African Americans and Utopia: Visions of a Better Lifeauthor(S): Lyman Tower Sargent Source: Utopian Studies , Vol
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Marx's Confrontation with Utopia Darren Webb Department of Politics
In Search of the Spirit of Revolution: Marx's Confrontation with Utopia Darren Webb Department of Politics Thesis presented to the University of Sheffield for the degree of PhD, June 1998 Summary This thesis offers a sympathetic interpretation of Marx' s confrontation with Utopia. It begins by suggesting that Marx condemned utopianism as a political process because it undermined the principles of popular self-emancipation and self-determination, principles deemed by Marx to be fundamental to the constitution of any truly working class movement. As a means of invoking the spirit of revolution, it was therefore silly, stale and reactionary. With regards to Marx's own 'utopia', the thesis argues that the categories which define it were nothing more than theoretical by-products of the models employed by Marx in order to supersede the need for utopianism. As such, Marx was an 'Accidental Utopian'. Two conclusions follow from this. The first is that Marx's entire project was driven by the anti-utopian imperative to invoke the spirit of revolution in a manner consistent with the principles of popular self-emancipation and self-determination. The second is that, in spite of his varied attempts to do so, Marx was unable to capture the spirit of revolution without descending into utopianism himself Such conclusions do not, however, justify the claim that utopianism has a necessary role to play in radical politics. For Marx's original critique of utopianism was accurate and his failure to develop a convincing alternative takes nothing away from this. The accuracy of Marx's original critique is discussed in relation to the arguments put forward by contemporary pro-utopians as well as those developed by William Morris, Ernst Bloch and Herbert Marcuse. -
Utopia and the Ends of the City 16Th Annual International Conference – Utopian Studies Society (Europe) 1-4 July 2015, Newcastle University, UK
Utopia and the Ends of the City 16th Annual International Conference – Utopian Studies Society (Europe) 1-4 July 2015, Newcastle University, UK. It [a town] is an artefact – an artefact of a curious kind, compounded of willed and random elements, imperfectly controlled. If it is related to physiology at all, it is more like a dream than anything else” Joseph Rykwert, Idea of a Town. “Man ceased to be a wild animal only when he built the first wall” Yevgeny Zamyatin, We. Utopia and the Ends of the City 16th Annual International Conference – Utopian Studies Society (Europe) 1-4 July 2015, Newcastle University, UK. CONFERENCE OVERVIEW BY DAY Day 01 – Wednesday 01 July 13.00 – 16.00 CONFERENCE REGISTRATION 14.00 – 16.00 Careers Session - Optional Careers Session for Postgraduate/Early Career Researchers 16.00 – 17.30 Formal Welcome & Plenary 01 18.00 – 21.00 Welcome BBQ at Northern Stage 1 Utopia and the Ends of the City 16th Annual International Conference – Utopian Studies Society (Europe) 1-4 July 2015, Newcastle University, UK. Day 02 – Thursday 02 July Parallel Sessions Panel 01: Panel 02: Panel 03: Panel 04: Panel 05: Times The Ends of the City Revisions Utopia & the Everyday Utopias, Heterotopias, Representations Dystopias 09.00 – 09.30 CONFERENCE REGISTRATION – Percy Building Foyer 09.30 – 11.00 Urban Voids New Directions in Intentional Early Modern Utopias The Metropolitan Utopian Thought Communities City 11.00 – 11.20 TEA & COFFEE BREAK 11.20 – 12.50 The Sense of an Vertical Tomorrow Never Dies: Ending (1): Infrastructures of Cinematic -
Jerey Allen Tucker the Necessity of Models, of Alternatives: Samuel R
Je!rey Allen Tucker The Necessity of Models, of Alternatives: Samuel R. Delany’s Stars in My Pocket like Grains of Sand “Boy loses world, boy meets boy, boy loses boy, boy saves world” In Reading by Starlight: Postmodern Science Fiction, Damien Broderick provides the %rst thorough analysis of Samuel R. Delany’s last sci- ence %ction novel, Stars in My Pocket like Grains of Sand (1984). He notes that despite—or perhaps, as a result of—its conceptual accomplishments, the novel’s plot is “scant indeed.”& The prologue, “A World Apart,” is set on the planet Rhyonon and tells the story of Rat Korga, an illiterate nineteen-year-old male who undergoes a loboto- mizing procedure known as Radical Anxiety Termination (RAT), after which he is sold to do the menial work and su'er the degradations of a porter at a polar research station. Suddenly, all life on the surface of Rhyonon is eradicated by %re. The mechanics, purpose, and attribution of this planetwide holocaust are never fully explained to the reader; one possibility is that Rhyonon experi- enced a phenomenon called Cultural Fugue that was triggered either locally or by a mysterious and threatening alien race known as the Xlv. Most of the rest of the novel is organized under the title “Monologues” and is narrated by Marq South Atlantic Quarterly 109!2, Spring 2010 "#$ 10.1215/00382876-2009-034 © 2010 Duke University Press 250 Je!rey Allen Tucker Dyeth, an aristocratic “industrial diplomat” whose job frequently requires him to leave his homeworld o( Velm to travel across the galaxy, interact- ing with its myriad peoples and their cultures. -
Less Than 100 Miles North of the Mason-Dixon Line, Pittsburgh's
By Fidel M. Campet ess than 100 miles north of the Mason-Dixon line, Pittsburgh’s location at the head of the LOhio River and its proximity to Southern border states placed it in a strategic position for a burgeoning black freedom movement. While this movement was constrained and facilitated by larger developments, black activists in the region established organizations, formed strategies to challenge the slave system, and built a community in the process. In part, these efforts were influenced by black elite leaders and their sympathetic white allies. Writing in 1833, community leader Lewis Woodson argued that “our forefathers were brought up in abject bondage…and were deprived of every means of moral improvement. In this condition, they were liberated.”1 However, their efforts also relied on everyday black men who participated in the movement in myriad ways and who are rarely mentioned in the historical record.2 Though they left few written materials, black workers built on a legacy of community development and struggle in Pittsburgh to maintain their citizenship rights in the 1830s when hostile forces sought to disfranchise them.3 An analysis of what records are left enhances the understanding of the Northern black freedom movement by expanding the number of actors, from community leaders to everyday people, who sought to preserve the voting rights of black men during the early 19th century.4 34 WESTERN PENNSYLVANIA HISTORY | WINTER 2012-13 From the late 18th century to the early decades and built community institutions. From the rebounded to 2,006 by 1870. While the 1850s of the 19th century, a number of forces shaped colonial period into the Revolutionary years, marked a period of decline both numerically the development of Pittsburgh. -
Black Evangelicals and the Gospel of Freedom, 1790-1890
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2009 SPIRITED AWAY: BLACK EVANGELICALS AND THE GOSPEL OF FREEDOM, 1790-1890 Alicestyne Turley University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Turley, Alicestyne, "SPIRITED AWAY: BLACK EVANGELICALS AND THE GOSPEL OF FREEDOM, 1790-1890" (2009). University of Kentucky Doctoral Dissertations. 79. https://uknowledge.uky.edu/gradschool_diss/79 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Alicestyne Turley The Graduate School University of Kentucky 2009 SPIRITED AWAY: BLACK EVANGELICALS AND THE GOSPEL OF FREEDOM, 1790-1890 _______________________________ ABSTRACT OF DISSERTATION _______________________________ A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Alicestyne Turley Lexington, Kentucky Co-Director: Dr. Ron Eller, Professor of History Co-Director, Dr. Joanne Pope Melish, Professor of History Lexington, Kentucky 2009 Copyright © Alicestyne Turley 2009 ABSTRACT OF DISSERTATION SPIRITED AWAY: BLACK EVANGELICALS AND THE GOSPEL OF FREEDOM, 1790-1890 The true nineteenth-century story of the Underground Railroad begins in the South and is spread North by free blacks, escaping southern slaves, and displaced, white, anti-slavery Protestant evangelicals. This study examines the role of free blacks, escaping slaves, and white Protestant evangelicals influenced by tenants of Kentucky’s Second Great Awakening who were inspired, directly or indirectly, to aid in African American community building. -
African-American Writers
AFRICAN-AMERICAN WRITERS Philip Bader Note on Photos Many of the illustrations and photographs used in this book are old, historical images. The quality of the prints is not always up to current standards, as in some cases the originals are from old or poor-quality negatives or are damaged. The content of the illustrations, however, made their inclusion important despite problems in reproduction. African-American Writers Copyright © 2004 by Philip Bader All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Bader, Philip, 1969– African-American writers / Philip Bader. p. cm.—(A to Z of African Americans) Includes bibliographical references (p. ) and indexes. ISBN 0-8160-4860-6 (acid-free paper) 1. American literature—African American authors—Bio-bibliography—Dictionaries. 2. African American authors—Biography—Dictionaries. 3. African Americans in literature—Dictionaries. 4. Authors, American—Biography—Dictionaries. I. Title. II. Series. PS153.N5B214 2004 810.9’96073’003—dc21 2003008699 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Joan M. -
The Eden Project – Gardens, Utopia and Heterotopia
Heterotopian Studies The Eden Project – gardens, utopia and heterotopia To reference this essay: Johnson, P. (2012) ‘The Eden Project – gardens, utopia and heterotopia’ Heterotopian Studies [http://www.heterotopiastudies.com] Gardens and utopia Utopias have ‘frequently invoked the special and resonant spaces of gardens, just as gardens have often been utopian in impulse, design and meaning’ (Hunt, 1987: 114): The garden provides an image of the world, a space of simulation for paradise-like conditions, a place of otherness where dreams are realised in an expression of a better world. (Meyer, 2003: 131) The garden features strongly in Thomas More’s original account of utopia. The conversations that form the basis of the book take place in a garden in Antwerp (1965: 17); the narrative suggests that the founder of utopia must have had a ‘special interest’ in gardening; and the inhabitants of utopia are said to be particularly fond of their gardens (53). Bloch goes so far as to suggest that in More’s utopia, ‘life is a garden’ (1986a: 475). Mosser and Teyssot assert that ‘nostalgia for the Garden of Eden has provided garden designers throughout history with a model of perfection to aspire to’ (1990: 12). Elsewhere, Mosser claims that garden enthusiasts seem ‘devoted to creating the impossible’ (1990: 278). Bauman asserts that gardeners ‘tend to be the most ardent producers of utopias’ (2005: 4). A recent exhibition at the National Art Museum of China (2008) entitled ‘Garden Utopia’ articulates the traditional perspective of a Chinese garden as a space for ‘contemplation, a borderland between reality and fantasy to escape the trappings of the modern world and reconnect humanity with nature’. -
Debates Over Slavery in Antebellum Pittsburgh
A CITY DIVIDED: DEBATES OVER SLAVERY IN ANTEBELLUM PITTSBURGH ___________ A Thesis Presented to The Faculty of the Department of History Sam Houston State University ___________ In Partial Fulfillment of the Requirements for the Degree of Master of Arts ___________ by Cody A. Wells December, 2019 A CITY DIVIDED: DEBATES OVER SLAVERY IN ANTEBELLUM PITTSBURGH by Cody A. Wells ___________ APPROVED: Thomas H. Cox, Ph.D. Committee Director Wesley Phelps, Ph.D. Committee Member Bernadette Pruitt, Ph.D. Committee Member Abbey Zink, Ph.D. Dean, College of Humanities and Social Sciences DEDICATION For Emily iii ABSTRACT Wells, Cody A., A city divided: Debates over slavery in Antebellum Pittsburgh. Master of Arts (History), December, 2019, Sam Houston State University, Huntsville, Texas. Although much attention has been paid to the influence of southern slavery on the secession crisis and subsequent Civil War, far less has been spent analyzing the complexities of how northern communities in the antebellum period addressed questions over the peculiar institution. Northerners were not simply opposed, or perhaps ambivalent, to slavery during this period. Rather, individuals and groups had various responses when confronted with the institution. This study attempts to shed new light on the various reactions to slavery from one antebellum city: Pittsburgh, Pennsylvania. Antebellum Pittsburgh provides an excellent case study for examining diverse northern reactions to slavery, as well as how those reactions developed and changed over time. The presence of various groups, each with their own unique responses when presented with questions over slavery, allows the city to act as a microcosm for the diverse antebellum North. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 T I
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VITA Lyman Tower Sargent Born
VITA Lyman Tower Sargent Born: February 9, 1940 563 Cricklewood Dr. Telephone: State College, PA 16803-2118 1-814-238-3531 USA 1-814-753-2080 (Mobile) E-Mail: [email protected] [email protected] Fields Research: Utopian Thought Politics and Literature Recent Normative Political Thought American Political Thought Teaching: Normative Political Philosophy Early Modern and Recent Political Thought Ancient and Medieval Political Thought Politics and Literature American Political Thought Political Theory and Public Policy Education Major Minor B.A. Macalester College 1961 International Political Science, Relations M.A. University of Minnesota 1962 American None Studies Ph.D. University of Minnesota 1965 Political History Science Fellowships and Honors Phi Kappa Delta (National Honorary Debate Society) De Witt Wallace Graduate Fellowship, 1961-1962 Fellow, Wilton Park, England, 1972 Member, School of Historical Studies, Institute for Advanced Study, Princeton, 1981-1982 Distinguished Scholar Award, Society for Utopian Studies, 1997 Distinguished Scholar Award, Communal Studies Association, 2002 Fellow, Stout Research Centre for New Zealand Studies, 1995-1996, Winter 2004, 2005-2006, 2006-2007, 2007-2008, 2013-2014 2 Honorary Research Fellow, Department of History, Royal Holloway and Bedford New College, University of London, 2006-2007 Visiting Fellow, Mansfield College, University of Oxford, Hilary and Trinity terms 2007 Visiting Research Fellow, Centre for Political Ideologies, Department of Politics and International Relations, University of Oxford, 2007, 2009 Fellow, Centre for New Zealand Studies, Birkbeck College, University of London, 2009-2010 Highfield Fellow, Centre for Advanced Studies, University of Nottingham, 2012 Dissertation The Relationship Between Political Philosophy and Political Ideology: A Study of Etienne Cabet and His Communitarian Experiments. -
The Collective Identities of Women Teachers in Black Schools
THE COLLECTIVE IDENTITIES OF WOMEN TEACHERS IN BLACK SCHOOLS IN THE POST-BELLUM SOUTH by CHRISTINA LENORE DAVIS (Under the Direction of Robert A. Pratt) ABSTRACT The historical focus on women’s work as school teachers rather than on their identities as activists, missionaries, social critics, and as women has minimized the realities of life for women who taught in schools for the freed people during and after the Civil War. Ellen Garrison Jackson, Sallie Louise Daffin, Rebecca Primus, and Carrie Marie Blood, black and white women teachers who taught black southerners during the Civil War and Reconstruction, fought for citizenship rights, championed morality, bridged the information gap between Americans in the North and South, and challenged contemporary ideas toward race and gender. The collective biography approach works well for teachers because it fosters a deeper analysis of marginalized groups, nineteenth-century women in this case. Each woman’s narrative highlights the complexities of the women’s lives by exploring their experiences in the South beyond the duties associated with their positions as teachers. Exploring teachers’ work, not simply as educators, but as individuals who faced new and challenging experiences, fosters a more detailed understanding of the dynamics of teaching in the South. INDEX WORDS: Nineteenth-Century Women Teachers; Nineteenth-Century; Black Women; Black Feminist Thought; African American; Education in the South; Reconstruction; Missionary Teachers THE COLLECTIVE IDENTITIES OF WOMEN TEACHERS IN BLACK -
Transgression in Postwar African American Literature Kirin Wachter
Unthinkable, Unprintable, Unspeakable: Transgression in Postwar African American Literature Kirin Wachter-Grene A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Louis Chude-Sokei, Chair Eva Cherniavsky Sonnet Retman Program Authorized to Offer Degree: English ©Copyright 2014 Kirin Wachter-Grene University of Washington Abstract Unthinkable, Unprintable, Unspeakable: Transgression in Postwar African American Literature Kirin Wachter-Grene Chair of Supervisory Committee: Professor Louis Chude-Sokei English This dissertation argues that African American literary representations of transgression, meaning boundary exploration, reveal a complex relationship between sex, desire, pleasure, race, gender, power, and subjectivity ignored or dismissed in advantageous yet constrained liberatory readings/framings. I trace transgression to confront the critical dismissal of, or lack of engagement with African American literature that does not “fit” ideologically constrained projects, such as the liberatory. The dissertation makes a unique methodological intervention into the fields of African American literary studies, gender and sexuality studies, and cultural history by applying black, queer writer and critic Samuel R. Delany’s conceptualizing of “the unspeakable” to the work of his African American contemporaries such as Iceberg Slim, Octavia Butler, Gayl Jones, Hal Bennett, and Toni Morrison. Delany theorizes the unspeakable as forms of racial and sexual knowing excessive, or unintelligible, to frameworks such as the liberatory. The unspeakable is often represented in scenes of transgressive staged sex that articulate “dangerous” practices of relation, and, as such, is deprived of a political framework through which to be critically engaged. I argue that the unspeakable can be used as an analytic allowing critics to scrutinize how, and why, much postwar African American literature has been critically neglected or flattened.