Manson Family Trial Transcripts
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
California's REAL First Gold
California's REAL First Gold Ads by Google California's REAL First Gold Gold Mining Gold Mines By Leon Worden Gold Coins COINage magazine Buy Gold October 2005 Mexican Gold here can be no doubt that James Marshall changed the course of T history when he peered into the tailrace of John Sutter's sawmill on a brisk January day in 1848 and spied California's future. Leon Worden Index Within weeks the United States signed peace accords with Mexico, and SCVTV.com within a few months, Naval midshipman Edward "Ned" Beale and his pal Local Television Kit Carson were headed east with proof of Marshall's discovery. for Santa Clarita (webmaster) Mormon newspaper publisher Samuel Brannan ran through the streets of San Francisco spreading the word: COINage Magazine "Gold! Gold on the American River!" SCV History In Legions of argonauts flocked to the Sacramento Delta. Granted, few Pictures (webmaster) fulfilled their dreams of riches, but all contributed to the realization of James K. Polk's visions of Manifest Destiny as they erected towns and SCV Historical Society (webmaster) forged a territorial economy from the glittering soil. When the news finally reached New York in September, it triggered the biggest westward Old Town Newhall (webmaster) migration the young nation had ever seen. The import of the occasion wasn't lost on official Washington. Mentryville (webmaster) Memories of the "hard times" of the 1830s all too fresh in their minds, senators hastened the admission of the "Golden State" into the Union. SCV 4th of July Parade (webmaster) Within three years after Marshall's fortuitous millwork, there were gold- producing states from sea to shining sea, and within another century, the scvleon.com (webmaster) cultural navel of the universe had shifted from Paris and Rome to a place called Hollywood. -
Radiohead's Pre-Release Strategy for in Rainbows
Making Money by Giving It for Free: Radiohead’s Pre-Release Strategy for In Rainbows Faculty Research Working Paper Series Marc Bourreau Telecom ParisTech and CREST Pinar Dogan Harvard Kennedy School Sounman Hong Yonsei University July 2014 RWP14-032 Visit the HKS Faculty Research Working Paper Series at: http://web.hks.harvard.edu/publications The views expressed in the HKS Faculty Research Working Paper Series are those of the author(s) and do not necessarily reflect those of the John F. Kennedy School of Government or of Harvard University. Faculty Research Working Papers have not undergone formal review and approval. Such papers are included in this series to elicit feedback and to encourage debate on important public policy challenges. Copyright belongs to the author(s). Papers may be downloaded for personal use only. www.hks.harvard.edu Makingmoneybygivingitforfree: Radiohead’s pre-release strategy for In Rainbows∗ Marc Bourreau†,Pınar Dogan˘ ‡, and Sounman Hong§ June 2014 Abstract In 2007 a prominent British alternative-rock band, Radiohead, pre-released its album In Rainbows online, and asked their fans to "pick-their-own-price" (PYOP) for the digital down- load. The offer was available for three months, after which the band released and commercialized the album, both digitally and in CD. In this paper, we use weekly music sales data in the US between 2004-2012 to examine the effect of Radiohead’s unorthodox strategy on the band’s al- bum sales. We find that Radiohead’s PYOP offer had no effect on the subsequent CD sales. Interestingly, it yielded higher digital album sales compared to a traditional release. -
P28 Layout 1
28 Established 1961 Lifestyle Gossip Wednesday, December 13, 2017 Lily Allen Cabello praises drops first song artists for in three years ‘breaking barriers’ he ‘Smile’ hitmaker hasn’t put out any tunes since her album ‘Sheezus’, but surprised fans on Monday night, by dropping amila Cabello thinks there is a lot of “breaking barriers” in the coming-of-age banger about her wild past. On the track, the music industry right now. The ‘Havana’ hitmaker is thrilled T to see Latin artists getting mainstream recognition now and she sings: “When I was young I was blameless/ Playing with rude C boys and trainers/ I had a foot in the rave ‘cause I was attracted to thinks there has been a big shift in the industry. She said: “I think danger/ I never got home for Neighbors, hey/ When I grew up, noth- that the good thing about social media and the internet is that I feel ing changed much/ Anything went, I was famous /I would wake up like it makes the world smaller and it just kind of breaks down barri- next to strangers/ Everyone knows what cocaine does/ Numbing the ers between languages, between people, between cultures, and I pain when the shame comes, hey (sic)” In October last year, Lily think that might have something to do with that. I’ve been listening debuted a new track at Mark Ronson’s show at The Savoy hotel in to Spanish music forever because that’s just not even Spanish music London. The ‘Alfie’ hitmaker took to the stage to perform three songs to me, it’s just music “But I feel like with everything that’s gone on at the MasterCard Priceless event, including a brand new electronic this year and also with groups like K-pop groups performing on dance track which she created with the superstar DJ. -
America's Fascination with Multiple Murder
CHAPTER ONE AMERICA’S FASCINATION WITH MULTIPLE MURDER he break of dawn on November 16, 1957, heralded the start of deer hunting T season in rural Waushara County, Wisconsin. The men of Plainfield went off with their hunting rifles and knives but without any clue of what Edward Gein would do that day. Gein was known to the 647 residents of Plainfield as a quiet man who kept to himself in his aging, dilapidated farmhouse. But when the men of the vil- lage returned from hunting that evening, they learned the awful truth about their 51-year-old neighbor and the atrocities that he had ritualized within the walls of his farmhouse. The first in a series of discoveries that would disrupt the usually tranquil town occurred when Frank Worden arrived at his hardware store after hunting all day. Frank’s mother, Bernice Worden, who had been minding the store, was missing and so was Frank’s truck. But there was a pool of blood on the floor and a trail of blood leading toward the place where the truck had been garaged. The investigation of Bernice’s disappearance and possible homicide led police to the farm of Ed Gein. Because the farm had no electricity, the investigators con- ducted a slow and ominous search with flashlights, methodically scanning the barn for clues. The sheriff’s light suddenly exposed a hanging figure, apparently Mrs. Worden. As Captain Schoephoerster later described in court: Mrs. Worden had been completely dressed out like a deer with her head cut off at the shoulders. -
“'The Paranoia Was Fulfilled' – an Analysis of Joan Didion's
“‘THE PARANOIA WAS FULFILLED’ – AN ANALYSIS OF JOAN DIDION’S ESSAY ‘THE WHITE ALBUM’” Rachele Colombo Independent Scholar ABSTRACT This article looks at Joan Didion’s essay “The White Album” from the collection of essays The White Album (1979), as a relevant text to reflect upon America’s turmoil in the sixties, and investigate in particular the subject of paranoia. “The White Album” represents numerous historical events from the 1960s, but the central role is played by the Manson Murders case, which the author considers it to be the sixties’ watershed. This event–along with many others–shaped Didion’s perception of that period, fueling a paranoid tendency that reflected in her writing. Didion appears to be in search of a connection between her growing anxiety and these violent events throughout the whole essay, in an attempt to understand the origin of her paranoia. Indeed, “The White Album” deals with a period in Didion’s life characterized by deep nervousness, caused mainly by her increasing inability to make sense of the events surrounding her, the Manson Murders being the most inexplicable one. Conse- quently, Didion seems to ask whether her anxiety and paranoia are justified by the numerous violent events taking place in the US during the sixties, or if she is giving a paranoid interpretation of com- pletely neutral and common events. Because of her inability to find actual connections between the events surrounding her, in particular political assassinations, Didion realizes she feels she is no longer able to fulfill her main duty as a writer: to tell a story. -
Helter Skelter” and Sixties Revisionism “Helter Skelter” Et L'héritage Polémique Des Années 1960
Volume ! La revue des musiques populaires 9 : 2 | 2012 Contre-cultures n°2 “Helter Skelter” and Sixties Revisionism “Helter Skelter” et l'héritage polémique des années 1960 Gerald Carlin and Mark Jones Electronic version URL: http://journals.openedition.org/volume/3407 DOI: 10.4000/volume.3407 ISSN: 1950-568X Printed version Date of publication: 15 December 2012 Number of pages: 34-49 ISBN: 978-2-913169-33-3 ISSN: 1634-5495 Electronic reference Gerald Carlin and Mark Jones, « “Helter Skelter” and Sixties Revisionism », Volume ! [Online], 9 : 2 | 2012, Online since 15 June 2014, connection on 10 December 2020. URL : http:// journals.openedition.org/volume/3407 ; DOI : https://doi.org/10.4000/volume.3407 This text was automatically generated on 10 December 2020. L'auteur & les Éd. Mélanie Seteun “Helter Skelter” and Sixties Revisionism 1 “Helter Skelter” and Sixties Revisionism “Helter Skelter” et l'héritage polémique des années 1960 Gerald Carlin and Mark Jones EDITOR'S NOTE This text was published in Countercultures & Popular Music (Farnham, Ashgate, 2014), while its French translation appeared in this issue of Volume! in 2012. “Helter Skelter” and the End of the Sixties Volume !, 9 : 2 | 2012 “Helter Skelter” and Sixties Revisionism 2 1 In late August 1968, within a few days of each other, new singles were released by the Beatles and the Rolling Stones. The unusual proximity of release dates by the world’s two most significant rock bands was echoed by the congruity of the songs’ themes: the Stones’ “Street Fighting Man” and the Beatles’ “Revolution” were both responses to the political unrest and protest which characterised the spring and summer of 1968. -
Tom Odell Releases New Album Wrong Crowd Today, Friday June 10 on Rca Records, the Follow up to His Million-Selling Debut Long Way Down
TOM ODELL RELEASES NEW ALBUM WRONG CROWD TODAY, FRIDAY JUNE 10 ON RCA RECORDS, THE FOLLOW UP TO HIS MILLION-SELLING DEBUT LONG WAY DOWN VIDEOS FOR TITLE TRACK “WRONG CROWD,” LEAD SINGLE “MAGNETISED”,”SOMEHOW” AND “CONCRETE” AVALABLE NOW- CLICK HERE TO WATCH (New York - June 10, 2016) Tom Odell releases his second album WRONG CROWD today, Friday 10 June. WRONG CROWD is the follow up his 2013’s million selling, #1 UK debuting album Long Way Down. Long Way Down, his debut album was met with tremendous critical reaction and earned him the highly prestigious Ivor Novello Award for Songwriter of the Year and the Brits Critics’ Choice Award. Tom will be performing his current single “Magnetised” on “The Today Show” on June 29th. Click here to watch his performance on “The Tonight Show Starring Jimmy Fallon” and watch his performance and chat on “The Late Late Show with James Corden.” People Magazine declared that Odell “solidifies his sound” on WRONG CROWD, Wall Street Journal described him as “soulful” and Q Magazine calls “’Magnetized’(is) thrillingly melodic.” WRONG CROWD consists of 11 songs and 4 bonus tracks. The videos for “Wrong Crowd,” and “Magnetised” were shot in South Africa, and directed by George Belfield (Arthur Beatrice, Richard Hawley, Kwabs). The storyline for the “Magnetised” video is a continuation of the “Wrong Crowd” video which also includes a portion of the song “Constellations.” Tom recently performed a slew of underplay shows in Europe, New York and Los Angeles to rave response. The UK Telegraph wrote of his London show that Odell was “electrifying…with a big, bold, bravura performance … a whole layer of charismatic rock swagger…Odell might be the missing link between showboating Seventies Elton and the epic emotionalism of Coldplay. -
The Long Prison Journey of Leslie Van Houten: Life Beyond the Cult by Kariene Faith Boston: Northeastern University Press (2001), 216 Pp
The long Prison Journey of leslie Van Houten: life Beyond the Cult By Kariene Faith Boston: Northeastern University Press (2001), 216 pp. Reviewed by Liz Elliott n the last year of the 1960s, a decade of anomie, the U.S. experienced two I events that would symbolize different aspects of its culture into the next millennium. These events took place at opposite sides of the country, although they occun-ed less than a week apart. One event, a cultural festival of music and arts, has remained in time as an example of the possibilities of peaceful co existence in adverse circumstances oflarge numbers ofpeopJe. From August 15th to the 17th the Woodstock Music and Arts Festival's patrons endured rain and mud - and all of the other inconveniences that would reasonably accrue in a situation where unexpected large numbers ofpeople converged in one location -to see some of the decade's masters of rock and roll and folk music perfonn in the state of New York. Almost half a million people, many of whom were experiencing the event under the influence of various illicit drugs, attended Woodstock and lived together peacefhlly for one weekend. 1 Across the continent a few days earlier, the world heard the news of two ten-ible sets of murders in California that shook the sense of security that until then was enjoyed by Americans. We were soon to learn that these bizarre, seemingly ritualistic killings were the bidding of a charismatic but crazy man who was state-raised2 and resourceful. In this case the drugs were used to weaken the already fragile resolve ofyoung idealistic people who were searching for themselves and open to new ways of seeing the world. -
Chatsworth Nature Preserve/Reservoir
HISTORIC RESOURCES IDENTIFICATION STATEMENT OF SIGNIFICANCE Final 6/2/15 - Prepared by Carla Bollinger Chatsworth Nature Preserve/Reservoir Why is this individual resource or neighborhood significant? Chatsworth Nature Preserve (CNP) is a representation of San Fernando Valley (SFV)-Los Angeles history from pre-historic through the 20th Century. This is the last remaining opening space, 1325 acres, on the valley floor with rolling hills, native plants and oak trees, a vision of what the SFV once looked like with numerous cultural-historic landmarks. Native American site from pre-historic Middle Period (1500 - 500 AD), through Pre-Mission period: A Gabrielino and Ventureno-Chumash, historical district Mission Period: (1769 to 1833-1836) Spanish expedition and establishment of California Missions through the time period the Missions were secularized by the Mexican government. Mexican Period: (1821-1848) Rancheros, cattle and sheep ranch, Rancho Ex-Mission San Fernando, Mexican land grant by Governor Pio Pico to Eulogio de Celis. Pioneering/Homesteading or American Period: (1848 - early 1900’s) Gold discovery north of San Fernando Mission in Placerita Canyon, 1848; California Statehood in 1850; and the Homestead Act, 1862, all contributed to the SFV changes from cattle and sheep ranching to agricultural, dry farming. 20th Century: Owens Valley-Los Angeles Aqueduct, building of the Chatsworth Reservoir, early Movie/TV Filming, and the development of commercial industry and growth of residential development surrounding the CNP-Reservoir. Native American Convergence site. The CNP and surrounding area was a convergence location for Ventureno-Chumash, Gabrielino, and Fernandeho Native Americans to gather, trade, inter-marry, and hold ceremonies. Momonga Village (Fernandeno ) or Rancheria de las Piedras (Gabrielino/Tongva) Location: Northeastern Simi Hills through Santa Susana Pass to Stoney Point on the west, and south to the north end of Chatsworth Reservoir. -
The Big Goodbye
Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in. -
Will You Die for Me? by Charles Watson As Told to Chaplain Ray Hoekstra Copyright
Will You Die For Me? by Charles Watson as told to Chaplain Ray Hoekstra Copyright...................................................................................... 1 Acknowledgments ........................................................................2 Dedication ....................................................................................2 About the Author .........................................................................3 Sure, Charlie, You Can Kill Me ...................................................4 Behold, He Is In The Desert ........................................................8 The Campus Kid........................................................................ 14 The Times, They Are A-Changin' .............................................18 California Dreamin' ...................................................................23 Gentle Children, With Flowers In Their Hair ...........................27 Family .........................................................................................33 Magical Mystery Tour ................................................................37 Watershed: The White Album ...................................................42 Happy in Hollywood ..................................................................48 Revolution / Revelation .............................................................51 Piggies .........................................................................................57 You Were Only Waiting for This Moment .................................62 -
Murder, Media, and Mayhem: the Metamorphosis of California Murder Cases to International Media Sensations
Murder, Media, and Mayhem: The Metamorphosis of California Murder Cases to International Media Sensations By: Olivia Cusimano Advisor: Richard Perry Undergraduate Legal Studies Honors Thesis University of California, Berkeley 1 “Sometimes the power of the media, the power of the movie, can be very subtle and great.” -James Blatt, Attorney for Jesse James Hollywood I would like to take a moment to thank all those who helped me take an idea grown while watching Investigation Discovery on the couch and develop it into this project. From the initial guidance of Professor Musheno and Christina Carbone to the astute guidance of my advisor, Professor Perry, I am forever thankful. My family, too, has supported me mentally and even intellectually. To my Aunt Diane, I owe you so much for your direction and insight. I never would have parsed out a coherent thesis without our conversations at The Natural Café. Additionally, a never-ending thanks to those who supported me, made sure I didn’t give up, and listened to my unending laments without disowning me: Kent, Mike, Brendan, Safeena, Dani the entire Student Advocate’s Office, and everyone else who spent any iota of time listening to my laments. 2 Table of Contents I. Abstract……………………………………………………………………...…….4 II. Introduction……………………………………………………………………...5 III. Literature Review………………………………………………………………6 IV. Methodology…………………………………………………………………...17 V. Findings and Analysis………………………………………………………….21 i. Charles Manson………………………………………………………... ii. Scott Peterson…………………………………………………………… iii. Jesse James Hollywood………………………………………………… VI. Synthesis and Limitations…………………………………………………….. VII. Conclusions…………………………………………………………………….. VII. Works Cited…………………………………………………………………….. 3 I. Abstract This project seeks to explore how and why certain cases are sensationalized, by tracing the movement of the cases through various media outlets.