter Townshend, © Copyright 1965 (Renewed) Fabulous Music Ltd., London, England, TRO-Devon Music, Inc., New York, controls all publication rights for the U.S.A. and Canada, International Copyright Secured, Made in U.S.A., All rights reserved Including Public for Profit, Used by Per- mission. “I Love You (Like My Drum Machine),” “Empty,” and “Ich Bin Meine Maschine,” by Atom™ (Uwe Schmidt) TEN DUETS ON A THEME OF RESCUE (2008) Choreography by Crystal Pite Costume design by Junghyun Georgia Lee Lighting design by Jim French Music: Selections from the original motion picture sound track of Solaris by Cliff Martinez Performed by: Jun 3 & 6—Jon Bond, Nickemil Concepcion, Guillaume Quéau, Ida Saki, Ebony Williams Jun 4 & 5—Joaquim de Santana, Vânia Doutel Vaz, Joseph Kudra, Navarra Novy-Williams, Matthew Rich RAIN DOGS (2014, New York Premiere) Choreography by Johan Inger Assistants to the choreographer Aurélie Cayla, Amos Ben-Tal Set and costume design by Johan Inger Lighting design by Peter Lundin Music by Tom Waits Performed by: Jun 3—Jon Bond, Nickemil Concepcion, Joaquim de Santana, Vânia Doutel Vaz, Joseph Kudra, Guillaume Quéau, Ida Saki, Ebony Williams, Jin Young Won Jun 5—Jon Bond, Nickemil Concepcion, Joaquim de Santana, Vânia Doutel Vaz , Navarra Novy-Williams, Guillaume Quéau, Matthew Rich, Ida Saki, Jin Young Won Music Credits: “Kommienezuspadt,” “Make it Rain,” “Dirt in the Ground,” and “Hoist that Rag” written by Tom Waits & Kathleen Brennan; “Frank’s Wild Years” written by Tom Waits © Jalma Music (ASCAP); “Step Right Up” and “The Piano Has Been Drinking” written by Tom Waits, courtesy of BMG Gold Songs (ASCAP) o/b/o Six Palms Music Corporation (ASCAP). Music Clearance by BZ/Rights & Permissions, Inc. Cedar Lake Contemporary Ballet PROGRAM B—Jun 4 & 6, 7:30pm INDIGO ROSE (2013) Choreography by Jirˇí Kylián Décor design by Jirˇí Kylián Costume design by Joke Visser Original lighting design by Michael Simon Lighting re-design by Kees Tjebbes Assistants to choreographer Aurelie Cayla, Amos Ben-Tal Music by Robert Ashley, François Couperin, John Cage, and J.S. Bach Performed by Jon Bond, Nickemil Concepcion, Joaquim de Santana, Vânia Doutel Vaz, Joseph Kudra, Navarra Novy-Williams, Matthew Rich, Ebony Williams, Jin Young Won Music Credits: “Factory Preset” (1993) used by permission of Robert Ashley; François Couperin, from “l’Apothéose de Lully,” “Plainte des Memes” (1725); John Cage, from “Three Dances for Two Prepared Pianos,” Dance No. 1 (1945); J.S. Bach, from “Das wohltemperierte Klavier,” Fugue No. 8 in E-Flat minor (1722) TEN DUETS ON A THEME OF RESCUE (2008) Choreography by Crystal Pite Costume design by Junghyun Georgia Lee Lighting design by Jim French Music: Selections from the original motion picture sound track of Solaris by Cliff Martinez Performed by: Jun 3 & 6—Joaquim de Santana, Vânia Doutel Vaz, Joseph Kudra, Navarra Novy- Williams, Matthew Rich Jun 4 & 5—Jon Bond, Nickemil Concepcion, Guillaume Quéau, Ida Saki, Ebony Williams NECESSITY, AGAIN (2012) Choreography by Jo Strømgren Costume design by Junghyun Georgia Lee Lighting design by Jim French and Jo Strømgren Music by Charles Aznavour with text by Jacques Derrida Additional music by Bergmund Skaslien Performed by: Jun 4—Nickemil Concepcion, Joaquim de Santana, Vânia Doutel Vaz, Joseph Kudra, Navarra Novy-Williams, Guillaume Quéau, Matthew Rich, Ida Saki, Ebony Williams, Jin Young Won Jun 6—Jon Bond, Nickemil Concepcion, Joaquim de Santana, Vânia Doutel Vaz, Joseph Kudra, Navarra Novy-Williams, Matthew Rich, Ida Saki, Ebony Williams, Jin Young Won Music credits: “Que c’est Triste Venise”: French Text by Françoise Dorin; Music by Charles Aznavour © Copyright 1965 (Renewed) Editions Musicales Charles Aznavour, Paris, France. TRO-Hampshire House Publishing Corp.,New York, controls all publication rights for the U.S.A. and Canada. Used by Permission. “La Mamma”: Original French Text by Robert Gall; Music by Charles Aznavour © Copyright 1964 (Renewed) Editions Musicales Charles Aznavour, Paris, France, TRO-Hampshire House Publishing Corp., New York, controls all publications rights for the U.S.A. and Canada. Used by Permission. “Desormais”: 50% Georges Garvarentz & Charles Aznavour (50% TRO & 50% France Music). “Trousse Chemise”: 100% Charles Aznavour and Jacques Mareuil France Music Corp. (ASCAP). “Le Temps”: From the Musical Production “The World of Charles Aznavour” Original French Text by Charles Aznavour; Music by Jeff Davis © Copyright 1964 (Renewed) Editions Musicales Charles Aznavour, Paris, France, TRO-Hampshire House Publishing Corp., New York, controls all publications rights for the U.S.A. and Canada. Used by Permission. “Deconstruction & Necessity”: Spoken word recording by Jacques Derrida,© LTM Recordings. All rights reserved. Used by permission. Cedar Lake Contemporary Ballet Jon Bond Nickemil Concepcion Joaquim de Santana Vânia Doutel Vaz Joseph Kudra Navarra Novy-Williams Raymond Pinto Guillaume Quéau Matthew Rich Ida Saki Rachelle Scott Ebony Williams Jin Young Won Patrick Coker Daphne Fernberger Who’s Who ALEXANDRA DAMIANI (artistic director) was CHOREOGRAPHERS named artistic director in spring 2014. A native of France, Damiani is a leading practitioner and JOHAN INGER (born 1967, Stockholm) collaborator in the realm of contemporary dance, completed his dance training at the Royal combining her rich dance background with an Swedish Ballet School and at the National enthusiasm for directing dancers and a flexibility Ballet School in Canada. From 1985 to 1990 with varying philosophies of movement. After a he danced with the Swedish Royal Ballet in 15 year dance career as a soloist with Les Ballets Stockholm, the last year performing as a soloist. Jazz of Montreal, Complexions, and Donald In 1990, he joined Nederlands Dans Theater Byrd/The Group, Damiani joined Cedar Lake and was a high-profile dancer in this company Contemporary Ballet as ballet master in 2005. until 2002. When Inger tried his hand at NDT’s Damiani is honored to have worked with artists annual Choreography Workshops, Jirˇí Kylián and innovators both in her work with Cedar Lake noticed his talent for choreography. In 1995, Contemporary Ballet as well as independently, after four workshop pieces, Inger was allowed such as Donald Byrd, Sidi Larbi Cherkaoui, to choreograph his first work for Nederlands Alexander Ekman, Andonis Fionadakis, Emanuel Dans Theater 2 (NDT 2). The resulting piece, Gat, Jacopo Godani, Emily Molnar, Ohad Mellantid, marked his official debut as a Naharin, Crystal Pite, Rodrigo Pederneiras, choreographer. It was part of the Holland Dance Benoit-Swan Pouffer, Victor Quijada, Dwight Festival and was immediately a resounding Rhoden, Richard Siegal, Jo Strømgren, and Didy success. It brought him the Philip Morris Finest Veldman, among others. Damiani is frequently Selection Award 1996 in the Contemporary invited to conduct master classes in the US and Dance category. In 2001, Mellantid was around the world with such dance institutions nominated for the Laurence Olivier Award in as The Juilliard School, Tisch School of the the Best New Dance Production category. Since Arts at New York University, and Ballet Junior his debut, Inger has made various works for of Geneva. Since 2008, she has served on the NDT. For his ballets Dream Play and Walking advisory board of New York Theatre Ballet. She Mad, he received the Lucas Hoving Production is also an avid student and teacher in the ancient Award in October 2001. Inger has also been healing movement practice of Qigong under the nominated for Dutch prizes such as the Golden guidance of Master Sat Hon, Taoist Master of the Theatre Dance Prize 2000 by the VSCD Dance Dragon Gate Lineage. Panel and the Merit Award 2002 from the Stichting Dansersfonds ’79. Inger left NDT to BRIAN REEDER (rehearsal director) began his take on the artistic leadership of Cullberg Ballet training at Central Pennsylvania Youth Ballet in in Stockholm in 2003. In the summer of 2008, the state of his birth. His professional career as Inger ended his artistic directorship to devote a dancer was largely spent with New York City himself to choreography. Since 2009, he has Ballet, American Ballet Theatre, and WillIam held the position of associate choreographer Forsythe’s Ballet Frankfurt.
Load more

Recommended publications
  • Jacob's Pillow Dance Festival 2018 Runs June 20-August 26 with 350+ Performances, Talks, Events, Exhibits, Classes & Works
    NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK ​ FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] JACOB’S PILLOW DANCE FESTIVAL 2018 RUNS JUNE 20-AUGUST 26 WITH 350+ PERFORMANCES, TALKS, EVENTS, EXHIBITS, CLASSES & WORKSHOPS April 26, 2018 (Becket, MA)—Jacob’s Pillow announces the Festival 2018 complete schedule, encompassing over ten weeks packed with ticketed and free performances, pop-up performances, exhibits, talks, classes, films, and dance parties on its 220-acre site in the Berkshire Hills of Western Massachusetts. Jacob’s Pillow is the longest-running dance festival in the United States, a National Historic Landmark, and a National Meal of Arts recipient. Founded in 1933, the Pillow has recently added to its rich history by expanding into a year-round center for dance research and development. 2018 Season highlights include U.S. company debuts, world premieres, international artists, newly commissioned work, historic Festival connections, and the formal presentation of work developed through the organization’s growing residency program at the Pillow Lab. International artists will travel to Becket, Massachusetts, from Denmark, Israel, Belgium, Australia, France, Spain, and Scotland. Notably, representation from across the United States includes New York City, Minneapolis, Houston, Philadelphia, San Francisco, and Chicago, among others. “It has been such a thrill to invite artists to the Pillow Lab, welcome community members to our social dances, and have this sacred space for dance animated year-round. Now, we look forward to Festival 2018 where we invite audiences to experience the full spectrum of dance while delighting in the ​ magical and historic place that is Jacob’s Pillow.
    [Show full text]
  • This Text Is Now Merely on Armenia, Armenia Lingering on My Mind
    This text is now merely on Armenia, Armenia lingering on my mind, Armenia I had always wanted to know, the country I have visited but briefly once and would love to know more in depth... Before I move on to other subjects, here is some more about Sergei Parajanov, a titan whose work is becoming more and more known, despite his once relative obscurity and his untimely demise at 66; Parajanov who I talked about in my previous text but not enough as there can never be enough reminiscing of someone whose life and creativity mean the “refusal of time and empire”, someone grudgingly taken by the Grim Reaper as He, the Reaper, knows only too well that great Sergei remains ever victorious until the End of Time. Mona Lisa collages by Parajanov Stills from the film The Colour of Pomegranate with lithe, unearthly Georgian actress Sofiko (Sophia) Chiaureli notably in six male and female roles. The ethereal Sophiko passed away in 2008, age 70, in Tbilisi. Take note of the playfulness and celebratory traits of a man who roughed it so hard in life, when he comes up with this collage: “I sold my dacia!” (summer house or weekender). Only someone of limitless inner freedom could create and artwork like this in face of persistent adversities. This looks so much more like Felini rather than oppressed artist in the Soviet regime... “I sold my dacia!”, collage by Parajanov collage by Parajanov To finish this segment on Parajanov, let us read what J. Hoberman wrote in May 2018 about this dazzling film poem that Sayat Nova is: “Understanding is not synonymous with enjoying.
    [Show full text]
  • In Golden Age, Dancers Still Fly!
    INTERVIEW Profoundly Deaf ROUND-UP Me, myself and OLDER PEOPLE A lifelong ROUND-UP Fancy watching street dance artist Billy Read p4 dance – Esperanca, aged 16 p14 relationship with dance p7 some dance with me? p14 issue 4 Participate communitydance.org.uk CAN WE COUNT ON YOUR VOTE? People Dancing has been nominated for a National Diversity Award. We’d love it if you could go to nominate.nationaldiversityawards.co.uk and vote forThank People you! Dancing. All or Nothing Aerial Dance Theatre, aerial dance workshop with Scottish Ballet’s Regenerate group, Luminate. Photo: Eoin Carey In golden age, dancers still fly! eld in the month of October, Director of Dance Base (Scotland’s hop, flamenco… the list was endless and 84 and we came from all dance Luminate, Scotland’s creative National Centre for Dance) in and inspiring. The Golden class was backgrounds. Hageing festival, brings people Edinburgh’s Grassmarket, started a so popular that several other classes During our first year we learnt about together from across the generations free class for anyone over 60, called for over-60s were added to the Dance Luminate and decided that we’d like in an exciting and diverse programme Golden. The idea of Golden was to Base programme. to apply to dance in that. It felt right of creative events exploring what get elders dancing and introduce A group of us asked if we could set because our aim in 24 Carat Gold is growing older means to us all. Jill them to dance in a very informal and up a spin-off class of our own at Dance to foster creativity regardless of age.
    [Show full text]
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Twyla Tharp Th Anniversary Tour
    Friday, October 16, 2015, 8pm Saturday, October 17, 2015, 8pm Sunday, October 18, 2015, 3pm Zellerbach Hall Twyla Tharp D?th Anniversary Tour r o d a n a f A n e v u R Daniel Baker, Ramona Kelley, Nicholas Coppula, and Eva Trapp in Preludes and Fugues Choreography by Twyla Tharp Costumes and Scenics by Santo Loquasto Lighting by James F. Ingalls The Company John Selya Rika Okamoto Matthew Dibble Ron Todorowski Daniel Baker Amy Ruggiero Ramona Kelley Nicholas Coppula Eva Trapp Savannah Lowery Reed Tankersley Kaitlyn Gilliland Eric Otto These performances are made possible, in part, by an Anonymous Patron Sponsor and by Patron Sponsors Lynn Feintech and Anthony Bernhardt, Rockridge Market Hall, and Gail and Daniel Rubinfeld. Cal Performances’ – season is sponsored by Wells Fargo. PROGRAM Twyla Tharp D?th Anniversary Tour “Simply put, Preludes and Fugues is the world as it ought to be, Yowzie as it is. The Fanfares celebrate both.”—Twyla Tharp, 2015 PROGRAM First Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers The Practical Trumpet Society Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company Antiphonal Fanfare for the Great Hall by John Zorn. Used by arrangement with Hips Road. PAUSE Preludes and Fugues Dedicated to Richard Burke (Bay Area première) Choreography Twyla Tharp Music Johann Sebastian Bach Musical Performers David Korevaar and Angela Hewitt Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company The Well-Tempered Clavier : Volume 1 recorded by MSR Records; Volume 2 recorded by Hyperi on Records Ltd. INTERMISSION PLAYBILL PROGRAM Second Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers American Brass Quintet Costumes Santo Loquasto Lighting James F.
    [Show full text]
  • American University of Armenia the Impact Of
    AMERICAN UNIVERSITY OF ARMENIA THE IMPACT OF DIASPORA AND DUAL CITIZENSHIP POLICY ON THE STATECRAFT PROCESS IN THE REPUBLIC OF ARMENIA A MASTER’S ESSAY SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF POLITICAL SCIENCE AND INTERNATIONAL AFFAIRS FOR PARTIAL FULFILLMENT OF THE DEGREE OF MASTER OF ARTS BY ARLETTE AVAKIAN YEREVAN, ARMENIA May 2008 SIGNATURE PAGE ___________________________________________________________________________ Faculty Advisor Date ___________________________________________________________________________ Dean Date AMERICAN UNIVERSITY OF ARMENIA May 2008 2 ACKNOWLEDGMENTS The work on my Master’s Essay was empowered and facilitated by the effort of several people. I would like to express my deep gratitude to my faculty adviser Mr. Vigen Sargsyan for his professional approach in advising and revising this Master’s Essay during the whole process of its development. Mr. Sargsyan’s high professional and human qualities were accompanying me along this way and helping me to finish the work I had undertaken. My special respect and appreciation to Dr. Lucig Danielian, Dean of School of Political Science and International Affairs, who had enormous impact on my professional development as a graduate student of AUA. I would like to thank all those organizations, political parties and individuals whom I benefited considerably. They greatly provided me with the information imperative for the realization of the goals of the study. Among them are the ROA Ministry of Foreign Affairs, Armenian Assembly of America Armenia Headquarter, Head Office of the Hay Dat (Armenian Cause) especially fruitful interview with the International Secretariat of the Armenian Revolutionary Federation Bureau in Yerevan, Tufenkian Foundation, Mr. Ralph Yirikyan, the General Manager of Viva Cell Company, Mr.
    [Show full text]
  • Overvågningens DNA
    Ask Risom Bøge Overvågningens DNA En aktør-netværk-teoretisk undersøgelse af DNA i dansk politiarbejde Ph.d.-afhandling, Institut for Æstetik og Kommunikation Aarhus Universitet April 2015 Overvågningens DNA - en aktør-netværk-teoretisk undersøgelse af DNA i dansk politiarbejde © Ask Risom Bøge Forsideillustration: PublicDomainPictures, PixaBay Tryk: Fællestrykkeriet SUN-TRYK, Aarhus Universitet Denne afhandling er indsendt med henblik på opnåelse af ph.d.-graden ved Informationsvidenskab, Institut for Æstetik og Kommunikation, Aarhus Universitet INDHOLD Forord v Introduktion 7 Teoretiske bidrag 16 Analytiske bidrag 21 Afhandlingens struktur 26 Kapitel 1: En Oligoptisk Attitude 31 Kampen med panoptikonet 32 Oligoptikon som teori 40 Oligoptikon som metode 46 Attituden Samles 49 Afslutning 51 Kapitel 2: På sporet af DNA-profilen 53 Om at praktisere oligoptisk metode 53 Etnografisk-inspireret undersøgelse af praksis 55 Avisartikelstudie af DNA-profilens danske historie 59 Kapitel 3: Et genetisk fingeraftryk? Politiets begrænsede men foranderlige blik med DNA-profiler 63 En tur på DNA-profilens Möbius-bånd 64 Begrænsede og overlappende blikke 71 DNA-profilens multiplicitet 83 Konklusion 89 Kapitel 4: Truslerne mod blikket: om situeret viden, indadvendt overvågning og kontrol med DNA 91 Indadvendt overvågning og kontrol 92 Situeret arbejde med at finde og rense DNA-spor 96 Konklusion 103 Side | i Kapitel 5: Impulser og det udvidede blik med DNA 105 Oligoptika og Impulser 105 Forandringer af samarbejde og teknologi 108 Det udvidede blik med DNA 113 Konklusion 124 Kapitel 6: Oligoptiske events og blikkets inversion: Sagen om Amagermanden 127 Oligoptika og events 129 DNA-registret producerer events 131 Hittet der skabte et monster: Amagermanden bliver til 132 234 mulige Amagermænd 137 Tip nr.
    [Show full text]
  • BORSALINO » 1970, De Jacques Deray, Avec Alain Delon, Jean-Paul 1 Belmondo
    « BORSALINO » 1970, de Jacques Deray, avec Alain Delon, Jean-paul 1 Belmondo. Affiche de Ferracci. 60/90 « LA VACHE ET LE PRISONNIER » 1962, de Henri Verneuil, avec Fernandel 2 Affichette de M.Gourdon. 40/70 « DEMAIN EST UN AUTRE JOUR » 1951, de Leonide Moguy, avec Pier Angeli 3 Affichette de A.Ciriello. 40/70 « L’ARDENTE GITANE» 1956, de Nicholas Ray, avec Cornel Wilde, Jane Russel 4 Affiche de Bertrand -Columbia Films- 80/120 «UNE ESPECE DE GARCE » 1960, de Sidney Lumet, avec Sophia Loren, Tab Hunter. Affiche 5 de Roger Soubie 60/90 « DEUX OU TROIS CHOSES QUE JE SAIS D’ELLE» 1967, de Jean Luc Godard, avec Marina Vlady. Affichette de 6 Ferracci 120/160 «SANS PITIE» 1948, de Alberto Lattuada, avec Carla Del Poggio, John Kitzmille 7 Affiche de A.Ciriello - Lux Films- 80/120 « FERNANDEL » 1947, film de A.Toe Dessin de G.Eric 8 Les Films Roger Richebé 80/120 «LE RETOUR DE MONTE-CRISTO» 1946, de Henry Levin, avec Louis Hayward, Barbara Britton 9 Affiche de H.F. -Columbia Films- 140/180 «BOAT PEOPLE » (Passeport pour l’Enfer) 1982, de Ann Hui 10 Affichette de Roland Topor 60/90 «UN HOMME ET UNE FEMME» 1966, de Claude Lelouch, avec Anouk Aimée, Jean-Louis Trintignant 11 Affichette les Films13 80/120 «LE BOSSU DE ROME » 1960, de Carlo Lizzani, avec Gérard Blain, Pier Paolo Pasolini, Anna Maria Ferrero 12 Affiche de Grinsson 60/90 «LES CHEVALIERS TEUTONIQUES » 1961, de Alexandre Ford 13 Affiche de Jean Mascii -Athos Films- 40/70 «A TOUT CASSER» 1968, de John Berry, avec Eddie Constantine, Johnny Halliday, 14 Catherine Allegret.
    [Show full text]
  • Shirak Guidebook
    Wuthering Heights of Shirak -the Land of Steppe and Sky YYerevanerevan 22013013 1 Facts About Shirak FOREWORD Mix up the vast open spaces of the Shirak steppe, the wuthering wind that sweeps through its heights, the snowcapped tops of Mt. Aragats and the dramatic gorges and sparkling lakes of Akhurian River. Sprinkle in the white sheep fl ocks and the cry of an eagle. Add churches, mysterious Urartian ruins, abundant wildlife and unique architecture. Th en top it all off with a turbulent history, Gyumri’s joi de vivre and Gurdjieff ’s mystical teaching, revealing a truly magnifi cent region fi lled with experi- ences to last you a lifetime. However, don’t be deceived that merely seeing all these highlights will give you a complete picture of what Shirak really is. Dig deeper and you’ll be surprised to fi nd that your fondest memories will most likely lie with the locals themselves. You’ll eas- ily be touched by these proud, witt y, and legendarily hospitable people, even if you cannot speak their language. Only when you meet its remarkable people will you understand this land and its powerful energy which emanates from their sculptures, paintings, music and poetry. Visiting the province takes creativity and imagination, as the tourist industry is at best ‘nascent’. A great deal of the current tourist fl ow consists of Diasporan Armenians seeking the opportunity to make personal contributions to their historic homeland, along with a few scatt ered independent travelers. Although there are some rural “rest- places” and picnic areas, they cater mainly to locals who want to unwind with hearty feasts and family chats, thus rarely providing any activities.
    [Show full text]
  • 50. Møde 7) Eventuelt: 2
    Tirsdag den 21. januar 2020 (D) 1 (Fremsættelse 28.11.2019. 1. behandling 06.12.2019. Betænkning 16.01.2020). 50. møde 7) Eventuelt: 2. behandling af lovforslag nr. L 85: Tirsdag den 21. januar 2020 kl. 13.00 Forslag til lov om ændring af lov om arbejdsløshedsforsikring m.v. (Afskaffelse af opholdskrav for ret til dagpenge m.v.). Af beskæftigelsesministeren (Peter Hummelgaard). Dagsorden (Fremsættelse 17.12.2019. 1. behandling 07.01.2020. Betænkning 20.01.2020). 1) Partilederdebat. 8) 2. behandling af lovforslag nr. L 63: 2) Spørgsmål om fremme af forespørgsel nr. F 32: Forslag til lov om ændring af lov om miljøbeskyttelse og embal‐ Forespørgsel til uddannelses- og forskningsministeren og børne- lageafgiftsloven. (Forbud mod gratis udlevering af bæreposer og og undervisningsministeren om at integrere klima- og bæredyg‐ forbud mod udlevering af tynde plastikbæreposer). tighedsdagsordenen i alle uddannelser. Af miljøministeren (Lea Wermelin). Af Jacob Mark (SF) og Astrid Carøe (SF). (Fremsættelse 14.11.2019. 1. behandling 22.11.2019. Betænkning (Anmeldelse 16.01.2020). 15.01.2020). 3) Fortsættelse af forespørgsel nr. F 2 [afstemning]: 9) 2. behandling af lovforslag nr. L 84: Forespørgsel til statsministeren om regeringens værdipolitik Forslag til lov om planter og plantesundhed m.v. med fokus på de udfordringer, der følger af indvandringen. Af ministeren for fødevarer, fiskeri og ligestilling (Mogens Jensen). Af Pia Kjærsgaard (DF) m.fl. (Fremsættelse 13.12.2019. 1. behandling 19.12.2019. Betænkning (Anmeldelse 02.10.2019. Fremme 08.10.2019. Forhandling 15.01.2020). 17.01.2020. Forslag til vedtagelse nr. V 46 af Pia Kjærsgaard (DF). Forslag til vedtagelse nr.
    [Show full text]
  • World Premiere of Angels' Atlas by Crystal Pite
    World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent
    [Show full text]
  • The Experience Theater Choreographed by Pina Bausch
    Revista Brasileira de Estudos da Presença ISSN: 2237-2660 Universidade Federal do Rio Grande do Sul Pereira, Sayonara O Teatro da Experiência coreografado por Pina Bausch Revista Brasileira de Estudos da Presença, vol. 8, núm. 3, 2018, Julho-Setembro, pp. 487-521 Universidade Federal do Rio Grande do Sul DOI: 10.1590/2237-266076215 Disponível em: http://www.redalyc.org/articulo.oa?id=463556259005 Como citar este artigo Número completo Sistema de Informação Científica Redalyc Mais informações do artigo Rede de Revistas Científicas da América Latina e do Caribe, Espanha e Portugal Site da revista em redalyc.org Sem fins lucrativos acadêmica projeto, desenvolvido no âmbito da iniciativa acesso aberto E‐ISSN 2237‐2660 The Experience Theater choreographed by Pina Bausch Sayonara Pereira Universidade de São Paulo – USP, São Paulo/SP, Brazil ABSTRACT – The Experience Theater choreographed by Pina Bausch – A theater where the spectator is involved in all senses, offering welcoming conditions. In the work of Pina Bausch, everyday body behavior is not just a matter of style; her dance develops content with a proper writing, inviting the spectator to experience a poetic reality. For this purpose, the article initially presents a historical line of Tanztheater, its attributes and interrelationships, closing with the specific characteristics of four works of the choreographer, created in the period comprising the initial two decades (1974-1989) of her fruitful production, and which were watched live by the author of the text. Keywords: Tanztheater. Pina Bausch. Experience Theater. Choreographies. RÉSUMÉ – Le Théâtre de l’Expérience chorégraphié par Pina Bausch – Un théâtre où le spectateur est impliqué dans tous vos sens, en offrant des conditions d’accueil.
    [Show full text]