Sigma January 2021 Page 1 Decemeber 2020 Metting Minutes — Bill Hall - Parsec Secretary
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Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
The Nemedian Chroniclers #22 [WS16]
REHeapa Winter Solstice 2016 By Lee A. Breakiron A WORLDWIDE PHENOMENON Few fiction authors are as a widely published internationally as Robert E. Howard (e.g., in Bulgarian, Croatian, Czech, Dutch, Estonian, Finnish, French, German, Greek, Hungarian, Italian, Japanese, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, Swedish, Turkish, and Yugoslavian). As former REHupan Vern Clark states: Robert E. Howard has long been one of America’s stalwarts of Fantasy Fiction overseas, with extensive translations of his fiction & poetry, and an ever mushrooming distribution via foreign graphic story markets dating back to the original REH paperback boom of the late 1960’s. This steadily increasing presence has followed the growing stylistic and market influence of American fantasy abroad dating from the initial translations of H.P. Lovecraft’s Arkham House collections in Spain, France, and Germany. The growth of the HPL cult abroad has boded well for other American exports of the Weird Tales school, and with the exception of the Lovecraft Mythos, the fantasy fiction of REH has proved the most popular, becoming an international literary phenomenon with translations and critical publications in Spain, Germany, France, Greece, Poland, Japan, and elsewhere. [1] All this shows how appealing REH’s exciting fantasy is across cultures, despite inevitable losses in stylistic impact through translations. Even so, there is sometimes enough enthusiasm among readers to generate fandom activities and publications. We have already covered those in France. [2] Now let’s take a look at some other countries. GERMANY, AUSTRIA, AND SWITZERLAND The first Howard stories published in German were in the fanzines Pioneer #25 and Lands of Wonder ‒ Pioneer #26 (Austratopia, Vienna) in 1968 and Pioneer of Wonder #28 (Follow, Passau, Germany) in 1969. -
Earl Kemp: Ei54
Vol. 10 No. 1 February 2011 –e*I*54– (Vol. 10 No. 1) February 2011, is published and © 2011 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through http://efanzines.com by Bill Burns in an e-edition only. Contents – eI54 – February 2011 Cover: “Cupid Goes Cosmic,” by Steve Stiles …Return to sender, address unknown….44 [eI letter column] by Earl Kemp Introduction “The Last Dangerous Visionaries,” by Earl Kemp A Touch of Ellison, by Earl Terry Kemp “I Must Have It,” by Ted White A Personal Remembrance of Harlan Ellison, by Lynn Munroe In Company with Harlan, by Linda Moorcock Harlan, by Michael Moorcock Harlan, by John-Henri Holmberg Harlan Ellison’s Dangerous Visions, by Rob Latham Fifty Years—That’s Not Too Many, by Richard Lupoff Nebula Awards Tempe AZ 2006, by Patricia Rogers Get Stuffed, by Jerome Winter Unzipped, by J.D. Crayne Harlan Ellison and Final Stage, by Bud Webster Fond Memories, by Various Back cover: “Steam Punk Rescue,” by Ditmar [Martin James Ditmar Jenssen] Writing is the hardest work in the world. I have been a bricklayer and a truck driver, and I tell you—as if you haven't been told a million times already—that writing is harder. Lonelier. And nobler and more enriching. —Harlan Ellison THIS ISSUE OF eI is for Harlan Ellison on the occasion of his being named recipient of the 2011 Eaton Award for Lifetime Achievement in Science Fiction by the University of California, Riverside. In the strictly science fiction world, it is also in memory of Ruth Kyle. -
Science Fiction Review 54
SCIENCE FICTION SPRING T)T7"\ / | IjlTIT NUMBER 54 1985 XXEj V J. JL VV $2.50 interview L. NEIL SMITH ALEXIS GILLILAND DAMON KNIGHT HANNAH SHAPERO DARRELL SCHWEITZER GENEDEWEESE ELTON ELLIOTT RICHARD FOSTE: GEIS BRAD SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O. BOX 11408 PORTLAND, OR 97211 FEBRUARY, 1985 - VOL. 14, NO. 1 PHONE (503) 282-0381 WHOLE NUMBER 54 RICHARD E. GEIS—editor & publisher ALIEN THOUGHTS.A PAULETTE MINARE', ASSOCIATE EDITOR BY RICHARD E. GE1S ALIEN THOUGHTS.4 PUBLISHED QUARTERLY BY RICHARD E, GEIS FEB., MAY, AUG., NOV. interview: L. NEIL SMITH.8 SINGLE COPY - $2.50 CONDUCTED BY NEAL WILGUS THE VIVISECT0R.50 BY DARRELL SCHWEITZER NOISE LEVEL.16 A COLUMN BY JOUV BRUNNER NOT NECESSARILY REVIEWS.54 SUBSCRIPTIONS BY RICHARD E. GEIS SCIENCE FICTION REVIEW ONCE OVER LIGHTLY.18 P.O. BOX 11408 BOOK REVIEWS BY GENE DEWEESE LETTERS I NEVER ANSWERED.57 PORTLAND, OR 97211 BY DAMON KNIGHT LETTERS.20 FOR ONE YEAR AND FOR MAXIMUM 7-ISSUE FORREST J. ACKERMAN SUBSCRIPTIONS AT FOUR-ISSUES-PER- TEN YEARS AGO IN SF- YEAR SCHEDULE. FINAL ISSUE: IYOV■186. BUZZ DIXON WINTER, 1974.57 BUZ BUSBY BY ROBERT SABELLA UNITED STATES: $9.00 One Year DARRELL SCHWEITZER $15.75 Seven Issues KERRY E. DAVIS SMALL PRESS NOTES.58 RONALD L, LAMBERT BY RICHARD E. GEIS ALL FOREIGN: US$9.50 One Year ALAN DEAN FOSTER US$15.75 Seven Issues PETER PINTO RAISING HACKLES.60 NEAL WILGUS BY ELTON T. ELLIOTT All foreign subscriptions must be ROBERT A.Wi LOWNDES paid in US$ cheques or money orders, ROBERT BLOCH except to designated agents below: GENE WOLFE UK: Wm. -
The Multidimensional Guide to Science Fiction and Fantasy of the Twentieth Century, Volume 1
THE MULTIDIMENSIONAL GUIDE TO SCIENCE FICTION AND FANTASY OF THE TWENTIETH CENTURY, VOLUME 1 EDITED BY NAT TILANDER 2 Copyright © 2010 by Nathaniel Garret Tilander All rights reserved. No part of this book may be reproduced, stored, or transmitted by any means—whether auditory, graphic, mechanical, or electronic—without written permission of both publisher and author, except in the case of brief excerpts used in critical articles and reviews. Unauthorized reproduction of any part of this work is illegal and is punishable by law. Cover art from the novella Last Enemy by H. Beam Piper, first published in the August 1950 issue of Astounding Science Fiction, and illustrated by Miller. Image downloaded from the ―zorger.com‖ website which states that the image is licensed under a Creative Commons Public Domain License. Additional copyrighted materials incorporated in this book are as follows: Copyright © 1949-1951 by L. Sprague de Camp. These articles originally appeared in Analog Science Fiction. Copyright © 1951-1979 by P. Schuyler Miller. These articles originally appeared in Analog Science Fiction. Copyright © 1975-1979 by Lester Del Rey. These articles originally appeared in Analog Science Fiction. Copyright © 1978-1981 by Spider Robinson. These articles originally appeared in Analog Science Fiction. Copyright © 1979-1999 by Tom Easton. These articles originally appeared in Analog Science Fiction. Copyright © 1950-1954 by J. Francis McComas. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1950-1959 by Anthony Boucher. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1959-1960 by Damon Knight. These articles originally appeared in Fantasy and Science Fiction. -
1943 Retrospective Hugo Award Results
Worldcon 76 in San Jose PO Box 61363 [email protected] Sunnyvale CA 94088-1363, +1-408-905-9366 USA For Immediate Release 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA WORLDCON 76 REVEALS WINNERS FOR SCIENCE FICTION’S MOST PRESTIGIOUS FAN-NOMINATED AWARD SAN JOSE, CA, August 16, 2018: The winners of the 1943 Retrospective Hugo Awards were announced on Thursday, August 16, 2018, at the 76th World Science Fiction Convention. 703 valid ballots (688 electronic and 15 paper) were received and counted from the members of the 2018 World Science Fiction Convention. The Hugo Awards, presented first in 1953 and annually since 1955, are science fiction’s most prestigious award, and one of the World Science Fiction Convention’s unique and distinguished institutions. Since 1993, Worldcon committees have had the option of awarding Retrospective Hugo Awards for past Worldcon years prior to 1953 where they had not been presented 25, 50, or 100 years prior to the contemporary convention, with the exception of the hiatus during World War II when no Worldcon was convened. A recent change in this policy has now allowed for Retro Hugos to be awarded for the years 1942-1945. 1943 Retrospective Hugo Award Winners Best Fan Writer Forrest J Ackerman Best Fanzine Le Zombie, edited by Arthur Wilson "Bob" Tucker Best Professional Artist Virgil Finlay Best Editor - Short Form John W. Campbell Best Dramatic Presentation - Short Form Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney Productions) For Immediate Release more Page 2 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA Best Short Story "The Twonky," by Lewis Padgett (C.L. -
(Title Stolen from Joan Baez) Time and Culture
Time is Just a Four-Letter What then is time? • If no one asks me, I know what it is. If I wish to Word explain it to him who asks, I do not know. • St Augustine Peter Watson • Time is what we don’t have enough of. (title stolen from Joan Baez) What does a clock measure? Where are we going? • What does "prediction" mean? 1. Time and Language: How we talk about time • When did time measurement start? • Do we experience time in the same way? 2.Stonehenge to Caesium: How we Measure Time • Why does time pass quicker as we get old? • What defines the direction of time? 3.Bicycle Pumps and Rice Puddings: Time’s Arrow • Physiological Time: what is a biological clock? • How short a time can we perceive? 4.Going Straight in a Bent Space: How Matter • What exactly is causality? bends Time • Is time travel possible? 5.Grouse, Hurricanes and Dead Cats: How to • If so, why can't we do it? predict • If not, what forbids it? • How do we know that two clocks measure the same time? 6.The Beginning and the End • How are time and space linked? • Is time "smooth"? 7.“All You Zombies ....”: Time travel, Good • Did time begin? Literature and Bad Science • Will it end? Time and Culture Sources: Books (non-fiction): **Time Machines (Paul J. Nahin, also with K. S. Thorne) Note we will be using “culture” generically Time Travel in Einstein’s Universe (J. Richard Gott) In Search of Time: The History, Physics, and Philosophy of Time (Dan Falk) • Literature About Time (Paul Davies) ** Physics of Star Trek (Lawrence Krauss) Theatre ** An Experiment with Time (J. -