Giro Lopez Amor Lunatico Album Free Download Git – Siempre Fuiste Mi Amor Karaoke - Midi - Letra - Lyrics

Total Page:16

File Type:pdf, Size:1020Kb

Giro Lopez Amor Lunatico Album Free Download Git – Siempre Fuiste Mi Amor Karaoke - Midi - Letra - Lyrics giro lopez amor lunatico album free download Git – Siempre Fuiste Mi Amor Karaoke - Midi - Letra - Lyrics. Thanks for visiting us!! Remember that our page is absolutely free. You do not have to register or anything like that, we will not ask you for any information. We only maintain the site thanks to the banner that you will see in different places on the page. (If you find some interesting, click on it!). A small step for your finger, a big step for our page. We already have more than 50,000 karaokes and we are continuously updating the site. We are the Page #1 to Download Karaokes and Midis. Do not hesitate to visit us again and add our page to your favorites! We are constantly uploading new karaokes! Remember that we have Karaoke and Midis in many different languages. Spanish, English, Portuguese, Italian, German, French, Russian, Chinese and many more. Download the ones you want for free. VA - Salsa Gorda Romantica (2017) Salsa romántica arose at a time when classic, big-band salsa, of the kind popularized by Fania Records in the late 1970s and early 1980s, was taking a severe beating on the Latin record charts, owing to the merengue boom and the rise of Latin pop. To give the music broader commercial appeal, especially in the U.S. and Puerto Rico, emphasis was taken away from the hard-hitting orchestrations of the 1960s, 1970s and 1980s, and focused mainly on the romantic, softer aspects of salsa, creating a mixture of earlier salsa brava and the ballad style. Salsa romántica was championed in recordings by, among others, Eddie Santiago, La India, La Palabra, Giro Lopez, Frankie Ruiz, Luis Enrique, Willie Gonzalez, Lalo Rodríguez, Tito Nieves, Gilberto Santa Rosa, Tito Rojas, and Jerry Rivera. Rodven Records, PolyGram, and RMM were some of the dominant labels during this era. 1. Si Te Dijeron - Gilberto Santa Rosa 5:20 2. Como Se Lo Explico Al Corazón - Víctor Manuelle 4:42 3. Amores Como el Nuestro - Jerry Rivera 5:02 4. Amor de Media Noche - Luis Enrique 5:43 5. Quiéreme - Oscar D'León 4:17 6. Te Veo Nena - El Gran Combo De Puerto Rico 4:25 7. Sin Sentimientos - Grupo Niche 4:54 8. Valió la Pena - Marc Anthony 4:49 9. Mi Media Mitad - Rey Ruiz 4:53 10. A Puro Dolor - Son By Four 4:21 11. Idilio - Willie Colón 5:09 12. Sedúceme - India 5:18 13. Enamorado Yo Estoy - Galy Galiano 4:43 14. El Me Ama, Yo Le Amo - Orquesta De La Luz 4:31 15. Amor Lunàtico - Giro 4:57. Giro lopez amor lunatico album free download. released April 25, 2018. Producción y arreglos: Mariana Michi Guitarra criolla, sintetizadores, programación y voz: Mariana Michi Guitarras eléctricas: Pablo Bonomo Bajo eléctrico: Hernán Segret Sintetizadores: Juan Valente. Producción: Lucy Patané Guitarra acústica: Brian Zditowski Batería: Pedro Bulgakov Bajo eléctrico: Santiago Adano Sintetizadores: Diego Pérez Violín: Rosario Baeza Voz: Rocío Iturralde Guitarra criolla, voz y arreglo de cuerdas: Mariana Michi. Producción y mezcla: Nahuel Briones Voz: Mariana Michi Guitarra eléctrica: Loli Molina Voces: Rocío Katz y Rocío Iturralde Sampleos, Loops, Requinto eléctrico con E-bow y Tecladito de juguete: Nahuel Briones. Al Bosque Sin Un Arma. Producción: Lucy Patané Guitarra criolla, sintetizadores, percusión, arreglo de cuerdas y voz: Mariana Michi Guitarra eléctrica: Santiago Adano Guitarra acústica: Nahuel Briones Voz: Miguel Canevari Bajo: Augusto Peloso. Del amor el helado. Producción y arreglos: Nahuel Briones Voz, guitarra acústica y sintetizadores: Mariana Michi Guitarra eléctrica, Lap Steel: Nahuel Briones Guitarra eléctrica: Juan Valente Bajo eléctrico: Augusto Peloso Batería: Ivo Ferrer. Producción y arreglos: Santiago Adano Guitarra eléctrica y voz: Mariana Michi Guitarra eléctrica y bajo eléctrico: Santiago Adano Viola: Juliana Isas Piano acústico: Licina Picón Batería: Tomas Corley. Producción: Santiago Adano Guitarra criolla, ceramofón, programaciones, percusión, drumstick y voz: Mariana Michi Bajo acústico: José Temprana Banjo: Federico Petro. Producción: Lucy Patané Guitarras criolla y solo, voz: Mariana Michi Guitarra eléctrica: Lucy Patané Bajo eléctrico: Augusto Peloso Batería: Pedro Bulgakov Voz: Santiago Adano. Dirección: Nahuel Briones Voces: Sofía Naara Malagrino y Mariana Michi. No cortarás el dibujo. Producción: Nahuel Briones, Mariana Michi y Juan Valente Arreglos de cuerdas: Nahuel Briones, Mariana Michi y Rodrigo Salas Zorrilla Voz, sintetizadores, programaciones, percusión y guitarra eléctrica: Mariana Michi Programaciones, guitarra eléctrica: Juan Valente Violín: Maia Prieto Viola: Rodrigo Salas Zorrilla Cello: Anahí Parrilla. Producción: Nahuel Briones Guitarra criolla y voz: Mariana Michi Guitarra eléctrica y voces: Lucy Patané Bajo eléctrico y voces: Nahuel Briones Batería acústica, octapad y voces: Pablo Gonzalez Órgano, sintetizador y voces: Juan Valente Samplers: Juan Valente y Nahuel Briones. Cayó el Valiente. Producción y arreglos: Juan Valente Voz, guitarra criolla: Mariana Michi Guitarra acústica: Nahuel Briones Percusión: Sofía Naara Malagrino Guitarra eléctrica, órgano: Juan Valente Piano eléctrico y acústico: Juan Belvis..
Recommended publications
  • Political Realignment in Brazil: Jair Bolsonaro and the Right Turn
    Revista de Estudios Sociales 69 | 01 julio 2019 Temas varios Political Realignment in Brazil: Jair Bolsonaro and the Right Turn Realineamiento político en Brasil: Jair Bolsonaro y el giro a la derecha Realinhamento político no Brasil: Jair Bolsonaro e o giro à direita Fabrício H. Chagas Bastos Electronic version URL: https://journals.openedition.org/revestudsoc/46149 ISSN: 1900-5180 Publisher Universidad de los Andes Printed version Date of publication: 1 July 2019 Number of pages: 92-100 ISSN: 0123-885X Electronic reference Fabrício H. Chagas Bastos, “Political Realignment in Brazil: Jair Bolsonaro and the Right Turn”, Revista de Estudios Sociales [Online], 69 | 01 julio 2019, Online since 09 July 2019, connection on 04 May 2021. URL: http://journals.openedition.org/revestudsoc/46149 Los contenidos de la Revista de Estudios Sociales están editados bajo la licencia Creative Commons Attribution 4.0 International. 92 Political Realignment in Brazil: Jair Bolsonaro and the Right Turn * Fabrício H. Chagas-Bastos ** Received date: April 10, 2019· Acceptance date: April 29, 2019 · Modification date: May 10, 2019 https://doi.org/10.7440/res69.2019.08 How to cite: Chagas-Bastos, Fabrício H. 2019. “Political Realignment in Brazil: Jair Bolsonaro and the Right Turn”. Revista de Estudios Sociales 69: 92-100. https://doi.org/10.7440/res69.2019.08 ABSTRACT | One hundred days have passed since Bolsonaro took office, and there are two salient aspects of his presidency: first, it is clear that he was not tailored for the position he holds; second, the lack of preparation of his entourage and the absence of parliamentary support has led the country to a permanent state of crisis.
    [Show full text]
  • Microsoft Office Outlook
    Polinsky, Daniel From: Carolina Perrina [[email protected]] Sent: Monday, May 24, 2010 2:44 PM To: Undisclosed recipients Subject: MARLINS FACE OFF AGAINST THE BRAVES, PHILLIES, BREWERS For Immediate Release Carolina Perrina May 24, 2010 (305) 626- 7389 [email protected] MARLINS FACE OFF AGAINST THE BRAVES, PHILLIES, BREWERS Homestand to Feature Salsa Sensations Jerry Rivera and Luis Enrique as part of Super Saturday Concert Series MIAMI –The Florida Marlins are set to host the Atlanta Braves (May 25-27), the Philadelphia Phillies (May 28-30) and the Milwaukee Brewers (May 31-June 3) at Sun Life Stadium. The ten-game homestand will feature fan giveaways, including: Cody Ross Bobblehead courtesy of GEICO as part of Billy Bingo (May 28), Marlins Tambourine sponsored by Majestic Athletic (May 29) and Dan Uggla Poster sponsored by City Furniture (May 30). The homestand will also feature several special events, including: Jiffy Lube Fiesta Friday on May 28, Baker Concrete Super Saturday featuring salsa sensations Jerry Rivera and Luis Enrique on May 29, and Marlins Family Sunday on May 30. Starting Tuesday, May 25, the Marlins kick off the homestand against the Atlanta Braves. First pitch is set for 7:10 P.M. at Sun Life Stadium. Fans can look in the Tuesday edition of The Miami Herald for the Herald Two for Tuesday coupon and get two-for-one Bullpen Box tickets. The series continues on Wednesday where fans can take advantage of the Marlins $7.90 The Ticket Infield Box Blowout Promotion. The series against the Braves will conclude on Thursday, May 27.
    [Show full text]
  • Tesis Doctoral: Salsa Y Década De Los Ochenta
    PROGRAMA DE DOCTORADO EN MUSICOLOGÍA TESIS DOCTORAL: SALSA Y DÉCADA DE LOS OCHENTA. APROPIACIÓN, SUBJETIVIDAD E IDENTIDAD EN LOS PARTICIPANTES DE LA ESCENA SALSERA DE BOGOTÁ. Presentada por Bibiana Delgado Ordóñez para optar al grado de Doctora por la Universidad de Valladolid Dirigida por: Enrique Cámara de Landa Rubén López-Cano Secretaría Administrativa. Escuela de Doctorado. Casa del Estudiante. C/ Real de Burgos s/n. 47011-Valladolid. ESPAÑA Tfno.: + 34 983 184343; + 34 983 423908; + 34 983 186471 - Fax 983 186397 - E-mail: [email protected] Con respeto y admiración, a mi madre Aura Marina TABLA DE CONTENIDO Introducción .............................................................................................................................. 8 Capítulo I. Experiencia Estética en las Músicas Populares Urbanas ................................ 19 1.1. El artefacto cultural en el ejercicio de la estética .......................................................................................... 22 1.2. Subjetividades postmodernas y apropiación musical .................................................................................... 27 1.3. Identificaciones colectivas e individuales ..................................................................................................... 34 1.4. La construcción narrativa de la experiencia .................................................................................................. 38 1.5. El cuerpo en las músicas populares urbanas ................................................................................................
    [Show full text]
  • Venezuela: Un Equilibrio Inestable
    REVISTA DE CIENCIA POLÍTICA / VOLUMEN 39 / N° 2 / 2019 / 391-408 VENEZUELA: AN UNSTABLE EQUILIBRIUM Venezuela: un equilibrio inestable DIMITRIS PANTOULAS IESA Business School, Venezuela JENNIFER MCCOY Georgia State University, USA ABSTRACT Venezuela’s descent into the abyss deepened in 2018. Half of the country’s GDP has been lost in the last five years; poverty and income inequality have deepened, erasing the previous gains from the earlier years of the Bolivarian Revolution. Sig- nificant economic reforms failed to contain the hyperinflation, and emigration ac- celerated to reach three million people between 2014 and 2018, ten percent of the population. Politically, the government of Nicolás Maduro completed its authorita- rian turn following the failed Santo Domingo dialogue in February, and called for an early election in May 2018. Maduro’s victory amidst a partial opposition boycott and international condemnation set the stage for a major constitutional clash in January 2019, when the world was divided between acknowledging Maduro’s se- cond term or an opposition-declared interim president, Juan Guaido. Key words: Venezuela, Nicolás Maduro, economic crisis, hyperinflation, elections, electoral legitimacy, authoritarianism, polarization RESUMEN El descenso de Venezuela en el abismo se profundizó en 2018. La mitad del PIB se perdió en los últimos cinco años; la pobreza y la desigualdad de ingresos se profundizaron, anulando los avances de los primeros años de la Revolución Bolivariana. Las importantes reformas económicas no lograron contener la hiperinflación y la emigración se aceleró para llegar a tres millones de personas entre 2014 y 2018, el diez por ciento de la población. Políticamen- te, el gobierno de Nicolás Maduro completó su giro autoritario luego del fracasado proceso de diálogo de Santo Domingo en febrero, y Maduro pidió una elección adelantada en mayo de 2018.
    [Show full text]
  • Cuba Rebecca Bodenheimer
    Cuba Rebecca Bodenheimer LAST MODIFIED: 26 MAY 2016 DOI: 10.1093/OBO/9780199757824­0184 Introduction This article treats folkloric and popular musics in Cuba; literature on classical music will be included in the article entitled “Classical Music in Cuba.” Music has long been a primary signifier of Cuban identity, both on and off the island. Among small nations, Cuba is almost unparalleled in its global musical reach, an influence that dates back to the international dissemination of the contradanza and habanera in the 19th century. The 1930s constituted a crucial decade of Cuban musical influence, as the world was introduced to the genre son (mislabeled internationally as “rumba”/”rhumba”) with the hit song “El Manicero.” In the 1990s Cuban music underwent yet another international renaissance, due to both the emergence of a neotraditional style of son related to the success of the Buena Vista Social Club project, and the crystallization of a new style of Cuban dance music called timba. Moreover, Afro­ Cuban folkloric music has enjoyed increased visibility and attention, and has become a focal point of the tourism industry that the Castro regime began to expand as a response to the devastating economic crisis precipitated by the fall of the Soviet Union in 1991. Research on Cuban music has a long and distinguished history that began in earnest in the late 1920s and 1930s with the publications of Cuba’s most celebrated scholar, Fernando Ortiz. Many of Ortiz’s students, such as musicologist Argeliers León and folklorist Miguel Barnet, went on to form the backbone of Cuban folklore research after the Revolution in 1959.
    [Show full text]
  • Magical Realism and Latin America Maria Eugenia B
    The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2003 Magical Realism and Latin America Maria Eugenia B. Rave Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Latin American Literature Commons Recommended Citation Rave, Maria Eugenia B., "Magical Realism and Latin America" (2003). Electronic Theses and Dissertations. 481. http://digitalcommons.library.umaine.edu/etd/481 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. MAGICAL REALISM AND LATIN AMERICA BY Maria Eugenia B. Rave A.S. University of Maine, 1991 B.A. University of Maine, 1995 B.S. University of Maine, 1995 A MASTER PROJECT Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) The Graduate School The University of Maine May, 2003 Advisory Committee: Kathleen March, Professor of Spanish, Advisor Michael H. Lewis, Professor of Art James Troiano, Professor of Spanish Owen F. Smith, Associate Professor of Art Copyright 2003 Maria Eugenia Rave MAGICAL REALISM AND LATIN AMERICA By Maria Eugenia Rave Master Project Advisor: Professor Kathleen March An Abstract of the Master Project Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) May, 2003 This work is an attempt to present a brief and simple view, both written and illustrated, concerning the controversial concept of Magical Realism for non-specialists. This study analyzes Magical Realism as a form of literary expression and artistic style by some Latin American authors and two artists.
    [Show full text]
  • Repertorio Tartara Clasif 2016
    TARTARA SONG LIST ENGLISH MUSIC Artist Song ABBA Dancing Queen ACDC You Shook Me All Night Long All of me John Legend Aqua Barbie Girl Aretha Franklin Respect Arianna Grande Break Free Armin Van Buuren Going Wrong Avicci Wake Me Up Avril Lavigne Girlfriend Backstreet Boys Just Want You to Know Becky G Can´t Stop Dancing Bee Gees Saturday Night Fever Bee Gees Stayin Alive Bee Gees Bee Gees Medley Bill Haley & His comets Rock Around the Clock Billy Idol Dancing with Myself Black Eyed Peas I Gotta Feeling Black Eyed Peas The Time Bon Jovi It's My Life Bruno Mars Just The Way You Are Bruno Mars Up Town Funk Calvin Harris Feel So Close Calvin Harris Summer Calvin Harris How deep is your love Calvin Harris Sweet Nothing Carl Perkins Blue Suede Shoes Cher Believe Chuck Berry Johnny B Good Cindy Lauper Girls Just Wanna Have Fun Clean Bandit Rather Be Cold Play A Sky Full of Stars Come Fly With Me Michael Bubble Daft Punk Get Lucky Dave Clark Five Do You Love Me (Now That I Can Dance) David Getta Titanium David Getta Without you David Guetta & Chriss Willis Love Is Gone David Guetta Ft. Akon Sexy Bitch Diana Ross - Rupaul I will survive Ed Sheeran Thinking Out Loud Edward Maya Stereo Love Elvis Presley Have Some Fun Tonight Elvis Presley Jailhouse Rock Elvis Presley Tutti Frutti Elvis Presley Blue Suede Shoes Endless Love Diana Ross & Lionel Riche Enrique Iglesias I Like It Enrique Iglesias Tonight I´Loving You Farrel Williams Happy Farruko Secretos Flo Rida Club Can't Handle Me Frank Sinatra Come fly With Me Frank Sinatra My way Frank Sinatra
    [Show full text]
  • Introducing Leonardo Acosta, Music and Literary Critic
    Vol. 5, No. 3, Spring 2008, 95-121 www.ncsu.edu/project/acontracorriente Introducing Leonardo Acosta, Music and Literary Critic Raúl A. Fernández University of California—Irvine Daniel Whitesell Irvine Valley College The recent awards bestowed on Leonardo Acosta, in particular Cuba’s Premio Nacional de Literatura (2006), come as no surprise to the authors of this article who have long been aware of the breadth and depth of Acosta’s essays on music and literature. To many, however, Acosta’s writing career has remained largely invisible. In part this is because Acosta’s major essays began to appear in the early 1980s when he was nearly fifty years old, a time by which most professional writers have established their careers; in part, because he had labored rather independently of any official Cuban institutions. As Acosta noted in his acceptance speech for the Premio Nacional de Literatura he had not been identified as “associated with any literary ‘group,’ or ‘revista,’ or ‘generation,’ or ‘cohort’. Neither had [he] participated in any aesthetic or ideological polemic affecting arts and letters…” His ‘invisibility” may also be in part because his writing has consisted primarily of ensayos, a genre Fernández 96 that attracts less attention from literary critics than poetry or prose narrative. Another contributing factor has been the diversity of the intellectual field Acosta defined for himself—he began as a professional musician, became a journalist, poet and short story writer for a decade, and then became a writer on music and literature. This career trajectory makes it difficult for any other single author to evaluate Acosta’s work as a whole.
    [Show full text]
  • El Sonido Salsero Del Grupo Niche: Un Proyecto Musical Translocal
    El sonido salsero del Grupo Niche: un proyecto musical translocal The salsa sound of Grupo Niche: a translocal musical project por Juan Sebastián Ochoa Universidad de Antioquia, Colombia [email protected] Carlos Andrés Zapata Universidad de Antioquia, Colombia [email protected] Carolina Santamaría-Delgado Universidad de Antioquia, Colombia [email protected] El Grupo Niche es sin duda la agrupación de salsa colombiana con mayor reconocimiento a nivel nacional e internacional. Fue fundado en Bogotá en 1979 por el compositor chocoano Jairo Varela (1949-2012), quien durante toda su vida fue su director y el compositor de casi toda su obra. En 1982 la orquesta se trasladó a Cali, y en el entorno del movimiento salsero caleño la agrupación creció y se consolidó, generando una asociación entre la orquesta y la ciudad. A pesar de la relevancia de las poblaciones afro y de sus prácticas musicales en la sociedad caleña, hasta ahora se ha hecho poco por analizar en profundidad la propuesta musical de agrupaciones como el Grupo Niche. El presente texto busca subsanar este vacío mediante la descripción y el análisis riguroso de los elementos musicales que componen la obra y realizando preguntas en torno a los procesos y contextos de su creación. La cuestión que orienta el análisis se refiere a la relación entre la propuesta musical del Grupo Niche y las músicas tradicionales del Pacífico colombiano, y lo que nos dice acerca de la apuesta estética y política de la agrupación. Palabras clave: Salsa, Grupo Niche, música del Pacífico, afrocolombianos. Grupo Niche is undoubtedly the Colombian salsa band with greater national and international recognition.
    [Show full text]
  • My New Updated 2012 List. All Types of Latin Music, Including Merengue, Merengue House, Latin Dance and More!
    My new updated 2012 list. All types of Latin music, including Merengue, Merengue House, Latin Dance and more! Tropical Latin January 2012 Tropical Latin March 2012 1 Lovumba/ Daddy Yankee 1 Las Cosas Pequeñas/ Prince Royce 2 Me Toca Celebrar/ Tito \ "El Bambino\ " 2 Mi Santa/ Romeo Santos f./ Tomatito 3 Bebe Bonita/ Chino Y Nacho f./ Jay Sean 3 Mi Reto/ Luis Enrique 4 Por Nada/ Henry Santos 4 Solo Con Un Beso/ Jerry Rivera 5 Aires De Navidad/ N\ 'Klabe 5 Vallenato En Karaoke/ Elvis Crespo f./ Los Del 6 Aires De Navidad/ Remix/ N\ 'Klabe f./ Sergio Vargas Puente 7 Papi/ Original Radio/ Jennifer López 6 Me Voy De La Casa/ Tito \ "El Bambino\ " 8 All My Life/ Migz 7 Hotel Nacional/ Gloria Estefan 9 Energía/ Remix/ Alexis & Fido f./ Wisin & Yandel 8 Lindísima/ Grupomanía f./ Zone D\' Tambora 10 Me Gusta Tanto/ Mambo Remix/ Paulina Rubio f./ 9 International Love/ Pitbull f./ Chris Brown Gocho 10 Claridad/ Richy Peña Merengue/ Mambo Remix/ 11 I Like How It Feels/ Enrique Iglesias f./ Pitbull Luis Fonsi 12 Ya No Quiero Tu Querer/ José Alberto \ "El 11 Quédate Conmigo/ Zacarías Ferreira Canario\ " & Raulín Rosendo 12 Dilema/ Fabián 13 Toma Mi Vida/ Milly Quezada f./ Juan Luis Guerra 13 Ni Loca/ DJ Chino/ Merengue Pop Remix/ Fanny Lú 14 Amor En La Luna/ Ephrem J 14 Tengo Ganas/ Remix/ Ambar f./ El Cata 15 No La Quiero Perder/ Maffio Alkattraks Remix/ 808 15 No Apagues La Luz/ Jco (Ocho Cero Ocho) 16 Que Joyitas!/ Limi-T 21 16 Antes Solías/ Arcángel \ 'La Maravilla\ ' 17 Adiós/ D\'Mingo 17 El Pum/ Radio Edit/ Kalimete 18 Buscando Corazon/ Grupo
    [Show full text]
  • 127 Songs, 9.2 Hours, 697.6 MB Page 1 of 4 Name Time Album Artist
    Page 1 of 4 Salsa 127 songs, 9.2 hours, 697.6 MB Name Time Album Artist 1 Amaneci En Tus Brazos 4:45 2005 Ano De Exitos - Salsa Ismael Miranda 2 Ave Maria Lola 4:08 Heavy Salsa Sonora Carruseles 3 Bailando 4:54 Mi Historia: Frankie Ruiz Frankie Ruíz 4 Baldemira 2:37 Hot & Spicy Salsa [Disc 3] Johnny Pacheco and Pete "El Conde" Ro… 5 Betcha 4:00 Put Your Heart On Ray De La Paz 6 Bilongo 3:43 Salsa Antigua Charanga La Crisis 7 Boogaloo Chévere 3:52 Somos los Duros de la Salsa - Sonora C… Sonora Carruseles 8 Campanero 3:58 Hot & Spicy Salsa [Disc 1] Willie Rosario 9 Campina 3:48 Descarga Uno Afro Cuban Jazz Project 10 Canto Al Jibarito 4:56 Hot & Spicy Salsa [Disc 2] Various Artists 11 Changui 4:09 Hot & Spicy Salsa [Disc 2] Various Artists 12 Coco De Maria 5:06 Hot & Spicy Salsa [Disc 2] Various Artists 13 Conchita (Mambo Version) 3:45 Conchita Lou Bega Feat. Klazz Brothers and Cuba… 14 Dance Remix 6:14 Salsa de Titanes Rey Ruiz and Luis Enrique 15 Descarga de Hoy 6:45 The Very Best of ¡Cubanismo! ¡Mucho G… ¡Cubanismo! 16 Despacito (feat. Daddy Yankee) 3:48 Despacito (feat. Daddy Yankee) - Single Luis Fonsi 17 Despacito (feat. Justin Bieber) [Remix] 3:49 Despacito (feat. Justin Bieber) [Remix] - … Luis Fonsi & Daddy Yankee 18 Dime Si No Es Verdad 4:06 3.0 Marc Anthony 19 Do You Only Wanna Dance 3:11 Dirty Dancing: Havana Nights Julio Daivel Big Band 20 Dulce Amor (Sweet Love) 3:45 Abriendo Puertas Gloria Estefan 21 El Artista Famoso 5:54 Hot & Spicy Salsa [Disc 3] Orquestra Immercidad? 22 El Cuerpo Me Pide 5:02 Navidad Caribeña Elvis Crespo and Victor Manuelle 23 El Faisan 8:22 Joyas Musicales - Los Tremendos De La… Johnny Pacheco 24 El Pito 4:33 Heavy Salsa Sonora Carruseles 25 El Que Se Fué 2:21 Strictly Ballroom Series: Strictly Mambo New 101 Strings Orchestra 26 El Titere 2:39 Hot & Spicy Salsa [Disc 2] Various Artists 27 El Tumbao Y Celia 4:52 Hot & Spicy Salsa [Disc 3] Celia Cruz y Johnny Pachecho 28 En Mi Soledad 4:03 The Pablo Perez Project Pablo Perez 29 Eres Tu 4:46 Hot & Spicy Salsa [Disc 2] Various Artists 30 Feel It Still 2:43 Woodstock Portugal.
    [Show full text]
  • Salsa (Género Musical)
    Salsa (género musical) Saltar a: navegación, búsqueda Véase también: salsa Salsa son cubano, son montuno, jazz, jazz Orígenes afrocubano, chachachá, guaracha, musicales mambo, pachanga, rumba, guajira Orígenes Residentes del Caribe hispano y su culturales diáspora establecida en Nueva York Instrumentos instrumentos de percusión, de comunes viento y de cuerda Popularidad alta desde los años 1970 Salsa es el término usado a partir de los años 1970 para definir al género musical resultante de una síntesis de influencias musicales cubanas con otros elementos de música caribeña, música latinoamericana y jazz, en especial el jazz afrocubano. La salsa fue desarrollada por músicos de origen «latino» (latinoamericano) en el Caribe hispano y la ciudad de Nueva York. La salsa abarca varios estilos como la salsa dura, la salsa romántica y la timba. Índice • 1 Esencia • 2 Características • 3 Ritmo • 4 El término «salsa» • 5 Historia y expansión • 5.1 Orígenes e instrumentación • 6 El sello discográfico Fania • 7 Génesis y expansión de la salsa: cronología de temas • 8 La salsa después de los años 1970 • 8.1 Década de los años 1980 • 9 En Colombia • 10 En Venezuela • 11 En México • 11.1 De 1990 al presente • 11.2 La irrupción de la sensualidad • 11.3 Decaimiento de la sensualidad y escena actual • 12 Exponentes significativos • 13 Timba: la salsa en Cuba • 14 Salsa y otros ritmos • 15 Formas de baile • 15.1 Forma de baile cubana • 15.2 Forma de baile puertorriqueña • 15.3 Otras formas de baile • 16 Véase también • 17 Referencias • 18 Bibliografía •
    [Show full text]