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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
We'll Have a Gay Ol'time: Trangressive Sexulaity and Sexual Taboo In
We’ll have a gay ol’ time: transgressive sexuality and sexual taboo in adult television animation By Adam de Beer Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in Film Studies in the Faculty of Humanities and the Centre for Film and Media Studies UNIVERSITY OF CAPE TOWN UniversityFebruary of 2014Cape Town Supervisor: Associate Professor Martin P. Botha The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Declaration I declare that this thesis is my own unaided work. It is submitted for the degree of Doctor of Philosophy at the University of Cape Town. It has not been submitted before for any other degree or examination at any other university. Adam de Beer February 2014 ii Abstract This thesis develops an understanding of animation as transgression based on the work of Christopher Jenks. The research focuses on adult animation, specifically North American primetime television series, as manifestations of a social need to violate and thereby interrogate aspects of contemporary hetero-normative conformity in terms of identity and representation. A thematic analysis of four animated television series, namely Family Guy, Queer Duck, Drawn Together, and Rick & Steve, focuses on the texts themselves and various metatexts that surround these series. The analysis focuses specifically on expressions and manifestations of gay sexuality and sexual taboos and how these are articulated within the animated diegesis. -
Family and Satire in Family Guy
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2015-06-01 Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Film and Media Studies Commons, and the Theatre and Performance Studies Commons BYU ScholarsArchive Citation Ryan, Reilly Judd, "Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy" (2015). Theses and Dissertations. 5583. https://scholarsarchive.byu.edu/etd/5583 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Darl Larsen, Chair Sharon Swenson Benjamin Thevenin Department of Theatre and Media Arts Brigham Young University June 2015 Copyright © 2015 Reilly Judd Ryan All Rights Reserved ABSTRACT Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Department of Theatre and Media Arts, BYU Master of Arts This paper explores the presentation of family in the controversial FOX Network television program Family Guy. Polarizing to audiences, the Griffin family of Family Guy is at once considered sophomoric and offensive to some and smart and satiric to others. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Trois Anciens Élans À Fort Williams Ppeeessstttiiiccciiidddeeess
HA 12-HA13 HA 14 Ce que nous lisons ne sera jamais perdu. Tout HA5-HA6 HA15-HA16 mûrit à temps et devient fruit à son heure. Anonyme HA11 1976 - 2006 Le Nord LeLeVol. 32 No.21 NordN Hearst On ~ Leo mercredi 8r août 2007d1,25$ + T.P.S. PPeessttiicciiddeess :: RRhhééaauummee rreevviieenntt àà llaa cchhaarrggee HHAA0033 Léveillée : plus qu’un simple humoriste HA17 TTrrooiiss aanncciieennss ÉÉllaannss àà FFoorrtt Quand les rayons du soleil frappent trop fort, il n’existe pas meilleur moyen de se rafraîchir que de sauter à l’eau. La scène a été croquée au Camping Boudrias de Mattice WWiilllliiaammss alors que Mackenzie Gagnnon, Zoé Gagnon, Steve Payne et Philippe Brunet ont pris une courte pose pour les besoins de la photo avant de retourner s’amuser. Photo disponible au journal Le Nord/CP HHAA1199 Mercredi Jeudi Vendredi Samedi Dimanche Lundi Ciel variable Nuageux avec éclaircies Nuageux Nuageux avec éclaircies et quelques averses Ensoleillé Ensoleillé Max 13 Max 35 Min 13 Max 22 Min 13 Max 18 Min 11 Max 23 Min 10 PdP 20% Max 24 Min 10 PdP 100% PdP 20% PdP 60% PdP 0% PdP 0% Débuté l’automne dernier Le programme Katimavik tire à sa fin à Hearst HEARST (FB) – Le programme Le troisième et dernier groupe nauté jusqu’au 22 août. Ce travaille au Centre de garde tan- kiosque lors du Festival d’été du Katimavik tire à sa fin cette de participants et participantes groupe ne comprend que cinq dis que Danielle Snow et Dylan centre-ville où l’on vendra des année à Hearst. -
Functions of Intermediality in the Simpsons
Functions of Intertextuality and Intermediality in The Simpsons Der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) eingereichte Dissertation von Wanja Matthias Freiherr von der Goltz Datum der Disputation: 05. Juli 2011 Gutachter: Prof. Dr. Josef Raab Prof. Dr. Jens Gurr Table of Contents List of Figures...................................................................................................................... 4 1. Introduction .............................................................................................. 5 1.1 The Simpsons: Postmodern Entertainment across Generations ................ 5 1.2 Research Focus .............................................................................................11 1.3 Choice of Material ..........................................................................................16 1.4 Current State of Research .............................................................................21 2. Text-Text Relations in Television Programs ....................................... 39 2.1 Poststructural Intertextuality: Bakhtin, Kristeva, Barthes, Bloom, Riffaterre .........................................................................................................39 2.2 Forms and Functions of Intertextual References ........................................48 2.3 Intertextuality and Intermediality ..................................................................64 2.4 Television as a -
Informal Complaints to FCC About Family Guy Television Show , 2005
Description of document: Informal complaints about Family Guy television show made to the Federal Communications Commission (FCC), Washington, D.C., 2005 - 2007 Requested date: 29-November-2007 Released date: 14-January-2008 Posted date: 27-January-2008 Date/date range of document: 23-February-2005 – 21-December-2007 Source of document: Federal Communications Commission 445 12th Street, S.W., Room 1-A836 Washington, D.C. 20554 Phone: 202-418-0440 or 202-418-0212 Fax: 202-418-2826 or 202-418-0521 E-mail: [email protected] The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 January 14, 2008 FOIA 2008-086 This letter responds to your Freedom ofInformation Act ("FOIA") request received by the Federal Communications Commission (the "FCC" or "Commission") and assigned to the Consumer & Governmental Affairs Bureau ("CGB") and the Enforcement Bureau (EB) by the Commission's FOIA Office on November 29, 2007. -
Family Guy Musical References
Family Guy Musical References Patched and taken Damian often booby-trapping some bee-eater marvellously or scumblings pre-eminently. Davidson never horripilated any isologues bestrewn peerlessly, is Lukas neighbourless and extraordinary enough? Mike outgrew quakingly. Wow, you really changed my reading about flower show. This refer a reference to the song song 99 Luftballons by German singer Nena. 'Family work's Best Musical Moments UPROXX. Been found this reference point by exaggerating the references and forces her. The guys should make you dont watch one of the breaking out of the show countered other. Winking references to Netflix and hierarchy begin to appear sweet as frequently as land I. When a 2005 episode featured a jaunty musical number across the. With musical reference parallels narcissus from time of references this. Purple paper or AJis the former secondary antagonist of Five person's At Freddy's The Musical. 3 Hell Comes to Quahog References Peter stars in the Broadway musical version of industry movie Red heat When Peter his friends give Meg a. This analysisresistthat temptation and instead placethem into meaningful groupsthose related to and including satire, mentioned in go One. While in family? Stewie is also call best harness ever, pure genius! Abdul dancing and family guy references talk between exposing the. Family Guy Reference Thread Muppet Central Forum. His blocks on its satire attacks and a photo or osmond is that terror for two notable instances of. This preclude the formula of leaving you going for so peculiar that east end whose laughing that it twice. In the musical number performed by octopus creatures, family guy musical references and ultimately confronting her hat on one presumably considers the. -
Video Reviews 9-28-07.Qxp
New On Video & DVD Family Guy Season 5 Seth MacFarlane's animated comedy continues its assault on pop culture, good taste, and the Fox censors with its riotous fifth season. Even though nothing has really changed for the Griffin family, there's still plenty of comedic ground to cover. Peter keeps his crown as the laziest man in Quahog, Rhode Island, but getting older means experiences that no man should have to go through. Meanwhile, his beloved Lois is still far too sexy for her portly husband, leading to a liaison with Bill Clinton. Son Chris joins a band, but he can't seem to shake his fear of the evil monkey in his closet. Daughter Meg continues her tour of mediocrity with a job at a store in town, while Brian the dog puts down his martini long enough to go beyond the bounds of Quahog and travel to Iraq. Baby Stewie remains intent on world domination and matricide, but he takes some time off to connect with an ex- love. Volume five includes the first 13 episodes of the fifth season, plus commentary, deleted scenes and more to delight Family Guy fans. Disc 1 includes the following episodes: "Stewie Loves Lois," "Mother Tucker," "Hell Comes to Quahog," "Saving Private Brian," "Whistle While Your Wife Works" and "Prick Up Your Ears." Additional Actors: Adam West, Mike Henry, Phil LaMarr, Phyllis Diller, Gore Vidal, Carrie Fisher, Gary Cole, Macaulay Culkin, Louis Gossett Jr., Johnny Brennan, Drew Barrymore, David Cross. Disc 2 includes the following episodes: "Chick Cancer," "Barely Legal," "Road to Rupert," "Peter's Two Dads," "The Tan Aquatic with Steve Zissou," "Airport '07" and "Bill and Peter's Bogus Journey." Additional Actors: Stacey Scowley, Alex Breckenridge, Lori Alan, Johnny Brennan, Danny Smith, Drew Barrymore, Adam West, Lizzy Caplan, Rachael MacFarlane, Kerrigan Mahan, Natasha Melnick, Lisa Wilhoit, Garrett Morris, Tamera Mowry, Tom Kenny, George Wendt, Rob Lowe, Phyllis Diller, Charles Durning, Beth Littleford, Kevin Michael Richardson, Ralph Garman, Hugh Hefner, Roy Scheider. -
Video Reviews 9-28-07.Qxp
New On Video & DVD Family Guy Season 5 Seth MacFarlane's animated comedy continues its assault on pop culture, good taste, and the Fox censors with its riotous fifth season. Even though nothing has really changed for the Griffin family, there's still plenty of comedic ground to cover. Peter keeps his crown as the laziest man in Quahog, Rhode Island, but getting older means experiences that no man should have to go through. Meanwhile, his beloved Lois is still far too sexy for her portly husband, leading to a liaison with Bill Clinton. Son Chris joins a band, but he can't seem to shake his fear of the evil monkey in his closet. Daughter Meg continues her tour of mediocrity with a job at a store in town, while Brian the dog puts down his martini long enough to go beyond the bounds of Quahog and travel to Iraq. Baby Stewie remains intent on world domination and matricide, but he takes some time off to connect with an ex- love. Volume five includes the first 13 episodes of the fifth season, plus commentary, deleted scenes and more to delight Family Guy fans. Disc 1 includes the following episodes: "Stewie Loves Lois," "Mother Tucker," "Hell Comes to Quahog," "Saving Private Brian," "Whistle While Your Wife Works" and "Prick Up Your Ears." Additional Actors: Adam West, Mike Henry, Phil LaMarr, Phyllis Diller, Gore Vidal, Carrie Fisher, Gary Cole, Macaulay Culkin, Louis Gossett Jr., Johnny Brennan, Drew Barrymore, David Cross. Disc 2 includes the following episodes: "Chick Cancer," "Barely Legal," "Road to Rupert," "Peter's Two Dads," "The Tan Aquatic with Steve Zissou," "Airport '07" and "Bill and Peter's Bogus Journey." Additional Actors: Stacey Scowley, Alex Breckenridge, Lori Alan, Johnny Brennan, Danny Smith, Drew Barrymore, Adam West, Lizzy Caplan, Rachael MacFarlane, Kerrigan Mahan, Natasha Melnick, Lisa Wilhoit, Garrett Morris, Tamera Mowry, Tom Kenny, George Wendt, Rob Lowe, Phyllis Diller, Charles Durning, Beth Littleford, Kevin Michael Richardson, Ralph Garman, Hugh Hefner, Roy Scheider. -
Translating Music Intelligibly: Musical Paraphrase in the Long 20Th Century
Translating Music Intelligibly: Musical Paraphrase in the Long 20th Century A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Jeremy White Orosz IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advised by Matthew P. Bribitzer-Stull December 2013 Copyright © 2013 Jeremy White Orosz All rights reserved Table of Contents List of Tables ii List of Examples iii Chapter 0: What is Paraphrase? 1 Chapter 1: On the Musically Translatable 19 Chapter 2: On the Musically Forge(t)able: 56 Television Cartoons and the Paraphrase of Popular Music Chapter 3: On the Musically Caricaturable 97 Chapter 4: John Williams: Paraphraser or Plagiarist? 141 Chapter 5: Berg the Wagnerian: Tristan and Lulu 185 Bibliography 215 i List of Tables Table 1.1: MOD-9 Pentachords (in Prime Form) 44 Table 2.1: The “Mapple” logo vs. the Apple Computers logo 56 Table 3.1: Techniques of Caricature (1) 112 Table 3.2: Techniques of Caricature (2) 121 Table 3.3: Techniques of Caricature (3) 124 Table 3.4: Caricature and its counterparts 135 ii List of Examples EXAMPLE 1-1: The Simpsons Theme 32 EXAMPLE 1-2: Tristan und Isolde, mm. 1-4 33 EXAMPLE 1-3: “Golliwogg’s Cakewalk,” Children’s Corner (excerpt) 33 EXAMPLE 1-4: Last Tango at Bayreuth (excerpt) 33 EXAMPLE 1-5: Comparison of the diatonic collection to Messiaen’s modes 38 EXAMPLE 1-6: Hypothetical Mode 3 Scalar Subset 39 EXAMPLE 1-7: Lee’s “Theme” (top line, transposed to C major) compared 40 to the first sixteen measures of the “Messiaen” variation EXAMPLE 1-8: The resultant WT+1 Scale (with “chromatic” B-natural) 40 when the diatonic collection is mapped onto Mode 3 EXAMPLE 1-9: Pitch classes correspondences between the diatonic theme 41 melody and the Mode 6 portion of “Messiaen.” EXAMPLE 1-10: Mode 3 portion of “Messiaen” Variation (mm. -
Televisión Hiperconsciente: Las Comedias Animadas De Prime Time
Beatriz María Gómez Morales Televisión hiperconsciente: las comedias animadas de prime time Tesis doctoral Directora: M. Rosario Lacalle Zalduendo Departamento de Periodismo y Ciencias de la Comunicación Facultad de Ciencias de la Comunicación Universidad Autónoma de Barcelona 2012 Agradecimientos La primera persona en quien pienso mientras escribo estas líneas es en Charo, la directora de esta tesis doctoral, a quien agradezco muy sinceramente el seguimiento riguroso y puntual, así como el estímulo intelectual constante. También agradezco la profesionalidad y la cálida relación humana del personal de la Biblioteca de Comunicación y Hemeroteca General de la Universidad Autónoma de Barcelona. Siempre han puesto a mi disposición todos sus recursos y han hecho las largas jornadas de trabajo mucho más agradables. A Jordi y Vador, que le han dado intención comunicativa a la forma de un trabajo que habla de la cultura audiovisual. Por último, pero no menos importante, quiero agradecer a Enric todo el tiempo dedicado a escuchar todas mis dudas y a Karen y Jorge por acompañarme incondicionalmente en estos años de trabajo de investigación. Índice 0. Introducción ............................................................................................................... 13 0.1. Hipótesis ............................................................................................................... 14 0.2. Objetivos ............................................................................................................... 17 0.3. Justificación