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The New Age, Vol 26 No 12
GERMANY’S NEW “STRUM UND DRANG.” ADLER. By J. A.M. Alcock. By HermanGeorge Scheffauer (with comments by (with commentsby R. H. C.). CONTEMPORARYFRAGMENTS -- II ByJanko Lavrin THE HOUSE OF COMMONS.-- I. By Hillaire Belloc. VIEWS AND REVIEWS. Homoeopathy. By A. E. R. ROME AND PERSECUTION. By Eugene Fasnacht. REVIEWS: The Skilled Labourer, 1760-1832. THE MATERIALISMOF “A. E. R. ” By P. A.Mairet A Personal Record. THE REVOLT OF INTELLIGENCE-- VII. LETTERS TO THE EDITOR from Douglas Goldring, Arundell del Re, George Pitt-Rivers, Walter By Ezra Pound. W. Sutcliffe, Ezra Pound. DRAMA: Julius Caesar. By John Francis Hope PASTICHE. By J. A. M. A., E. V. Limebeer, READERS AND WRITERS. By R. H. C. Ruth Pitter. [Owing to the illness of the Editor the following -- even though not forced, like Germany, to stand article is substituted for the usual “Notes of the naked, wounded and chained before Brute Might armed Week.”] to the tusks, and incorporated in two insensate old men drunk with primitive rages and boundless power. A “volcaniceruption” appears to be something different from the still, small voice of Culture. However, let Germany’s New “Sturm und that pass for the moment. The contention, explicit in Drang.” Mr. Scheffauer’s paragraph is that Germany was By Herman George Scheffauer. “entitled” to her fling of “harlotry”in consequence of England’s example. The ethic is execrable, but the (With comments by “R. H. C.”) practical moral is that Germany has no right to complain In THE NEW AGE of December 18, “R. H. C.,” of the “BruteMight” that defeated her. -
1 Thomas Mann, World Author: Representation and Autonomy In
Thomas Mann, World Author: Representation and Autonomy in the World Republic of Letters Tobias Boes, University of Notre Dame In her influential study The World Republic of Letters, Pascale Casanova draws a firm line between what she calls “national” and “international” writers. For national writers, “literary aesthetics (because they are connected with political questions) are necessarily neonaturalistic.” International writers, on the other hand, are described as “cosmopolitans and polyglots who, owing to their knowledge of the revolution that have taken place in the freest territories of the literary world, attempt to introduce new norms” (Casanova 110-11). There are a number of different criticisms that could be leveled at this distinction. Here, I want simply to point out the striking similarities between what Casanova alleges are universal sociological categories on the one hand, and a particular historicizing narrative about literary modernism on the other. Casanova insists, for instance, that the struggle for “autonomy,” which she defines as “literary emancipation in the face of political (and national) claims to authority” (39), represents the most distinctive characteristic of international writing. She thereby echoes claims that have been made about “modern” art since at least the late nineteenth century (for an overview of these debates, see Goldstone). Even her remapping of the struggle between “autonomous” and “dependent” modes of thought onto the terms “cosmopolitan” and “national” is echoed by recent trends within modernist scholarship (see for example Walkowitz). This homology is striking, especially since a very different kind of “international writer” (or, as I shall henceforth call them, “world author”) seems to have moved to the foreground in the present day. -
The Smith Family…
BRIGHAM YOUNG UNIVERSITY PROVO. UTAH Digitized by the Internet Archive in 2010 with funding from Brigham Young University http://www.archive.org/details/smithfamilybeingOOread ^5 .9* THE SMITH FAMILY BEING A POPULAR ACCOUNT OF MOST BRANCHES OF THE NAME—HOWEVER SPELT—FROM THE FOURTEENTH CENTURY DOWNWARDS, WITH NUMEROUS PEDIGREES NOW PUBLISHED FOR THE FIRST TIME COMPTON READE, M.A. MAGDALEN COLLEGE, OXFORD \ RECTOR OP KZNCHESTER AND VICAR Or BRIDGE 50LLARS. AUTHOR OP "A RECORD OP THE REDEt," " UH8RA CCELI, " CHARLES READS, D.C.L. I A MEMOIR," ETC ETC *w POPULAR EDITION LONDON ELLIOT STOCK 62 PATERNOSTER ROW, E.C. 1904 OLD 8. LEE LIBRARY 6KIGHAM YOUNG UNIVERSITY PROVO UTAH TO GEORGE W. MARSHALL, ESQ., LL.D. ROUGE CROIX PURSUIVANT-AT-ARM3, LORD OF THE MANOR AND PATRON OP SARNESFIELD, THE ABLEST AND MOST COURTEOUS OP LIVING GENEALOGISTS WITH THE CORDIAL ACKNOWLEDGMENTS OP THE COMPILER CONTENTS CHAPTER I. MEDLEVAL SMITHS 1 II. THE HERALDS' VISITATIONS 9 III. THE ELKINGTON LINE . 46 IV. THE WEST COUNTRY SMITHS—THE SMITH- MARRIOTTS, BARTS 53 V. THE CARRINGTONS AND CARINGTONS—EARL CARRINGTON — LORD PAUNCEFOTE — SMYTHES, BARTS. —BROMLEYS, BARTS., ETC 66 96 VI. ENGLISH PEDIGREES . vii. English pedigrees—continued 123 VIII. SCOTTISH PEDIGREES 176 IX IRISH PEDIGREES 182 X. CELEBRITIES OF THE NAME 200 265 INDEX (1) TO PEDIGREES .... INDEX (2) OF PRINCIPAL NAMES AND PLACES 268 PREFACE I lay claim to be the first to produce a popular work of genealogy. By "popular" I mean one that rises superior to the limits of class or caste, and presents the lineage of the fanner or trades- man side by side with that of the nobleman or squire. -
In Church on Bigfeasts. I Think
297 think it would be advisable to have them in church on big feasts. I think that, by making the establishment right after the mission that the Bishop ofBeauvais wants to have given there, it will be easy to get all that can be desiredfor the good of the confraternity. I have not done anything at all about suggesting this collection. Addressed: Monsieur Vincent 207. - TO CLEMENT DE BONZI, BISHOP OF BEZIERS [September or October 1635] 1 Your Excellency, I learned from M. Cassan, the brother of a priest from your town of Beziers, that you wanted to know three things about us. Now, since I was unable to have the honor of answering you at that time because I was leaving for the country, I decided to do so now. I shall tell you, first of all, Your Excellency, that we are entirely under the authority of the bishops to go to any place in their diocese they wish to send us to preach, catechize, and hear the general confessions of the poor; ten to fifteen days before ordina- tion, to teach all about mental prayer, practical and necessary theology, and the ceremonies of the Church to those about to be ordained; and to receive the latter into our house, after they are priests, for the purpose of renewing the fervor OurLord has given them at ordination. In a word, we are like the servants of the centurion in the Gospel2 with regard to the bishops, insofar as when they say to us: go, we are obliged to go; if they say: come, we are obliged to come; do that, and we are obliged to do it. -
Unlversiv Micrijfilms Intemationéü 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the fîlm along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the Him is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been fîlmed, you will And a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a defînite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Read Book the Saint Returns
THE SAINT RETURNS PDF, EPUB, EBOOK Leslie Charteris | 212 pages | 24 Jun 2014 | Amazon Publishing | 9781477842980 | English | Seattle, United States The Saint Returns PDF Book Create outlines for what you want to be accomplished. This was scrapped, and Ian Ogilvy took over the halo for 24 episodes as Simon Templar. This amount is subject to change until you make payment. He also somewhat deplored the tendency for the Saint to be seen primarily as a detective, and this was even stated in some of the later stories, e. Reading about Charteris' "amiable rascal" is infinitely easier and much more relaxing than writing more stories about my own fictitious rascal, Misfit Lil whom I like to think shares a trait or two with Mr Simon Templar! Honestly it was probably the highlight of an episode that mostly spun its wheels. Alyssa Milano legs boots feet Chad Allen magazine pin up clipping. Balthazar Getty Alyssa Milano magazine clipping pin up s vintage. He steals from rich criminals and keeps the loot for himself usually in such a way as to put the rich criminals behind bars. He threatens the biggest explosion of all unless sculptress Lynn Jackson is Hell In order for Eugene and Hitler to get out of hell, Eugene has to overcome the thing that has been keeping him in Hell. Simon Templar 24 episodes, The Saint also ventured into the comics section of our newspapers, battling alongside Dick Tracy and the other Sunday heroes. Seller's other items. You must be a registered user to use the IMDb rating plugin. -
Front Matter
Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information the cambridge companion to women’s writing in britain, 1660–1789 Women writers played a central role in the literature and culture of eighteenth- century Britain. Featuring essays on female writers and genres by leading scho- lars in the field, this Companion introduces readers to the range, significance, and complexity of women’s writing across multiple genres in Britain between 1660 and 1789. Divided into two parts, the Companion first discusses women’s participation in print culture, featuring essays on topics such as women and popular culture, women as professional writers, women as readers and writers, and place and publication. Additionally, Part I explores the ways that women writers crossed generic boundaries. The second part contains chapters on many of the key genres in which women wrote, including poetry, drama, fiction (early and later), history, the ballad, periodicals, and travel writing. The Companion also provides an introduction surveying the state of the field, an integrated chronology, and a guide to further reading. catherine ingrassia is Professor of English at Virginia Commonwealth University in Richmond, Virginia. She is the author of Authorship, Commerce, and Gender in Eighteenth-Century England: A Culture of Paper Credit (Cambridge, 1998); editor of a critical edition of Eliza Haywood’s Anti- Pamela and Henry Fielding’s Shamela (2004); and co-editor of A Companion to the Eighteenth-Century Novel and Culture (2005) and the anthology British Women Poets of the Long Eighteenth Century (2009). -
The Inventory of the Leslie Charteris Collection
The Inventory of the Leslie Charteris Collection #39 Howard Gotlieb Archival Research Center charteris.inv CHARTERIS, LESLIE (1907-1993) Addenda, July 1972 - 1993 [13 Paige boxes, Location: SB2G] I. MANUSCRIPTS Box 1 Scripts bound. "The Saint Show." Volumes 1-12. Radio scripts, 1945-1948. "The Fairy Tale Murder." n.d. "Lady on a Train." Film script, 1943. "Two Smart People" by LC and Ethel Hill, 1944. Box 2 "Return of the Saint" TV Series. 1970s. "Appointment in Florence" "Armageddon Alternative" "The Arrangement" "Assault Force" "The Debt Collectors" "The Diplomats Daughter" "Double Take" "Dragonseed" "Duel in Venice" "The Imprudent Professor" "The Judas Game" "Lady on a Train" 1 "The Murder Cartel" "The Nightmare Man" "The Obono Affair" "One Black September" "The Organisation Man" "The Poppy Chain" Box 2 "Prince of Darkness" "The Roman Touch" "Tower Bridge is Falling Down" "Vanishing Point" Part 1 The Salamander Part 2 The Sixth Man "Vicious Circle" "The Village that Sold Its Soul" "Yesterday's Hero" "The Saint" series, 1989. "The Big Bang" "The Blue Dulac" "The Brazilian Connection" "The Software Murders" Synopses for "Saint" scripts with reply 1972, 3 1973, 2 1974, 6 1975, 5 1976, 3 1977, 3 1978, 1 1979, 8 1980, 6 1981, 7 2 1982, 7 1983, 6 1984, 4 1985, 3 1986, 1 1987, 1 1988, 1 Synopses without reply 1962, 1 1971, 1 1973, 3 1974, 1 1977, 1 1978, 2 1981, 1 1983, 5 1984, 6 1987, 1 Eight undated Synopses Box 3 Radio scripts (unbound):#16, 28, 33, 37, 38, 41, 43, 45, 46, and two without numbers. -
R.Kirschbaum, Thesis, 2012.Pdf
Introduction: Female friendship, community and retreat Friendship still has been design‘d, The Support of Human-kind; The safe Delight, the useful Bliss, The next World‘s Happiness, and this. Give then, O indulgent Fate! Give a Friend in that Retreat (Tho‘ withdrawn from all the rest) Still a Clue, to reach my Breast. Let a Friend be still convey‘d Thro‘ those Windings, and that Shade! Where, may I remain secure, Waste, in humble Joys and pure, A Life, that can no Envy yield; Want of Affluence my Shield.1 Anne Finch’s “The Petition for an Absolute Retreat” is one of a number of verses by early modern women which engage with the poetic traditions of friendship and the pastoral.2 Finch employed the imagery and language of the pastoral to shape a convivial but protected space of retreat. The key to achieving the sanctity of such a space is virtuous friendship, which Finch implies is both enabled by and enabling of pastoral retirement. Finch’s retreat is not an absolute retirement; she calls for “a Friend in that Retreat / (Tho’ withdrawn from all the rest)” to share in the “humble Joys and pure” of the pastoral. Friendship is “design’d [as] the Support of Human-kind”, a divine gift to ease the burden of human reason and passion. The cause of “the next World’s Happiness, and this”, 1 Anne Finch, “The Petition for an Absolute Retreat” in Miscellany Poems, on Several Occasions, printed for J.B. and sold by Benj. Tooke at the Middle-Temple-Gate, William Taylor in Pater-Noster-Row, and James Round (London, 1713), pp. -
A Comparison of the Helen Lowe-Porter and David Luke
Strategies in Translation: A Comparison of the Helen Lowe-Porter and David Luke Translations of Thomas Mann’s Tonio Kröger, Tristan and Der Tod in Venedig within the Context of Contemporary Translation Theory Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) der Philosophischen Fakultät der Universität Erfurt vorgelegt von John Richard Morton Gledhill aus Huddersfield Erfurt, 2001 urn:nbn:de:gbv:547-200300472 [http://nbn-resolving.de/urn/resolver.pl?urn=nbn%3Ade%3Agbv%3A547-200300472] ii Erstes Gutachten: Prof. Dr. Fritz-Wilhelm Neumann (Universität Erfurt) Zweites Gutachten: Prof. Dr. Karlfried Knapp (Universität Erfurt) Prof. (em.) Dr. Thomas Gardner (Universität Göttingen) Datum der Promotion: 19. 6. 2003 iii To Madeleine iv Zusammenfassung Thomas Manns drei Geschichten Tonio Kröger, Tristan und Der Tod in Venedig werden mit deren Übersetzungen von Helen Lowe-Porter und David Luke verglichen. Aus dem Vergleich lässt sich feststellen, dass Lowe-Porters Übersetzungen gravierende Fehler aufzeigen, während die von Luke im Grunde genommen zuverlässig sind. Auch die Lukeschen Übersetzungen scheitern aber, wenn sie mit den poetischen, philosophischen und humoristischen Aspekten Thomas Manns Prosa konfrontiert sind. Anhand vieler Beispiele werden alternative literarische Übersetzungsstrategien diskutiert, die zu einer neuen Übersetzungstheorie führen: dem strategischen Ansatz. Auf Wittgensteins Sprachspieltheorie basierend wird der Begriff Treue (wortgetreu) neu definiert. Bei diesem Ansatz spielt die Übersetzung dasselbe Sprachspiel wie bei dem Ausgangstext. Summary Thomas Mann’s three stories Tonio Kröger, Tristan and Der Tod in Venedig are compared with the translations by Helen Lowe-Porter and David Luke respectively. From the comparison, it emerges that Lowe-Porter’s translations are deeply flawed whereas those of Luke are generally reliable. -
Exceptional Examples of the Masters of Etching and Engraving : the Print Collection of the Late J. Harsen Purdy, of New York
EXCEPTIONAL EXAMPLES OF THE MASTERS OF ETCHINa AND ENGRAVING THE PRINT COLLECTION OF THE LATE J. HARSEN PURDY, of new york city TO BE SOLD AT UNRESTRICTED PUBLIC SALE ON TUESDAY AND WEDNESDAY EVENINGS APRIL 10th and 11th, 1917 UNDER THE MANAGEMENT OF THE AMERICAN ART ASSOCIATION AMERICAN ART GALLERIES MADISON SQUARE SOUTH NEW YORK CITY smithsoniaM INSTITUTION 3i< 7' THE AMERICAN ART ASSOCIATION DESIGNS ITS CATALOGUES AND DIRECTS ALL DETAILS OF ILLUSTRATION TEXT AND TYPOGRAPHY ON PUBLIC EXHIBITION AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK ENTRANCE, 6 EAST 23rd STREET BEGINNING THURSDAY, APRIL 5th, 1917 MASTERPIECES OF ENGRAVERS AND ETCHERS THE PRINT COLLECTION OF THE LATE J. HARSEN PURDY, of new york city TO BE SOLD AT UNRESTRICTED PUBLIC SALE BY ORDER OF ALBERT W. PROSS, ESQ., AND THE NEW YORK TRUST COMPANY, AS EXECUTORS ON TUESDAY AND WEDNESDAY EVENINGS APRIL 10th and 11th, 1917 AT 8:00 O'CLOCK IN THE EVENINGS AT THE AMERICAN ART GALLERIES ALBRECHT DURER, ENGRAVING Knight, Death and the Devil [No. 69] EXCEPTIONAL EXAMPLES OF THE MASTERS OF ETCHING AND ENGRAVING THE PRINT COLLECTION OF THE LATE J. HARSEN PURDY, of new york city TO BE sold at unrestricted PUBLIC SALE BY ORDER OF ALBERT W. PROSS, ESQ., AND THE NEW YORK TRUST COMPANY, AS EXECUTORS ON TUESDAY AND WEDNESDAY, APRIL 10th AND 11th AT 8:00 O'CLOCK IN THE EVENINGS THE SALE TO BE CONDUCTED BY MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF THE AMERICAN ART ASSOCIATION, Managers NEW YORK CITY 1917 ——— ^37 INTRODUCTORY NOTICE REGARDING THE PRINT- COLLECTION OF THE LATE MR. -
10609- 18Th Century George III Set of Six Mezzotints
- O'Sullivan Antiques Export date: Sat Sep 25 17:10:08 2021 / +0000 GMT 10609- 18th Century George III Set of Six Mezzotints Item Categories: Prints, Drawings and Watercolours Item Page: https://osullivanantiques.com/item/10609-18th-century-george-iii-set-of-six-mezzoti nts/ Item Description 18th Century George III set of six mezzotints depicting Lucretia, circa 1780, 'Domestic Happiness', 'The Elopement', 'The Virtuous Parent', 'Dressing for Masquerade', 'The Tavern Door', 'The Fair Penitent'. Engraved by John Raphael Smith, (1751 - 1812) and painted by George Morland, (1763 - 1804). Engraved by John Raphael Smith, (1751 - 1812) was a British painter and mezzotinter, son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States. Smith became a London publisher from 1781, including among his clients the radical writer and artist William Blake. A prolific mentor of apprentices, he shared plates with at least thirty other London printers. In this group was J. M. W. Turner, Charles H. Hodges, William Ward, Thomas Girtin and James Ward, who were among his registered pupils were William Hilton, Charles Howard Hodges, Christiaan Josi, Samuel William Reynolds, James and William Ward (engraver), and Peter de Wint. As a mezzotint [ Export product details as PDF file has been powered by WooCommerce PDF & Print plugin. ] | Page 1/4 | - O'Sullivan Antiques Export date: Sat Sep 25 17:10:08 2021 / +0000 GMT engraver Smith occupies the very highest rank. His prints are delicate, excellent in drawing and finely expressive of colour. Among his small full-length portraits in pastels and crayons the best is of Fox, the Whig leader which in 1802 was exhibited in the Royal Academy.