Lithuanian Bee History of Our National Anthem ‘Mack’ in Mcdonald’S of Springfield Knitting in Lithuania Lithuanian Portraits

Total Page:16

File Type:pdf, Size:1020Kb

Lithuanian Bee History of Our National Anthem ‘Mack’ in Mcdonald’S of Springfield Knitting in Lithuania Lithuanian Portraits SUPPLEMENT TO DRAUGAS NEWS SEP / OCT 2015 VOL 3 (S5) In this issue: A Song Fest to Be Remembered Busy As a Lithuanian Bee History of Our National Anthem ‘Mack’ in McDonald’s of Springfield Knitting in Lithuania Lithuanian Portraits Sculpted Beehives These beehives, carved by Teofilis Patiejūnas and Ipolitas Užkurnis, are found at the Lithuanian Museum of Ancient Beekeeping in Stripeikiai. Volume 3, Number S5 Sep / Oct 2015 FEATURES A Song Festival to Be Long-Remembered 6 by Rimas Černius, with photographs by Jonas Kuprys and Arvydas Zabulionis A photo album of some of the memorable performances at the 10th North American Lithuanian Song Festival, including the lyrics, with an English translation, to the “Singing Revolution” cantata. A Day in the Life of a Lithuanian Beekeper 13 by Vereta Rupeikaitė “I eat my peas with honey. I’ve done it all my life. It makes the peas taste funny, but it keeps them on the knife!” (Ogden Nash) page 6 History of Lithuania’s National Anthem 16 by Zigmas Tamakauskas Written in 1898 by Vincas Kudirka, the “Tautiška Giesmė” became the official national anthem of Lithuania in 1919, a year after Lithua- nia declared its independence. Who Put the ‘Mack’ in McDonald’s of Springfield? 20 by Sandra Baksys John Makarauskas changed his surname to Mack a full 16 years be- fore he went into fast food. He had no way of knowing he would one day be the man responsible for bringing “Mack-fries,” “Mack-cheese- burgers” and “Big Macks” to Springfield. Knitting in Lithuania 24 page 13 by Donna Druchunas What makes knitting Lithuanian? Is it the special techniques that are used? A unique way to hold the yarn and needles? Certain combina- tions of colors? History of Lithuania (Book Review) 28 by Donatas Januta This 327 page book, available online only, is the work of four Lithuan- ian historians that chronicles the country’s history from the first written mention of Lithuania’s name in 1009 to membership in the European Union in 2004. Recipes (Baking with Honey) 29 Cover Credits: FRONT and BACK COVERS: 10th Song Festival. Photo by Jonas Kuprys. INSIDE FRONT COVER: Bee Hives at Lithuanian Museum of Ancient Bee- page 24 keeping: Photo by Wosyl, Wikimedia Commons. INSIDE BACK COVER: Bill Walton and Fr. Lukas Laniauskas, S.J. Photo by Jonas Kuprys. THIS PAGE: Beekeeper. Photo by Kzenon. Shutterstock. September/ October 2015 LITHUANIAN HERITAGE 1 L A B A S You have arisen, our homeland, Lietuva! PUBLISHER hose of us who had the opportunity to attend or, even better, to Lithuanian Catholic Press Society participate in the 10th North American Song Festival in Chicago Chicago, IL Tare still recovering from the unique experience. The four-hour performance was breathtaking, inspiring, and draining (in a good way). ACTING EDITOR A 90-min video excerpt is available on the Web, thanks to Lithuanian Jonas Daugirdas Radio and Television, and they promise that a telecast of the entire four-hour performance will be archived by the time that this issue of COPY EDITOR Lithuanian Heritage has reached our readers. In this issue we post some Rita Bureika Kaufmann spectacular photos from the Song Festival, and one can view many more on the Draugas News facebook page. We also are publishing the moving Wondering about your Estate Plan? lyrics, along with an English translation, to one of the centerpiece com - positions performed at the Festival, the “Singing Revolution” cantata, Remember the Draugas Foundation and assure the future of our Lithuanian-Ameri - written by Rugilė Kazlauskaitė. can Press. Since 1992, the Draugas Foun - The Monday after the Song Festival, July 6th, is celebrated as State - dation has served to sustain the Lithuan - hood Day in Lithuania, being the anniversary of the coronation of King ian language Draugas , and now comes to Mindaugas in 1253. It has become a tradition for Lithuanians living the aid of Draugas News and Lithuanian abroad, no matter where they might be living, to come together on this Heritage as well. Over the years, it has supported capital improvements and in - day and sing the national anthem. In downtown Chicago, several hundred vested in printing hardware and comput - Lithuanians gathered in a flash mob at Cloud Gate (“The Bean”) next ers. When times were especially rough, it to Lake Michigan, creating a happening that was given television coverage helped pay operating expenses. The Drau - by Fox News. So, it’s perhaps appropriate that we describe in this issue gas Foundation is our lifeline and guaran - how the Lithuanian national anthem came to be written by Vincas tor of the future of Draugas’s unique set of Kudirka, and how its use was revived after the restoration of independ - publications. ence in 1990. In addition to the Lithuanian words and the English For the Draugas Foundation to fulfill its translation posted on the Lithuanian government Web site, we’re pro - mission, it needs your support and in - viding a slightly modified, singable English version that perhaps still volvement. A few legacy gifts of moderate needs to be fine-tuned. size will ensure the health of Draugas News , Draugas , and Lithuanian Heritage Recently two Lithuanian Americans were successful in obtaining for years to come. crowdfunding support to help prepare and launch their books. Sandra Baksys is a writer-historian whose book chronicles the experiences of All donations are tax deductible. The Lithuanians in Springfield, Illinois. Donna Druchunas’s book is about Draugas Foundation (http://www.draugo - fondas.org) is a charitable, 501(c)(3) or - the continuing traditions of Lithuanian knitting. Both authors kindly ganization. You can write foundation into agreed to write articles about their area of expertise for this issue of your will by specifying: “Draugas Founda - Lithuanian Heritage . When I was in Lithuania last year, one of Ona’s rel - tion,” EIN number: 36-3916303. For ques - atives, Prof. Ramutis Rindzevičius, who happens to be a well-respected tions, please call: Marija Remienė, Presi - beekeeper, treated me to some very unique and delicious honey from dent, Draugas Foundation, his hives. We’re very happy to present here an article about beekeeping tel. 773-585-9500. in Lithuania, a blend of the latest science and old traditions. Jonas Daugirdas, Acting Editor Lithuanian Heritage is published by the Lithuanian Catholic Press Society (DRAUGAS), 4545 W. 63rd Street, Chicago, IL 60629-5532. Lithuanian Heritage is available only as a bi - monthly (six times per year) supplement to Draugas News (http://www.draugasnews.org). Please consult our website or the back page of this magazine for subscription information. Copyright 2015 by the Lithuanian Catholic Press Society. 2 LITHUANIAN HERITAGE September / October 2015 and a group of young people would crisscross the areas where Lithuanians were sent noting names and locations. In their travels they also came across Japanese graves and similar Japanese searchers. It seems that Japan was the only other country looking for their dead in Siberia, so soon cooper - Cheesemaking (some tips) very slow. Like bread, overmixing ru - ation has developed between the two I read Ona Daugirdas’ article first ins it. And finally, 7) Yes, never use groups. The Japanese were very grate - thing when I received my Lithuanian lemon juice or citric acid. If you ful to Mr. Petrokas for his help and Heritage magazine today. Being a do, you might as well boil the milk presented him with a video recorder, a hobby cheesemaker myself, I found and make ricotta cheese. The “sour - video player and a television set, things it interesting. But I also have a few ing” comes from the cultures that exist helpful hints. You see, my wife is from in the buttermilk and the sour taste that were beyond his means to buy in the Upper Peninsula of Michigan, and comes from the production of lactic those days in Lithuania. With it he was we both enjoy the Finnish fresh acid as the cultures ferment the milk. then able to photograph graves and cheese called juustoa (squeaky cheese). DAN BUTKUS videotape descendants of deportees She gets the Finnish American Re - Madison, WI still living in Russia. Unfortunately Mr. porter and I get your magazine. The Editor’s response: Petrokas died and then conditions in juustoa recipes for are easy and simple, Dear Dan: Russia changed, so there are no or - and as old as the hills, yet I had trouble Many thanks for the tip about using ho - ganized searches any more. making it. Over and over again, the mogenized milk. Much of the contro - TADAS STOMMA curds came out too grainy and fine. versy over “raw milk” in the United Tega Cay, SC And it never properly “squeaked” States has to do with the possibility when I bit into it after the broiling (quite low, as I understand it) that un - Editor’s response: process. I started reading up on how pasteurized milk might contain danger - Dear Tadai: to make cheese and learned to make ous bacteria. However, pasteurization Many thanks for this interesting infor - brie, blue, Port Salut, cheddar, and has nothing to do with homogenization, mation. I knew about the searches in more. This helped me be able to fi - and one can buy pasteurized, but non - Siberia related to deported Lithuanians, juustoa nally make properly. homogenized milk. I but had no idea that similar searches 1) Do not use homogenized found some locally at were being carried out by the Japanese. milk. The homogenizing process our grocery store in the I would like to comment on your last yields a poorly developed curd and it Chicago area under the sentence, that organized searches and can become fine grained and falls apart Organic Valley label: expeditions to Siberia have ceased.
Recommended publications
  • 1 KING of CHILDREN Betty Jean Liffton (Biography of Janusz Korczak)
    KING OF CHILDREN Betty Jean Liffton (Biography of Janusz Korczak) Who was Janusz Korczak? “The lives of great men are like legends-difficult but beautiful.” Janusz Korczak once wrote, and it was true of his. Yet most Americans have never heard of Korczak, Polish-Jewish children’s writer and educator who is as well known in Europe as Anne Frank. Like her, he died in the Holocaust and left behind a diary; unlike her, he had a chance to escape that fate-a chance he chose not to take. His legend began on August 6, 1942; during the early stages of the Nazi liquidation of the Warsaw Ghetto-though his dedication to destitute children was legendary long before the war. When the Germans ordered his famous orphanage evacuated, Korczak was forced to gather together the two hundred children in his care. He led them with quiet dignity on that final march through the ghetto streets to the train that would take them to “resettlement in the East ” -the Nazi euphemism for the death camp Treblinka. He was to die as Henryk Goldszmit, the name he was born with, but it was by his pseudonym that he would be remembered. It was Janusz Korczak who introduced progressive orphanages designed as just communities into Poland, founded the first national children’s newspaper, trained teachers in what we now call moral education, and worked in juvenile courts defending children’s rights. His books How to Love a Child and The Child’s Right to Respect gave parents and teachers new insights into child psychology.
    [Show full text]
  • Lithuania's Constitution of 1992 with Amendments Through 2019
    PDF generated: 26 Aug 2021, 16:37 constituteproject.org Lithuania's Constitution of 1992 with Amendments through 2019 This complete constitution has been generated from excerpts of texts from the repository of the Comparative Constitutions Project, and distributed on constituteproject.org. constituteproject.org PDF generated: 26 Aug 2021, 16:37 Table of contents Preamble . 3 CHAPTER I: THE STATE OF LITHUANIA . 3 CHAPTER II: THE HUMAN BEING AND THE STATE . 5 CHAPTER III: SOCIETY AND THE STATE . 9 CHAPTER IV: NATIONAL ECONOMY AND LABOUR . 11 CHAPTER V: THE SEIMAS . 12 CHAPTER VI: THE PRESIDENT OF THE REPUBLIC . 18 CHAPTER VII: THE GOVERNMENT OF THE REPUBLIC OF LITHUANIA . 23 CHAPTER VIII: THE CONSTITUTIONAL COURT . 26 CHAPTER IX: THE COURTS . 28 CHAPTER X: LOCAL SELF-GOVERNMENT AND GOVERNANCE . 31 CHAPTER XI: FINANCES AND THE STATE BUDGET . 32 CHAPTER XII: STATE CONTROL . 33 CHAPTER XIII: FOREIGN POLICY AND NATIONAL DEFENCE . 34 CHAPTER XIV: ALTERATION OF THE CONSTITUTION . 36 FINAL PROVISIONS . 37 CONSTITUENT PARTS OF THE CONSTITUTION OF THE REPUBLIC OF LITHUANIA . 38 1. CONSTITUTIONAL LAW OF THE REPUBLIC OF LITHUANIA ON THE STATE OF LITHUANIA . 38 2. CONSTITUTIONAL ACT OF THE REPUBLIC OF LITHUANIA ON THE NONALIGNMENT OF THE REPUBLIC OF LITHUANIA TO POST-SOVIET EASTERN UNIONS . 38 3. LAW OF THE REPUBLIC OF LITHUANIA ON THE PROCEDURE FOR ENTRY INTO FORCE OF THE CONSTITUTION OF THE REPUBLIC OF LITHUANIA . 39 4. CONSTITUTIONAL ACT OF THE REPUBLIC OF LITHUANIA ON MEMBERSHIP OF THE REPUBLIC OF LITHUANIA IN THE EUROPEAN UNION . 41 Lithuania
    [Show full text]
  • Lithuanian Writers and the Establishment During Late Socialism: the Writers Union As a Place for Conformism Or Escape Vilius Ivanauskas
    LITHUANIAN HISTORICAL STUDIES 15 2010 ISSN 1392-2343 PP. 51–78 LITHUANIAN WRITERS AND THE EStabLISHMENT DURING LatE SOCIALISM: THE WRITERS UNION AS A PLACE FOR CONFORMISM OR ESCAPE Vilius Ivanauskas ABSTRACT This article analyses how the changes in the dominant attitude of local Soviet writers were encouraged, screened or restricted by the Writers Union [WU] through mechanisms of planning, control and even through measures of creating a secure daily environment. The author looks at the tensions and conflicts between writers of different generations, observing less ideology in the younger generation than in their predecessors since the development and dissemination of national images among the declared values of communism were increasing. The union as a system covered both aspects – conformism and the escape (manoeuvre). Though the WU had a strong mechanism of control, it managed to ensure for the writers such a model of adaptation where even those, who were subject to restrictions, had a possibility of remaining within the official structure, through certain compromises, while actually avoiding involvement in dissident activities or samizdat publishing. Introduction In August 1940 a group of Lithuanian intellectuals, most of whom were writers, went off to Moscow “to bring back Stalin’s Sunshine”, at the same time asking for Lithuania to be incorporated into the USSR. Forty eight years later in early June 1988 a few members of the local literary elite joined the initial Sąjūdis Group and from thenceforth stood in the vanguard of the National Revival. These two historic moments, witnessing two contrary breaking points in history, when Lithuanian writers were active participants in events, naturally give rise to the question of how the status and role of writers and their relationship with the Soviet regime changed.
    [Show full text]
  • Vincas Kudirka, Martynas Jankus, Jonas Šliūpas and the Making of Modern Lithuania Charles C
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Summer 2013 Lithuanians in the Shadow of Three Eagles: Vincas Kudirka, Martynas Jankus, Jonas Šliūpas and the Making of Modern Lithuania Charles C. Perrin Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Perrin, Charles C., "Lithuanians in the Shadow of Three Eagles: Vincas Kudirka, Martynas Jankus, Jonas Šliūpas and the Making of Modern Lithuania." Dissertation, Georgia State University, 2013. https://scholarworks.gsu.edu/history_diss/35 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. LITHUANIANS IN THE SHADOW OF THREE EAGLES: VINCAS KUDIRKA, MARTYNAS JANKUS, JONAS ŠLIŪPAS AND THE MAKING OF MODERN LITHUANIA by CHARLES PERRIN Under the Direction of Hugh Hudson ABSTRACT The Lithuanian national movement in the late nineteenth and early twentieth centuries was an international phenomenon involving Lithuanian communities in three countries: Russia, Germany and the United States. To capture the international dimension of the Lithuanian na- tional movement this study offers biographies of three activists in the movement, each of whom spent a significant amount of time living in one of
    [Show full text]
  • Strengthening the U.S.-Lithuania Partnership:Lithuania Perspective
    STRENGTHENING THE U.S.-LITHUANIA PARTNERSHIP: LITHUANIAN PERSPECTIVE Vygaudas Ušackas HISTORICAL BACKGROUND The last few years of Lithuania-U.S. relations have been marked by the historic decisions of NATO enlargement, thus concluding one chapter in the bilateral relationship and building an even stronger foundation for an ever-closer strategic partnership between the two nations in the future. The United States of America played a crucial role in allowing Lithuania and the other six Central European countries to be invited to the 2002 Prague summit to join NATO. On May 9, 2003, the U.S. Senate unanimously ratified the NATO Accession Protocols, thus paving the way for U.S. President George W. Bush’s vision of “Europe whole and free, and at peace” to become a reality. Moreover, in the last few years we have enjoyed the unparalleled attention of the White House, the Hill and the American people. The U.S.-Lithuanian relationship goes back to the beginning of the 20th century. The restoration of the State of Lithuania on February 16, 1918 and its international recognition were closely linked to the principle of self-determination advocated by the twenty-eighth U.S. President, Woodrow Wilson. America was one of the first to recognise the independence of Lithuania. Throughout the brutal Soviet occupation, America lived up to its principles, and never recognized Lithuania as part of the USSR. The tricolour-flag of Lithuania at the U.S. Department of State during the dark years of occupation was conveying the hope to hundreds of thousands of Lithuanians in America and worldwide that the most brutal breach of international law was just temporary and that the independence of Lithuania would one day be restored.
    [Show full text]
  • Beata Adamczyk Cultural Cooperation Between Nations As an Important
    Beata Adamczyk Cultural cooperation between nations as an important factor of sustainable social development of the region of Central and Eastern Europe in the European Union : (for instance Poland and Lithuania) Studia Ecologiae et Bioethicae 5, 225-267 2007 Beata ADAMCZYK UW Warszawa Cultural cooperation between nations as an important factor of sustainable social development of the region of Central and Eastern Europe in the European Union (for instance Poland and Lithuania) Motto: So that the spirits of the dead leave us in peace... (Aby duchy umarłych zostawiły nas w spokoju...) CZESŁAW MIŁOSZA Cultural cooperation between nations is mainly based on pacts entered by the government of the Republic of Poland and the government of the Republic of Lithuania, on cooperation between academies and cultural facilities, and on collaboration of all nations living in the given area with respect to issues important to local communities, ^ e message of cultural cooperation is social and cultural integration. Cultural and social co-operation among nations lived in East and Central Europe has been sprung up over many centuries. In the 20th century, the nations of the part of Europe were subjected to an attempt to standardise their national cultures by means of introducing the socialist realist culture. According to purposes of contemporary authorities culture was created only officially. In language of the contemporary system, social issues were taken into account mainly in the mass aspect. ^ e author of article is a graduate of the Institute of Librarianship and Information Science at Warsaw University and because of it in the article mainly she treats of bookseller’s and publishing connected with Vilnius.
    [Show full text]
  • Westminsterresearch
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Socially inherited memory, gender and the public sphere in Poland. Anna Reading School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 1996. This is a scanned reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] SOCIALLY INHERITED MEMORY, GENDER AND THE PUBLIC SPHERE IN POLAND Anna Reading A thesis submitted in partial fulfilment for the degree of Doctor of Philosophy July 1996 University of Westminster, London, UK **I have a memory, which is the memory of mother's memory' UNIVERSITY OF WESTMINSTER HARROW IRS CENTRE ABSTRACT More recent theories of the 'revolutions' of 1989 in the societies of Eastern and Central Europe now suggest that the underlying dynamic was continuity rather than disjuncture in terms of social and political relations. Yet such theories fail to explain the nature of and the reasons for this continuity in terms of gender relations in the public sphere.
    [Show full text]
  • LITUANUS Cumulative Index 1954-2004 (PDF)
    LITUANUS Cumulative Index 1954-2004 Art and Artists [Aleksa, Petras]. See Jautokas. 23:3 (1977) 59-65. [Algminas, Arvydas]. See Matranga. 31:2 (1985) 27-32. Anderson, Donald J. “Lithuanian Bookplates Ex Libris.” 26:4 (1980) 42-49. ——. “The Art of Algimantas Kezys.” 27:1 (1981) 49-62. ——. “Lithuanian Art: Exhibition 90 ‘My Religious Beliefs’.” 36:4 (1990) 16-26. ——. “Lithuanian Artists in North America.” 40:2 (1994) 43-57. Andriußyt∂, Rasa. “Rimvydas Jankauskas (Kampas).” 45:3 (1999) 48-56. Artists in Lithuania. “The Younger Generation of Graphic Artists in Lithuania: Eleven Reproductions.” 19:2 (1973) 55-66. [Augius, Paulius]. See Jurkus. 5:4 (1959) 118-120. See Kuraus- kas. 14:1 (1968) 40-64. Außrien∂, Nora. “Außrin∂ Marcinkeviçi∆t∂-Kerr.” 50:3 (2004) 33-34. Bagdonas, Juozas. “Profile of an Artist.” 29:4 (1983) 50-62. Bakßys Richardson, Milda. ”Juozas Jakßtas: A Lithuanian Carv- er Confronts the Venerable Oak.” 47:2 (2001) 4, 19-53. Baltrußaitis, Jurgis. “Arts and Crafts in the Lithuanian Home- stead.” 7:1 (1961) 18-21. ——. “Distinguishing Inner Marks of Roerich’s Painting.” Translated by W. Edward Brown. 20:1 (1974) 38-48. [Balukas, Vanda 1923–2004]. “The Canvas is the Message.” 28:3 (1982) 33-36. [Banys, Nijol∂]. See Kezys. 43:4 (1997) 55-61. [Barysait∂, DΩoja]. See Kuç∂nas-Foti. 44:4 (1998) 11-22. 13 ART AND ARTISTS [Bookplates and small art works]. Augusts, Gvido. 46:3 (2000) 20. Daukßait∂-Katinien∂, Irena. 26:4 (1980) 47. Eidrigeviçius, Stasys 26:4 (1980) 48. Indraßius, Algirdas. 44:1 (1998) 44. Ivanauskait∂, Jurga. 48:4 (2002) 39.
    [Show full text]
  • Locked Up« in Nation States: Perceptions of the Relations Between the State and National Community Within Political and Social Discourse in Lithuania
    Original scientific article UDK 316.773.2:342.228(474.5) Eglė Kesylytė-Alliks »LOCKED UP« IN NATION STATES: PERCEPTIONS OF THE RELATIONS BETWEEN THE STATE AND NATIONAL COMMUNITY WITHIN POLITICAL AND SOCIAL DISCOURSE IN LITHUANIA ABSTRACT This article examines how the idea of the nation-state is articulated in political and social discourse. In particular, it explores how the national community and the state are posi- tioned vis-a`-vis each other in discourse surrounding national flags. I locate my analysis in Lithuania after the dissolution of the USSR. I explore how the interaction between the state and the nation is discursively represented among politicians and ordinary citizens when they discuss Lithuanian national flag(s). Intriguingly, whereas semi-public discourse could generally be described as “locked up” in thinking in terms of the nation and state as interdependent entities, for political actors the intertwining of the nation and state was a less doxastic state of affairs. KEYWORDS: national symbols, nationhood, statehood, Lithuania, discourse analysis »Zaklenjeni« v nacionalnih državah: percepcije odnosa med državnimi in nacionalnimi skupnostmi v političnih in družbenih diskurzih v Litvi IZVLEČEK Članek preučuje, kako je ideja nacionalne države artikulirana v političnih in družbenih diskurzih. Raziskuje, kako so nacionalne skupnosti in država medsebojno pozicionirane v diskurzih, ki zadevajo nacionalne zastave. Analiza se osredotoča na primer Litve po razpadu Sovjetske zveze. Avtorica ugotavlja, kako je interakcija med državo in nacijo diskurzivno reprezentirana v političnih razpravah in razpravah navadnih državljanov o nacionalnih zastavah. Medtem ko – zanimivo – poljavne diskurze splošno lahko opišemo kot »zaklenjene«, in sicer v smislu, da se nacijo in državo misli kot povezani entiteti, je za politične akterje preplet nacije in države manj samoumeven.
    [Show full text]
  • Tradition and Symbolism of the Song and Dance Celebration Process in Estonia, Latvia and Lithuania “
    Multinational Candidature File for the 2nd Proclamation of Masterpieces of the Oral and Intagible Heritage of Humanity “Tradition and Symbolism of the Song and Dance Celebration Process in Estonia, Latvia and Lithuania “ Content 1. IDENTIFICATION ................................................................................................................ 2 a. Group of Member States .................................................................................................... 2 b. Name of the form of cultural expression ............................................................................ 2 c. Name of the communities .................................................................................................... 2 d. Geographic location ........................................................................................................... 2 e. Frequency of this form of cultural expression .................................................................... 3 f. Persons and organizations responsible .............................................................................. 3 g. Co-ordinator ....................................................................................................................... 4 2. DESCRIPTION ...................................................................................................................... 5 a. Description of the form of cultural expression .................................................................. 5 b. History, development and social, symbolic and
    [Show full text]
  • Kazio Griniaus Politinės Etikos Ir Praktikos Bruožai 1920–1926 M.: Didelė Asmenybė Mažoje Politikoje
    ISTORIJA KAZIO GRINIAUS POLITINĖS ETIKOS IR PRAKTIKOS BRUOŽAI 1920–1926 M.: DIDELĖ ASMENYBĖ MAŽOJE POLITIKOJE Dr. Algimantas Kasparavičius Lietuvos istorijos institutas Lithuanian Institute of History Kražių g. 5, LT-01108 Vilnius El. paštas [email protected] Santrauka Remiantis istoriografija ir istoriniais šaltiniais straipsnyje analizuo- jama liaudininko socialisto Kazio Griniaus – 1920–1922 m. Ministrų kabineto pirmininko, o 1926 m. birželį–gruodį trečiojo pirmosios Lietu- vos Respublikos Prezidento – politinės veiklos problematika ir bruožai. Pirmiausia aptariamos istoriografijoje ligi šiol plačiau nenagrinėtos jo paskyrimo premjeru 1920 m. birželį gana netradicinės aplinkybės. Ti- riami K. Griniaus vadovaujamo kabineto principiniai vidaus ir užsienio politikos vektoriai, jo politinės etikos ir pragmatizmo atvejai politinėje praktikoje, akcentuojama K. Griniaus Vyriausybės 1920–1922 m. nu- veiktų darbų ir pasiektų rezultatų istorinė reikšmė. Taip pat apžvelgiama ir verifikuojama Lietuvos Respublikos politinės modernizacijos programa 1926 m. vasarą–rudenį, kurios vienas ryškiausių iniciatorių ir ideologų buvo laisvamanis Prezidentas, Lietuvos universiteto garbės daktaras Ka- zys Grinius. Parlamento studijos 21 | 2016 Mokslo 90 darbai istorija Reikšminiai žodžiai: Kazys Grinius; Ministras Pirmininkas; Pre- zidentas; Seimas; tarpukaris; politinė etika; Vilniaus problema; didžio- sios valstybės. I Laisvamanio gydytojo, varpininko ir Vinco Kudirkos bendražygio, Steigiamojo ir visų trijų kitų demokratiškai rinktų 1920–1926 m. Sei- mų deputato, 1920–1922 m. premjero ir, pagaliau, 1926 m. Respubli- kos Prezidento, Lietuvos universiteto (nuo 1930 m. – Vytauto Didžio- jo universitetas) garbės daktaro Kazio Griniaus asmenybė sudėtingo politinio charakterio ir savotiškos politinės faktūros. Išskirtinai įstabi, ryški, daugiaplanė ir daugiašakė. Gyvenime ir politikoje, sau ir ben- dražygiams nepaliaujamai kėlusi aukščiausius humanistinius idealus ir siekusi itin aukštų etinių standartų visur ir bet kokiomis aplinkybėmis.
    [Show full text]
  • Dark Times: Art and Artists of Vilnius in 1939–1941
    326 Dark Times: Art and Artists of Vilnius in 1939–1941 Giedrė Jankevičiūtė Vilnius Academy of Arts Maironio St. 6, LT-01124 Vilnius e-mail: [email protected] The aim of this paper is to discuss and reconstruct in general fe- atures the reality of the Vilnius artistic community from late autumn 1939 to June 1941. This period of less than two years significantly changed the configuration of the artistic community of the city, the system of institutions shaping the art scene as well as the artistic goals. It also brought forth new names and inspired new images. These changes were above all determined by political circumstances: the war that broke out in Poland on 1 September 1939; the ceding of Vilnius and the Vilnius region to Lithuania; two Soviet occupations: in the autumn of 1939 and June 1940, and the subsequent Nazi occupation a year later. The influence of politics on the art scene and the life of artists has been explored in institutional and other aspects by both Lithuanian and Polish art historians, but the big picture is not yet complete, and the general narrative is still under construction. A further aim of this paper is to highlight some elements that have not received sufficient atten- tion in historiography and that are necessary for the reconstruction of the whole. Some facts of cooperation or its absence among artists of various ethnicities are presented, and the question is raised on the extent to which these different groups were affected by Sovietisation, and what impact this fragmentation had on the city’s art scene.
    [Show full text]