Repertorio Tartara Clasif 2016
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¡Esto Parece Cuba!” Prácticas Musicales Y Cubanía En La Diáspora Cubana De Barcelona
Universitat de Barcelona Facultat de Geografia i Història Departament d’Antropologia Social i d’Història d’Amèrica i d’Àfrica Programa de Doctorat en Antropologia Social i Cultural Bienni 2003-2005 “¡Esto parece Cuba!” Prácticas musicales y cubanía en la diáspora cubana de Barcelona TESI DOCTORAL PRESENTADA PER IÑIGO SÁNCHEZ FUARROS codirigida pels Drs. Josep MARTÍ i PÉREZ i Gemma OROBITG CANAL Barcelona, 2008 A la memoria de mi padre, que se nos fue demasiado pronto. El exilio no es cosa del tiempo sino de espacios –por fundar, por huir, por conquistar- que cancelan la cronología de nuestras vidas. Iván de la Nuez, La balsa perpetua The exile knows his place, and that place is the imagination. Ricardo Pau-Llosa Imagination is not a place . You can´t live there, you can’t buy a house there, you can’t raise your children there. Gustavo Pérez-Firmat , Life on the Hyphen Tabla de contenidos Lista de ilustraciones 12 Prefacio 13 PARTE I – INTRODUCCIÓN 23 1. PRÓLOGO : LA MERCÉ CUBANA 25 2. LA DIÁSPORA CUBANA EN ESPAÑA 29 2.1 Generaciones diaspóricas 33 2.2 ¿Comunidad cubana en Barcelona? 46 3. PRÁCTICAS MUSICALES Y CUBANOS EN BARCELONA 54 3.1 Música, comunidad y cubaneo 54 3.2 Imaginarios musicales de lo cubano 58 3.3 La escena musical cubana en Barcelona 67 4. METODOLOGÍA 75 4.1 Las ciencias sociales y la diáspora cubana en España 77 4.2 La delimitación del obJeto de análisis 82 4.3 Los espacios de ocio como obJeto de análisis 90 4.4 Observador y participante 100 PARTE II – LAS RUTAS SOCIALES DEL CUBANEO 110 1. -
Spanish NACH INTERPRET
Enrique Guzman 100 kilos de barro 152009 José Malhoa 24 Rosas 136212 José Figueiras A Cantar O Tirolês 138404 Jose Velez A cara o cruz 151104 Anabela A Cidade Até Ser Dia 138622 Juanes A dios le pido 154005 Ana Belen y Ketama A gritos de esperanza 154201 Gypsy Kings A mi manera 157409 Vicente Fernandez A mi manera 152403 Xutos & Pontapés A Minha Casinha 138101 Ruth Marlene A Moda Do Pisca Pisca 136412 Nilton Cesar A Namorada Que Sonhei 138312 Roberto Carlos A Namoradinha De Um Amigo M138306 Resistência A Noite 136102 Rui Veloso A Paixão 138906 Alejandro Fernandez A pesar de todo 152707 Son By Four A puro dolor 151001 Ednita Nazario A que no le cuentas 153004 Cabeças NoAr A Seita Tem Um Radar 138601 Tony Carreira A Sonhar Contigo 138214 Alejandro Fernandez Abrazame 151401 Juan Gabriel Abrazame muy fuerte 152303 Enrique Guzman Acompaname 152109 Rita Guerra & Beto Acreditar 138721 Javier Solis Adelante 152808 Carmen Miranda Adeus Solidão 138220 Quim Barreiros Aeroporto De Mosquito 138510 Mónica Sintra Afinal Havia Outra 136215 Mónica Sintra Afinal Havia Outra 138923 Quim Barreiros Água De Côco 138205 Augusto César Aguenta Coração 138912 José Augusto Aguenta Coração 136214 Tony Carreira Ai Destino 138609 Tradicional Alecrim Aos Molhos 136108 Mercedes Sosa Alfonsina y el mar 152504 Camilo Sesto Algo de mi 151402 Rocio Jurado Algo se me fue contigo 153307 Christian Castro Alguna vez 150806 Doce Amanhã De Manhã 138910 José Cid Amar Como Jesus Amou 138419 Irmãos Verdades Amar-Te Assim (Kizomba) 138818 Luis Miguel Amarte es un placer 150703 Azucar -
Meghan Trainor
Top 40 Ain’t It Fun (Paramore) All About That Bass (Meghan Trainor) All Of Me (Dance Remix) (John Legend) Am I Wrong (Nico & Vinz) Blurred Lines (Robin Thicke) Break Free (Ariana Grande) Cake By The Ocean (DNCE) Can’t Feel My Face (The Weeknd) Cheerleader (OMI) Clarity (Zedd) Club Can’t Handle Me (Flo Rida) Crazy (Gnarls Barkley) Crazy In Love (Beyonce) Delirious (Steve Aoki) DJ Got Us Falling In Love (Usher) Dynamite (Taio Cruz) Feel So Close (Calvin Harris) Feel This Moment (Christina Aguilera, Pitbull) Fireball (Pitbull) Forget You (Cee Lo) Get Lucky (Daft Punk, Pharrell) Give Me Everything (Tonight) (Ne-Yo, Pitbull) Good Feeling (Flo Rida) Happy (Pharrell Williams) Hella Good (No Doubt) Hotline Bling (Drake) I Love It (Icona Pop) I’m Not The Only One (Sam Smith) Ignition Remix (R.Kelly) In Da Club (50 Cent) Jealous (Nick Jonas) Just The Way You Are (Bruno Mars) Latch (Disclosure, Sam Smith) Let’s Get It Started (Black Eyed Peas) Let’s Go (Calvin Harris, Ne-Yo) Locked Out Of Heaven (Bruno Mars) Miss Independent (Kelly Clarkson) Moves Like Jagger (Maroon 5, Christina Aguilera) P.I.M.P. (50 Cent) Party Rock Anthem (LMFAO) Play Hard (David Guetta, Ne-Yo, Akon) Raise Your Glass (Pink) Rather Be (Clean Bandit, Jess Glynne) Royals (Lorde) Safe & Sound (Capital Cities) Shake It Off (Taylor Swift) Shut Up And Dance (Walk the Moon) Sorry (Justin Bieber) Starships (Nicki Minaj) Stay With Me (Sam Smith) Sugar (Maroon 5) Suit & Tie (Justin Timberlake) Summer (Calvin Harris) Talk Dirty (Jason DeRulo) Timber (Kesha & Pitbull) Titanium (David Guetta, -
Top 100 Most Requested Latin Songs
Top 100 Most Requested Latin Songs Based on millions of requests played and tracked through the DJ Intelligence® music request system at weddings & parties throughout 201 9 RANK ARTIST SONG 1 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 2 Pitbull Feat. John Ryan Fireball 3 Jennifer Lopez Feat. Pitbull On The Floor 4 Cardi B Feat. Bad Bunny & J Balvin I Like It 5 Pitbull Feat. Ne-Yo, Afrojack & Nayer Give Me Everything 6 Marc Anthony Vivir Mi Vida 7 Elvis Crespo Suavemente 8 Bad Bunny Feat. Drake Mia 9 Pitbull Feat. Ne-Yo Time Of Our Lives 10 DJ Snake Feat. Cardi B, Ozuna & Selena Gomez Taki Taki 11 Gente De Zona Feat. Marc Anthony La Gozadera 12 Daddy Yankee Gasolina 13 Prince Royce Corazon Sin Cara 14 Daddy Yankee Dura 15 Shakira Feat. Maluma Chantaje 16 Celia Cruz La Vida Es Un Carnaval 17 Prince Royce Stand By Me 18 Daddy Yankee Limbo 19 Nicky Jam & J Balvin X 20 Carlos Vives & Shakira La Bicicleta 21 Daddy Yankee & Katy Perry Feat. Snow Con Calma 22 Luis Fonsi & Demi Lovato Echame La Culpa 23 J Balvin Ginza 24 Becky G Feat. Bad Bunny Mayores 25 Ricky Martin Feat. Maluma Vente Pa' Ca 26 Nicky Jam Hasta El Amanecer 27 Prince Royce Darte Un Beso 28 Romeo Santos Feat. Usher Promise 29 Romeo Santos Propuesta Indecente 30 Pitbull Feat. Chris Brown International Love 31 Maluma Felices Los 4 32 Pitbull Feat. Christina Aguilera Feel This Moment 33 Alexandra Stan Mr. Saxobeat 34 Daddy Yankee Shaky Shaky 35 Marc Anthony Valio La Pena 36 Azul Azul La Bomba 37 Carlos Vives Volvi A Nacer 38 Maluma Feat. -
Top 100 Canciones + Streaming
TOP 100 CANCIONES + STREAMING (Las ventas totales corresponden a los datos enviados por colaboradores habituales de venta física y por los siguientes operadores: Amazon, Google Play Music, i-Tunes, Google Play, Movistar,7Digital, Apple Music, Deezer, Spotify, Groove Music y Napster) SEMANA 30: del 21.07.2017 al 27.07.2017 Sem. Sem. Pos. Sem. Cert. Actual Ant. Max. Lista Artista Título Sello Promus. 1 ● 1 1 4 J BALVIN / WILLY WILLIAM MI GENTE UNIVERSAL * 2 ● 2 1 28 LUIS FONSI / DADDY YANKEE DESPACITO UNIVERSAL 10** 3 ● 3 2 14 MALUMA FELICES LOS 4 SONY MUSIC 3** 4 ● 4 3 25 DANNY OCEAN ME REHÚSO WARNER MUSIC GROUP 3** 5 ▲ 6 6 9 MANUEL TURIZO UNA LADY COMO TÚ SONY MUSIC * 6 ▼ 5 5 9 C. TANGANA MALA MUJER SONY MUSIC ** 7 ● 7 6 16 CNCO HEY DJ (POP VERSION) SONY MUSIC ** 8 ● 8 2 29 ED SHEERAN SHAPE OF YOU WARNER MUSIC GROUP 6** 9 ▲ 10 10 18 WISIN / OZUNA ESCÁPATE CONMIGO SONY MUSIC ** 10 ▼ 9 5 16 SHAKIRA ME ENAMORÉ SONY MUSIC 2** 11 ▲ 13 13 8 J BALVIN / JOWELL & RANDY BONITA UNIVERSAL * 12 ▼ 11 7 17 CHRIS JEDAY / J BALVIN / OZUNA / ARCANGELAHORA DICE UNIVERSAL ** 13 ▼ 12 2 22 ENRIQUE IGLESIAS / DESCEMER BUENOSUBEME / ZION LA & RADIOLENNOX SONY MUSIC 4** 14 ● 14 14 12 DASOUL / NACHO KUNG FU UNIVERSAL / ROSTER ** 15 ▲ 20 20 7 DEMARCO FLAMENCO / MAKI LA ISLA DEL AMOR WARNER MUSIC GROUP * 16 ● 16 14 13 CHARLIE PUTH ATTENTION WARNER MUSIC GROUP ** 17 ● 17 6 20 PITBULL / J BALVIN / CAMILA CABELLOHEY MA (SPANISH VERSION) WARNER MUSIC GROUP 2** 18 ▼ 15 13 7 DAVID GUETTA / JUSTIN BIEBER 2U WARNER MUSIC/UNIVERSAL * 19 ▼ 18 9 19 JASON DERULO / NICKI MINAJ -
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love You 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 Party People (Friday Night) 911 Private Number 911 The Journey 911 More Than A Woman 1927 Compulsory Hero 1927 If I Could 1927 That's When I Think Of You Ariana Grande Dangerous Woman "Weird Al" Yankovic Ebay "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Eat It "Weird Al" Yankovic White & Nerdy *NSYNC Bye Bye Bye *NSYNC (God Must Have Spent) A Little More Time On You *NSYNC I'll Never Stop *NSYNC It's Gonna Be Me *NSYNC No Strings Attached *NSYNC Pop *NSYNC Tearin' Up My Heart *NSYNC That's When I'll Stop Loving You *NSYNC This I Promise You *NSYNC You Drive Me Crazy *NSYNC I Want You Back *NSYNC Feat. Nelly Girlfriend £1 Fish Man One Pound Fish 101 Dalmations Cruella DeVil 10cc Donna 10cc Dreadlock Holiday 10cc I'm Mandy 10cc I'm Not In Love 10cc Rubber Bullets 10cc The Things We Do For Love 10cc Wall Street Shuffle 10cc Don't Turn Me Away 10cc Feel The Love 10cc Food For Thought 10cc Good Morning Judge 10cc Life Is A Minestrone 10cc One Two Five 10cc People In Love 10cc Silly Love 10cc Woman In Love 1910 Fruitgum Co. Simon Says 1999 Man United Squad Lift It High (All About Belief) 2 Evisa Oh La La La 2 Pac Feat. Dr. Dre California Love 2 Unlimited No Limit 21st Century Girls 21st Century Girls 2nd Baptist Church (Lauren James Camey) Rise Up 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. -
Partyman by Title
Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D. -
Introduction 1
Notes Introduction 1. For a more in- depth discussion of patriarchy and nationalism, see Kim’s analysis of the argument of Gates (2005, 16) and Garcia (1997). 2. Omi and Winant (1986) trace the historical development of privilege tied to white- ness but also foreground discussions of race to contest claims that only those in power— that is, those considered white— can be racist. Omi and Winant argue that whenever the construct of race is used to establish in and out groups and hierarchies of power, irrespective of who perpetrates it, racism has occurred. In “Latino Racial Formation,” De Genova and Ramos-Zayas (2003b) further develop the ideas of history and context in terms of US Latinos in their argument that US imperialism and discrimination, more than any other factors, have influenced Latino racializa- tion and thus contributed to the creation of a third pseudoracial group along the black/white continuum that has historically marked US race relations. The research of Omi and Winant and De Genova and Ramos- Zayas coincides with the study of gender, particularly masculinity, in its emphasis on the shifting nature of constructs such as race and gender as well as its recognition of the different experiences of gendered history predicated upon male and female bodies of people of color. 3. In terms of the experience of sexuality through the body, Rodríguez’s memoir (1981) underscores the fact that perceptions of one’s body by the self and others depend heavily on the physical context in which an individual body is found as well as on one’s own perceptions of pride and shame based on notions of race and desire. -
Alejandra Guzman Eternamente Bella
La ramera-adan romero Amor de verano- airbag King of disco- akcent Jokero- akcent Hey guera- Alejandra Guzman Eternamente bella bella- Alejandra Guzman Matalas- alejandro Fernandez Te voy a perder- alejandro Fernandez Aunque no te pueda ver- alex ubago Te imagino- alejandro ft. De La Guetto Bartender- alexis y fido Momento exacto- alexis y fido Ojos que no ven- ³´ Subete- ³´ Superheroe- ³´ 5 letras- ³´ me cambio- Allison eres casi el hombre perfecto- ana cirre na de na- angel y khriz juguete- ³´ Barbie girl- aqua Me he enamorado de ti- arcangel GOING WRONG OBVIO Esta noche haremos el amor bailando- sabedekien Solo por un beso- aventura All up to you- aventura Risa- babasonicos Wht is it- baby bash Porque el amor se fue- baby rank Tiemblo- baby rasta Mi primer millon- bacilos Caraluna- ³´ Everybody- backstreet boys Who let the dogs out- baha men Arrinconamela- banda jerez Ando bien pedo- los recoditos Where¶s your head ar- basment jaxx Dota- basshunter Beer in a bar-³´ Now you¶re gone- ³´ Restlessness Ni;o- belanova Porti- ³´ Cada que- ³´ Baila mi Corazon- ³´ Egosita- Belinda Satisfaction- benni bennassi Noughty girl- beyonce Halo- ³´ Single ladies- ³´ Crazy in love- ³´ La crema- big metra Una noche en la playa- big yamo BLACK EYED PEAS!!!! Discovery channel- bloodhound gang Love genetation- bob Sinclair World, hold on- ³´ Rock this party- ³´ El problemon- bonka Get naked- Britney spears Toxic- ³´ Gimme more(remix)- ³´ Ya no eres mi bombon- cabas Atrevete- calle 13 Electro movimiento- ³´ Tocarte toa- ³´ The girls- calvin harris Camila si -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Anabárbaraofrecesuversión
22/07/2010 19:25 Cuerpo E Pagina 4 Cyan Magenta Amarillo Negro 4 VIERNES 23 DE JULIO DE 2010 TÍMPANO TRADICIÓN Y VERDAD EN LA ESCALA Blades regresa a la gran pantalla Rubén Blades regresa a la gran pantalla después de cinco años con un filme muy cercano a su corazón, “Spoken Word’’, basado en la vida de un poeta hispano de “slam’’ y que habla de las relaciones entre padres e hijos. El músico y actor panameño, uno de los más representativos de poesía urbana, da vida al padre desahuciado de Cruz Mon- toya hijo, interpretado por el mexicano Kuno Becker. Planea escribir canciones en la cárcel Lindsay Lohan estará sólo dos semanas en prisión pe- ro aprovechará ese tiempo para escribir canciones. De acuerdo con la página en- tertainmentwise.com, una fuente cercana a la actriz reveló que Lohan prepara- AGENCIAS rá diversos temas. “Lindsay pasará su JUANES, EL PRIMER LATINO EN ROCK BAND tiempo en prisión escri- Las primeras canciones en español para Rock Band estarán disponibles la próxima semana y serán nada más y nada menos que de Juanes, anun- biendo nuevas canciones ciaron el jueves Harmonix y MTV Games en un comunicado. A partir del martes el público podrá adquirir seis canciones del superastro colombia- que grabará en el momento no en la tienda Rock Band Music Store de contenido para el videojuego de Xbox 360 y los sistemas de entretenimiento de Microsoft, PlayStation y que salga”, señaló la perso- Wii. Las primeras canciones disponibles son “ADios le pido’’, “Fíjate bien’’, “Gotas de agua dulce’’, “La camisa negra’’, “Mala gente’’ y el más re- na consultada. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities.