Chicago Open Trash 2018: Look at All Those Chickens by Rob Carson, Carsten Gehring, and Andrew Hart Round 10: Tossups
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WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the Following Quest
WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the following questions, drawing on the article for information and ideas. 1. According to the article’s writer, Emily Caston, how significant was MTV in the development of British music video production? 2. What criteria did Emily Caston and her team use for selecting music videos for their 6-DVD box set? What are your thoughts about the criteria? What music videos do you know that you would include in such a selection? 3. Bohemian Rhapsody is often quoted as being the first British music video. The article argues otherwise. Why is that? Why was ‘Bo-Rhap’ not included in the box set? 4. The box set is made up of six different categories: performance; concept; dance; stories; wit; portraits. If you were putting together a selection of videos, what categories would you choose to use? 5. The article ends by noting that videos are now consumed by millions globally, ‘uncurated on mobile platforms’. What might be the significance of a curated collection in light of these consumption patterns? Curating your own collection Imagine that you have been given the chance to curate a selection of music videos to represent your experience of secondary school, from the moment you joined until the end of Year 11. Select five videos that you want to include in your selection. Outline in writing what is significant about each video, both as an art form in its own right, and in relation to your time at secondary school. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Disco Top 15 Histories
10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15 -
Monster Hits Weekend! 31 October
MONSTER HITS WEEKEND! 31 OCTOBER - 1 NOVEMBER 2020 POP MUZIK M DEVIL GATE DRIVE SUZI QUATRO TIGHTER, TIGHTER ALIVE AND KICKING DRESSED FOR SUCCESS ROXETTE OUR LIPS ARE SEALED GO GO'S YOU'RE MOVING OUT TODAY CAROL BAYER SAGER TOO YOUNG TO BE MARRIED THE HOLLIES UPTOWN GIRL BILLY JOEL SOME GIRLS RACEY BEAST OF BURDEN BETTE MIDLER SUGAR BABY LOVE RUBETTES SHE'S THE ONE THE COCKROACHES TAKE IT EASY THE EAGLES SOMETHING'S WRONG WITH ME AUSTIN ROBERTS GOOSE BUMPS CHRISTIE ALLEN HOW DO YOU DO? MOUTH & McNEAL GOOD MORNING STARSHINE OLIVER TIRED OF TOWING THE LINE ROCKY BURNETTE COTTONFIELDS BEACH BOYS S-S-S-SINGLE BED FOX MOST PEOPLE I KNOW THINK THAT I'M CRAZY BILLY THORPE ETERNAL FLAME THE BANGLES HORROR MOVIE SKYHOOKS NINETEENTH NERVOUS BREAKDOWN THE ROLLING STONES GET USED TO IT ROGER VOUDOURIS ONE TIN SOLDIER COVEN ROCKABILLY REBEL MAJOR MATCHBOX LIFE IN A NORTHERN TOWN DREAM ACADEMY WARM RIDE GRAHAM BONNET THE LOVE GAME JOHN PAUL YOUNG KOKOMO BEACH BOYS STAYIN' ALIVE BEE GEES TOAST AND MARMALADE FOR TEA TIN TIN JANUARY PILOT DON'T PAY THE FERRYMAN CHRIS DeBURGH HIT THE ROAD JACK RAY CHARLES MY COO CA CHOO ALVIN STARDUST ESCAPE RUPERT HOLMES BANG BANG BA ROBERTSON WHENEVER YOU NEED SOMEBODY RICK ASTLEY YOU GOT IT ROY ORBISON LUCKY NUMBER LENE LOVICH DO IT AGAIN BEACH BOYS EYE OF THE TIGER SURVIVOR LITTLE RED ROOSTER THE ROLLING STONES SEASONS IN THE SUN TERRY JACKS I GOT YOU SPLIT ENZ EAGLE ROCK DADDY COOL LIFE SHERBET COMPUTER GAMES MI SEX SHE'S SO FINE EASYBEATS KING OF WISHFUL THINKING GO WEST WHEN I'M DEAD AND GONE McGUINNESS FLINT HAIR -
Disco Breaks
DISCO TOP 40 DISCO DISCO BREAKS Weeks Weeks On On 9/22 Chart 9/22 Chart SUPER TRAIN, SUPER PLANE - Fabrice Emauer, owner of Paris' Le Palace, will charter a 747 to fly guests from Paris to L.A. for the November opening of Hollywood's entertain- 1 COME TO STOP ME/DON'T 21 WHEN YOU TOUCH ME* ment complex, The Palace. Emauer, in town recently to hold a press conference with DANCING TAANA GARDNER (West End - 12") 31 2 FRANCE Dennis Lidtke, president of the L.A. Palace, pulled a similar coup when he rented a lavishly JOLI (Prelude - 12") 1 9 22 CAN'T LIVE WITHOUT 2 FOUND A CURE YOUR LOVE* appointed set of train cars which carried guests to the opening of Le Palace in Cabourg, ASHFORD & SIMPSON TAMIKO JONES (Polydor - 12") 20 9 France ... At the same press conference, Lidtke and Emauer announced plans to launch a (Warner Bros. 12") 2 12 - 23 RISQUE (ALL CUTS) Palace record label. At this early state, the new label does not have a distributor. 3 THE BREAK* CHIC (Atlantic LP) 21 4 - WATCH THIS DJ The Mudd Club in Manhattan, one of four rock -discos in NYC, opened KAT MANDU (TK - 12") 4 8 - 24 HERE COMES THAT 4 MOVE ON UP/UP UP UP in October of 1978, and 20 -year -old David Azarch has been spinning there since the DESTINATION (Butterfly/MCA - 12") 7 5 SOUND AGAIN beginning. The Kentucky -born and NYC -bred DJ previously worked in record retailing. His LOVE DELUXE (RFC/Warner - 12") 17 14 ultimate careergoal is to be a radio announcer, but in the meantime 5 DON'T STOP TIL YOU 25 YOU CAN DO IT* GET ENOUGH AL HUDSON & THE PARTNERS he spins at the club where he says, "The people jump around a lot MICHAEL JACKSON (Epic - 12") 9 4 (MCA - 12"1 24 13 more because rock has a more erratic beat, and it's faster." The 6 THE BOSS/NO ONE GETS 26 UNDERCOVER LOVER/ 500 -capacity club is frequently visited by label reps, David says, THE PRIZE DON'T YOU WANT MY who drop off rock records. -
"Weird Al" Yankovic
"Weird Al" Yankovic - Ebay Abba - Take A Chance On Me `M` - Pop Muzik Abba - The Name Of The Game 10cc - The Things We Do For Love Abba - The Winner Takes It All 10cc - Wall Street Shuffle Abba - Waterloo 1927 - Compulsory Hero ABC - Poison Arrow 1927 - If I Could ABC - When Smokey Sings 30 Seconds To Mars - Kings And Queens Ac Dc - Long Way To The Top 30 Seconds To Mars - Kings And Queens Ac Dc - Thunderstruck 30h!3 - Don't Trust Me Ac Dc - You Shook Me All Night Long 3Oh!3 feat. Katy Perry - Starstrukk AC/DC - Rocker 5 Star - Rain Or Shine Ac/dc - Back In Black 50 Cent - Candy Shop AC/DC - For Those About To Rock 50 Cent - Just A Lil' Bit AC/DC - Heatseeker A.R. Rahman Feat. The Pussycat Dolls - Jai Ho! (You AC/DC - Hell's Bells Are My Destiny) AC/DC - Let There Be Rock Aaliyah - Try Again AC/DC - Thunderstruck Abba - Chiquitita AC-DC - It's A Long Way To The Top Abba - Dancing Queen Adam Faith - The Time Has Come Abba - Does Your Mother Know Adamski - Killer Abba - Fernando Adrian Zmed (Grease 2) - Prowlin' Abba - Gimme Gimme Gimme (A Man After Midnight) Adventures Of Stevie V - Dirty Cash Abba - Knowing Me, Knowing You Aerosmith - Dude (Looks Like A Lady) Abba - Mamma Mia Aerosmith - Love In An Elevator Abba - Super Trouper Aerosmith - Sweet Emotion A-Ha - Cry Wolf Alanis Morissette - Not The Doctor A-Ha - Touchy Alanis Morissette - You Oughta Know A-Ha - Hunting High & Low Alanis Morrisette - I see Right Through You A-Ha - The Sun Always Shines On TV Alarm - 68 Guns Air Supply - All Out Of Love Albert Hammond - Free Electric Band -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17 -
Musikbranschen I Siffror
Musikbranschen i siffror Statistik för 2010 Rapport 0118 Musikbranschen i siffror Statistik för 2010 Rapport 0118 Linda Portnoff Tobias Nielsén Volante Tillväxtverkets publikationer finns att beställa eller ladda ner som pdf på tillväxtverket.se/publikationer. Där finns även material som gavs ut av Nutek © Tillväxtverket Upplaga: 2 700 ex, därefter tryck vid behov Stockholm, februari 2012 Produktion: Ordförrådet AB Tryck: DanagårdLitho ISBN 978-91-86987-30-5 Rapport 0118 Har du frågor om innehållet i denna publikation, kontakta: Musiksverige [email protected] www.musiksverige.org Har du frågor om Tillväxtverkets arbete med kulturella och kreativa näringar, kontakta: Fredrik Sandberg Telefon, växel 08-681 91 00 Förord I takt med att intresset för de kulturella och kreativa näringarna ökat, har också behovet av tillförlitlig statistik ökat. Det har exem- pelvis talats mycket om det svenska musikundret, men vi har hit- tills inte kunnat visa det i siffror. Och faktaunderlag är viktigt, dels för musikbranschen själv, men också som underlag för strategiska beslut i den offentliga sektorn. Med musikbranschen som exempel har en modell utvecklats, som gör det möjligt att visa hur stor en bransch inom de kulturella och kreativa näringarna är och som också gör det möjligt att följa utvecklingen över tiden. Modellen är utformad så att lärdomar kan dras för andra branscher utöver musikbranschen. Denna rapport är ett led i Tillväxtverkets arbete med de kulturella och kreativa näringarna, där vi har flera uppdrag inom ramen för regeringens handlingsplan för dessa näringar. En viktig del i detta arbete är att utveckla och förmedla kunskap om näringarnas betydelse för den svenska ekonomin. -
Uma Perspectiva Musicológica Sobre a Formação Da Categoria Ciberpunk Na Música Para Audiovisuais – Entre 1982 E 2017
Uma perspectiva musicológica sobre a formação da categoria ciberpunk na música para audiovisuais – entre 1982 e 2017 André Filipe Cecília Malhado Dissertação de Mestrado em Ciências Musicais Área de especialização em Musicologia Histórica Setembro de 2019 I Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais – Área de especialização em Musicologia Histórica, realizada sob a orientação científica da Professora Doutora Paula Gomes Ribeiro. II Às duas mulheres da minha vida que permanecem no ciberespaço do meu pensamento: Sara e Maria de Lourdes E aos dois homens da minha vida com quem conecto no meu quotidiano: Joaquim e Ricardo III Agradecimentos Mesmo tratando-se de um estudo de musicologia histórica, é preciso destacar que o meu objecto, problemática, e uma componente muito substancial do método foram direccionados para a sociologia. Por essa razão, o tema desta dissertação só foi possível porque o fenómeno social da música ciberpunk resulta do esforço colectivo dos participantes dentro da cultura, e é para eles que direciono o meu primeiro grande agradecimento. Sinto-me grato a todos os fãs do ciberpunk por manterem viva esta cultura, e por construírem à qual também pertenço, e espero, enquanto aca-fã, ter sido capaz de fazer jus à sua importância e aos discursos dos seus intervenientes. Um enorme “obrigado” à Professora Paula Gomes Ribeiro pela sua orientação, e por me ter fornecido perspectivas, ideias, conselhos, contrapontos teóricos, ajuda na resolução de contradições, e pelos seus olhos de revisora-falcão que não deixam escapar nada! Como é evidente, o seu contributo ultrapassa em muito os meandros desta investigação, pois não posso esquecer tudo aquilo que me ensinou desde o primeiro ano da Licenciatura. -
Terroir Blues
Jay Farrar Terroir Blues More than any other musician of his generation, Jay Farrar has demonstrated an inimitable skill in writing songs that explore the back roads and byways of American music — and then pushing those traditions in bold new directions. The twenty-three tracks on Terroir Blues — Farrar’s latest record on the new Act/Resist label — cut sharply through layers of this country’s roots music and articulate his vision of an American landscape that is bleak yet beautiful. Farrar put down his roots in the influential alternative-country bands Uncle Tupelo and Son Volt — and the blend of rock, country and folk that he fashioned in those bands continues to influence artists across numerous genres to this day. On first listen, Terroir Blues’ acoustic-based sound harkens back to quieter moments that Farrar created with songs such as “Still be Around” (from Uncle Tupelo’s 1991 record Still Feel Gone) or “Windfall” (from Son Volt’s 1994 debut Trace). Yet Terroir Blues also revisits, expands and integrates the new sounds that Farrar explored on his first two solo releases — 2002's Sebastopol and ThirdShiftGrottoSlack — into the mix. The album’s title provides a clue to its ambitions. “Terroir” is a French word that can be translated literally as “soil” — but the broader connotations frustrate simple translation. Often, “terroir” is associated with wine making, where it has come to represent a blend of soil type, landscape, air and sun that cannot be found solely in nature or created solely by man. By definition, “terroir” represents a delicate balance of nature’s bounty and human labor shaped over time. -
Diseño De Un Prototipo De Videojuego En Modalidad
DISEÑO DE UN PROTOTIPO DE VIDEOJUEGO EN MODALIDAD COMPETITIVA, ORIENTADO A LA FORMACIÓN DE CONCIENCIA ECOLÓGICA, DENTRO DE UN ENTORNO DE BOSQUE SECO, PARA NIÑOS ENTRE 6 y 11 AÑOS DE LA CIUDAD DE CALI. ALEJANDRO CABANILLAS CHAMORRO DANIEL FELIPE ARIAS GOMEZ UNIVERSIDAD AUTÓNOMA DE OCCIDENTE FACULTAD DE COMUNICACIÓN SOCIAL DEPARTAMENTO DE PUBLICIDAD Y DISEÑO PROGRAMA DE DISEÑO DE LA COMUNICACIÓN GRÁFICA SANTIAGO DE CALI 2013 DISEÑO DE UN PROTOTIPO DE VIDEOJUEGO EN MODALIDAD COMPETITIVA, ORIENTADO A LA FORMACIÓN DE CONCIENCIA ECOLÓGICA, DENTRO DE UN ENTORNO DE BOSQUE SECO, PARA NIÑOS ENTRE 6 y 11 AÑOS DE LA CIUDAD DE CALI. ALEJANDRO CABANILLAS CHAMORRO DANIEL FELIPE ARIAS GÓMEZ Proyecto de Grado para optar al título de Diseñador de la Comunicación Gráfica Director PABLO ESTRADA GONZALES BACHELOR OF FINE ARTS IN COMPUTER ANIMATION UNIVERSIDAD AUTÓNOMA DE OCCIDENTE FACULTAD DE COMUNICACIÓN SOCIAL DEPARTAMENTO DE PUBLICIDAD Y DISEÑO PROGRAMA DISEÑO DE LA COMUNICACIÓN GRÁFICA SANTIAGO DE CALI 2013 Nota de aceptación: Aprobado por el Comité de Grado en cumplimiento de los requisitos exigidos por la Universidad Autónoma de Occidente para optar al título de Diseñador de la Comunicación Gráfica. ANDRÉS GIOVANNI ROZO _______________________________ Jurado JESUS E. RAMBAL _______________________________ Jurado Santiago de Cali, 24 de Mayo de 2013. 3 CONTENIDO Pág. RESUMEN 10 INTRODUCCIÓN 11 1. PROBLEMA DE INVESTIGACIÓN 13 1.1 PLANTEAMIENTO DEL PROBLEMA 13 1.2 FORMULACIÓN DE LA PREGUNTA PROBLEMA 14 1.3 SISTEMATIZACIÓN DE LA INVESTIGACIÓN 14 2. JUSTIFICACIÓN 15 2.1 Justificación Teórica 15 2.2 Justificación Metodológica 15 2.3 Justificación Práctica 16 3. OBJETIVOS 17 3.1 Objetivo General 17 3.2 Objetivos Específicos 17 4. -
Ri Lit R' Itainuir -1171' ' R ' a 1161Nigel Tufneland Davidtst
GAVIN SEMINAR 692 SPECIAL APPEARANCE ri lit r' ITAINUIr -1171' ' r ' a 1161Nigel Tufneland DavidtSt. FIgkiins Spill The The road from he Sun Never Sweats to Sitark Sand ich ta Smell The Glove - ''.4 to Break Like IN Wind 1 It , I' III PLUS INSIDE: Gavin Columnists Eric Norberg Oren Harari,iFthody BosleY f. and Jim Asker , -16. ISSUE 1892 FEBR6ARY 141692 www.americanradiohistory.com n love as in life all that really matters is The Real Thing "There's only one thing you can never give up or compromise on and that's The Real Thing you need in love ." From the inspired new album "Leap Of Faith." Kenny Loggins. The Real Thing. Produced by Kenny Loggins & Terry Nelson. Some songs produced by Kenny Loggins & David Kershenbaum. Management: Alive Enterprises 4 Shep Gordon & Denzyl Feigelson. Columbia Reg. U.S Pat. et Tm. Off. Marco Reglstrada. /O 1992 Sony Music Entertainment Inc. 01991 Cnossos MusC RSCRP /Ur Baal MusC BMnImsterep by Warren iamenlane Puollsaul{ Corp. 10.11 01 0011 resenep use0 CR PBImisa.on. COLUMBIA www.americanradiohistory.com the GAVIN REPORT !1 elfr777-1 * Indicates Tie TOP 40 URBAN RAP MOST ADDED MOST ADDED MOST ADDED ROXETTE AARON HALL THE POETESS Church Of Your Heart (EMI) Don't Be Afraid (Soul /MCA) Love Hurts (Poetic Groove) KATHY TROCCOLI SKYY ARRESTED DEVELOPMENT Everything Changes (Reunion /Geffen) Up And Over (Stronger And Better) (Atlantic) Tennessee (Chrysalis /EMI) STACY EARL TEVIN CAMPBELL CHI ALI Romeo & Juliet (RCA) Goodbye (Owest/Warner Bros.) Age Ain't Nothin But A Number (Relativity) WC & THE MADD CIRCLE