Columba – the Saint in Irish and Scottish Tradition
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Luigne Breg and the Origins of the Uí Néill. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, Vol.117C, Pp.65-99
Gleeson P. (2017) Luigne Breg and the Origins of the Uí Néill. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, vol.117C, pp.65-99. Copyright: This is the author’s accepted manuscript of an article that has been published in its final definitive form by the Royal Irish Academy, 2017. Link to article: http://www.jstor.org/stable/10.3318/priac.2017.117.04 Date deposited: 07/04/2017 Newcastle University ePrints - eprint.ncl.ac.uk Luigne Breg and the origins of the Uí Néill By Patrick Gleeson, School of History, Classics and Archaeology, Newcastle University Email: [email protected] Phone: (+44) 01912086490 Abstract: This paper explores the enigmatic kingdom of Luigne Breg, and through that prism the origins and nature of the Uí Néill. Its principle aim is to engage with recent revisionist accounts of the various dynasties within the Uí Néill; these necessitate a radical reappraisal of our understanding of their origins and genesis as a dynastic confederacy, as well as the geo-political landsape of the central midlands. Consequently, this paper argues that there is a pressing need to address such issues via more focused analyses of local kingdoms and political landscapes. Holistic understandings of polities like Luigne Breg are fundamental to framing new analyses of the genesis of the Uí Néill based upon interdisciplinary assessments of landscape, archaeology and documentary sources. In the latter part of the paper, an attempt is made to to initiate a wider discussion regarding the nature of kingdoms and collective identities in early medieval Ireland in relation to other other regions of northwestern Europe. -
In Church on Bigfeasts. I Think
297 think it would be advisable to have them in church on big feasts. I think that, by making the establishment right after the mission that the Bishop ofBeauvais wants to have given there, it will be easy to get all that can be desiredfor the good of the confraternity. I have not done anything at all about suggesting this collection. Addressed: Monsieur Vincent 207. - TO CLEMENT DE BONZI, BISHOP OF BEZIERS [September or October 1635] 1 Your Excellency, I learned from M. Cassan, the brother of a priest from your town of Beziers, that you wanted to know three things about us. Now, since I was unable to have the honor of answering you at that time because I was leaving for the country, I decided to do so now. I shall tell you, first of all, Your Excellency, that we are entirely under the authority of the bishops to go to any place in their diocese they wish to send us to preach, catechize, and hear the general confessions of the poor; ten to fifteen days before ordina- tion, to teach all about mental prayer, practical and necessary theology, and the ceremonies of the Church to those about to be ordained; and to receive the latter into our house, after they are priests, for the purpose of renewing the fervor OurLord has given them at ordination. In a word, we are like the servants of the centurion in the Gospel2 with regard to the bishops, insofar as when they say to us: go, we are obliged to go; if they say: come, we are obliged to come; do that, and we are obliged to do it. -
Read Book the Saint Returns
THE SAINT RETURNS PDF, EPUB, EBOOK Leslie Charteris | 212 pages | 24 Jun 2014 | Amazon Publishing | 9781477842980 | English | Seattle, United States The Saint Returns PDF Book Create outlines for what you want to be accomplished. This was scrapped, and Ian Ogilvy took over the halo for 24 episodes as Simon Templar. This amount is subject to change until you make payment. He also somewhat deplored the tendency for the Saint to be seen primarily as a detective, and this was even stated in some of the later stories, e. Reading about Charteris' "amiable rascal" is infinitely easier and much more relaxing than writing more stories about my own fictitious rascal, Misfit Lil whom I like to think shares a trait or two with Mr Simon Templar! Honestly it was probably the highlight of an episode that mostly spun its wheels. Alyssa Milano legs boots feet Chad Allen magazine pin up clipping. Balthazar Getty Alyssa Milano magazine clipping pin up s vintage. He steals from rich criminals and keeps the loot for himself usually in such a way as to put the rich criminals behind bars. He threatens the biggest explosion of all unless sculptress Lynn Jackson is Hell In order for Eugene and Hitler to get out of hell, Eugene has to overcome the thing that has been keeping him in Hell. Simon Templar 24 episodes, The Saint also ventured into the comics section of our newspapers, battling alongside Dick Tracy and the other Sunday heroes. Seller's other items. You must be a registered user to use the IMDb rating plugin. -
The Inventory of the Leslie Charteris Collection
The Inventory of the Leslie Charteris Collection #39 Howard Gotlieb Archival Research Center charteris.inv CHARTERIS, LESLIE (1907-1993) Addenda, July 1972 - 1993 [13 Paige boxes, Location: SB2G] I. MANUSCRIPTS Box 1 Scripts bound. "The Saint Show." Volumes 1-12. Radio scripts, 1945-1948. "The Fairy Tale Murder." n.d. "Lady on a Train." Film script, 1943. "Two Smart People" by LC and Ethel Hill, 1944. Box 2 "Return of the Saint" TV Series. 1970s. "Appointment in Florence" "Armageddon Alternative" "The Arrangement" "Assault Force" "The Debt Collectors" "The Diplomats Daughter" "Double Take" "Dragonseed" "Duel in Venice" "The Imprudent Professor" "The Judas Game" "Lady on a Train" 1 "The Murder Cartel" "The Nightmare Man" "The Obono Affair" "One Black September" "The Organisation Man" "The Poppy Chain" Box 2 "Prince of Darkness" "The Roman Touch" "Tower Bridge is Falling Down" "Vanishing Point" Part 1 The Salamander Part 2 The Sixth Man "Vicious Circle" "The Village that Sold Its Soul" "Yesterday's Hero" "The Saint" series, 1989. "The Big Bang" "The Blue Dulac" "The Brazilian Connection" "The Software Murders" Synopses for "Saint" scripts with reply 1972, 3 1973, 2 1974, 6 1975, 5 1976, 3 1977, 3 1978, 1 1979, 8 1980, 6 1981, 7 2 1982, 7 1983, 6 1984, 4 1985, 3 1986, 1 1987, 1 1988, 1 Synopses without reply 1962, 1 1971, 1 1973, 3 1974, 1 1977, 1 1978, 2 1981, 1 1983, 5 1984, 6 1987, 1 Eight undated Synopses Box 3 Radio scripts (unbound):#16, 28, 33, 37, 38, 41, 43, 45, 46, and two without numbers. -
John Patrick Publishing Company, Inc
St. Columba Roman Catholic Church Corpus Christi Sunday 32%R[5RXWH +RSHZHOO-FW1< June 6, 2021 5HFWRU\ )D[ Website: www.stcolumbaonline.org Rectory Office Hours: Email: [email protected]. Monday - Friday: 9am to 3pm Blog: stcolumbaparish.blogspot.com Saturday & Sunday: Closed Facebook: @StColumbaHJ (photo albums here!) “Love God, Serve Others” Instagram: @StColumbaHJ Soundcloud:StColumbaHJ Flocknotes: www.flocknote.com/columbahopewell Formed.org - Parish Code: Y98H69 SCHEDULE OF LITURGIES NY Catholic Radio: www.newyorkcatholicradio.org THE LORD’S DAY MASSES St. Columba + Saturday 5:30 pm Sunday + 7:30am, 9:00am,10:30am & 12 noon St. Denis + Spanish Mass Sunday at 5:00pm St. Kateri + Sunday at 5:30pm Drop your contribution envelope in the collection, It will be returned to your home parish. DAILY MASS St. Columba + M/W/F + 7:00am; SA + 8:00am; T/TH + 12:00pm Noon St. Denis and St. Kateri + 9:00am ADORATION St. Columba + Monday - Friday + 4:00pm - 8:00pm Compline & Benediction + Monday - Friday + 7:40pm SACRAMENT OF RECONCILIATION St. Columba + Saturdays 8:30 – 9:00 am & 4:00 – 5:00 pm St. Denis + Saturdays 8:00 – 8:45 am & 3:30 – 4:30 pm St. Columba Religious Education St. Kateri + Monday 7:30 – 8:30 pm & Wednesday 9:30 – 10:00 am Grades 1 - 8 DEVOTIONS 845-221-4900 Miraculous Medal Novena - Monday’s after 7:00am Mass www.stcolumbaonline.org Office Hours: Monday to Thursday 9am - 3pm SACRAMENTS Director: Sister Marie Pappas, CR BAPTISM + Most Saturdays & Sundays at 1:30 & 3:00pm. Call the Church Office to speak with Deacon Dennis McCormack. To obtain THE CATHOLIC SCHOOLS OF HOPEWELL JUNCTION Godparent and Sponsor forms, please call the Rectory and speak to a Priest. -
List of Manuscript and Printed Sources Current Marks and Abreviations
1 1 LIST OF MANUSCRIPT AND PRINTED SOURCES CURRENT MARKS AND ABREVIATIONS * * surrounds insertions by me * * variant forms of the lemmata for finding ** (trailing at end of article) wholly new article inserted by me + + surrounds insertion from the addenda ++ (trailing at end of article) wholly new article inserted from addenda † † marks what is (I believe) certainly wrong !? marks an unidentified source reference [ro] Hogan’s Ro [=reference omitted] {1} etc. different places but within a single entry are thus marked Identical lemmata are numbered. This is merely to separate the lemmata for reference and cross- reference. It does not imply that the lemmata always refer to separate names SOURCES Unidentified sources are listed here and marked in the text (!?). Most are not important but they are nuisance. Identifications please. 23 N 10 Dublin, RIA, 967 olim 23 N 10, antea Betham, 145; vellum and paper; s. xvi (AD 1575); see now R. I. Best (ed), MS. 23 N 10 (formerly Betham 145) in the Library of the RIA, Facsimiles in Collotype of Irish Manuscript, 6 (Dublin 1954) 23 P 3 Dublin, RIA, 1242 olim 23 P 3; s. xv [little excerption] AASS Acta Sanctorum … a Sociis Bollandianis (Antwerp, Paris, & Brussels, 1643—) [Onomasticon volume numbers belong uniquely to the binding of the Jesuits’ copy of AASS in their house in Leeson St, Dublin, and do not appear in the series]; see introduction Ac. unidentified source Acallam (ed. Stokes) Whitley Stokes (ed. & tr.), Acallam na senórach, in Whitley Stokes & Ernst Windisch (ed), Irische Texte, 4th ser., 1 (Leipzig, 1900) [index]; see also Standish H. -
Contextualising Immram Curaig Ua Corra
1 The Devil’s Warriors and the Light of the Sun: Contextualising Immram Curaig Ua Corra Master’s thesis in Celtic Studies K. Eivor Bekkhus 2013 Jan Erik Rekdal, professor in Irish Studies at the Institute for Linguistic and Nordic Studies, University of Oslo, was the supervisor for this thesis. 2 Contents 1. Preludes to a Voyage 1.1 The frame story of Immram Curaig Ua Corra 1.2 Heathen ways 1.3 The Devil’s warriors 1.4 Women 1.5 Judgement 1.6 Mixed agendas 1.7 The flaithbrugaid of Connacht 1.8 From bruiden to church 2. Saints and Villains 2.1 Lochán and Énna 2.2 Silvester 2.3 Énna of Aran 2.4 Findén 2.5 Moderated saints 2.6 Sea pilgrimages 3. The Uí Chorra and the Uí Fhiachrach Aidne 3.1 Hospitality and belligerence 3.2 The will of God 3.3 Jesters 3.4 Home of the Uí Chorra? 3.5 Comán 3.6 Attacks on Tuaim 3.7 Uí Fhiachrach Aidne in the 12th century 3.8 A hypothetical parable 3.9 The moral legacy of Guaire 4. Influences in Church and Society prior to the 12th Century 4.1 The Irish Church and learning 4.2 Céli Dé 3 4.3 Rome 4.4 Vikings 4.5 Canterbury 4.6 The Normans and William the Conqueror 4.7 Secularisation? 5. Immram Curaig Ua Corra and the 12th Century 5.1 Internal enemies 5.2 Kingship and church politics 5.3 Reformers 5.4 Succession at Armagh 5.5 Erenaghs and marriage 5.6 Violent crime 5.7 Archbishoprics and dioceses 5.8 Barbarious Connacht? 5.9 Locations in Immram Curaig Ua Corra 5.9.1 Tuaim 5.9.2 Clochar 5.9.3 Clonmacnoise and Clonard 5.9.4 Emly 5.9.5 Armagh 5.10 Restructuring Ireland 6. -
Histoire Des Séries Volume 1 1
Histoire des séries Volume 1 1. Contenu de l’émission Chapeau melon et bottes de cuir Le générique des 3 premières saisons (des épisodes du début à ceux avec Honor Blackman qui joua le rôle du docteur Catherine Gale ) a été composée par Johnny Dankworth : Dans un style jazzy fréquent dans les séries policières de l'époque, le thème est légèrement réorchestré dans la saison 3. C’est Laurie Johnson qui composera le générique des saisons ultérieures (à partir de l'arrivée de Diana Rigg qui interprétra le rôle d’Emma Peel. C’est en fait le générique de la saison 4 qui est devenu le générique de référence, celui de la période culte. Il sera précédé d'une introduction pour percussions pour la saison 5 et un solo de trompette (le thème de Tara) s'y greffera pour la saison 6. Howard Blake ne composa aucun générique, mais composa la musique de plusieurs épisodes de la saison 6 (comme Miroirs ou Jeux) lorsque Laurie Johnson n'était pas disponible. Chapeau melon et bottes de cuir est le titre français de deux séries télévisées mélangeant espionnage, science-fiction et action : la série britannique The Avengers et sa suite, la série franco-canado-britannique The New Avengers. Ces deux séries mettent en scène le personnage de John Steed, un agent secret britannique. La première série, ayant pour titre original The Avengers (« les Vengeurs »), se compose de 161 épisodes de 52 minutes, dont 104 en noir et blanc, et fut créée par Sydney Newman et Leonard White. Elle a été diffusée du 7 janvier 1961 au 21 mai 1969 sur le réseau ITV1. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Rare and Unique Names of 'Non-Indo-European' Type
RARE AND UNIQUE NAMES OF “NON-INDO-EUROPEAN” TYPE AND THE CASE OF DALLÁN FORGAILL NINA ZHIVLOVA 0. Introduction The study of Old Irish onomastics began in the 19th century with John O’Donovan – as did many other lines of research in medieval Irish culture and language (O’Donovan 1862: 51-9). The 20th century Irish scholars M.A. O’Brien and B. Ó Cuív were major contributors to the subject (CGH; O’Brien 1973; Ó Cuív 1980-81, 1986). Two-part compound names connected with notions of war, fame and power and with animals like the wolf and horse were popular among speakers of many Indo-European language branches (Indian, Iranian, Greek, Germanic, Slavic and Celtic). This “Indo-European” type of composita, probably inherited from Proto-Indo-European language (and culture) was studied in detail by Uhlich (1993). At the same time there is another Old Irish name-type consisting of a noun + adjective or a noun + noun in genitive case, for example, Mac Menman ‘son of thought’. This name-type was described by M.A. O’Brien and other scholars as “Non-Indo-European” (O’Brien 1973), hereafter “Non-IE”. I accept this conventional term, without necessarily implying, however, that I agree that this name-type was inherited from a “Non-Indo-European” substrate. Study of this name-type is long overdue. To date there have only been a few studies dedicated to certain name-types and to particular first and second elements in the names of “Non-IE” type (e.g. Dobbs 1947, O’Brien 1956, Clancy 2004, and Doherty 2006). -
Clann Donngaile
Cambridge University Press 0521363950 - Early Christian Ireland - T. M. Charles-Edwards Index More information Index abbas (Irish ap), , on Colmán Elo, – abbot on Columba and the Picts, – controlled material assets of a church, on Columba and the Uí Néill, – derived high status from the rank of his on deaths of kings, – church, on Díarmait mac Cerbaill, extent of authority of some abbots, on early descendants of Níall, in Ireland wide sense of, on gens – relatively likely to be given a patronym in on Irish names, – the annals, – on kings of Tara, – title is associated with a church, – on magi, –, Abelenus,bishop of Geneva,kinsman of on prophecy and miracles of power, – Agrestius, presents different picture of Columba from Aberlemno churchyard,Pictish sculpture in, that in the Amra, – adoption, Achad Bó, see Aghaboe aduentus of a king, – acquired land, – Áed,bishop and subsequently anchorite of Adaloald,Lombard king, , Sleaty, –, – adbar ríg,‘material of a king’, date of Testament of, – Additamenta in the Book of Armagh, Áed Allán (Áed mac Fergaile),king of Tara, admonitio (tecosc), – , , Ado, aggressive policy towards Leinster, , Adomnán,ninth abbot of Iona, and the promulgation of the Law of Bede on, – Patrick, brings back the captives taken from Brega killed at the battle of Serethmag, to Northumbria, meets Cathal mac Finnguini at Terryglas, converted to the Roman Easter, , friend of Aldfrith,king of the victor at the battle of Áth Senaig, Northumbrians, , victories over Cenél Conaill and the Ulaid, friend of Ceolfrith,abbot -
St Columba Poetry
ntroduction The 7th December 2020 marked the 1,500th anniversary of the birth of St Columba, or Colmcille. A self-imposed exile from Ireland, Columba was a key figure in the early Christianity of the Scottish mainland and western isles and left an indelible mark on the landscape. From the founding of Iona Abbey to one of the earliest sightings of the Loch Ness Monster, his legacy is both physical and cultural. Fleeing Ireland after a dispute regarding religious texts, Columba was known as a scribe and has been linked (although likely erroneously) to one of the earliest illuminated manuscripts of Ireland. He was also a protector of poets and as the Patron Saint of Poetry, what better way to celebrate his varied impact than with the creation of poetry that explores his connection to Scotland and its historic environment. Poet in Residence Alex Aldred spent twenty weeks with us, exploring Columba’s relationship to our sites and the Scottish landscape in order to create a new body of works in response to Columba’s Scotland. We hope that these works inspire you to create your own responses to the historic environment and to refect upon the ways that landscape, heritage and the arts intertwine. lex Aldred Alex Aldred lives and writes in Edinburgh, Scotland. He has an MA in creative writing from Lancaster University, and is currently working towards a PhD in creative writing at the University of Edinburgh inspired by and responding to maps of the City of Edinburgh. Alex’s residency was generously funded by the Scottish Graduate School of Arts and Humanities.