Kulturhuset City Theatre Stockholm

Total Page:16

File Type:pdf, Size:1020Kb

Kulturhuset City Theatre Stockholm Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, TAPE President Joseph V. Melillo, Executive Producer K. Kvarnström & Co/ Kulturhuset City Theatre Stockholm DATES: SEP 23—26 at 7:30pm LOCATION: BAM Fisher (Fishman Space) RUN TIME: 1hr (no intermission) Season Sponsor: Leadership support for dance at BAM provided by Doris Duke Charitable Foundation and The Harkness Foundation for Dance. Major support for dance at BAM provided by The SHS Foundation. Support for new dance presentations in #KVARNSTROM the BAM Fisher provided by #BAMNextWave The Mertz Gilmore Foundation. BAM Fisher TAPE ABOUT TAPE In this contemporary baroque playground of dance and music from choreographer Kenneth Kvarnström, CHOREOGRAPHY MUSIC dancer-applied duct tape sets the terms Kenneth Kvarnström (in order) for a range of abstract movements as a lone multi-instrumentalist accompanies SET AND LIGHTING DESIGN S.L. WEISS on lute, theorbo, and guitar. Jens Sethzman Prelude Fugue Taking the occasional time-out to COSTUME DESIGN Fantasie lecture on baking, the fugue form, and Astrid Olsson Allemande other topics, the dancers—marrying Ciacconna lyrical grace with street-style body DANCERS isolation—use modern gesture to Pär Andersson F. POULENC elucidate their asides while expressing Sophie Augot Sarabande freedom within constraint. Works by Matthew Branham Bach, Couperin, Poulenc, and others Robert Malmborg R. DE VISÉE are featured alongside costumes by Erik Nyberg Prélude & Allemande en mi mineur Swedish fashion designer Astrid Olsson Cilla Olsen in this playful counterpoint of old and A. PICCININI new, told and shown, bound and free. BAROQUE LUTE, GUITAR, & Toccata XIII THEORBO Jonas Nordberg J.S. BACH ABOUT Kulturhuset Allemande (BWV1007) City Theatre SOUND TECHNICIAN Jan Lilja R. DE VISÉE Kulturhuset City Theatre is one of Prélude & Allemande en la mineur Northern Europe’s largest cultural TECHNICAL COORDINATOR institutions. Located right in Maria Ros Palmklint F. COUPERIN Stockholm’s political and commercial Les Baricades Misterieuses center, it is also a public space for PRODUCER the people of Stockholm. Kenneth Helena Smeds Kvarnström is the artistic director of dance. Other activities at Kulturhuset MARKETING City Theatre include libraries, theater, Julia Milder debates, art exhibitions, film, and music. Kulturhuset City Theatre TAPE premiered on October 4, 2014 receives approximately three million Kulturhuset City Theatre visits annually. Stockholm, Sweden Benny Fredriksson, Managing Director Photo: Mats Bäcker JONAS NORDBERG Who’s Baroque Lute, Guitar, and Theorbo Jonas Nordberg is one of the few musi- cians who, in addition to the guitar, also has mastered several historical plucked string instruments such as Who the renaissance lute, baroque guitar, baroque lute, arch-lute, and theorbo. Since graduating from the Mozarteum KENNETH KVARNSTRÖM University Salzburg in 2011, Norberg Choreographer has been frequently engaged as a solo- Finnish-born, Stockholm-based cho- ist and chamber musician for concerts, reographer Kenneth Kvarnström has dance performances, and operas. worked professionally with dance since Recent venues include: Lockenhaus 1990, primarily with his own company Chamber Music Festival, Greenwich Photo: Astrid Olsson, Kenneth Kvarnström, and Jens Sethzman, by Mats Bäcker Kvarnström, and Jens Sethzman, Kenneth Photo: Astrid Olsson, K. Kvarnström & Co. His choreographic Early Music Festival, Stockholm Early work has been performed throughout Music Festival, and Movimentos Festi- Europe, as well as in Africa, Asia, Latin val Wolfsburg. TAPE is Norberg’s fourth America, North America, and Australia. collaboration with Kenneth Kvarnström. In 2003, Kvarnström decided to take a six-year break from his work as a cho- ASTRID OLSSON reographer, taking on the role of artistic Costume Designer director of House of Dance in Stock- holm. He returned to choreographing Astrid Olsson has an extensive back- for his own company in 2008. That ground in the world of fashion, as a year, he was appointed professor of the designer, lecturer, creative director, and arts (dance) in Finland. In 2014, he pattern maker, both on a freelance ba- became the artistic director of dance at sis, for her own brand, and in collabo- Kulturhuset City Theatre in Stockholm. ration with other companies. In 2004, There, he creates work for his own Olsson established the V Avenue Shoe company and invites local companies Repair fashion label with Lee Cotter. to perform. Many of his works, such The label was named Newcomer of the as come back (to me) and sofa(r) Year by Café magazine in 2006 and have received critical acclaim in recent Italian Vogue in 2011, and Designer of years. the Year by Scandinavia’s leading fash- ion industry publication Habit in 2007 and Swedish Elle in 2009. In 2014, the designer duo established a new fashion label, By the No, for which the new Spring/Summer 2016 collection is co-designed by Kenneth Kvarnström. in Israel, Bounce streetdance Nordic countries including Kenneth JENS SETHZMAN company’s version of One flew over Kvarnström, Cristina Caprioli, Set and lighting designer the Cuckoo’s Nest, and in Fredrik Örjan Andersson, and Ina Cristel “Benke” Rydman’s interpretation of Johannessen, among others. Olsen Jens Sethzman started to create his Swan Lake. He has been a part of has also been Kenneth Kvarnström’s own artistic work in the beginning of Batsheva Ensemble in Israel as well assistant on several pieces and has the 1990s with a focus on light and as in K. Kvarnström & Co. Malmborg worked as a rehearsal director at painting as primary sources and has is currently working on his own Göteborgsoperans Danskompani for Jo since been working with contemporary dance piece to be premiered in 2016. Strømgren and Cristina Caprioli. Olsen choreography as his main field. His is currently a teacher at the Royal development as an artist has been Swedish Ballet School in Stockholm. influenced by the possibilities of the SOPHIE AUGOT modern technology of light and its Dancer architecture. His work is characterized PÄR ANDERSSON Sophie Augot received her training by precise aesthetic spaces where one Dancer at the Royal Swedish Ballet School experiences light as a medium in itself and at the University College of and its irrationality, musicality, and Pär Andersson started his education Dance in Stockholm. She has been mathematics. at the Royal Swedish Ballet School working as a performer-dancer for 2005—08. Between 2008—10 he the past 10 years. During this time studied at P.A.R.T.S. (Performing MATTHEW BRANHAM she has performed at various theaters Arts Research and Training Studios) Dancer around Europe including Tanzquartier in Brussels, Belgium. He has been in Vienna, Sophiensaele in Berlin, working in Sweden and Denmark with American dancer Matthew Branham La casa Encendida in Madrid, La choreographers Eva Lundqvist, Malin studied with Cincinnati Ballet, Briqueterie in Paris, and at the Istanbul Elgán, Martin Forsberg, Ina Christel Planet Dance, and Joffrey Ballet of Theatre Festival. In addition to working Johannessen, Örjan Andersson, and NY. He has worked with dance and with K. Kvarnstörm & Co., Augot has Kenneth Kvarnström. This year he opera companies in the US and been a long-time collaborator with created the solo But as a document Europe including the Metropolitan choreographer Björn Säfsten and has with visual artist Alex Mirutziu. Opera, Gallim Dance, Peridance also worked with Cristina Caprioli, Andersson is based in Stockholm. Ensemble, Adam Barruch Dance, Martin Forsberg, Stina Nyberg, and the Dash Ensemble, Exhale Dance, Alexander Gottfarb, among others. Cie. Toula Limnaios, Cooperativa ERIK NYBERG Maura Morales, Company Dancer Idem, and Skånes Dansteater. CILLA OLSEN Dancer Erik Nyberg graduated from the Royal Swedish Ballet School in 2009 and ROBERT MALMBORG Cilla Olsen trained in gymnastics then joined Danish Dance Theatre Dancer while growing up and received her under the direction of Tim Rushton dance education at Balettakademien between the years 2010—14. Robert Malmborg was educated at in Stockholm. She has worked as He has toured internationally with the Royal Swedish Ballet School. He a dancer with Nye Carte Blanche choreographers Itzik Galili, Kim has performed in a variety of works, in Norway, Helsinki City Theatre Brandstrup, Tim Rushton, and Wang including Kamuyot, a collaboration in Finland, and Cullberg Ballet in Yuanyuan, among others. Nyberg has between Riksteatern in Stockholm Sweden. As a freelancer, she has also been freelancing in a broad range and Batsheva Dance company worked with choreographers in the of dance projects around Europe. Photo: Mats Bäcker .
Recommended publications
  • In Golden Age, Dancers Still Fly!
    INTERVIEW Profoundly Deaf ROUND-UP Me, myself and OLDER PEOPLE A lifelong ROUND-UP Fancy watching street dance artist Billy Read p4 dance – Esperanca, aged 16 p14 relationship with dance p7 some dance with me? p14 issue 4 Participate communitydance.org.uk CAN WE COUNT ON YOUR VOTE? People Dancing has been nominated for a National Diversity Award. We’d love it if you could go to nominate.nationaldiversityawards.co.uk and vote forThank People you! Dancing. All or Nothing Aerial Dance Theatre, aerial dance workshop with Scottish Ballet’s Regenerate group, Luminate. Photo: Eoin Carey In golden age, dancers still fly! eld in the month of October, Director of Dance Base (Scotland’s hop, flamenco… the list was endless and 84 and we came from all dance Luminate, Scotland’s creative National Centre for Dance) in and inspiring. The Golden class was backgrounds. Hageing festival, brings people Edinburgh’s Grassmarket, started a so popular that several other classes During our first year we learnt about together from across the generations free class for anyone over 60, called for over-60s were added to the Dance Luminate and decided that we’d like in an exciting and diverse programme Golden. The idea of Golden was to Base programme. to apply to dance in that. It felt right of creative events exploring what get elders dancing and introduce A group of us asked if we could set because our aim in 24 Carat Gold is growing older means to us all. Jill them to dance in a very informal and up a spin-off class of our own at Dance to foster creativity regardless of age.
    [Show full text]
  • 1 Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice Graduated
    Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice graduated from Trinity Laban Conservatoire of Music and Dance in 2015 with a First Class Honours degree in Contemporary Dance, and went on to gain an MA in Dance Performance at the University of Chichester. Currently the Lead Press and Communications Officer at the Royal Academy of Dance, Alice has previously worked in marketing and communications at organisations such as Trinity Laban and The Place, gaining an in depth and confident understanding of social media strategy. Amelia Wilkinson, MSc Physiotherapy (pre-reg), MSc Dance Science, BA (Hons) Sociology, APPI certified Pilates Instructor Enhancing Silver Swans® Provision Amelia originally trained as a dancer at The Royal Ballet School and is now a dance science educator, physiotherapist and Pilates instructor. Her expertise in health and wellbeing is informed by both her dance for health and physiotherapy research. Most recently she examined community dwelling stroke survivors’ perceptions of upper limb dysfunction and its impact on quality of life. She currently works as a Health and Performance Enhancement Tutor across two Centre for Advanced Training programmes and delivers dance science CPD courses across the UK and internationally for the RAD. Caroline Palmer, ARAD (Dip. PDTC) Analysing Discovering Repertoire Choreographic Style with Benesh Notation Caroline trained in classical ballet in London with Andrew Hardie and Maria Fay. She danced professionally for 10 years mainly with the Deutsche Opera in Dusseldorf. In 1979 Caroline retrained as a teacher at the Royal Academy of Dance and subsequently taught on the degree course at Laban, London.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL of CULTURE Juriskalniņš / Fotocentrs
    ENG EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL OF CULTURE Juris Kalniņš / Fotocentrs. Bird’s-eye view of Rīga Experience the Force Majeure of Culture! Rīga takes its visitors by surprise with its will introduce you to the most extensive and most Umeå 2014 external beauty as well as its rich world of interiors. significant activities of the European Capital of If you have never been to Rīga before, now is the Culture programme – and remember, whichever of time to experience the pleasure of discovering the them you choose to attend, be open-minded and diversity of Latvia’s capital city. Ancient and at the prepared to experience the unexpected! same time youthful, European and multicultural, today’s Rīga is the place to recharge your cultural Diāna Čivle, batteries. Head of the Rīga 2014 Foundation Rīga 2014 After you get to know the medieval streets of the Old Town, the Art Nouveau heritage and the shabby chic of the creative quarters, let us surprise you Kosice 2013 once more – this time with the saturated content Welcome to Maribor 2012 of Rīga’s cultural events calendar for the whole of Marseille 2013 2014. EsplanādE 2014! It is the surprising, the unexpected and even the Guimarães 2012 provocative that underpin the Force Majeure cultural The end of June will see a new building rise in programme of the European Capital of Culture. It the very heart of Rīga, between the Nativity of is the creative power that cannot be foreseen or Christ Orthodox Cathedral and the monument to planned beforehand. The miracle happens and the poet Rainis in the Esplanāde Park.
    [Show full text]
  • Certificate Program Student Handbook
    CERTIFICATE PROGRAM STUDENT HANDBOOK 2016-2017 Artistic Director, Igal Perry Director of Development, Yarden Ronen Certificate Program Coordinator, Nikki Holck Certificate Program Assistant Coordinator, Cleo Sykes Peridance Capezio Center 126 East 13th Street New York, NY 10003, USA 212.505.0886 www.peridance.com Peridance Capezio Center ___________________________________________________________________________________________ Table of Contents History of Peridance Capezio Center 3 Statement of Purpose 3 General Information 4 Size and Scope 4 Tracks 5 Program Components and Coursework 6 Sample Class Schedule 8 Faculty 9 Administrative Contacts 23 Board of Trustees 24 Peridance Capezio Center Facilities 24 Library Facilities 24 Housing 25 Tuition and Fees 25 Financial Aid 25 Withdrawal, Refund, and Transfer Policies 26 Attendance Policy 27 Sign In and Sign Out ____________________________________________________________________29 Space Rental Procedure and Policy _______________________________________________________ 29 Rules of Conduct 30 Dress Code 31 Tactile Cueing 31 Injury Policy 32 Admission Information 32 Orientation 32 Evaluation Policy 33 Failing Grades 33 Grading Policy 34 Retention Policy 35 Credit Policy 35 Graduation Requirements 35 Certificates Granted and Requirements 36 Visa Options and Employment 36 Academic Calendar 37 Grievance, Probation, and Appeals Procedures 38 Self-Evaluative Process 38 Other Services 39 Contracted Education Services 39 Certificate Program 2 Peridance Capezio Center ___________________________________________________________________________________________
    [Show full text]
  • Nutcracker Program 2014Opt.Pdf
    Nutcrackerthe SEISKAYA BALLET Nutcrackerthe Casse Noisette Early in 1891 the legendary composer Peter Ilyich Tchaikovsky received a commission from the Imperial Theatre Directorate at St. Petersburg to compose a one-act lyric opera together with a ballet for presentation during the following season. Accepting Tchaikovsky’s choice of sub- ject for the opera, the Theatre Directorate selected Alexandre Dumas’ French adaptation of E.T.A. Hoffmann’s tale, The Nutcracker and the Mouse King, for the ballet. Tchaikovsky was not pleased with the subject selection because he felt it did not lend itself to theatrical presentation and was therefore quite unsuited to serve as a scenario for a ballet. Both the opera and ballet were presented on December 18, 1892. The ballet, conducted by Ric- cardo Drigo, was received somewhat unfavorably. Dance historians have attributed this to the Nutcracker’s unusual story, which was quite different from the romantic tales normally presented. The Nutcracker choreography was begun by the redoubtable Marius Petipa. The balance of the work was taken up by his assistant Leon Ivanov when Petipa fell ill. According to historical accounts, when the ballet was finally produced, Petipa refused to have his name linked with it, feeling his own part in its creation was insufficient to be publicly announced. However, dance historians have recognized his contribu- tion, and the original choreography is generally credited to both Petipa and Ivanov. First presented in Western Europe by the Sadler’s Wells Ballet at the Sadler’s Wells Theatre in London, January 30, 1934, the production was staged by Nicholas Sergeyev after the original Petipa-Ivanov version.
    [Show full text]
  • Mccarter THEATRE CENTER FOUNDERS Arthur Mitchell Karel
    McCARTER THEATRE CENTER William W. Lockwood, Jr. Michael S. Rosenberg SPECIAL PROGRAMMING DIRECTOR MANAGING DIRECTOR presents FOUNDERS Arthur Mitchell Karel Shook ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Virginia Johnson Anna Glass BALLET MASTER INTERIM GENERAL MANAGER Marie Chong Melinda Bloom DANCE ARTISTS Lindsey Donnell, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Kouadio Davis, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher McDaniel, Sanford Placide, Anthony Santos, Dylan Santos ARTISTIC DIRECTOR EMERITUS Arthur Mitchell Please join us after this performance for a post-show conversation with Artistic Director Virginia Johnson. SATURDAY, FEBRUARY 8, 2020 The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Support for Dance Theatre of Harlem’s 2019/2020 professional Company and National Tour activities made possible in part by: Anonymous, The Arnhold Foundation; Bloomberg Philanthropies, The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England
    [Show full text]
  • North Carolina School of the Arts Dance Programs Collection PA Mss 92
    http://oac.cdlib.org/findaid/ark:/13030/c81v5fhf No online items Guide to the North Carolina School of the Arts dance programs collection PA Mss 92 Finding aid prepared by Fran Smith, 2011. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2011 Guide to the North Carolina PA Mss 92 1 School of the Arts dance programs collection PA Mss 92 Title: North Carolina School of the Arts dance programs collection Identifier/Call Number: PA Mss 92 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: English Physical Description: 8.34 linear feet(20 document boxes) Creator: North Carolina School of the Arts Date (inclusive): 1911-1991 Abstract: Collection of dance programs, playbills, and clippings spanning the twentieth century. Physical Location: The collection is located at the Southern Regional Library Facility (SRLF). Access Restrictions The collection is open for research. The collection is stored offsite. Advance notice is required for retrieval. Use Restrictions Copyright has not been assigned to the Department of Special Research Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. Preferred Citation [Identification of Item], North Carolina School of the Arts dance programs collection, PA Mss 92.
    [Show full text]
  • SUMMER INTENSIVE 2017 Arranged by Danish Dance Theatre – One of Scandinavia’S Leading Contemporary Dance Companies
    SUMMER INTENSIVE 2017 Arranged by Danish Dance Theatre – one of Scandinavia’s leading contemporary dance companies Get in shape and get ready for the coming dance season with SUMMER INTENSIVE 2017 from the 24th- 29th of July. Combine a trip to the city with a week of great dance training, in the heart of the beautiful city of Copenhagen. The summer intensive offers a day by day pass or a week pass with a mixture of core work, ballet classes, contemporary repertoire with Danish Dance Theatre, Gaga & Yoga. All classes are at a professional level. While you are here, there will also be time to enjoy the city of Copenhagen. Experience Copenhagen Street Food, go for a swim in the many centrally located harbour baths, go to an open-air cinema, an art exhibition or chill in the sun at Nyhavn harbour. This dance course takes place at the Royal Opera House with modern facilities and beautiful studios right at the Copenhagen waterfront close by cosy Christianshavn. WHAT: SUMMER INTENSIVE 2017 WHEN: Monday, the 24th of July – Saturday, the 29th of July, 2017 WHERE: The Royal Danish Opera, Copenhagen TUITION FEE: Day pass: 47 EURO / Week pass: 229 EURO / Company class: 7 EURO Read more about the course and book HERE Danish Dance Theatre, c/o Operaen, Ekvipagemestervej 10, 1438 København K, Denmark PROGRAM DETAILS: Strength & alignment: Every morning, we offer special core work to tackle the weak spots in the body in a healthy way, and to set you up for the day. Special attention will be given to build a strong center with a series of exercises that will strengthen the center core.
    [Show full text]
  • MEDIA RELEASE Tuesday 21 June 2016 SYDNEY OPERA HOUSE
    MEDIA RELEASE Tuesday 21 June 2016 SYDNEY OPERA HOUSE PRESENTS Kibbutz Contemporary Dance Company Horses in the Sky "... The committed performance of the cast and the purity of the choreography will win you over." The New York Times Leading Israeli dance company premieres new work at Sydney Opera House In 1973, the year the Sydney Opera House opened, Yehudit Arnon founded a dance company renowned for its daring, spirit and intensity. Arnon’s motivation for founding the Kibbutz Contemporary Dance Company could not have been more visceral. At Auschwitz she had been punished by Nazi soldiers for refusing to dance for them at Christmas. Surviving the camp, she dedicated her life to dance. Four decades on, the acclaimed company will make its Sydney debut at the Opera House, premiering a blistering new work, Horses In The Sky, from 31 August to 3 September. The late Holocaust survivor’s company is now in the hands of dynamic artistic director Rami Be’er, who was born at Kibbutz Ga’aton in northern Israel, the company’s home. Renowned for his work with leading dance companies across the world, Be’er took the reins of the Kibbutz Contemporary Dance Company in 1996. Horses in the Sky delivers a distinctive style of dance with gritty, exuberant and raw movements creating fast-flowing visions of unusual beauty , in a work that Be’er describes as “bringing together dreams and a sense of impending apocalypse”. Featuring 16 exceptional dancers Horses In The Sky is accompanied by a driving, eclectic soundtrack that includes Björk, Olafur Arnalds and Tim Hecker, creating a darkly immersive, often ecstatic experience.
    [Show full text]
  • Welkom Welcome
    Welkom Welcome Sinds 1987 opent het Holland Dance Festival in 2018 voor de 16e keer een venster op de wereld van de internationale dans. Er is veel te ontdekken in ons exclusieve programma dat bijna uitsluitend bestaat uit Nederlandse primeurs: 52 voorstellingen van 20 producties uit 19 landen maken het internationale karakter en de veelzijdigheid van de dans zichtbaar. Het programma van de volgende editie is op zijn zachtst gezegd eclectisch: de introduc- tie van de op het ijs schaatsende dansers van Le Patin Libre uit Canada, de ‘Dancing Grand- mothers’ van Eun-Me Ahn uit Korea en de lang verwachte terugkomst van de legendarische Martha Graham Dance Company uit New York. Zij laten allen zien waar het Holland Dance Festival voor staat: de verassende diversiteit van de dans. Als er naar de bezoekersaantallen van de Nederlandse dansinstellingen — waaronder het Holland Dance Festival — gekeken wordt, kunnen we constateren dat dans ongekend populair is, en niet alleen bij een publiek van danskenners. Het Holland Dance Festival wil graag een bijdrage leveren aan het vergroten en versterken van deze voor Nederland zo kenmerkende kunstvorm zonder taalbarrières. Met deze gedachte is het festivalprogramma 2018 tot stand gekomen: liefde voor de dans, oog voor hoge kwaliteit, vernieuwing en verras- sing. Het enige wat u hoeft te doen is: genieten! For the 16th time since 1987, the Holland Dance Festival opens a window to the world of internati- onal dance. There is much to discover for Dutch audiences in the exclusive program of first-time presentations: 52 performances of 20 productions from 19 different countries illustrate the interna- tionality and diversity of dance today.
    [Show full text]
  • Nordic Countries
    2017 THE NORDIC COUNTRIES MADE IN 2017 NO BORDERS We in the arts can take centre stage and show that the ability to collaborate is one of the finest things in humanity, and is crucial for our survival. The Nordic countries have a long-standing tradition of working together, and the MADE IN project, its catalogue and website, is a small yet great example of that. Artists, leaders and promoters in the performing arts from five countries have come together to jointly present their information on what they are all doing right now and in the near future. This is the fifth edition, and for the first time, we’ve decided not to list the catalogue by country, as we chose to fully commit to our manifesto for no borders between Nordic performing arts organisations. You are all welcome to start your communication with any of us, as in front of you is a network of fearless artists not unlike their Viking ancestors. ÅSA EDGREN Editor in Chief, MADE IN the Nordic Countries 2017 3 CONTENT MADE IN 2017 - No Borders 3 CONTENT 4 - 5 THE NORDIC COUNTRIES & CITIES 6 MAP 7 ABOUT MADEIN-THEWEB.COM 8 - 9 ARTISTS, COMPANIES & PROJECTS 10 - 121 Aaben Dans 10 Andersson Dance/Örjan Andersson 12 Arja Tiili Dance Company 14 Art of Spectra 16 Björn Säfsten 18 Black Box Dance Company 20 Byström Källblad 22 Carte Blanche 24 Charlotta Öfverholm/Age on Stage 26 Charlotte Engelkes Production 28 Christina Tingskog/Relative Dance Production 30 Cinnober Teater 32 Cirka Teater 34 Cirkus Cirkör 36 4 CONTENT ARTISTS, COMPANIES & PROJECTS cont.
    [Show full text]