DOCSLIB.ORG

Teaching APRIL 2014 VOLUME 21, NUMBER 6

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Teaching APRIL 2014 VOLUME 21, NUMBER 6 ›› APRIL IS JAZZ APPRECIATION MONTH! teaching APRIL 2014 VOLUME 21, NUMBER 6 SPECIAL SMITHSONIAN JAZZ POSTER INSIDE musicmusic Options For SUMMER STUDY 2014 Hawaii’s PHILIP STEINBACHER and his choruses DEFINING MUSICIANSHIP IN THE 21ST CENTURY Wynton Marsalis, Jazz at Lincoln Center, and NAfME 1_TMCover copy.indd 1 3/10/14 10:07 AM QuaverTodayAd_NAfME_Research_ProgAd13.pdf 1 3/6/14 5:28 PM The Future of Music Education TODAY! ™ Advanced Technology. “Quaver is light years ahead of any other curriculum publish-publish- ing company. Updates are made in real time at no charge! Can’t do that with textbooks!” Alex Kayser, Johnson Elementary, Racine, WI Launch your lessons as a seamless classroom presentation with over 2,500 interactive screens. C M Teacher-Friendly. Y CM “I love it! My lesson planning has never been easier!” MY Kayla Melton, Simonton Christian Academy, Simonton, TX CY Over 200 detailed Lesson Plans make it easier than ever to CMY prepare for class, and submit to supervisors. K Seriously Fun! “It is fantastic! The students consistently remain engaged throughout the lesson, and discipline issues are nearly non-existent!” Julie Mathias, Sullivan’s Island Elementary, Mt. Pleasant, SC Engaged students learn faster and retain concepts longer. After all, learning should be fun! Preview 12 Lessons for FREE! Just go to QuaverMusic.com/Preview and begin your FREE 30-day trial today! ©2014 QuaverMusic.com, LLC _TM_AD_Temp.indd 2 3/11/14 2:03 PM April 2014 Volume 21, Number 6 contentsMUSIC EDUCatION ● ORCHEstratING SUCCESS Music students learn cooperation, discipline, and teamwork. 40 RUSSELL ROBINSON WITH HIS YOUNG SINGERS. 30 WYnton MARSALIS AND THE JAZZ at LINCOLN CENTER ORCHESTRA FEATURES 26 THE RECORDER 30 DEFINING MUSICIAN- 41 AN ENCORE 44 THE SONG OF CHOIR: A SYNTHESIS SHIP IN THE 21st PERFORMANCE IN THE IslaND OF SINGING AND CENTURY: JAZZ at MUsIC CITY, USA A music educator in T R INstrUMENTS LINCOLN CENTER The NAfME National Hawaii has developed Putting soprano AND THE MarsalIS In-Service Conference an innovative and tewa K S K recorders into the MESSAGE returns to Nashville, transformative choir an : FR : E hands of young Wynton Marsalis and Tennessee, October program from scratch. G pa singers can improve JALC bring jazz to the 26–29, 2014. THIS their abilities in the world through perfor- D AN choral realm. mance, education, and hoto advocacy. R P E V CO nafme.org 3 2_TOCTM.indd 3 3/13/14 1:59 PM April 2014 contents Volume 21, Number 6 63 2O TECHNOLOGY Apps, software, gear, and more for DEPARTMENTS marching band 24 WORKSHOP LETTERS General Music Opinions from our readers 8 SPECIAL: Classic pop and rock in the classroom 58 SUMMER CLASSROOMS Brass & Woodwinds Building a solid low brass section STUDY 51 A music educator in Florida encourages kids 58 Looking for to stick with their instruments. 18 Strings music education Recruiting and retention in the strings opportunities in ADVOCACY classroom 59 the “off season”? Education Through Music helps programs in Here is Teaching Percussion ’s annual New York City schools. 20 Organizing and securing equipment 60 Music Z listing of summer Choral & Vocal ale RESEARCH Z programs. Choral conducting tune-up 61 on Making connections between types of E. G Alternatives of knowledge can improve skills. 22 Activities and repertoire for beginning ivian V of 11 and intermediate guitar class 63 STAGES courtesy Elementary ; USIC The creative use of children’s literature in M OF the music classroom. 65 Secondary OLLEGE Using Skype to bring outside clinicians to K C OO NEWS you and your students 66 C Collegiate ANDER Jazz for the jazz-novice V OF 11 UPBEAT music educator 68 Washington’s “Music Matters” License Plates … NAfME Rolls courtesy Out Powerful, New “Broader Minded™” Campaign … Denese RESOURCES ; Odegaard Chosen as 2014–16 NAfME President-Elect … New media and accessories for arolf GRAMMY® Music Educator Urges Strong Support for All School the music classroom 70 M HRIS Music Programs … NAfME’s Collegiate Chapters Demonstrate C : top BRAVO! Work … New Inductees for Music Educators Hall of Fame Teaching Music salutes cognitive from 16 NAfM E.ORG A guide to what you can find on the NAfME website psychologist, neuroscientist, and writer Daniel Levitin 74 hotos P 4 Teaching Music APRIL 2014 2_TOCTM.indd 4 3/11/14 4:10 PM ...THIS IS ANOTHER. INTRODUCING MEDIA STORAGE SYSTEMS FROM WENGER: SMART, SECURE STORAGE THAT YOU NEW! CONFIGURE TO FIT YOUR NEEDS. PRODUCT Wenger knows storage – inside and out When it comes to managing your valuable audio/visual and media equipment, we understand how important organization and security are. File cabinets, plastic bins and bookcases were never meant to store the tools of your trade. It’s easy for media storage to become a tangled mess, fast. That’s why we’re introducing a storage system specifically designed for your cables, speakers, stands, electronics, etc. Our new Media Storage is available in fixed cabinets for your storage room, or mobile carts to roll down the hall. And best of all, you can choose the shelves, drawers, hooks and rackmounts that best fit your equipment storage needs. Check out our online configurator to build your custom storage cabinet today! Choose your size, configuration, color, accessories and mobility at www.wengercorp.com/mediastorage 800-4WENGER (493-6437) www.wengercorp.com _TM_AD_Temp.indd 2 3/4/14 10:33 AM EXECUTIVE DIRECTOR AND CEO Michael A. Butera DEPUTY EXECUTIVE DIRECTOR AND COO Michael Blakeslee EDITOR Nelson Duffl e ASSOCIATE EDITOR Ella Wilcox MANAGING EDITOR OF NEWS Rosalind C. Fehr EDITORIAL ASSISTANT Caroline Arlington For a listing of the NAfME National Executive Board, please see our website: nafme.org. Unless specifi cally noted, articles in Teaching Music do not necessarily represent the offi cial policy of the National Association for Music Education. Teaching Music is created for NAfME by In Tune Partners, LLC [email protected] CEO Irwin Kornfeld PRESIDENT Will Edwards EDITORIAL DIRECTOR Emile Menasché EDITOR-IN-CHIEF Susan Poliniak CREATIVE DIRECTOR Jackie Jordan ADVERTISING MANAGER Bill White PRODUCTION MANAGER Robin Garber BUSINESS MANAGER Barbara Boughton CONTRIBUTORS: Andrew S. Berman, Debbie Galante Block, Katie Cole, Chad Criswell, Cynthia Darling, Nelson Duffl e, Steve Fidyk, Patience Moore, Cathy Applefi eld Olson, Adam Perlmutter, Susan Poliniak, Keith Powers The National Association for Music Education is a voluntary, nonprofi t organization representing all phases of music education in schools, colleges, universities, and teacher-education institutions. Active NAfME membership is open to all people engaged in music teaching or other educational work in music. Teaching Music (ISSN 1069-7446), an offi cial magazine of the National Association for Music Education, is issued to members 6 times per year in August, October, November, January, February, and April at an annual sub- scription price of $10. Office of publication: National Association for Music Education, 1806 Robert Fulton Drive, Reston, VA 20191- 4348; 703-860-4000. Produced by In Tune Partners, LLC. Institutions may purchase one volume year of six print or electronic issues for $170. Single copies of issues are $30. A limited number of back issues are available for purchase. Permission requests to reproduce or otherwise use material published in this journal should be submitted to Caroline Arlington at CarolineA@ nafme.org. Periodicals postage for Teaching Music is paid at Herndon, VA 20170, and at additional mailing offices. POSTMASTER: Send address changes to Teaching Music, 1806 Robert Fulton Drive, Reston, VA 20191-4348, U.S.A. Copyright ©2014 by the National Association for Music Education. Printed in the U.S.A. Teaching Music is available via electronic databases from most universities and libraries. 4_MastTM.indd 1 3/12/14 9:42 AM Makes better musicians. • Solid pedagogy and a clean/clear format create better understanding. • Instrument-specific (Book 1) and instrument-family-specific (Book 2) Master Class DVDs and MP3 CDs assist in more effective practice. • Band and String Book 1 are also available in a Director’s Choice customizable version. • 4 levels are available for String, with advanced level Band coming late Spring 2014! BOOK 2 AVAILABLE FOR CONCERT BAND, STRING ORCHESTRA, AND GUITAR. “I just transitioned to Sound Innovations this year. This year’s kids are advancing so much more quickly!” - Amy Best, Southern School District, Fawn Grove, PA Request a free preview copy*: alfred.com/sisample *While supplies last _TM_AD_Temp.indd 2 3/3/14 2:11 PM *While supplies last alfred.com/sisample Request a free preview copy : * Southern School District, Fawn Grove, PA - Amy Best, This year’s kids are advancing so much more quickly!” “I just transitioned to this year. Sound Innovations STRING ORCHESTRA, AND GUITAR. AVAILABLE FOR CONCERT BAND, BOOK 2 Spring 2014! advanced level Band coming late • 4 levels are available for String, with customizable version. available in a Director’s Choice • Band and String Book 1 are also assist in more effective practice. Master Class DVDs and MP3 CDs instrument-family-specific (Book 2) • Instrument-specific (Book 1) and format create better understanding. • Solid pedagogy and a clean/clear musicians. Makes better Letters The Many Lives But we musicians still have to of Music Educators make a living in order to eat and Like most musicians and music teachers, pay our bills. And we (society) my favorite music jobs outside of the still have to make sure that the classroom are the ones we don’t get paid tradition of making music learner and educator. I play the violin for. We get something else that is worth continues. So we have to have professionally with the Modesto so much more than millions of dollars. music in our schools. We have to pay Symphony Orchestra, a union orches- In fact, it is the music activities that those teachers to expose children to the tra, as well as other freelance orchestras take place by chance with total sponta- joy of listening to and making the music.
Load more

Recommended publications
  • By Ken Waxman
    INTERVIEW a whole program for such great musicians. In a solo concert you carry the whole evening on your shoulders, the space belongs to you. When you play with more musicians you share that space; in a way you take a Pierre step back, you just play what has to be played. As a drummer you’re there to give pulse, dynamics, fire and color to the band. TNYCJR: You also at one time played a very extensive kit. Do you still use that set-up? r e l Favre PF: Yes, there were times where I tried to play full h i Z melodies on the drums and I came on stage with all s a e r (CONTINUED ON PAGE 36) d n A y b o JEFF WILLIAMS QUARTET t o John Hébert, Duane Eubanks, John O’Gallagher h P by Ken Waxman Friday March 30th at 9:00 & 10:30 Cornelia Street Cafe 29 Cornelia Street (212) 989-9319 During a career of more than 55 years, drummer Pierre Paiste & Sohn, as your secretary? Favre, who turns 75 in June, has been a constantly innovating musician. One of the first Swiss players to PF: I met Irène Schweizer in Zurich during a concert. embrace free music in the late ’60s, since then he’s explored She told me she was looking for a job, and I asked her a variety of musical concepts: from giving solo percussion to work for me as I needed a secretary. At first we concerts to composing notated works and collaborating with would play together occasionally after work and after folkloric-influenced improvisers.
    [Show full text]
  • Evolving Processes Fredy Studer
    Fredy Studer Evolving Processes by Ken Micallef ollowing in the lineage of European drumming masters Pierre Favre and Han Bennink, Swiss-born Fredy Studer has deftly employed Ftouch, tone, texture, noise, and rhythm in service of highly drum- centric music that, regardless of its avant-garde nature, communicates a rare sense of sincerity and humanity. Active on the European avant-jazz and classical scenes since the late 1960s, Studer was a founding member of the influe tial, freewheeling fusion group OM, and has toured and tracked albums with such iconic musicians as Dave Holland, Miroslav Vitous, Joe Henderson, Rainer Brüninghaus, Markus Stockhausen, Charlie Mariano, George Gruntz, Franco Ambrosetti, and Christy Doran. Along the way, he’s ceaselessly explored out-rock, jazz, folk, psychedelia, blues, fusion, rhythm ’n’ blues, bebop, funk, contemporary classical, and open-improvisation terrain. Among the dozens of albums Studer has recorded are the landmark 1977 ECM release Percussion Profiles with Jack DeJohnette, Dom Um Romão, Pierre Favre, Dave Friedman, and George Gruntz, and Favre’s 1984 release Singing Drums, featuring Paul Motian and Naná Vasconcelos, both of which expanded the then-current rhythmic consciousness. Other projects featuring Studer and Favre are the Four in Time drum quartet, with Daniel Humair and Fritz Hauser, and the long-running Drum Orchestra duo. Along the way Studer has also interpreted the percussive masterworks of 20th-century classical composers Steve Reich, John Cage, and Edgard Varèse. Coinciding with his long-term consultancy with Paiste cymbals, Studer followed his own artistic muse, exploring unusual situations and challenging concepts in music, life, and drumming.
    [Show full text]
  • Intakt Sonderangebot.Xlsx
    Intakt Sonderangebot jede CD nur Fr. 7.50 Intakt Nr. Band Titel Archiv Nr. SJO CD 003 Schweizer / Nicols / Lewis / Léandre The Storming of the Winter CD-04160 / Sommer Palace CD 018 Martin Schütz & Hans Koch Approximations CD-10421 CD 049 Pierre Favre Singing Drums Souffles CD-10428 CD 056 Koch-Schütz-Studer & Musicos Fidel CD-11906 Cubanos CD 061 Saadet Türköz Marmara Sea CD-10190 CD 067 Lucas Niggli Zoom Meets Arte Spawn of Speed CD-03144 Quartett CD 080 Barry Guy / Evan Parker Birds and Blades CD-07982 CD 082 Lucas Niggli / Zoom Rough Ride CD-03142 CD 083 Lucas Niggli / Big Zoom Big Ball CD-03143 CD 091 Pierre Favre and Arte Quartett with Saxophones CD-10188 Michel Godard CD 092 Ochs / Jeanrenaud / Masaoka Fly, fly, fly CD-10207 CD 093 Lucas Niggli / Zoom Ensemble Sweat CD-10385 CD 102 Objets Trouvés Co Streiff Gabriela objets trouvés / fragile CD-04680 Friedli / Jan Schlegel / Dieter Ulrich CD 103 Fred Frith / Carla Kihlstedt / Stevie The Compass, log and lead CD-10206 Wishart CD 106 Trio 3 Oliver Lake / Reggie Workman Time Being CD-10203 / Andrew Cyrille CD 107 Jacques Demierre / Barry Guy / Brainforest CD-08805 Lucas Niggli CD 108 Irène Schweizer First Choice - Piano Solo KKL CD-10192 Luzern CD 112 Omri Ziegele / Billiger Bauer Edges & Friends CD-05586 CD 113 Bauer Gumpert Petrowsky Sommer 11 Songs - aus teutschen Landen CD-12361 2 Ex Zentralquartett CD 113 Zentralquartett 11 Songs - aus teutschen Landen CD-12361 CD 114 Pierre Favre / Yang Jing Two in One CD-10199 CD 115 Alexander von Schlippenbach Twelve Tone Tales, Vol.
    [Show full text]
  • “All Politicians Are Crooks and Liars”
    Blur EXCLUSIVE Alex James on Cameron, Damon & the next album 2 MAY 2015 2 MAY Is protest music dead? Noel Gallagher Enter Shikari Savages “All politicians are Matt Bellamy crooks and liars” The Horrors HAVE THEIR SAY The GEORGE W BUSH W GEORGE Prodigy + Speedy Ortiz STILL STARTING FIRES A$AP Rocky Django Django “They misunderestimated me” David Byrne THE PAST, PRESENT & FUTURE OF MUSIC Palma Violets 2 MAY 2015 | £2.50 US$8.50 | ES€3.90 | CN$6.99 # "% # %$ % & "" " "$ % %"&# " # " %% " "& ### " "& "$# " " % & " " &# ! " % & "% % BAND LIST NEW MUSICAL EXPRESS | 2 MAY 2015 Anna B Savage 23 Matthew E White 51 A$AP Rocky 10 Mogwai 35 Best Coast 43 Muse 33 REGULARS The Big Moon 22 Naked 23 FEATURES Black Rebel Motorcycle Nicky Blitz 24 Club 17 Noel Gallagher 33 4 Blanck Mass 44 Oasis 13 SOUNDING OFF Blur 36 Paddy Hanna 25 6 26 Breeze 25 Palma Violets 34, 42 ON REPEAT The Prodigy Brian Wilson 43 Patrick Watson 43 Braintree’s baddest give us both The Britanys 24 Passion Pit 43 16 IN THE STUDIO Broadbay 23 Pink Teens 24 Radkey barrels on politics, heritage acts and Caribou 33 The Prodigy 26 the terrible state of modern dance Carl Barât & The Jackals 48 Radkey 16 17 ANATOMY music. Oh, and eco light bulbs… Chastity Belt 45 Refused 6, 13 Coneheads 23 Remi Kabaka 15 David Byrne 12 Ride 21 OF AN ALBUM De La Soul 7 Rihanna 6 Black Rebel Motorcycle Club 32 Protest music Django Django 15, 44 Rolo Tomassi 6 – ‘BRMC’ Drenge 33 Rozi Plain 24 On the eve of the general election, we Du Blonde 35 Run The Jewels 6
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
    JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
    [Show full text]
  • Dorset Days DORSET DAYS Authored by Alan Macfarlane
    Digital Proofer Dorset Days DORSET DAYS Authored by Alan Macfarlane 5.5" x 8.5" (13.97 x 21.59 cm) Black & White on White paper 354 pages ISBN-13: 9781492121527 ISBN-10: 1492121525 Please carefully review your Digital Proof download for formatting, grammar, and design issues that may need to be corrected. We recommend that you review your book three times, with each time focusing on a different aspect. Check the format, including headers, footers, page 1 numbers, spacing, table of contents, and index. 2 Review any images or graphics and captions if applicable. 3 Read the book for grammatical errors and typos. Once you are satisfied with your review, you can approve your proof and move forward to the next step in the publishing process. To print this proof we recommend that you scale the PDF to fit the size of your printer paper. DORSET DAYS AN UPBRINGING IN THE 1940S AND EARLY 1950S Rhodes James and Macfarlanes, Broadstone, Dorset,1951 Alan’s parents with maternal grandparents and family, Alan, seated on ground BY ALAN MACFARLANE For Fiona and Anne who shared those Dorset Days First published by The Village Digital Press The Orchard Glasshouse, South Willingham, Market Rasen LN8 6NG UK CONTENTS Preface and acknowledgements ix Chronology and sources xv 1. Coming home 1 2. Home 23 3. Daily life 35 4. Money and chickens 68 5. Pain 83 6. Education 98 7. Games 127 8. Outdoors 138 9. Imagination 166 Republished © Alan Macfarlane 2013 10. Assam 197 11. Separations 219 12. The View from Afar 240 Afterwards 255 Visual essay - pho tographs, drawings and letters supp Re PREFACE AND ACKNOWLEDGEMENTS There are four questions behind this account of my childhood.
    [Show full text]
  • Kappaleet/Ulkomaat
    KappaleMaestro : Karaoke Esittäjä : 7.3.2016 #1 CRUSH Garbage #NAME Ednita Nazario #THATPOWER Will.i.am Feat. Justin Bieber (BABY I'VE GOT YOU) ON MY MIND Powderfinger (BARRY) ISLANDS IN THE STREAM Comic Relief (CALL ME) NUMBER ONE The Tremeloes (CAN'T START) GIVING YOU UP Kylie Minogue (DOO WOP) THAT THING Lauren Hill (EVERY TIME I TURN AROUND) BACK IN LTD (EVERYTHINGLOVE AGAIN I DO) I DO IT FOR YOU Bryan Adams (HEY WON'T YOU PLAY) ANOTHER B. J. Thomas (HOWSOMEBODY DOES DONEIT FEEL SOMEBODY TO BE) ON TOPWRONG OF England United SONG (ITHE AM W NOT A) ROBOT Marina & The Diamonds (I COULD ONLY) WHISPER YOUR NAME Harry Connick, Jr (I JUST) DIED IN YOUR ARMS Cutting Crew (IF PARADISE IS) HALF AS NICE Amen Corner (IF YOU'RE NOT IN IT FOR LOVE) I'M Shania Twain (I'LLOUTTA NEVER HERE BE) MARIA MAGDALENA Sandra (IT LOOKS LIKE) I'LL NEVER FALL IN LOVE Tom Jones (I'VEAGAIN HAD) THE TIME OF MY LIFE Bill Medley & Jennifer Warnes (I'VE HAD) THE TIME OF MY LIFE Bill Medley-Jennifer Warnes (I'VE HAD) THE TIME OF MY LIFE (DUET) Bill Medley & Jennifer Warnes (JUST LIKE) ROMEO & JULIET The Reflections (JUST LIKE) ROMEO AND JULIET The Reflections (JUST LIKE) STARTING OVER John Lennon (KEEP FEELING) FASCINATION Human League (LOVE IS) THICKER THAN WATER Andy Gibb (MARIE'S THE NAME) OF HIS LATEST Elvis Presley (NOWFLAME & THEN) THERE'S A FOOL SUCH AS Elvis Presley (REACHI UP FOR THE) SUNRISE Duran Duran (SHAKE, SHAKE, SHAKE) SHAKE YOUR KC & The Sunshine Band (SHE'S)BOOTY SOME KIND OF WONDERFUL Lewis, Huey, And The News (SITTIN' ON) THE DOCK OF THE BAY Otis
    [Show full text]
  • Intakt Sonderangebot Jede CD Nur Fr. 7.50
    Intakt Sonderangebot jede CD nur Fr. 7.50 Intakt Nr. Band Titel Archiv Nr. SJO CD 218 Omri Ziegele / Yves Theiler Inside Innocence 7929 CD 112 Omri Ziegele / Billiger Bauer Edges & Friends 5586 CD 119 Co Streiff Sextet Loops, Holes & Angels 6350 CD 157 Katharina Weber Woven Time 9772 CD 203 Katharina Weber / Barry Guy / Balts Nill Games and Improvisations 10193 CD 153 Jürg Wickihalder Overseas Quartet Furioso 10210 CD 155 Fred Frith and Arte Quartett Still Urban 7329 CD 156 Fred Frith and Arte Quartett The Big Picture 7408 3 Exemplare CD 135 Tommy Meier / Root Down ohne Titel 9399 CD 181 Tommy Meier / Root Down The Master and the Rain 12147 CD 209 Jürg Wickihalder Orchestra Narziss & Echo 7912 CD 061 Saadet Türköz Marmara Sea 10190 CD 049 Pierre Favre Singing Drums Souffles 10428 Pierre Favre and Arte Quartett CD 091 with Michel Godard Saxophones 10188 Objets Trouvés Co Streiff Gabriela Friedli / Jan Schlegel / CD 102 Dieter Ulrich objets trouvés / fragile 4680 CD 202 Maya Homburger / Barry Guy Tales of Enchantment 10191 CD 114 Pierre Favre / Yang Jing Two in One 10199 CD 186 Pierre Favre Ensemble Le Voyage 7571 CD 161 Cosa Brava Ragged Atlas 11104 Fred Frith / Carla Kihlstedt / CD 103 Stevie Wishart The Compass, log and lead 10206 CD 120 Sylvie Courvoisier Lonelyville 10209 CD 210 Sylvie Courvoisier / Mark Feldman Duo Live at Théâtre Vidy-Lausanne 10181 CD 168 Sylvie Courvoisier / Mark Feldman Quartet To Fly to Steal 9773 2 Exemplare CD 018 Martin Schütz & Hans Koch Approximations 10421 Schweizer / Nicols / Lewis / Léandre / The Storming
    [Show full text]
  • Julyissuesingle.Pdf
    The Independent Journal ofCreative Improvised Music cadence Vol 38 No3 JUL AUG SEP 2012 The New York City Jazz Record EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING: [email protected] SUBSCRIPTIONS AND GENERAL INFO: [email protected] FOLLOW US ON TWITTER: @NYCJAZZRECORD www.nycjazzrecord.com Cadence The Independent Journal of Creative Improvised Music July - August - September 2012 ABBREVIATIONS USED Vol. 38 No. 3 (401) IN CADENCE Cadence ISSN01626973 is published quarterly online acc: accordion and annually in print by as: alto sax Cadence Media LLC, bari s : baritone sax P.O. Box 282, Richland, OR 97870 b cl: bass clarinet bs: bass sax PH 315-289-1444 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Copy Editors: Kara D. Rusch, Jeffrey D. Todd flt: flute Transcriptions: Colin Haney, Paul Rogers, Rogers Word Fr hn: French horn Services g: guitar Art Director: Alex Haney hca: harmonica Crosswords: Ava Haney Martin kybd: keyboards Promotion and Publicity: Tiffany Rozee ldr: leader Advisory Committee: ob: oboe Jeanette Stewart org: organ Colin Haney perc: percussion Robert D. Rusch p: piano Abe Goldstein pic: piccolo rds: reeds ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and ss: soprano sax Discover accepted. sop: sopranino sax POSTMASTER: Send address change to Cadence Magazine, P.O. synth: synthesizer Box 282, Richland, OR 97870 ts: tenor sax © Copyright 2012 Cadence Magazine tbn: trombone Published by Cadence Media, LLC.
    [Show full text]
  • December 1987
    VOLUME 11, NUMBER 1 2, ISSUE 98 Cover Photo by Jaeger Kotos EDUCATION IN THE STUDIO Drumheads And Recording Kotos by Craig Krampf 38 SHOW DRUMMERS' SEMINAR Jaeger Get Involved by by Vincent Dee 40 KEYBOARD PERCUSSION Photo In Search Of Time by Dave Samuels 42 THE MACHINE SHOP New Sounds For Your Old Machines by Norman Weinberg 44 ROCK PERSPECTIVES Ringo Starr: The Later Years by Kenny Aronoff 66 ELECTRONIC INSIGHTS Percussive Sound Sources And Synthesis by Ed Mann 68 TAKING CARE OF BUSINESS Breaking In MANU KATCHE by Karen Ervin Pershing 70 One of the highlights of Peter Gabriel's recent So album and ROCK 'N' JAZZ CLINIC tour was French drummer Manu Katche, who has gone on to Two-Surface Riding: Part 2 record with such artists as Sting, Joni Mitchell, and Robbie by Rod Morgenstein 82 Robertson. He tells of his background in France, and explains BASICS why Peter Gabriel is so important to him. Thoughts On Tom Tuning by Connie Fisher 16 by Neil Peart 88 TRACKING DRUMMING AT DISNEY Studio Chart Interpretation by Hank Jaramillo 100 WORLD DRUM SOLOIST When it comes to employment opportunities, you have to Three Solo Intros consider Disney World in Florida, where 45 to 50 drummers by Bobby Cleall 102 are working at any given time. We spoke to several of them JAZZ DRUMMERS' WORKSHOP about their working conditions and the many styles of music Fast And Slow Tempos that are represented there, by Peter Erskine 104 by Rick Van Horn 22 CONCEPTS Drummers Are Special People STEVE HOUGHTON by Roy Burns 116 He's known for his big band work with Woody Herman, EQUIPMENT small-group playing with Scott Henderson, and his teaching at SHOP TALK P.I.T.
    [Show full text]
  • Getting Noticed See How These Properties Make a Great First Impression
    VisitEngland’s magazine for quality-assessed accommodation and attractions autumn 2011 issue 13 GettinG noticed see how these properties make a great first impression PLUS celebrating china’s growing how to manage the growth of outbound travel your online english wine p20 market p24 reputation p46 e apologise for the slight delay in secrets of their high occupancy levels and a family getting this edition to you all, but it’s touring park in Northumberland that has diversified packed with articles that we hope into self-catering and now created a bunkhouse and Cyou will enjoy. ontentsFor those readers wigwams to widen their market. The Letters page Winterested in attracting more overseas visitors, there includes some of your feedback on the recent changes is a feature on the rapidly growing Chinese market to the Hotel, Guest accommodation and Parks and an insight into working with tour operators. Kurt standards and your views on ideas being discussed Janson’s regular column includes an encouraging regarding the self-catering standard. Britain magazine progress report on the Tourism Alliance’s lobby has another tempting ‘free advert’ offer for new regarding the new requirement for self-catering subscribers, which many of you took up last time. ■ businesses to provide Energy Performance Certificates. There are two excellent case studies – a Pam Foden ‘boutique’ B&B in Hastings whose owners share the operations and industry engagement manager Features Smooth operators 08 Inbound tour operators may be the answer for your empty rooms 16 First
    [Show full text]