DOCSLIB.ORG

Bk Sans 006940.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bk Sans 006940.Pdf APPENDIX Four Years of Films 1995 Wednesday, June 7, 1995 Touch of Evil Saturday, May 20, 1995 New Beverly Cinema Sunset Boulevard and Ace in the Hole Thursday, June 8, 1995 New Beverly Cinema Kiss of Death New Beverly Cinema Tuesday, May 23, 1995 The Nutty Professor Tuesday, June 13, 1995 New Beverly Cinema Buster Keaton Shorts and Steamboat Bill, Jr. Sunday, May 28, 1995 New Beverly Cinema Muriel’s Wedding Balboa Theater, San Francisco Thursday, June 15, 1995 Little Odessa Friday, June 2, 1995 Town Center 5, Encino Crimson Tide Town Center 5, Encino Saturday, June 17, 1995 Batman Forever Saturday, June 3, 1995 Sherman Oaks 2 Amateur Sunset 5 Sunday, June 18, 1995 Bloodsucking Freaks Sunday, June 4, 1995 (midnight show) Die Hard with a Vengeance Sunset 5 Sherman Oaks Galleria Wednesday, June 21, 1995 Repulsion and Knife in the Water New Beverly Cinema 1 FOUR YEARS OF FILMS Saturday, July 1, 1995 Thursday, August 17, 1995 Apollo 13 Hiroshima Mon Amour Sherman Oaks 2 New Beverly Cinema Tuesday, July 4, 1995 Saturday, August 19, 1995 The Road Warrior Belle de Jour New Beverly Cinema Los Feliz 3 Friday, July 7, 1995 Sunday, August 20, 1995 First Knight Peking Opera Blues Sherman Oaks Galleria New Beverly Cinema Sunday, July 9, 1995 Friday, August 25, 1995 A Clockwork Orange Kids (midnight show) Sunset 5 Sunset 5 Judge Dredd Saturday, August 26, 1995 Sherman Oaks Galleria Desperado Cinerama Dome (midnight Saturday, July 22, 1995 show) The New Legend of Shaolin Roxie Theater, San Francisco Tuesday, August 29, 1995 The 5,000 Fingers of Dr. T. Sunday, July 23, 1995 New Beverly Cinema Last Tango in Paris Red Vic Movie House, San Wednesday, August 30, 1995 Francisco Blow Out and Dressed to Kill New Beverly Cinema Friday, August 4, 1995 Dr. Strangelove Friday, September 1, 1995 New Beverly Cinema The Usual Suspects Los Feliz 3 Sunday, August 6, 1995 La Jetée Sunday, September 3, 1995 New Beverly Cinema The Chinese Feast Red Vic Movie House, San Wednesday, August 9, 1995 Francisco The Bicycle Thief New Beverly Cinema 2 FOUR YEARS OF FILMS Saturday, September 9, 1995 Monday, September 25, 1995 The Maltese Falcon Mute Witness New Beverly Cinema Sunset 5 Sunday, September 10, 1995 Thursday, October 5, 1995 Two-Lane Blacktop and Cisco The Seven Samurai Pike Monica 4-Plex New Beverly Cinema Friday, October 6, 1995 Thursday, September 14, 1995 Devil in a Blue Dress Unzipped Cinerama Dome Los Feliz 3 Saturday, October 7, 1995 Friday, September 15, 1995 Bride of Frankenstein Young Frankenstein Alex Theatre New Beverly Cinema Tuesday, October 10, 1995 Sunday, September 17, 1995 Abby Full Contact Nuart New Beverly Cinema Friday, October 13, 1995 Tuesday, September 19, 1995 The Abominable Snowman The Deadly Cure of the Himalayas, Stolen New Beverly Cinema Face, and The Curse of Frankenstein Friday, September 22, 1995 DGA Theater (American Funny Bones and The Cinematheque) Entertainer New Beverly Cinema Saturday, October 14, 1995 The Hound of the Saturday, September 23, 1995 Baskervilles, Horror of Seven Dracula, The Stranglers of Sherman Oaks Galleria Bombay and These Are the Damned Sunday, September 24, 1995 DGA Theater (American Chinatown and Klute Cinematheque) New Beverly Cinema 3 FOUR YEARS OF FILMS Sunday, October 15, 1995 Saturday, October 28, 1995 Never Take Sweets from a Leaving Las Vegas Stranger and Scream of Fear Beverly Connection Cinema DGA Theater (American High Sierra Cinematheque) New Beverly Cinema Wednesday, October 18, 1995 Sunday, October 29, 1995 The Addiction Get Shorty Sunset 5 Galaxy Cinema Saturday, October 21, 1995 Friday, November 3, 1995 The Revenge of Frankenstein, Casablanca and The Big Sleep Die! Die! My Darling, New Beverly Cinema The Mummy, Prehistoric Women, The Vampire Saturday, November 11, 1995 Lovers, The Reptile and Copycat The Plague of the Zombies Beverly Connection Cinema DGA Theater (American Cinematheque) Thursday, November 16, 1995 2001: A Space Odyssey Sunday, October 22, 1995 Cinerama Dome X: The Unknown, When Dinosaurs Ruled the Earth, Saturday, November 18, 1995 Five Million Miles to The Doom Generation Earth, Frankenstein Must Los Feliz 3 Be Destroyed and Captain Kronos: Vampire Hunter Sunday, November 19, 1995 DGA Theater (American Solaris Cinematheque) New Beverly Cinema Friday, October 27, 1995 Friday, November 24, 1995 Frankenstein (1931) and Casino Dracula (1931) Crossroads UA Cinema, Orpheum Theatre Monterey Tuesday, November 28, 1995 Carrington Sunset 5 4 FOUR YEARS OF FILMS Friday, December 8, 1995 Wednesday, December 27, Il Postino 1995 New Beverly Cinema Babe Fairfax Theater Saturday, December 9, 1995 Cinema Paradiso Thursday, December 28, 1995 New Beverly Cinema Toy Story AMC 14 Sunday, December 10, 1995 Citizen Kane Grease New Beverly Cinema New Beverly Cinema Friday, December 29, 1995 Sunday, December 17, 1995 Twelve Monkeys Sherlock Jr. and Pandora’s Box AMC 14 Castro Theatre, San Francisco Sabrina and Breakfast at Tiffany’s Sunday, December 24, 1995 New Beverly Cinema Rosemary’s Baby (midnight) Sunset 5 Saturday, December 30, 1995 The Wizard of Oz and Willy I Am Cuba Wonka and the Chocolate Sunset 5 Factory Richard III New Beverly Cinema Beverly Center Cinemas Monday, December 25, 1995 Sunday, December 31, 1995 Nixon Theremin Los Feliz 3 Sunset 5 Georgia The Killing and The Asphalt Sunset 5 Jungle New Beverly Cinema Tuesday, December 26, 1995 The City of Lost Children Nuart 1996 Four Rooms Sunset 5 Thursday, January 4, 1996 Rashomon New Beverly Cinema 5 FOUR YEARS OF FILMS Sunday, January 7, 1996 Wednesday, February 7, 1996 The Thing (1982) The Seventh Seal New Beverly Cinema New Beverly Cinema Friday, January 12, 1996 Thursday, February 8, 1996 Blue Velvet Wild Strawberries New Beverly Cinema New Beverly Cinema Saturday, January 13, 1996 Saturday, February 10, 1996 The Big Combo The Big Heat Tales Café Tales Café Sunday, January 14, 1996 Friday, February 16, 1996 The Horror Chamber of The Wild One Doctor Faustus Tales Café Red Vic Movie House, San Francisco Sunday, February 18, 1996 Five Against the House Saturday, January 27, 1996 Nuart Laura New Beverly Cinema Monday, February 19, 1996 Taxi Driver Monday, January 29, 1996 Nuart Rififi Tales Café Friday, February 23, 1996 The Beat Generation Wednesday, January 31, 1996 Tales Café The World’s Greatest Sinner New Beverly Cinema Saturday, February 24, 1996 If . Saturday, February 3, 1996 New Beverly Cinema Annie Hall and Manhattan New Beverly Cinema Thursday, February 29, 1996 Beyond a Reasonable Doubt Sunday, February 4, 1996 Tales Café The Shining and The Exorcist While the City Sleeps New Beverly Cinema New Beverly Cinema 6 FOUR YEARS OF FILMS Friday, March 1, 1996 Saturday, April 13, 1996 Harold and Maude Amarcord New Beverly Cinema New Beverly Cinema Sunday, March 3, 1996 Sunday, April 14, 1996 The Girl Can’t Help It and Yojimbo and Sanjuro Beyond the Valley of the New Beverly Cinema Dolls New Beverly Cinema Monday, April 15, 1996 Girls Town My Name Is Julia Ross Tales Café Tales Café Sunday, March 10, 1996 Monday, April 22, 1996 Beware, My Lovely The Force of Evil Tales Café Castro Theatre, San Francisco Monday, March 18, 1996 Wednesday, April 24, 1996 The Window Berserk and Strait Jacket Tales Café New Beverly Cinema Thursday, March 21, 1996 Monday, April 29, 1996 Mildred Pierce While the City Sleeps New Beverly Cinema New Beverly Cinema Wednesday, March 27, 1996 Tuesday, April 30, 1996 Murder by Contract Vertigo New Beverly Cinema UCLA Melnitz Saturday, April 6, 1996 Saturday, May 4, 1996 Naked City and Undercover Jail Bait Man Nuart USC Jaws and Psycho Up in Smoke Four Star Theatre Vine Theatre Sunday, May 5, 1996 Sunday, April 7, 1996 Double Indemnity Kiss Me Deadly Monica 4-Plex UCLA Melnitz Peeping Tom UCLA Melnitz 7 FOUR YEARS OF FILMS Friday, May 10, 1996 Tuesday, June 11, 1996 Bob le Flambeur THX-1138 Raleigh Studios, Chaplin New Beverly Cinema Theater Friday, June 14, 1996 Sunday, May 12, 1996 Switchblade Sisters Obsession Sunset 5 Four Star Theatre Sunday, June 16, 1996 Wednesday, May 15, 1996 The Body Snatcher Pink Flamingos and Female Four Star Theatre (midnight Trouble show) New Beverly Cinema Saturday, June 22, 1996 Sunday, May 19, 1996 La Cage aux Folles Murder, My Sweet Four Star Theatre Monica 4-Plex Sunday, June 23, 1996 Monday, May 20, 1996 I Was a Teenage Werewolf Ruthless Four Star Theatre (midnight Tales Café show) Diner Wednesday, May 22, 1996 New Beverly Cinema Rebel Without a Cause Four Star Theatre Monday, June 24, 1996 Caught Saturday, May 25, 1996 Tales Café Pitfall Tales Café Wednesday, June 26, 1996 Singin’ in the Rain Sunday, May 26, 1996 State Theatre Point Blank New Beverly Cinema Saturday, June 29, 1996 The Last Waltz Monday, June 10, 1996 Four Star Theatre (midnight Who Killed Teddy Bear? show) The Castro Theatre, San Francisco 8 FOUR YEARS OF FILMS Monday, July 1, 1996 Thursday, July 11, 1996 The Fallen Idol The Great Escape Tales Café Four Star Theatre Tuesday, July 2, 1996 Saturday, July 13, 1996 The Search for One-Eye It Came from Outer Space Jimmy and Earth vs. the Flying Music Hall Saucers Nuart Wednesday, July 3, 1996 Atlantic City Independence Day New Beverly Cinema Golden State Theater, Monterey Sunday, July 14, 1996 Cool Hand Luke and Hud Thursday, July 4, 1996 New Beverly Cinema To Catch a Thief Films in the Forest, Monterey Monday, July 15, 1996 Nightfall Friday, July 5, 1996 Tales Café Phenomenon Lighthouse Theater Saturday, July 20, 1996 The Mysterians and Village of Sunday, July 7, 1996 the Damned Gilda Nuart Tales Café The Big Sleep (unreleased 1945 version) Monday, July
Load more

Recommended publications
  • 9782873404178 01.Pdf
    SOMMAIRE Jean-François Rauger : La douceur Fuller L’ŒUVRE Thanatos Pierre Gabaston. La fureur Fuller Serge Chauvin. Crever l’écran. Une esthétique du surgissement Sarah Ohana. Faire face. À propos du style de Samuel Fuller Laurent Le Forestier. Samuel Fuller, cinéaste responsable Jean-Marie Samocki. Le chaos comme le chant. Samuel Fuller metteur en son Éros Murielle Joudet. La violence en partage Patrice Rollet. L’autre visage de la fureur. Érotique de Fuller Figures humaines Sergio Toffetti. Le jaune, le rouge, le noir et le blanc Chris Fujiwara. Les visages asiatiques de Samuel Fuller Jean-Marie Samocki. Le vieillissement de Lee Marvin. It Tolls for Thee / The Big Red One Simon Laperrière. Une grande mêlée. Les romans de Samuel Fuller LES FILMS Gilles Esposito. L’enfer du développement. Samuel Fuller scénariste Marcos Uzal. La Passion du traître. I Shot Jesse James / J’ai tué Jesse James Laura Laufer. L’Amour, vaste territoire The Baron of Arizona / Le Baron de l’Ari- zona Mathieu Macheret. Le Théâtre des opérations. The Steel Hemlet / J’ai vécu l’en- fer de Corée et Fixed Bayonets !/Baïonnette au canon Bernard Eisenschitz. Park Row / Violence à Park Row Murielle Joudet. Pickpocket. Pickup on South Street / Le Port de la drogue Samuel Bréan. Anatomie d’un mensonge. Le doublage de Pickup on South Street Jean-François Rauger. Le Sous-marin et les Rouges. Hell and High Water / Le Démon des eaux troubles The Steel Helmet. Egdardo Cozarinsky. House of Bamboo / La Maison de Bambou Bernard Benoliel. Fuller, l’attendrisseur. Run of the Arrow / Le Jugement des Jean-François Rauger flèches Jean-François Rauger.
    [Show full text]
  • January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)
    January 27, 2009 (XVIII:3) Samuel Fuller PICKUP ON SOUTH STREET (1953, 80 min) Directed and written by Samuel Fuller Based on a story by Dwight Taylor Produced by Jules Schermer Original Music by Leigh Harline Cinematography by Joseph MacDonald Richard Widmark...Skip McCoy Jean Peters...Candy Thelma Ritter...Moe Williams Murvyn Vye...Captain Dan Tiger Richard Kiley...Joey Willis Bouchey...Zara Milburn Stone...Detective Winoki Parley Baer...Headquarters Communist in chair SAMUEL FULLER (August 12, 1912, Worcester, Massachusetts— October 30, 1997, Hollywood, California) has 53 writing credits and 32 directing credits. Some of the films and tv episodes he directed were Street of No Return (1989), Les Voleurs de la nuit/Thieves After Dark (1984), White Dog (1982), The Big Red One (1980), "The Iron Horse" (1966-1967), The Naked Kiss True Story of Jesse James (1957), Hilda Crane (1956), The View (1964), Shock Corridor (1963), "The Virginian" (1962), "The from Pompey's Head (1955), Broken Lance (1954), Hell and High Dick Powell Show" (1962), Merrill's Marauders (1962), Water (1954), How to Marry a Millionaire (1953), Pickup on Underworld U.S.A. (1961), The Crimson Kimono (1959), South Street (1953), Titanic (1953), Niagara (1953), What Price Verboten! (1959), Forty Guns (1957), Run of the Arrow (1957), Glory (1952), O. Henry's Full House (1952), Viva Zapata! (1952), China Gate (1957), House of Bamboo (1955), Hell and High Panic in the Streets (1950), Pinky (1949), It Happens Every Water (1954), Pickup on South Street (1953), Park Row (1952), Spring (1949), Down to the Sea in Ships (1949), Yellow Sky Fixed Bayonets! (1951), The Steel Helmet (1951), The Baron of (1948), The Street with No Name (1948), Call Northside 777 Arizona (1950), and I Shot Jesse James (1949).
    [Show full text]
  • Nosferatu. Revista De Cine (Donostia Kultura)
    Nosferatu. Revista de cine (Donostia Kultura) Título: Filmografía Autor/es: Devesa, Dolores; Potes, Alicia Citar como: Devesa, D.; Potes, A. (1993). Filmografía. Nosferatu. Revista de cine. (12):72- 77. Documento descargado de: http://hdl.handle.net/10251/40864 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: El diablo de las aguas turbws (Hell and High Water, 1954) Filmografía r::x: Dolores Devesa y Alicia Potes pert Productions (EEUU). Argumento: (Sargento Zack), Robe1t Hutton (Solda­ Como director basado en un artículo publicado en Ame­ do "Conchie" Bronte), Richard Loo rican Weekly. Guión: Samuel Fuller. (Sargento Tanaka) , Steve Brodie (Te­ Supervisión del guión: Dorothy B. niente Drisco /1) , James Edwru·ds (Cabo Balas vengadoras(/ Shot Jesse James, Cormack. Fotografía: James Wong Thompson), Sid Melton (loe), Richru·d 1949) Howe. Música: Paul Dunlap. Montaje: Monahan (So ldado Bale/y), William Atthm Hilton. Intérpretes: Vincent Pri­ Chun ("Short Round", muchacho corea­ Producción:Lippert Product. (EEUU). ce (James Addison Reavis) , Ellen Drew no). Duración: 84 min. B/N. Estreno: Argumento: basado en un artículo de (Sofía Peralta Reavis), Beulah Bondi Madrid: Paz: 22 de junio de 1959.
    [Show full text]
  • Film Noir - Danger, Darkness and Dames
    Online Course: Film Noir - Danger, Darkness and Dames WRITTEN BY CHRIS GARCIA Welcome to Film Noir: Danger, Darkness and Dames! This online course was written by Chris Garcia, an Austin American-Statesman Film Critic. The course was originally offered through Barnes & Noble's online education program and is now available on The Midnight Palace with permission. There are a few ways to get the most out of this class. We certainly recommend registering on our message boards if you aren't currently a member. This will allow you to discuss Film Noir with the other members; we have a category specifically dedicated to noir. Secondly, we also recommend that you purchase the following books. They will serve as a companion to the knowledge offered in this course. You can click each cover to purchase directly. Both of these books are very well written and provide incredible insight in to Film Noir, its many faces, themes and undertones. This course is structured in a way that makes it easy for students to follow along and pick up where they leave off. There are a total of FIVE lessons. Each lesson contains lectures, summaries and an assignment. Note: this course is not graded. The sole purpose is to give students a greater understanding of Dark City, or, Film Noir to the novice gumshoe. Having said that, the assignments are optional but highly recommended. The most important thing is to have fun! Enjoy the course! Jump to a Lesson: Lesson 1, Lesson 2, Lesson 3, Lesson 4, Lesson 5 Lesson 1: The Seeds of Film Noir, and What Noir Means Social and artistic developments forged a new genre.
    [Show full text]
  • Descargar Documento Asociado
    Filmoteca de Andalucía Sala Val Del Omar Programación JUN 2019 ciclo MIÉ VIE RObERT ALDRICH 05 20:30 07 18:00 El gran cuchillo Robert Aldrich. EEUU. 1955. 111 min. byN. v.o.s.e. El beso mortal (Kiss Me Deadly, 1955), el film-noir definitivo de la paranoia atómica y de la era McCarthy. Cineasta de «una disciplina y una autoridad extraordinarias» y con una fuerte vocación independiente, su sexto largome - traje significó la primera producción de su compañía, Associates & Aldrich — Attack! (1956), ¿Qué fue de Baby Jane? (What Ever Happened to Baby Jane, 1962), Canción de cuna para un cadáver (Hush, Hush, Sweet Charlotte, 1964), La banda de los Grissom (The Grissom Gang, 1971)…—. Para ello el realizador no pudo elegir un material más comprometido: The Big Knife, una obra escrita en 1949 por el dramaturgo Clifford Odets, que le había servido a su autor para reponerse comercialmente de los fracasos de sus dos piezas anteriores: Night Music (1940) y Clash by Night (1941), por un lado, y, por el otro, para saldar cuentas con la industria del cine tras una experiencia traumática como guionista.[2] No resulta difícil imaginar los motivos por los que el cineasta, alguien al que «le son hasta tal punto propios tanto sus temas como su puesta en escena FICHA TÉCNICA pasional»[3], eligió adaptar la obra de Odets. Su afán discursivo, su mirada Título original: The Big Knife. crítica sobre la sociedad y las instituciones norteamericanas, entroncan a la Título español: El gran cuchillo. perfección con la dramaturgia del autor de Waiting for Lefty (1935) y Awake Nacionalidad: EEUU.
    [Show full text]
  • Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
    UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff.
    [Show full text]
  • Filmfestival Rotterdam Op Naar Miljoen Bezoekers?
    Colofon Eindredactie Paul Verstraeten Met bijdragen van Simon Field, Sandra den Hamer, Mirjam Klootwijk, Geert Hoeven, Carlie Janszen, Femke Wolting Fotografie André Bakker, Cynthia van Elk Vormgeving Publish, Amsterdam / Jan Pieter Ekker Druk Tripiti, Rotterdam Omslag Max Kisman Het Jaarverslag is een uitgave van de Stichting Film Festival Rotterdam Kruiskadehof 36b Postbus 21696 3001 AR Rotterdam telefoon 010 411 80 80 fax OIO 413 51 32 e-mail [email protected] Vooraf Citaten uit de media 3 Awards 4 Festivai in cijfers 5 Inleiding 6 1 Programma 1.1 Tiger Awards competitie 9 1.2 Hubert Bals Fonds Oogst 9 1.3 Hoofdprogramma 9 1.4 The Cruel Machine 10 1.5 Exploding cinema 11 1.6 Film-makers in Focus 12 1.7 Italian Exploitation 12 1.8 Dutch Perspective 12 1.9 Critics’Choice 12 2 Festival als evenement 2.1 Samenwerkingsverbanden en co-producties 13 2.2 Gasten 14 2.3 Opening en sluiting 14 2.4 Lezingen, talkshows en introducties 14 3 CineMart 3.1 Inleiding 15 3.2 Werving en selectie projecten 15 3.3 Programma CineMart 16 3.4 CineMart Consultancy Service 16 3.5 Industry Office 17 3.6 CineMart USA 17 3.7 Resultaten en reacties 17 4 Hubert Bals Fonds 4.1 Inleiding 19 4.2 Jaaroogst 1998 19 4.3 Hubert Bals Fonds Conferentie 19 4.4 Geselecteerde projecten 97/98 20 4.5 Distributie 20 4.6 Overige activiteiten en samenwerking 21 5 Communicatie & Marketing 5.1 Kaartverkoop en publiekssamenstelling 22 5.1.1 Inleiding 22 5.1.2 Toegangsprijzen en kaartenbeleid 22 5.1.3 Resultaten publieksonderzoek 23 5.2 Media en promotionele acties 25 5.2.1 Inleiding 25 5.2.2
    [Show full text]
  • Newbev201902 FRONT
    General Admission: $10.00 February 2019 Seniors / Children: $6.00 NEW Matinees: $6.00 BEVERLY cinema 7165 BEVERLY BLVD. THENEWBEV.COM ONE BLOCK WEST OF LA BREA, LOS ANGELES FOLLOW US ON FACEBOOK AND TWITTER! February 1 & 2 Two written by Peter Benchley The New Beverly Cinema pays tribute to legendary superstar Burt Reynolds in February, showcasing the charisma and charm that made him a true American icon. The series kicks off on his birthday with a rare film print of his screen debut, Angel Baby, and runs through some of his most entertaining movies of the ‘70s and beyond throughout the month. 4-track Mag Print DIRECTED BY STEVEN SPIELBERG February 3 & 4 February 5 February 6 & 7 February 8 & 9 IB Tech Print IB Tech Print MIDNIGHT SHOW! MIDNIGHT SHOW! MIDNIGHT SHOW! MIDNIGHT SHOW! THE BLACK GODFATHER (SATURDAY ONLY) February 10 & 11 Directed by Paul Wendkos February 12 February 13 & 14Burt Reynolds Tribute February 15 & 16 Burt Reynolds Tribute Burt Reynolds Tribute JOHN BOORMAN’S BURT REYNOLDS Sam Fuller’s SHARK! Sony Archive Print SONY ARCHIVE PRINT PAUL THOMAS ANDERSON’S BATTLE OF THE GEORGE HAMILTON CORAL SEA BURT REYNOLDS February 17 & 18 French Foreign Legion February 19 February 20 & 21 Burt Reynolds Tribute February 22 & 23 Burt Reynolds Tribute MARTY FELDMAN Jamaa Fanaka Double LEON ISAAC KENNEDY February 24 & 25 Directed by Paul Wendkos February 26 February 27 & 28 Jack Lemmon Double Feature Burt Reynolds Tribute See some stunning 35mm prints courtesy of the Sony Archive! Sony Archive Print JACK Sony Archive Print LEMMON The
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • Tiff Bell Lightbox Celebrates a Century of Chinese Cinema with Unprecedented Film Series, Exhibitions and Special Guests
    May 6, 2013 .NEWS RELEASE. TIFF BELL LIGHTBOX CELEBRATES A CENTURY OF CHINESE CINEMA WITH UNPRECEDENTED FILM SERIES, EXHIBITIONS AND SPECIAL GUESTS - Programme features 80 films, free exhibitions and guests including Chen Kaige, Johnnie To and Jackie Chan - -Tickets on sale May 21 at 10 a.m. for TIFF Members, May 27 at 10 a.m. for non-members - Toronto – Noah Cowan, Artistic Director, TIFF Bell Lightbox, announced today details for a comprehensive exploration of Chinese film, art and culture. A Century of Chinese Cinema features a major film retrospective of over 80 titles, sessions with some of the biggest names in Chinese cinema, and a free exhibition featuring two internationally acclaimed visual artists. The flagship programme of the summer season, A Century of Chinese Cinema runs from June 5 to August 11, 2013. “A Century of Chinese Cinema exemplifies TIFF’s vision to foster new relationships and build bridges of cultural exchange,” said Piers Handling, Director and CEO of TIFF. “If we are, indeed, living in the Chinese Century, it is essential that we attempt to understand what that entails. There is no better way to do so than through film, which encourages cross-cultural understanding in our city and beyond.” “The history, legacy and trajectory of Chinese film has been underrepresented in the global cinematic story, and as a leader in creative and cultural discovery through film, TIFF Bell Lightbox is the perfect setting for A Century of Chinese Cinema,” said Noah Cowan, Artistic Director, TIFF Bell Lightbox. “With Chinese cinema in the international spotlight, an examination of the history and development of the region’s amazing artistic output is long overdue.
    [Show full text]
  • Nosferatu. Revista De Cine (Donostia Kultura)
    Nosferatu. Revista de cine (Donostia Kultura) Título: El western visto por Sam Fuller Autor/es: La Torre, José Mª Citar como: La Torre, JM. (1993). El western visto por Sam Fuller. Nosferatu. Revista de cine. (12):12-17. Documento descargado de: http://hdl.handle.net/10251/40856 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: Balas vengadoras (! Shot Jesse James, 1949) El western visto por -, Samuel Fuller José María Latorre , i se creyera en las pala­ algo de verdad, puesto que Fu­ miran. No dicen nada. Se que­ bras de Fuller habría que ller sólo ha realizado cuatro dan de pie delante del bar. Es Sdecir que al viejo Sam westerns y, si la memoria no me un tratado sobre la estupidez nunca le ha gustado el western. engaña, únicamente ha colabo­ humana, ¿comprende? ¡Unos En efecto, al ser preguntado por rado con otros cineastas, dentro hombres que son incapaces de Jean-Louis Noames, en un anti­ del género, como adaptador de hacer otra cosa que mirarse a guo Cahiers, sobre su primer Retaguardia (The Command, los ojos!".
    [Show full text]
  • Unsung Heroes of Noir, Clifford Odets
    LATEST NO STOCKS DVD NO SPORTS NEWS ™ ALL NOIR www.noircity.com www.filmnoirfoundation.org VOL. I NUMBER 7 CCCC**** A PUBLICATION OF THE FILM NOIR FOUNDATION MONTHLY 2 CENTS OCTOBER, 2006 SPOTLIGHT ON Film Noir Featured at UNSUNG HEROES OF NOIR SUNSET BLVD. CLIFFORD ODETS Hollywood 3-D Expo By Marc Svetov By Don Malcolm By Alan Rode lifford Odets (1906-1963) was the Sentinel Managing Editor Sentinel Senior Editor American dramatist with the greatest he recent deluxe DVD edition of Cinfluence on film noir. In terms of Double Indemnity got me thinking THE WORLD 3-D EXPO FILM FESTIVAL II, dialogue and character portrayal he was at about Billy Wilder and his contribu- after a three-year hiatus, returned to the least the equal of the pre-eminent hard- T Egyptian Theatre in Hollywood September boiled American crime writers of that era tion to film noir. And that got me thinking about Sunset 8-17, featuring a collection of classics and (Hammett and Chandler) who created a Blvd. oddities that, in some cases, hadn’t been tough, urban, uniquely American language. No, not the thoroughfare itself, though screened in half a century. Odets listened to the streets—but he some of my fondest memories from youth Fortunately for pop culture enthusiasts invented a language; he had to pull it out of revolve around that legendary, serpentine and 3-D film buffs, Jeff Joseph, producer of a hat. At the point he arrives on the scene, journey from the Pacific Coast Highway to the 3-D Expo, reneged on the vow of 3-D there were no clichés to lean on—only an downtown LA, a drive more tortuous today abstinence he took immediately after the pre- inner voice.
    [Show full text]