DOCSLIB.ORG

The Reception of the Works of Contemporary Chinese Glam-Writers in Mainland China

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Reception of the Works of Contemporary Chinese Glam-Writers in Mainland China The Reception of the Works of Contemporary Chinese Glam-Writers in Mainland China Jia Liu PhD Women’s Studies June 2010 Abstract This thesis examines the reception of five contemporary Chinese glam-writers and their works in mainland China. It explores three different types of reception by three reading constituencies: literary critics, actual women readers, and participants on the glam-writers‟ personal blogs. Drawing in part on western reception theory and reader-response criticism, this thesis focuses on the role of the reader in reading and interpreting the glam-writers‟ works and makes an original empirical contribution to audience research in mainland China where such research is as yet not developed. By adopting a range of qualitative research methods, I investigate the ways in which contemporary Chinese readers understand and respond to a particular type of women‟s literature at the turn of the twenty-first century. I demonstrate that Chinese readers are not merely passive recipients of the literary works, or „cultural dupes‟ (Hall 1981), but both savage – in the sense of severe – and savant readers of popular culture. This also means that the negative influences of these works, as predicted by Chinese mainstream literary critics, are not evident in actual readers‟ responses to these texts. To My Parents and Haiyang Acknowledgements There are a number of people I would like to thank, who have generously offered their concerns, patience, and intelligence to me through various means during the course of my doctoral research. Without them this thesis would not have been possible. First of all, I owe my deepest gratitude to my supervisor, Prof. Gabriele Griffin, whose wisdom, guidance, understanding, and insightful ideas and comments on my writing from the beginning to the end enabled me to complete this thesis. Thanks to her, I have been encouraged, supported, helped and challenged during the unforgettable three years or more in the UK. I owe my great thanks to Prof. Stevi Jackson and Dr. Ann Kaloski Naylor, who have been my Thesis Advisory Panel (TAP) members and offered invaluable suggestions and advice on my thesis during the course of my research at the Centre for Women‟s Studies, University of York. Wholehearted thanks to both of them, in particular Stevi‟s co-supervision in my first year and Ann‟s help with my bibliography and additional readings. I am most grateful to Harriet Badger, who helped me whenever and wherever I needed her, and Sue Cumberpatch, who gave me helpful advice on using the library searching system and facilities. I would like to express my heartfelt thanks to all the people at the Centre who supported me during my time at the Centre: Amanda Hong, Amy Burge, Elif Gazioglu, Gitta Victoria Bruschke, Hiranmayee Mishra, Julia Carter, Pranati Mohanraj, Rosemary Hill, Wenchao Wei, to name just a few. I would also like to thank Cirihn Malpocher, Irene Perez-Fernandez, Petra Nordqvist, and Zita Farkas, who made available their kindness and encouragement in a number of ways before they left the Centre. I am indebted to all the respondents and people involved in my fieldwork in China. Without their generosity, patience and cooperation, I would not have been able to accomplish the project. Special thanks are extended to my friend Honghuan Niu, who helped me to find interviewees and received me in Shanghai. It is my pleasure to thank Jimmy Zhang for proof reading some chapters of my thesis at the final stage. I thank Haiyang Liu for his devotion and affection, and for taking good care of me and my puppy Yoyo during the past three years in the UK. Last but not least, I would like to show my gratitude to my parents, who have supported me mentally and financially at all times. Without their constant support and encouragement, I could not have completed my thesis. Table of Contents Chapter 1: Introduction ........................................................................................... 1 A Brief History of Women‟s Writing in Mainland China ........................................... 3 Self-Narration as a Type of Individualized Writing ................................................. 14 The Rise of the „Beauty Writers‟, and the Context of the Post-70s Glam-Writers‟ Works ............................................................................................................................ 17 Outlining the Five Glam-Writers‟ Works and Their Reception in Mainland China ....................................................................................................................................... 21 The Structure of the Thesis ....................................................................................... 37 Chapter 2: Literature Review ................................................................................ 39 Major Theorists and Schools of Thought of Reader-Response Criticism .......... 42 Reception Theory as Methodology .......................................................................... 49 Chapter 3: Methodology ....................................................................................... 54 Partial Objectivity and Situated Knowledges as Research Principles ................ 56 The Impact of My Own Positioning on the Research ............................................ 61 Research Process and Field Sites ........................................................................... 66 Researching the literary critics’ reception of the glam-writers’ works ........................... 67 Researching the women readers’ reception of the glam-writers’ works ....................... 71 Researching the online participants’ reception on the glam-writers’ blogs .................. 88 Chapter 4: The Reception of the Chinese Glam-Writers’ Works by Literary Critics ..................................................................................................................... 96 The Criticism of the Glam-Writers as Private Individuals ................................... 104 The Criticism of the Glam-Writers‟ Works as Literary Texts .............................. 111 The glam-writers’ texts as urban literature and an expression of consumer culture 118 The Criticism of the Glam-Writers‟ Emergence as a Socio-Cultural Phenomenon ............................................................................................................. 122 Chapter 5: The Reception of the Chinese Glam-Writers’ Works by Women Readers ................................................................................................................ 131 Review of Reception Theory and Reader-Response Criticism ......................... 131 Researching Actual Women Readers‟ Responses .............................................. 135 Reading habits/history ....................................................................................................... 136 Author-reader relationship ................................................................................................. 138 Text-reader relationship ..................................................................................................... 142 Personal/real-life experience ............................................................................................ 158 Online interaction and blog participation ......................................................................... 161 Chapter 6: The Reception of the Chinese Glam-Writers’ Works on the Writers’ Blogs .................................................................................................................... 164 The Rise of Celebrities‟ Blogs in China ................................................................. 166 The Form and Content of the Glam-Writers‟ Blogs ............................................. 167 Readers‟ Engagement with the Glam-Writers‟ Blogs .......................................... 174 Readers’ responses to the glam-writers’ works in the Comment section .................. 177 The changing focus from the works to the personal ..................................................... 183 Readers’ engagement and interactions with the writers in the Message section ..... 199 Consequences and Implications of the Glam-Writers‟ Blogging Phenomenon ..................................................................................................................................... 211 Chapter 7: Conclusions ...................................................................................... 218 Feminism, Women‟s Writing and Modernity in Mainland China ........................ 235 Bibliography ........................................................................................................ 241 Appendixes .......................................................................................................... 258 Appendix 1: Chinese Literary Developments: A Brief Chronology .................... 258 Appendix 2: The Mini-Biographies of the Chinese Glam-Writers ...................... 261 Appendix 3: The Interview Schedule ..................................................................... 266 Appendix 4: The Mini-Biographies of the Women Readers ............................... 271 Chapter 1: Introduction Although more and more contemporary Chinese writers and their works have been introduced to the west in translation, not much is known outside of sinology in western countries about Chinese literature written for a Chinese audience in mainland China (Wang Ning 2008). Even less is known about how contemporary
Load more

Recommended publications
  • Globalised Knowledge Flows and Chinese
    Paradoxical Integration: Globalised Knowledge Flows and Chinese Concepts in Social Theory Xiaoying Qi A thesis submitted for the degree of Doctor of Philosophy Centre for Cultural Research University of Western Sydney 2011 Acknowledgements I would like to acknowledge the support I have received from a number of people during the research and writing of this PhD thesis. I am grateful to my principal supervisor, Associate Professor Greg Noble, for his support for my application for funds to attend and present a paper at the International Sociological Association XVII World Congress of Sociology in 2010 and for his close reading and detailed comments on the draft and revised chapters, which led to many improvements. My associate supervisor, Professor Peter Hutchings, is thanked for his comments on draft chapters. My gratitude also goes to the three anonymous reviewers of a paper, „Face: A Chinese Concept in a Global Sociology‟, which was published in the Journal of Sociology in 2011. This paper prefigures the arguments of chapter 5. I am also grateful to the University of Western Sydney for granting me a scholarship and for providing me with an opportunity to undertake the research reported and discussed in this thesis. I must also acknowledge the support I received from the staff of the UWS library system, and its inter-library loan provision. The most enduring support I received during the period of research and writing of this thesis was provided by my family. I thank my parents and sister for their belief in my ability and their continuing encouragement. Last but by no means least I thank my husband, Jack Barbalet, for his unfailing love, inspiration, encouragement, guidance, advice and support.
    [Show full text]
  • Anarchism in the Chinese Revolution Was Also a Radical Educational Institution Modeled After Socialist 1991 36 for This Information, See Ibid., 58
    only by rephrasing earlier problems in a new discourse that is unmistakably modern in its premises and sensibilities; even where the answers are old, the questions that produced them have been phrased in the problematic of a new historical situation. The problem was especially acute for the first generation of intellec- Anarchism in the Chinese tuals to become conscious of this new historical situation, who, Revolution as products of a received ethos, had to remake themselves in the very process of reconstituting the problematic of Chinese thought. Anarchism, as we shall see, was a product of this situation. The answers it offered to this new problematic were not just social Arif Dirlik and political but sought to confront in novel ways its demands in their existential totality. At the same time, especially in the case of the first generation of anarchists, these answers were couched in a moral language that rephrased received ethical concepts in a new discourse of modernity. Although this new intellectual problematique is not to be reduced to the problem of national consciousness, that problem was important in its formulation, in two ways. First, essential to the new problematic is the question of China’s place in the world and its relationship to the past, which found expression most concretely in problems created by the new national consciousness. Second, national consciousness raised questions about social relationships, ultimately at the level of the relationship between the individual and society, which were to provide the framework for, and in some ways also contained, the redefinition of even existential questions.
    [Show full text]
  • From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks
    From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017).
    [Show full text]
  • Staging China Excising the Chinese.Pdf
    City Research Online City, University of London Institutional Repository Citation: Yeh, D. (2015). Staging China, Excising the Chinese: Lady Precious Stream and the Darker Side of Chinoiserie. In: Witchard, A. (Ed.), British Modernism and Chinoiserie. Edinburgh University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/14480/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Staging China, Excising the Chinese: Lady Precious Stream and The Darker Side of Chinoiserie Diana Yeh On 27 November 1934, ‘a traditional Chinese play’, Lady Precious Stream premiered at the Little Theatre in the Adelphi off the Strand. Within months, its author, Shih-I Hsiung, an unknown student from China, was hurled into worldwide fame. Lady Precious Stream ran for three years in London, vying in 1936 with Michael Egan’s The Dominant Sex as the longest running play.
    [Show full text]
  • Submitted for the Phd Degree at the School of Oriental and African Studies, University of London
    THE CHINESE SHORT STORY IN 1979: AN INTERPRETATION BASED ON OFFICIAL AND NONOFFICIAL LITERARY JOURNALS DESMOND A. SKEEL Submitted for the PhD degree at the School of Oriental and African Studies, University of London 1995 ProQuest Number: 10731694 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731694 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 A b s t ra c t The short story has been an important genre in 20th century Chinese literature. By its very nature the short story affords the writer the opportunity to introduce swiftly any developments in ideology, theme or style. Scholars have interpreted Chinese fiction published during 1979 as indicative of a "change" in the development of 20th century Chinese literature. This study examines a number of short stories from 1979 in order to determine the extent of that "change". The first two chapters concern the establishment of a representative database and the adoption of viable methods of interpretation. An important, although much neglected, phenomenon in the make-up of 1979 literature are the works which appeared in so-called "nonofficial" journals.
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Beyond New Waves: Gender and Sexuality in Sinophone Women's Cinema from the 1980s to the 2000s Permalink https://escholarship.org/uc/item/4h13x81f Author Kang, Kai Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Beyond New Waves: Gender and Sexuality in Sinophone Women‘s Cinema from the 1980s to the 2000s A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Kai Kang March 2015 Dissertation Committee: Dr. Marguerite Waller, Chairperson Dr. Lan Duong Dr. Tamara Ho Copyright by Kai Kang 2015 The Dissertation of Kai Kang is approved: Committee Chairperson University of California, Riverside Acknowledgements My deepest gratitude is to my chair, Dr. Marguerite Waller who gave me freedom to explore my interested areas. Her advice and feedback helped me overcome many difficulties during the writing process. I am grateful to Dr. Lan Duong, who not only offered me much valuable feedback to my dissertation but also shared her job hunting experience with me. I would like to thank Dr Tamara Ho for her useful comments on my work. Finally, I would like to thank Dr. Mustafa Bal, the editor-in-chief of The Human, for having permitted me to use certain passages of my previously published article ―Inside/Outside the Nation-State: Screening Women and History in Song of the Exile and Woman, Demon, Human,‖ in my dissertation. iv ABSTRACT OF THE DISSERTATION Beyond New Waves: Gender and Sexuality in Sinophone Women‘s Cinema from the 1980s to the 2000s by Kai Kang Doctor of Philosophy, Graduate Program in Comparative Literature University of California, Riverside, March 2015 Dr.
    [Show full text]
  • Mo Yan and Chinese Pastoral Literature
    English Language, Literature & Culture 2016; 1(4): 53-57 http://www.sciencepublishinggroup.com/j/ellc doi: 10.11648/j.ellc.20160104.13 ISSN: 2575-2367 (Print); ISSN: 2575-2413 (Online) Mo Yan and Chinese Pastoral Literature Eyup Saritas Department of Chinese Language and Literature, Istanbul University, Istanbul, Turkey Email address: [email protected] To cite this article: Eyup Saritas. Mo Yan and Chinese Pastoral Literature. English Language, Literature & Culture. Vol. 1, No. 4, 2016, pp. 53-57. doi: 10.11648/j.ellc.20160104.13 Received: September 1, 2016; Accepted: November 3, 2016; Published: January 5, 2017 Abstract: Novel laureate in literature since 2012, the prominent Chinese novelist Mo Yan was born and raised in a village in the province of Shandong. His works are often themed on rural life. Contrary to the case in Turkey, researches on rural life in China have advanced on a continuous basis since the 20s of the 20th century in China. This can be explained with the fact that primarily Mo Yan and Jia Pingwa, as prominent novelists in China, never stopped writing on villages, villagers and inner world of peasants that endeavoured to lead the life in the city as they did back in the village. In this brief research study, we try to discuss in what way Mo Yan touched on the pastoral literature in his works. Keywords: Mo Yan, Pastoral Literature, Red Sorghum, China that were born and studied in the village. 1. Introduction Pastoral Literature in China has a very special place in In the long history of agricultural civilization, literature has Chinese literature.
    [Show full text]
  • Gender and the Family in Contemporary Chinese-Language Film Remakes
    Gender and the family in contemporary Chinese-language film remakes Sarah Woodland BBusMan., BA (Hons) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Languages and Cultures 1 Abstract This thesis argues that cinematic remakes in the Chinese cultural context are a far more complex phenomenon than adaptive translation between disparate cultures. While early work conducted on French cinema and recent work on Chinese-language remakes by scholars including Li, Chan and Wang focused primarily on issues of intercultural difference, this thesis looks not only at remaking across cultures, but also at intracultural remakes. In doing so, it moves beyond questions of cultural politics, taking full advantage of the unique opportunity provided by remakes to compare and contrast two versions of the same narrative, and investigates more broadly at the many reasons why changes between a source film and remake might occur. Using gender as a lens through which these changes can be observed, this thesis conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can be reflective not just of differences in attitudes towards gender across cultures, but also of broader concerns relating to culture, genre, auteurism, politics and temporality. The thesis endeavours to investigate the complexities of remaking processes in a Chinese-language cinematic context, with a view to exploring the ways in which remakes might reflect different perspectives on Chinese society more broadly, through their ability to compel the viewer to reflect not only on the past, by virtue of the relationship with a source text, but also on the present, through the way in which the remake reshapes this text to address its audience.
    [Show full text]
  • Congressional-Executive Commission on China Annual
    CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2016 ONE HUNDRED FOURTEENTH CONGRESS SECOND SESSION OCTOBER 6, 2016 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov U.S. GOVERNMENT PUBLISHING OFFICE 21–471 PDF WASHINGTON : 2016 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Mar 15 2010 19:58 Oct 05, 2016 Jkt 000000 PO 00000 Frm 00003 Fmt 5011 Sfmt 5011 U:\DOCS\AR16 NEW\21471.TXT DEIDRE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS House Senate CHRISTOPHER H. SMITH, New Jersey, MARCO RUBIO, Florida, Cochairman Chairman JAMES LANKFORD, Oklahoma ROBERT PITTENGER, North Carolina TOM COTTON, Arkansas TRENT FRANKS, Arizona STEVE DAINES, Montana RANDY HULTGREN, Illinois BEN SASSE, Nebraska DIANE BLACK, Tennessee DIANNE FEINSTEIN, California TIMOTHY J. WALZ, Minnesota JEFF MERKLEY, Oregon MARCY KAPTUR, Ohio GARY PETERS, Michigan MICHAEL M. HONDA, California TED LIEU, California EXECUTIVE BRANCH COMMISSIONERS CHRISTOPHER P. LU, Department of Labor SARAH SEWALL, Department of State DANIEL R. RUSSEL, Department of State TOM MALINOWSKI, Department of State PAUL B. PROTIC, Staff Director ELYSE B. ANDERSON, Deputy Staff Director (II) VerDate Mar 15 2010 19:58 Oct 05, 2016 Jkt 000000 PO 00000 Frm 00004 Fmt 0486 Sfmt 0486 U:\DOCS\AR16 NEW\21471.TXT DEIDRE C O N T E N T S Page I. Executive Summary ............................................................................................. 1 Introduction ...................................................................................................... 1 Overview ............................................................................................................ 5 Recommendations to Congress and the Administration ..............................
    [Show full text]
  • Restrictions on AIDS Activists in China
    Human Rights Watch June 2005 Vol. 17, No. 5(C) Restrictions on AIDS Activists in China I. Summary ..................................................................................................................................... 1 II. Case Study: The Closure of Orchid Orphanage ................................................................. 3 III. Introduction............................................................................................................................ 5 Methodology............................................................................................................................ 11 IV. Continuing Crackdown in Henan Province..................................................................... 12 Detention and harassment of Henan AIDS activists........................................................ 17 The mistreatment of activists helping AIDS orphans....................................................... 22 V. Harassment of Activists Working with Persons at High Risk of HIV Transmission................................................................................................................................ 29 Activists working with injection drug users and sex workers .......................................... 31 Restrictions on AIDS information for men who have sex with men............................. 36 Internet censorship................................................................................................................. 37 VI. Institutional Barriers to AIDS Organizations.................................................................
    [Show full text]
  • Cewsjournal Nr. 120, 29.10.2019
    8 Nr. 120|29.10.2019 Editorial Liebe Leser*innen, mit dem von Anke Lipinsky, Alice Farneti und Heike Pantelmann verfassten Schwerpunktthema des vor Ihnen liegenden CEWSjournals wollen wir den Dialog zwischen Forschung und Praxis zum Thema der sexualisierten Gewalt in der Wissenschaft fördern. Das nächste CEWSjournal wird einen zweiten Beitrag zum gleichen Thema enthalten, darauf aufbauend sollen die strukturierten Informations- angebote des CEWS um eine entsprechende Themenseite ergänzt werden. Zudem lade ich Sie schon heute zum CEWS-Doppelkolloquium am 2. Dezember 2019 in Köln ein: Alice Farneti wird das Fallbeispiel der Montrealer Universitäten vorstellen, während Lisa Mense und Heike Mauer ihre aktuellen Untersuchungsergebnisse zur Umsetzung gesetzlicher Vorgaben zur Verhinderung sexualisierter Gewalt an NRW-Hochschu- len referieren werden. Auf diese Art und Weise kombiniert das CEWS Forschung und Wissenstransfer mit dem Ziel, effektive Strategien zur Gewährleistung eines für alle Geschlechter sicheren Lebens- und Arbeitsortes in der Wissenschaft implementie- ren zu können. SCHWERPUNKT: Die bereits 2003 gegründete bukof-Kommission „Sexualisierte Diskriminierung und Gewalt“ (SDG) definiert in ihrem 2018 veröffentlichten Grundsatzpapier „Sexualisierte Diskriminierungen und Gewalt sind Formen der Geschlechter- GENDER-BASED VIOLENCE diskriminierung, Verstöße gegen den Grundsatz der Gleichbehandlung und Angriffe auf die Würde und Persönlichkeitsrechte der Betroffenen. Hierzu IN ACADEMIA zählen unerwünschte sexualisierte Anspielungen und Handlungen bis hin zu schweren Straftaten wie Stalking, Nötigung oder Vergewaltigung.“ Bis heute gibt es in Deutschland keine bundesweite Untersuchung zu sexualisierter Diskri- minierung und Gewalt in der Wissenschaft, die Hochschul(en)leitungen zeichnen sich eher durch ein ambivalentes Verhaltensmuster aus: Fälle sexualisierter Gewalt, so sie überhaupt von den Betroffenen „gemeldet“ werden, bleiben möglichst unter der Decke, vermeintlich um der akademischen Reputation der Einrichtung nicht zu schaden.
    [Show full text]
  • Frankfurt Book Fair 2015
    THE GRAYHAWK AGENCY FRANKFURT BOOK FAIR 2015 THE GRAYHAWK AGENCY FRANKFURT BOOK FAIR 2015 CHINESE & TAIWANESE AUTHORS OUR TABLE: 14N @ H6.3 LitAg Contact: Gray Tan [email protected] 0 THE GRAYHAWK AGENCY FRANKFURT BOOK FAIR 2015 PRIVATE EYES A Crime Novel by Chi Wei-Jan (Taiwan) Translated by Anna Holmwood and Gigi Chang *A bestseller with over 10,000 copies sold *Major Chinese-language film in development *Winner of the Taipei Book Fair Award *Winner of the China Times Open Book Award *Asia Weekly Top Ten Chinese Novel of the Year *Official “Books From Taiwan” Selection “Taipei is both a curse and a miracle. I wondered which 紀蔚然・私家偵探 higher power it was that sustained me, so that I might take shelter in this chaotic universe, and what was the magical Publisher: Ink (2011) mechanism that enabled our crystalline civilization to Pages: 352pp overcome each disaster in turn?” Full English translation available Length: 100,000 words (English) Winner of the top three literary awards in Taiwan, Chi US: Markus Hoffmann (Regal Wei-Jan’s PRIVATE EYES is a brilliant literary crime novel in Hoffmann & Associates) which Wu Cheng, a failed-academic-turned-sleuth, tries to make sense of the absurdity of modern city life and to prove his innocence in a series of murders. The first ever serial RIGHTS SOLD killer in Taiwan, a family scandal that leads to corruptions of the social health insurance system and a Buddhist fanatic WRITERS PUBLISHING (CHINA) who turns to killing people as a way of “salvation” are only KAHVE (TURKEY) part of the charm of this hilarious and darkly delicious novel.
    [Show full text]