LASA Forum Is Published Four Times a Year

Total Page:16

File Type:pdf, Size:1020Kb

LASA Forum Is Published Four Times a Year Latin American Studies Association fWINTER 2009o| VOLUME XL | ISSUErum1 IN THIS ISSUE On the Profession ¿De qué cine hablamos? Las tareas de los Estudios del Cine Latinoamericano por CLAUDIA FERMAN Estudos de Cinema na Universidade Brasileira por FERNÃO PESSOA RAMOS Películas de papel: Cartografía del estudio del cine de América Latina por GUSTAVO A. REMEDI Latin American Cinema and Latin American Studies by KATHLEEN NEWMAN Latin American Film Scholarship in the UK Mapping the Field by JOHN KING Debates Inequality in Latin American Literary and Cultural Studies Introduction by CYNTHIA STEELE Against (In)equality Bad Latin American Literature by JON BEASLEY-MURRAY Overcoming Colonialism Writing in Indigenous Languages by JEAN FRANCO Inscriptions of Inequality in Latin American Literary and Cultural Studies by IDELBER AVELAR Perspectivas eco-críticas latinoamericanas Conocimientos transpuestos recuperados por ILEANA RODRÍGUEZ ¿Existe un giro neoconservador en Latinoamérica hoy? por JOHN BEVERLEY Notes Toward an Aesthetics of Marginality in Contemporary Latin American Literature by LUZ HORNE and DANIEL NOEMI VOIONMAA President Eric Hershberg, Simon Fraser University [email protected] Vice President John Coatsworth, Columbia University [email protected] Past President Charles R. Hale, University of Texas, Austin [email protected] Table of Contents Treasurer Kevin Middlebrook, University of London [email protected] EXECUTIVE COUNCIL 1 Alfred C. Stepan | Recipient of Kalman Silvert Award for 2009 For term ending April 2009 2 From the President | by ERIC HERSHBERG Ariel Armony, Colby College Guillermo Delgado, University of California/Santa Cruz José Rabasa, University of California/Berkeley ON THE PROFESSION For term ending October 2010 5 ¿De qué cine hablamos? Las tareas de los Estudios del Cine Latinoamericano Jonathan Hartlyn, University of North Carolina, Chapel Hill por CLAUDIA FERMAN Teresa Valdés, Center for the Study and Development of Women (CEDEM), Chile 7 Estudos de Cinema na Universidade Brasileira | por FERNÃO PESSOA RAMOS Deborah Yashar, Princeton University 9 Películas de papel: Cartografía del estudio del cine de América Latina Ex Officio por GUSTAVO A. REMEDI Evelyne Huber, University of North Carolina, Chapel Hill Cynthia Steele, University of Washington, Seattle 10 Latin American Cinema and Latin American Studies | by KATHLEEN NEWMAN Milagros Pereyra-Rojas, University of Pittsburgh Philip Oxhorn, McGill University 16 Latin American Film Scholarship in the UK: Mapping the Field | by JOHN KING FORUM EDITORIAL COMMITTEE DEBATES Editor Eric Hershberg, Simon Fraser University Inequality in Latin American Literary and Cultural Studies Associate Editor 19 Introduction | by CYNTHIA STEELE Antonio Sérgio A. Guimarães, Universidade de São Paulo 20 Against (In)equality: Bad Latin American Literature | by JON BEASLEY-MURRAY Managing Editor Milagros Pereyra-Rojas, University of Pittsburgh 24 Overcoming Colonialism: Writing in Indigenous Languages | by JEAN FRANCO 27 Inscriptions of Inequality in Latin American Literary and Cultural Studies FORUM EDITORIAL ADVISORY COMMITTEE by IDELBER AVELAR Carlos Iván Degregori, Instituto de Estudios Peruanos Katherine Hite, Vassar College 30 Perspectivas eco-críticas latinoamericanas: Conocimientos transpuestos Hilda Sábato, Universidad de Buenos Aires recuperados | por ILEANA RODRÍGUEZ LASA STAFF 33 ¿Existe un giro neoconservador en Latinoamérica hoy? | por JOHN BEVERLEY Membership Coordinator 36 Notes Toward an Aesthetics of Marginality in Contemporary Jenna B. Bielewicz, University of Pittsburgh Latin American Literature | by LUZ HORNE and DANIEL NOEMI VOIONMAA Congress Coordinator Melissa A. Raslevich, University of Pittsburgh ON LASA2009 Assistant Director for Institutional Advancement Sandra Klinzing, University of Pittsburgh 41 Report from the Program Chairs | by EVELYNE HUBER and CYNTHIA STEELE Executive Director 42 Rio de Janeiro | por KARL ERIK SCHØLLHAMMER Milagros Pereyra-Rojas, University of Pittsburgh Administrative Coordinator NEWS FROM LASA Israel R. Perlov, University of Pittsburgh 47 LASA Voluntary Support | by SANDY KLINZING The LASA Forum is published four times a year. It is the official vehicle for conveying news about the Latin LASA SECTIONS American Studies Association to its members. Articles appearing in the On the Profession and Debates sections 50 Section News of the Forum are commissioned by the Editorial Committee and deal with selected themes. The Committee welcomes responses to any material published in the Forum. PERSONAL AND PROFESSIONAL NOTES Opinions expressed herein are those of individual authors 51 In Memoriam | DONNA LEE VAN COTT and do not necessarily reflect the view of the Latin American Studies Association or its officers. ISSN 0890-7218 SPECIAL RECOGNITION Alfred C. Stepan Recipient of the Kalman Silvert Award for 2009 Alfred Stepan is the Wallace S. Sayre generally, authoring Rethinking Military Professor of Government at the School of Politics: Brazil and the Southern Cone International and Public Affairs and the (Princeton University Press, 1988) and Department of Political Science at Columbia editing Democratizing Brazil: Problems of University. He is also the Founder and Transition and Consolidation (Oxford Director of the Center for the Study of University Press, 1989). As the titles suggest, on the National Executive Committee of the Democracy, Tolerance and Religion at the conditions supporting the establishment human rights organization Americas Watch Columbia, a Fellow of the American and preservation of democracy as a form of (1982-1994). In 1981-1982 he was a Academy of Arts and Sciences and of the government securing peaceful resolution of member of Rev. Theodore Hesburgh’s British Academy, an Honorary Fellow of St conflicts and coexistence of different ethnic advisory group to design the Kellogg Antony’s College at Oxford University, and a groups and religions have been the Institute for International Studies at the holder of the Ordem do Rio Branco, intellectual puzzle driving the research. University of Notre Dame, and later he Commendador, awarded by the Brazilian Beginning with The State and Society, served for a dozen years on the Advisory Government in 2002. He received his B.A. Stepan’s work has profoundly shaped the Board of the Institute. from the University of Notre Dame, a B.A. agenda of scholars interested in the nature of and M.A. from Balliol College, Oxford, in the state and the role of political institutions Among the many important roles Stepan has Philosophy, Politics, and Economics, and a proper in shaping regime forms and in the played, the role of mentor figures Ph.D. from Columbia University in Political role of the military in politics. prominently. He has served on no fewer Science. than forty Ph.D. dissertation committees, Before going to Columbia University in well more than half related to Latin His many books and articles have made him 1999, Stepan taught at Yale (1970-83) where America. His message to his students has a leading figure among scholars studying he chaired the Council on Latin American been consistent: “You are writing this Latin American politics as well as those Studies (1972-1981, except when on leave); dissertation not for yourself and the studying comparative politics more broadly. he served as Dean of the School of committee—you are writing a book!” His first book, The Military in Politics: International and Public Affairs at Columbia Indeed, at least twenty-five of the Changing Patterns in Brazil (Princeton (1983-1991) and as first Rector and dissertations have been published as books, University Press, 1971) was followed by The President of the Central European University and more are on the way to publication. State and Society: Peru in Comparative and Member of the Board of Directors of the Colleagues and students, both present and Perspective (Princeton 1978). His Soros Open Society Foundation (1993-96); former, from Latin America, the United collaboration with Juan Linz, who was his and he was the Gladstone Professor of States, Europe, and elsewhere, have always professor at Columbia and then a colleague Government and Fellow at All Souls College, played central roles as intellectual partners at Yale, has lasted into the present and University of Oxford (1996-1999). He has for Stepan—members of his invisible colleges produced the path breaking volumes The been the recipient of numerous fellowships that span continents and decades. His Breakdown of Democratic Regimes (Johns and research grants from organizations such enthusiasm for the study of politics, and his Hopkins 1978) and Problems of Democratic as the Ford Foundation, Carnegie conviction that knowledge can have Transition and Consolidation: Southern Corporation of New York, Guggenheim important practical implications have Europe, South America and Post- Foundation, and the Social Science Research inspired generations of scholars. Communist Europe (Johns Hopkins, Council. He has lectured at more than 150 1996)—now translated into about a dozen institutions in approximately 30 countries The long interview in Passion, Craft, and languages including Farsi, Chinese, Croatian around the globe. He has lent his seemingly Method in Comparative Politics, by Gerardo and Basa-Indonesian. Their latest opus, boundless energy to many professional and L. Munck and Richard Snyder (Johns Democracy and Multinational Societies: public service projects. Among them are the Hopkins University Press, 2007) illustrates
Recommended publications
  • Political Realignment in Brazil: Jair Bolsonaro and the Right Turn
    Revista de Estudios Sociales 69 | 01 julio 2019 Temas varios Political Realignment in Brazil: Jair Bolsonaro and the Right Turn Realineamiento político en Brasil: Jair Bolsonaro y el giro a la derecha Realinhamento político no Brasil: Jair Bolsonaro e o giro à direita Fabrício H. Chagas Bastos Electronic version URL: https://journals.openedition.org/revestudsoc/46149 ISSN: 1900-5180 Publisher Universidad de los Andes Printed version Date of publication: 1 July 2019 Number of pages: 92-100 ISSN: 0123-885X Electronic reference Fabrício H. Chagas Bastos, “Political Realignment in Brazil: Jair Bolsonaro and the Right Turn”, Revista de Estudios Sociales [Online], 69 | 01 julio 2019, Online since 09 July 2019, connection on 04 May 2021. URL: http://journals.openedition.org/revestudsoc/46149 Los contenidos de la Revista de Estudios Sociales están editados bajo la licencia Creative Commons Attribution 4.0 International. 92 Political Realignment in Brazil: Jair Bolsonaro and the Right Turn * Fabrício H. Chagas-Bastos ** Received date: April 10, 2019· Acceptance date: April 29, 2019 · Modification date: May 10, 2019 https://doi.org/10.7440/res69.2019.08 How to cite: Chagas-Bastos, Fabrício H. 2019. “Political Realignment in Brazil: Jair Bolsonaro and the Right Turn”. Revista de Estudios Sociales 69: 92-100. https://doi.org/10.7440/res69.2019.08 ABSTRACT | One hundred days have passed since Bolsonaro took office, and there are two salient aspects of his presidency: first, it is clear that he was not tailored for the position he holds; second, the lack of preparation of his entourage and the absence of parliamentary support has led the country to a permanent state of crisis.
    [Show full text]
  • Violence and Politics
    Journal of Political Science Brooklyn College 2008 Violence and Politics Guernica by Pablo Picasso Journal of Political Science Brooklyn College 2008 Violence and Politics Editors: Jamie Hagen & Shani A. Hines Faculty Advisor: Professor Mark Ungar Contents: ___________________________________________ I. Rationale for State Deployment of Private Military Companies By: Joshua Bolden II. Swedish Immigration Policies: An Extension of Violence in Iraq By: Lisa Carlborn III.Turkey and the Kurds: An Ongoing Conflict in a Troubled Region By: Sabina Ibragimova IV. Introduction to the Art Review: By: Shani A. Hines V. Art Review: New York Exhibits and CUNY Artists on Violence and Politics By: Shani A. Hines and Jamie Hagen VI Book Review: Current Texts By: Jamie Hagen VII Focus on Genocide: The Case of Darfur By: Jamie Hagen VIII. Spotlight Piece: The Refugee Law Project- Issues of Reconciliation & Rebuilding After the Genocide in Rwanda By: Shani A. Hines I. Rationale for State Deployment of Private Military Companies The monopoly of state controlled armed forces used By: Joshua Bolden in wars is a relatively recent phenomenon. Introduction: Historically, the use of mercenaries predominated Since the 1990s, private military companies armies in pre-industrial Europe. The system of (PMCs) have taken a crucial role in several conflicts, scutage in twelfth century England allowed for men in some cases displacing traditional military forces. with adequate means to legally avoid military service The use of PMCs is not restricted to a particular type in exchange for a payment to the king; thus, the of state, with both impoverished and powerful states revenue from scutage was used to pay professional utilizing their services.
    [Show full text]
  • Charlie Parker Donna Lee Transcription
    Charlie Parker Donna Lee Transcription Erick often uncurls sympodially when bad Jermayne pleads aesthetic and exists her axillary. Unassisting Gustavus corbelled e'er. Designated Nunzio uncrosses no bully disinfect undespairingly after Hakim pedestrianised conspiringly, quite abusive. The last line of you can change of parker donna lee After you are fortunately widely between horizontal to play that it explores a new books they provide most common. But on youtube a fender jazz. Ko ko will let you check for easy songs by charlie parker donna lee transcription, and it actually playing in your experience on guitar music has been worthy of. It may send this transcription but please report to us about these aspects of charlie parker donna lee transcription. Cancel at a few atonal phrases. Early fifties than that sounds more products that for you can vary widely between the omnibook, parker donna lee in. Just because of charlie parker donna lee transcription. Hear a lot of. Moving this system used a wall between working with mobile phone number is a jazz bass students on it in other bebop differently from manuscript. Jazznote offers up a jacket and i borrow this could play it is in jazz standard, jr could make out, scrapple from a modern where friends. The suggested tunes are just as: really be able to. Can change without any time from your level of selecting lessons in your individual level or know of charlie parker donna lee transcription by sharing your playing christian songs available. With using your audience. Equipment guitarists made him a great bebop.
    [Show full text]
  • Figures of the Eternal Return and the Apocalypse in Chilean Post-Dictatorial Fiction
    Studies in 20th Century Literature Volume 23 Issue 2 Article 2 6-1-1999 An Anatomy of Marginality: Figures of the Eternal Return and the Apocalypse in Chilean Post-Dictatorial Fiction Idelber Avelar Tulane University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Latin American Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Avelar, Idelber (1999) "An Anatomy of Marginality: Figures of the Eternal Return and the Apocalypse in Chilean Post-Dictatorial Fiction," Studies in 20th Century Literature: Vol. 23: Iss. 2, Article 2. https://doi.org/10.4148/2334-4415.1464 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. An Anatomy of Marginality: Figures of the Eternal Return and the Apocalypse in Chilean Post-Dictatorial Fiction Abstract The article analyzes two novels by Chilean writer Diamela Eltit from the standpoint of the post-dictatorial imperative to mourn the dead and reactivate collective memory. After framing Eltit's fiction in the context of the avant-garde resurgence of plastic and performance arts in the second half of Pinochet's regime, I move on to discuss Lumpérica (1983) and Los vigilantes (1994) as two different manifestations of the temporality of mourning. The article addresses how Lumpérica's portrayal of an oneiric, orgiastic communion in marginality (shared by the protagonist and a mass of beggars at a Santiago square) composed an allegory in the strict Benjaminian sense; it further notes how such allegory, as an anti- dictatorial, oppositional gesture, could only find a home in a temporality modeled after the eternal return.
    [Show full text]
  • Tesis Doctoral: Salsa Y Década De Los Ochenta
    PROGRAMA DE DOCTORADO EN MUSICOLOGÍA TESIS DOCTORAL: SALSA Y DÉCADA DE LOS OCHENTA. APROPIACIÓN, SUBJETIVIDAD E IDENTIDAD EN LOS PARTICIPANTES DE LA ESCENA SALSERA DE BOGOTÁ. Presentada por Bibiana Delgado Ordóñez para optar al grado de Doctora por la Universidad de Valladolid Dirigida por: Enrique Cámara de Landa Rubén López-Cano Secretaría Administrativa. Escuela de Doctorado. Casa del Estudiante. C/ Real de Burgos s/n. 47011-Valladolid. ESPAÑA Tfno.: + 34 983 184343; + 34 983 423908; + 34 983 186471 - Fax 983 186397 - E-mail: [email protected] Con respeto y admiración, a mi madre Aura Marina TABLA DE CONTENIDO Introducción .............................................................................................................................. 8 Capítulo I. Experiencia Estética en las Músicas Populares Urbanas ................................ 19 1.1. El artefacto cultural en el ejercicio de la estética .......................................................................................... 22 1.2. Subjetividades postmodernas y apropiación musical .................................................................................... 27 1.3. Identificaciones colectivas e individuales ..................................................................................................... 34 1.4. La construcción narrativa de la experiencia .................................................................................................. 38 1.5. El cuerpo en las músicas populares urbanas ................................................................................................
    [Show full text]
  • The Modality of Miles Davis and John Coltrane14
    CURRENT A HEAD ■ 371 MILES DAVIS so what JOHN COLTRANE giant steps JOHN COLTRANE acknowledgement MILES DAVIS e.s.p. THE MODALITY OF MILES DAVIS AND JOHN COLTRANE14 ■ THE SORCERER: MILES DAVIS (1926–1991) We have encountered Miles Davis in earlier chapters, and will again in later ones. No one looms larger in the postwar era, in part because no one had a greater capacity for change. Davis was no chameleon, adapting himself to the latest trends. His innovations, signaling what he called “new directions,” changed the ground rules of jazz at least fi ve times in the years of his greatest impact, 1949–69. ■ In 1949–50, Davis’s “birth of the cool” sessions (see Chapter 12) helped to focus the attentions of a young generation of musicians looking beyond bebop, and launched the cool jazz movement. ■ In 1954, his recording of “Walkin’” acted as an antidote to cool jazz’s increasing deli- cacy and reliance on classical music, and provided an impetus for the development of hard bop. ■ From 1957 to 1960, Davis’s three major collaborations with Gil Evans enlarged the scope of jazz composition, big-band music, and recording projects, projecting a deep, meditative mood that was new in jazz. At twenty-three, Miles Davis had served a rigorous apprenticeship with Charlie Parker and was now (1949) about to launch the cool jazz © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM movement with his nonet. wwnorton.com/studyspace 371 7455_e14_p370-401.indd 371 11/24/08 3:35:58 PM 372 ■ CHAPTER 14 THE MODALITY OF MILES DAVIS AND JOHN COLTRANE ■ In 1959, Kind of Blue, the culmination of Davis’s experiments with modal improvisation, transformed jazz performance, replacing bebop’s harmonic complexity with a style that favored melody and nuance.
    [Show full text]
  • Venezuela: Un Equilibrio Inestable
    REVISTA DE CIENCIA POLÍTICA / VOLUMEN 39 / N° 2 / 2019 / 391-408 VENEZUELA: AN UNSTABLE EQUILIBRIUM Venezuela: un equilibrio inestable DIMITRIS PANTOULAS IESA Business School, Venezuela JENNIFER MCCOY Georgia State University, USA ABSTRACT Venezuela’s descent into the abyss deepened in 2018. Half of the country’s GDP has been lost in the last five years; poverty and income inequality have deepened, erasing the previous gains from the earlier years of the Bolivarian Revolution. Sig- nificant economic reforms failed to contain the hyperinflation, and emigration ac- celerated to reach three million people between 2014 and 2018, ten percent of the population. Politically, the government of Nicolás Maduro completed its authorita- rian turn following the failed Santo Domingo dialogue in February, and called for an early election in May 2018. Maduro’s victory amidst a partial opposition boycott and international condemnation set the stage for a major constitutional clash in January 2019, when the world was divided between acknowledging Maduro’s se- cond term or an opposition-declared interim president, Juan Guaido. Key words: Venezuela, Nicolás Maduro, economic crisis, hyperinflation, elections, electoral legitimacy, authoritarianism, polarization RESUMEN El descenso de Venezuela en el abismo se profundizó en 2018. La mitad del PIB se perdió en los últimos cinco años; la pobreza y la desigualdad de ingresos se profundizaron, anulando los avances de los primeros años de la Revolución Bolivariana. Las importantes reformas económicas no lograron contener la hiperinflación y la emigración se aceleró para llegar a tres millones de personas entre 2014 y 2018, el diez por ciento de la población. Políticamen- te, el gobierno de Nicolás Maduro completó su giro autoritario luego del fracasado proceso de diálogo de Santo Domingo en febrero, y Maduro pidió una elección adelantada en mayo de 2018.
    [Show full text]
  • Department of Popular Culture Newsletter Vol. 3 Issue 2
    SUMMER 2012 Department of Popular Culture Newsletter Vol. 3 Issue 2 Editors: Jeremy Wallach and Esther Clinton layout: Pamela Jean Wagner SPECIAL PRE-DEMOLITION EDITION Although it has only been a short while since we learned of the plan to demolish the Popular Culture Building, much has already been written about it. A petition has been started (and garnered over 1600 signatures) and there have been heated arguments back and forth concerning the historical significance of the house. The decision, which, once made public, appalled and saddened local residents, current students, alumni, faculty, and staff alike, is unlikely to be changed, and as of this writing both the provost and BGSU’s president have issued statements expressing their determination to proceed with the demolition as part of the administration’s Master Plan for the complete overhaul of BGSU’s campus. We are Graphics By Erin Holmberg assuming that anyone reading this newsletter is relatively informed on this issue. We also believe Volume 3, Issue 2 that it is not the place of a departmental newsletter In This Issue: to engage in activist work, no matter how we may ___________________________________ feel about something as individuals. Rather, we Report on The Ray Browne Conference on Popular hope to take this opportunity to mourn. For some Culture, Presented by the Popular Culture Scholars of us the house has been a more steadfast presence Association in our lives than friends or spouses. For some of us the house will always be a symbol of Ray Meet Marsha Olivarez, New Secretary to the Browne’s vision of a humanities that celebrates the Department of Popular Culture and Recent Graduate of BGSU dignity of the ordinary person and the power of regular people to creatively live their lives.
    [Show full text]
  • Savoy and Regent Label Discography
    Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli.
    [Show full text]
  • Art of Wilson Harris
    THE ART OF WILSON HARRIS BY MMilON C. GILLILMD A DI.^SERTATIOi:! PRESENTED TO ItlE G.R.\DUATE COUNCII OE TEE UNIVERSITY OF FLORIDA IN PARTIAL FULFI1.LMENT OF THE REQUIREMENTS FOR THE DEGR.ee OF DOCTOR OF PHILOSOPHY LT^TIVERSITY OF FLORIDA 1982 Copyright 19B2 by Marion Charlotte Gilliland TABLE OF CONTENTS Abstract iv Introduction The Visionary Art of \vilson Harris 1 N otes 14 Part I Contexts of Vision Chapter 1 An Overview of the Fiction 17 Notes 35 Chapter 2 Wilson Harris in the West Indian Context 37 Notes 60 Chapter 3 The Role of Imaginaticn in Creativity 63 Notes 78 Chapter 4 Three Structuring Ideas in Wilson Harris's Fiction 81 Notes 115 Part II Visionary Texts Chapter 5 Companioas of the Day and Night 119 Note s ' 133 Chapter 6 Da Silva da Silva's Cultivated Wilderness , . 134 Notes 154 Chapter 7 Genesis of the Clowns 155 Notes c . 170 Chapter 8 The Tree of the Sun 171 Note 184 Appendix Three Interviews with Wilson Harris Synchrcnlcity 186 Shamanisiu 205 The Eye of the Scarecrow 227 Bibliography 244 Biographical Sketch 260 Xll Abstract of Dissertation Presented to the Graduate Council of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy THE ART OF WILSON HARRIS By Marion C. Gilliland December 1982 Chairman: Alistair M. Duckworth Major Department: English Wilson Harris, the Guyanese novelist, critic and poet, seeks to create new forms in the novel which will reflect his vision of the basic unity of man. This unity is free of cultural and racial ties, embodies a new state of consciousness, healed rather than divided, and is open to greater possibilities of human fulfillment for all men.
    [Show full text]
  • SAL MOSCA/WARNE MARSH QUARTET) (Archived from Cassette Sources - 1980-1981)
    Guide to Digitized Sal Mosca Audiovisual Recordings Compiled by Don Messina BOX 13 - SAL MOSCA - ARCHIVED VILLAGE VANGUARD PERFORMANCES WITH WARNE MARSH From SAL MOSCA's |PRIVATE COLLECTION (SAL MOSCA/WARNE MARSH QUARTET) (Archived from Cassette Sources - 1980-1981) SM V000X– Sal Mosca-Warne Marsh Quartet at the Village Vanguard, 7th Avenue, NY, NY; SOURCE: C=CD; CAS=Cassette. Performers: SM=Sal Mosca (Piano); WM=Warne Marsh (Tenor); FC=Frank Canino (Bass); SS=Skip Scott (Drums). (ES=Earl Sauls (Bass), and TP=Tim Pleasant (Drums) may be part of part of the rhythm section on the excerpted solos CDs). ARCHIVED (A) Miscellaneous Info SM V# SOURCE SM V# DATE & Notes SM V0001a SM V0001 (CAS) 8.11.1981 (SM,WM,FC,SS) CD 1 of 2 Love me or leave me Out of nowhere (317 East 32nd St.) Foolin myself Indiana (Back home) Ghost of a chance Crosscurrents # Cherokee # Marionette # Featherbed # You go to my head # Released on Zinnia Records - Sal Mosca/Warne Marsh Vol. 1 and Vol. 2 (103 and 104 CD) ________________________________________________________________________ SM V0001b-2 SM V0001/SM V0002 (CAS) 8.11.1981 (SM,WM,FC,SS) CD 2 of 2 SM V0001 Fishin' around Imagination SMV0002 8.11.1981 Two not one All the things you are Its you or no one (Duet SM+WM) Body and soul # Dreams # 1 Pennies in minor Sophisticated lady (incomplete) # Released on Zinnia Records - Sal Mosca/Warne Marsh Vol. 1 and Vol. 2 (103 and 104CD) ________________________________________________________________________ SM V0003a SM V0003 (CAS) 8.12.1981 (SM,WM,FC,SS) CD 1 of 2 Its you or no one 317 East 32nd St.
    [Show full text]
  • Alegorías De La Derrota: La Ficción Postdictatorial Y El
    www.philosophia.cl / Escuela de Filosofía de la Universidad ARCIS ALEGORÍAS DE LA DERROTA: LA FICCIÓN POSTDICTATORIAL Y EL TRABAJO DEL DUELO Idelber Avelar www.philosophia.cl / Escuela de Filosofía de la Universidad ARCIS 2 ÍNDICE INTRODUCCIÓN: ALEGORÍA Y POSTDICTADURA................................1 1. EDIPO EN TIEMPOS POSAURÁTICOS: MODERNIZACIÓN Y DUELO EN EL BOOM HISPANOAMERICANO..........29 2. LA GENEALOGÍA DE UNA DERROTA 2.1 - La cultura letrada bajo dictadura......................................................51 2.2 La teoría del autoritarismo como fundamento de las “transiciones” conservadoras......................................................….............................76 2.3 El giro naturalista y el imperativo confesional......................................…89 2.4. La alegoría como fin epocal de lo mágico.............................................100 2.5 La disolución de la universidad en la universalidad del mercado................116 3. UNA LECTURA ALEGÓRICA DE LA TRADICIÓN ARGENTINA...........129 4. DUELO Y NARRABILIDAD: UN CYBERPOLICIAL EN LA CIUDAD DE LOS MUERTOS......................162 5. PASTICHE, REPETICIÓN Y LA FIRMA FALSIFICADA DEL ÁNGEL DE LA HISTORIA..................202 6. SOBRECODIFICACIÓN DE LOS MÁRGENES: FIGURAS DEL ETERNO RETORNO Y DEL APOCALIPSIS......................245 7. BILDUNGSROMAN EN SUSPENSO: ¿QUIÉN APRENDE CON HISTORIAS Y VIAJES?....................................277 8. LA ESCRITURA DEL DUELO Y LA PROMESA DE RESTITUCIÓN............314 9. EPÍLOGO: POSTDICTADURA Y POSMODERNIDAD...........................349
    [Show full text]