Summer 1989 CAA Newsletter 21 • OPPORTUNITIES ••• LEGAL UPDATE • ••

Total Page:16

File Type:pdf, Size:1020Kb

Summer 1989 CAA Newsletter 21 • OPPORTUNITIES ••• LEGAL UPDATE • •• newsletter Volumne 14, Number 2 Summer 1989 CAA SPONSORED BAY AREA MFA EXHIBITION HELD AT SAN FRANCISCO STATE UNIVERSITY Organized to coincide with the 77th CAA pointed out, "although artists, like art his­ In her Introduction to the Exhibition Annual Meeting in San Francisco, The Bay torians, meet in regular sessions at the an­ Checklist, Susan Ball wrote, "We dedicate Area MFA Exhibition 1989 was held nual meetings, talking about their work is the Bay Area MFA Exhibition to Anne February 15th to March 10th at the San no substitute for showing the works them­ Coffin Hanson, one of the most dedicated Francisco State University Art Department selves. This exhibition thus marks a new and inspired presidents of the CAA, sup­ Gallery. Art work from MFA students from direction for the interchange of information porter of art historian and artist alike, and Stanford University, San Jose State among studio (artist) members of CAA faithful member of the CAA. As a tribute to University, the University of California, which is more comparable to that which the her dedication and commitment, we add our Berkeley. Mills College, the San Francisco art historians have long enjoyed." own commitment to provide a forum for the Art Institute, California College of Arts and exhibition of works by young, unrecog­ Crafts, and San Francisco State University An annual or at least regular exhibition in nized artists at the CAA annual meeting. were presented. This exhibition was a long the many different locales is essential to overdue sequel to an exhibition sponsored presenting the whole picture. Each city can Despite our good intentions, this exhibi­ by the College" Art Association in 1974, offer a different approach to presenting tion would have been nothing more than Drawings by MFA Candidates from varied aspects, of the studio arts throughout just that without the efforts of Judith American Colleges and Universities, which the country. With that in mind, CAA Bettelheim, her' assistant Nancy Ely who is was on view at Wayne State University in Executive Director, Susan Ball initiated completing a degree in Museum Studies, and conjunction with the 62nd CAA Annual discussions with Professor Judith the Department of Art at San Francisco Meeting in Detroit. In the exhibition cata­ Bettelheim at San Francisco State State University. Professor Bettelheim logue, then CAA President, Anne Coffin University. Professor Bettelheim proposed conceived the plan for the exhibition and Hanson wrote, "it is hoped that it will be the "Bay Area MFA" exhibition, in which SFSU Art Department Gallery Director John the first among many such exhibitions to seven Bay Area colleges and universities Leighton carried out the challenging in­ be held in conjunction with Annual would be invited to submit juried works by stallation. Professor Bettelheim deserves Meetings in the future." We salute their MFA students to the collective our warmest thanks for making it possible Professor Hanson's efforts and share her exhibition. The Board of Directors of the to revive the CAA annual meeting exhibi­ hope that this exhibition, fifteen years College Art Association voted to give new tion. " later, will be the second among many such and sustained momentum to Hanson's "new annual exhibitions to be held in conjunc­ direction" by sponsoring this exhibition. San Francisco State University also pro­ tion with CAA annual meetings, for as she vided gallery space, student assistants, reg­ istrarial services, and a special opening re­ ception for members of the CAA at the Annual Meeting. And last, but most cer­ tainly not least, we want to express our gratitude to all the artists who submitted their works to the exhibition and to the participating institutions which selected the works: INDEX CAA Announcements/News ......... 2 1990 Annual Conference Update ... 3 Message from CAA President ....... 4 Affiliated Society News ............... 5 1991 Washington, D.C ............... 6 Legal Update ....... ..................... 8 Grants/Awards/Honors ................ 12 Solo Shows by Artist Members ... 15 People and Programs .................. 16 Opportunities ............................ 18 Conferences and Symposia .......... .24 Information ............................... 27 Classifieds ................................ 28 The Bay Area MFA Exhibition 1989 Photo: Irene Poon CAA Newsletter CAA ANNOUNCEMENTS/NEWS Stanford University: Dana Chodzko, AWARDS COMMITTEES be rumounced by both CAA and NICCP. A Robin Dolarian, Frank Isaac, Nor m FRANK JEWETT MATHER AWARD NEW BOOK REVIEW EDITOR ANNOUNCED committee representing both organizations Rosenberger, Michael Shuster. Douglas Crimp, October and ACTUP FOR THE ART BULLETIN will be assigned the responsibility of re­ University of California, Berkeley: Maria The President of the College Art (chair); Xenia Zed, Art Papers, Atlanta; viewing nominations. The award commit­ Cray, Pauletta M. Chanco, Kyung­ Assocition, with the advice of the Board of Hunter Drokojowska, Venice, California. Keith Moxey, professor and chair of art tee, co-chaired by NICCP Treasurer Susan SUD Cho, A. Eilene Houston­ Directors, has appointed the following CHARLES RUFUS MOREY BOOK history at Barnard College, has been named Bandes and CAA Officer Egbert Haverkamp­ Carver, Linda Kalin, Suzanne CAA members to ~erve on CAA Awards AWARD the new book review editor of The Art Begemann, will develop the criteria for the Lacke, Bill Scholer, Dean Smith, Committees to select the awardees to be Richard Brilliant, Columbia University Bulletin, effective July 1. He replaces Jim award. Teresa Smith. announced at the 1990 Annual Conference (chair); Irene Biennan, University of M. Jordan, professor of art history at San Jose State University: Joseph Convocation, Friday, February 16: California, Los Angeles; Susan Nelson, ARTIST AWARD FOR A Dartmouth College, whose three year term DeLapp, Holly Lane, Michael University of Indiana, Bloomington. has expired. DISTINGIDSHED BODY OF WORK Martin, Sonya Pop OW, Gary ARTHUR KINGSLEY PORTER Houston Conwill, New York (chair); Ruth Quinonez. PRIZE Professor Moxey received his Ph.D. from Mills College: Susan Androff, Bill Fine, National Gallery of Art, Washington, Edward Kaufman, Columbia University; READER'S DIGEST the University of Chicago in 1974. He is Bury, Suzann Dunaway. Dan D.C.; Phyllis Bramson, University of Debra Pincus, University of British ARTISTS AT GIVERNY the author of Pieter Aertsen and Joachim Gillespie, Margaret Moulton. nlinois, Chicago; Mary Lovelace O'Neal, Columbia; Thalia Gouma-Peterson, CoUege PROGRAM APPLICATIONS Beuckelaer and the Rise of Secular Painting San Francisco Art Institute: Galen University of California, Berkeley; Juan of Wooster. HAVE BEEN MAILED in the Context of the Reformation (1977) Sanchez, New York. Brown, Machele Civery, Karen For the third consecutive year, CAA is and Peasants, Warriors and Wives: Popular ALFRED H. BARR, JR. AWARD Jelenfy, Thomas Sicurella, Bonnie pleased to announce the Reader's Digest Imagery in the Reformation (1989). He is Weinstein. Edith Tonelli, Wight Gallery, University of Artists at Givemy Program Residency, ad­ also editor (with Norman Bryson and California, Los Angeles (chair); Sam California College of Arts and Crafts: NOMINATIONS INVITED ministered by the CAA. TIrree artists will Michael RoIly) of Visual Theory: Painting Sachs, Detroit Institute of Arts; Lowery Hedi K. Ernst, Lisa Friedlander, FOR CAA AWARDS have the opportunity to live at the home of and Interpretation (1989 - forthcoming). Kimiko Kogure, Carol Ladewig, Sims, Metropolitan Museum of Art. Nominations from the membership are in­ Impressionist painter Claude Monet, in Keith Moxey Seuug Lim Lee, Sachi Mizutani, DISTINGUISHED ARTIST AWARD vited for: Giverny, France, where a furnished apart­ The Art Bulletin Book Review Editor FOR LIFETIME ACIDEVEMENT Professor Moxey taught at Tufts University Jeremy Popelka. Steven Mark 1) Distinguished Teaching of Art ment and working studio will be available 1971-74 and at the University of Virginia Raskin, Vicki Van Winkle. Sam GilIiam, Carnegie Mellon, Pittsburgh and the Distinguished Teaching of for their use. All CAA members were re­ (chair); Audrey Flack, New York; Keith 1974-88. While at Virginia, he served as San Francisco State University: George Art History Awards. Letters of recom­ cently mailed an application brochure. Morrison, University of Maryland; Anne chair of the art department in 1976-78 and Fellow in West Berlin in 1982-83. He was C. Berticevich, Catherine Crider, mendation and supporting materials should Non-members may receive an application 1981-82. He was a member of the Institute co-director of the Institute on "Theory and Margaret K. Haydon, Bodil Volmer Page, Los Angeles; Esther Parada, Oak be sent to: Teaching Nominations, CAA, by sending a self-addressed stamped stan­ Park, Illinois. for Advanced Study, Princeton in 1978-79, Interpretation in the Visual Arts" at Hobart Nielsen, Kate Pixley. 275 Seventh Avenue, New York, NY 10001 dard size envelope to: Reader's Digest a Senior Fellow at the Center for Advanced and William Smith Colleges in the summer DISTINGUISHED TEACIDNG OF by 1 October. Artists at Giverny Program, CAA, 275 Sev­ Study in the Visual Arts, Washington, D.C. of 1987 and at the University of Rochester ART AWARD 2) Award for a Distinguished Body enth Avenue, New York, NY 10001. in 1980-81 and a Humboldt Foundation in the sununer of 1989. • Vivian Browne, Rutgers University (chair); of Work, Exhibition, Presentation Applications must be postmarked
Recommended publications
  • Annual Report 2012
    BOARD OF TRUSTEES 4 LETTER FROM THE CHAIR 6 A YEAR AT THE MUSEUM 8 Collecting 10 Exhibiting 20 Teaching and Learning 30 Connecting and Collaborating 38 Building 44 Conserving 50 Supporting 54 Staffing and Volunteering 62 CALENDAR OF EXHIBITIONS AND EVENTS 68 FINANCIAL StATEMENTS 72 COMMIttEES OF THE BOARD OF TRUSTEES 78 SUPPORT GROUPS 80 VOLUNTEERS 83 MUSEUM StAFF 86 A REPORT LIKE THIS IS, IN ESSENCE, A SNAPSHOT. Like a snapshot it captures a moment in time, one that tells a compelling story that is rich in detail and resonates with meaning about the subject it represents. With this analogy in mind, we hope that as you read this account of our operations during fiscal year 2012 you will not only appreciate all that has been accomplished at the Philadelphia Museum of Art, but also see how this work has served to fulfill the mission of this institution through the continued development and care of our collection, the presentation of a broad range of exhibitions and programs, and the strengthening of our relationship to the com- munity through education and outreach. In this regard, continuity is vitally important. In other words, what the Museum was founded to do in 1876 is as essential today as it was then. Fostering the understanding and appreciation of the work of great artists and nurturing the spirit of creativity in all of us are enduring values without which we, individually and collectively, would be greatly diminished. If continuity—the responsibility for sustaining the things that we value most—is impor- tant, then so, too, is a commitment to change.
    [Show full text]
  • For Immediate Release
    FOR IMMEDIATE RELEASE “Politics of Snow II” Paintings by Diane Burko Bernstein Gallery, Princeton University Exhibition dates: April 4 – May 19, 2011 Politics of Snow II will be held in conjunction with a panel discussion featuring Michael Oppenheimer, the Albert G. Milbank Professor of Geosciences and International Affairs Department of Geosciences and the Woodrow Wilson School of Public and International Affairs. The panel discussion will take place on April 21, 2011 at 4:30 p.m. in Bowl 016, Robertson Hall, Woodrow Wilson School of Public and International Affairs, Princeton University, Princeton, NJ. A public reception will follow the panel discussion at 6 p.m. in the Bernstein Gallery adjacent to Bowl 016. Contact: Kate Somers Ph: 609.497.2441 Politics of Snow II is a series of sweeping views of majestic glaciers and mountains by Philadelphia artist, Diane Burko, who has spent most of her long and productive career creating landscapes in the tradition of the Hudson River School. But in this series, the paintings are not landscapes meant to transport viewers into a contemplative reverie on the sublime qualities of nature. If they are meant to do so, it is only temporary, because Burko’s mission is to wake us out of that reverie and force us to bear witness to man’s imprint on our natural world as it manifests itself in global warming. Using archival photographs of glaciers as starting points, Burko pairs these images in diptychs and triptychs, and other multiple configurations, with contemporary views of the same landscape 10, 50 or 100 years later.
    [Show full text]
  • FP 9.3 Fall1989.Pdf
    The University of Wisconsin System ___5 I -====3 -6 A CURRENT LISTING OF CONTENTS VOLUME 9, NUMBER 3 FALL 1989 Published by Susan Searing, Women's Studies Librarian i:i? University of Wisconsin System 112A Memorial Library -iilii: 728 State Street Madison, Wisconsin 53706 :iii'i'i (608) 262-5754 MINIST ODICALS A CURRENT LISTING OF CONTENTS Volume 9, Number 3 Fall 1989 r Qa Periodical literatureis the cutting edge of women's scholarship, feminist theory, and much of women's culture. .rnrst . Periodicals: A Current Listina of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicalswill serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a joumal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1.
    [Show full text]
  • Echo and Pine
    Get Your Kicks at the 50th June 2-5, 2016 Echo and Pine 1 Letter from the President Dear Members of the Classes of 1966: On this noteworthy anniversary, it is my great pleasure to welcome you, the trailblazing members of the Classes of 1966, back to campus. From my conversations with many of you and from the memories you share in the following pages, it is apparent that the social and political upheavals of the mid-1960s – and their expressions on campus – substantially shaped your worldviews and your lives. Equally apparent is the collective sense of the Colleges’ impact on the way in which your Classes navigated those turbulent times, from the attentiveness and care of the faculty and administration, to the camaraderie of the student body, to the thought-provoking nature of the coursework. As we join together in celebrating with you this Golden Jubilee, perhaps most apparent is the remarkable success of the Classes of 1966, not only in spite of the changing national landscape 50 years ago, but also because of it. Through the burgeoning Civil Rights movement and the Vietnam War, through the Cold War and the advent of the Internet, through the 9/11 attacks and increasing globalization, your classes have thrived in this changing world and helped shape it – as doctors and educators; business and religious leaders; attorneys and musicians; service-members in law enforcement and the military; Fulbright winners and world-travelers; local, national and international volunteers; and parents and grandparents. On behalf of our faculty, staff and students, I thank you for joining us this weekend and for your indelible contributions to your communities, your country and your alma maters.
    [Show full text]
  • Nordic Changes: Works by Diane Burko on View at the American Swedish Historical Museum September 29​Th​, 2019 Thru Janu
    --FOR IMMEDIATE RELEASE -- ​ Nordic Changes: Works by Diane Burko On view at the American Swedish Historical Museum th th September 29 ,​ 2019 thru January 5 ,​ 2020 ​ ​ Philadelphia, PA: ASHM is delighted to present ​Nordic Changes​, an exhibition of paintings and photographs by the internationally-renowned artist, Diane Burko and guest opening event on Sunday, September 29th curated by Dr. Kirsten Jensen. The ​ will feature gallery talks by Ms. Burko and Dr. Jensen, as well as a panel discussion with the artist, along with local experts including Christine Knapp, Director of Sustainability for the City of Philadelphia, Erik Johanson Director of Innovation for Septa, and Billy Fleming, former Wilks Family Director McHarg Center and former White House Domestic Policy Councilor for Urban Policy Development, to discuss the impacts of climate change in the Philadelphia area. Special guest Ambassador Bergdís Ellertsdóttir of Iceland will also be in attendance. The Philadelphia- and Bucks County-based artist is a world traveler, and this exhibition highlights a body of work she produced following expeditions made over the past two decades to the Nordic Arctic in Greenland, Iceland, and Svalbard. Since her first visit to Iceland in 2002, Burko has focused her attention on environmental issues, blending science with beauty to create art that is a vessel for eco-activism. Burko’s pieces in the exhibition are visual investigations, revealing the dramatic ways in which the Arctic is being transformed due to the effects of climate change. Nordic Changes ​offers visitors a capsule survey of Burko’s many expeditions to the Arctic, beginning with her Icelandic landscapes.
    [Show full text]
  • ARTISTS MAKE US WHO WE ARE the ANNUAL REPORT of the PENNSYLVANIA ACADEMY of the FINE ARTS Fiscal Year 2012-13 1 PRESIDENT’S LETTER
    ARTISTS MAKE US WHO WE ARE THE ANNUAL REPORT OF THE PENNSYLVANIA ACADEMY OF THE FINE ARTS FISCAL YEAR 2012-13 1 PRESIDENT’S LETTER PAFA’s new tagline boldly declares, “We Make Artists.” This is an intentionally provocative statement. One might readily retort, “Aren’t artists born to their calling?” Or, “Don’t artists become artists through a combination of hard work and innate talent?” Well, of course they do. At the same time, PAFA is distinctive among the many art schools across the United States in that we focus on training fine artists, rather than designers. Most art schools today focus on this latter, more apparently utilitarian career training. PAFA still believes passionately in the value of art for art’s sake, art for beauty, art for political expression, art for the betterment of humanity, art as a defin- ing voice in American and world civilization. The students we attract from around the globe benefit from this passion, focus, and expertise, and our Annual Student Exhibition celebrates and affirms their determination to be artists. PAFA is a Museum as well as a School of Fine Arts. So, you may ask, how does the Museum participate in “making artists?” Through its thoughtful selection of artists for exhibition and acquisition, PAFA’s Museum helps to interpret, evaluate, and elevate artists for more attention and acclaim. Reputation is an important part of an artist’s place in the ecosystem of the art world, and PAFA helps to reinforce and build the careers of artists, emerging and established, through its activities. PAFA’s Museum and School also cultivate the creativity of young artists.
    [Show full text]
  • January-February 1995 CAA News
    '" "",.; "";.., " ;:l "'H ,.c (\J ~ ~;.., H ;:l "'r:: ~ ,..,.. OJ ,.ce ~ 5 0' N OJ e;:l -~ must be raised from private sources. We the NEH grant (for art historians) or the have been actively soliciting support for NEA grant (for artists). For multi-year r:: Support .~ funds from foundations and from support, pledge forms are available by "iii'" corporations to run the program now, calling the CAA development office. .~u CAA's but we are counting on you, our At the upcoming annual confer­ ence, there will be several opportunities '" members, to help us meet this challenge ~'" to build an endowment to ensure to make contributions to the Fellowship ~ Fellowship Program. Watch for board members and .. support for future generations of art ~ historians and artists. session chairs, who will be actively <li bll Endowment Your gift will help support CANs soliciting contributions. Contributions (\J efforts to create a new generation of will be accepted in the registration area - artists and art historians, Please support and in the publications booth. Contribu­ U'" <li . theCAA Capital Campaign by sending tions of $50 or more will be noted in .,<: your chec~ today, and by indicating CAA News, and all contributions will be ....- whether it should go toward matching acknowledged in the July / August issue. '"<li -<li -'" 5 CAA Endowment z;: January/February 1995 $1,200,000 e need your support now. College Art Association The Capital Campaign of 275 Seventh Avenue the College Art Association New York, New York 10001 W was created to establish a permanent $1,000,000 endowment for the support, continua­ tion, and expansion of the Professional Board of Directors Development Fellowship Program, $800,000 Judith K.
    [Show full text]
  • September-October 1994 CAA News
    Cyborgs: slides are sought from artists, 2- or 3- Information Wanted D, who are working with representations of Datebook cyborg bodies. Loosely defined, a cyborg is a human-machine amalgamation. The work is being considered for a curatorial project. Include SASE for return of slides. Cyborgs, 38 Grove St., Artworks. For a forthcoming book, information #4, Boston, MA 02114. September 30 about the followingworks of art is sought: Deadline for submitting material to November/ ( Henry Bebie, Family Group at Breakfast, ca. 1856- Feminism: information is sought on the impact December CAA News 65, sold at June 1944 Parke Bernet auction; A. D. of feminism on art and culture. Why is feminism O. Browere, Wash Day, 1833, sold as "American unappealing to today's young woman? Are October 7 school" by Kennedy Galleries after 1985; being sexy in a feminine way and being political Deadline for submissions for November William M. Paxton, The Breakfast, 1910; cast iron mutually exclusive? Do you feel you have been Careers, to be published November 1 candelabra with Lily Martin Spencer's Young victimized because of sexual inequities? Does feminism offer wide enough range of points of Wife: First Stew in bas relief; pictured in Antiques, November 28 Feb. 1975. Elizabeth O'Leary, 2700 Reynolda Rd., identification? All genders are invited to Deadline for submitting material to January / 5 #1303, Winston-Salem, NC 27106; 910/748-0689 respond. Cassandra Langer, 32-22 89th St., #605, February CAA News or 910/725-5325. Jackson Heights, NY 11369. January 26-28, 1995 Dorothy E. Brett (English/American 1883-1977): Charles D.
    [Show full text]
  • Download Issue (PDF)
    wdmaqart WOMEN SHOOT WOMEN: Films About Women Artists The recent public television series "The Originals: Women in Art" has brought attention to this burgeoning film genre by Carrie Rickey pag e 4 NOTES FROM HOUSTON New York State's artist-delegate to the International Women's Year Convention in Houston, Texas in a personal report on her experiences in politics by Susan S ch w a lb pag e 9 SYLVIA SLEIGH: Portraits of Women in Art Sleigh's recent portrait series acknowledges historical roots as well as the contemporary activism of her subjects by Barbara Cavaliere ......................................................................pag e 12 TENTH STREET REVISITED: Another look at New York’s cooperative galleries of the 1950s WOMEN ARTISTS ON FILM Interviews with women artist/co-op members produce surprising answers to questions about that era by Nancy Ungar page 15 SPECIAL REPORT: W omen’s Caucus for Art/College Art Association 1978 Annual Meetings Com plete coverage of all WCA sessions and activities, plus an exclusive interview with Lee Anne Miller, new WCA president.................................................................................pag e 19 PRIMITIVISM AND WOMEN’S ART Are primitivism and mythology answers to the need for non-male definitions of the feminine? by Lawrence Alloway ......................................................................p a g e 31 SYLVIA SLEIGH GALLERY REVIEWS pa g e 34 REPORTS An Evening with Ten Connecticut Women Artists; WAIT Becomes WCA/Florida Chapter page 42 Cover: Alice Neel, subject of one of the new films about women artists, in her studio. Photo: Gyorgy Beke. WOMANART MAGAZINE Is published quarterly by Womanart Enterprises, 161 Prospect Park West, Brooklyn, New York 11215, (212) 499-3357.
    [Show full text]
  • November-December 1995 CAA News
    '" '""",.... "<l) ,.Qe <l) y OJ 0 ~... OJ ,.Q eg: c Z '".... <II 5 ,.Qe i 0 '" S" Scott to :; -~ Perform at .§ 'lil .~ Conference <oJ C <'" .'i:- '"OIl rtist Joyce Jane Scott, whose '" wnrks address such areas of -C A political commentary as -U South African apartheid, rape, and ..<:'" racial stereotypes through the various - media of bead work, sculpture, and the ""'...C fabric arts, as well as installation and '" s performance, will address CAA -OJ members at the convocation ceremony -'" of CAA's eighty-fourth alIDual confer­ NovemberlDecember 1995 ence in Boston, Friday, February 23, ~ College Art Association 1996. The convocation, to begin at 5:30 275 Seventh Avenue P,M., in Ballroom H, on the third level of New York, New York 10001 the Hynes Convention Center, is the annual gathering of CAA members for public recognition of those who have Board of Directors made outstanding contributions in art Judith K. Brodsky, Presidl'llt and art history over the past year. Leslie King-Hanunond, Vice-President I) Scott's address will be in the form of a Joyce Jane Scott John R. Clarke, Secretary performance. PHOTO: JOHN OEAN John W. Hyland,Jr., Treasurer Scott was born in Baltimore, Md. Barbara Hoffman, Esq., COlli/Sri She received her B.F.A. from the ceramic materials, cellophane, images pieces, grew out of the fusion of these Susan Ball, Execl/five Director Maryland Institute, College of Art, and from magazines, photographs, alld other influences. Scott's performances, with titles Diane Burko Victor Margolin her M.F.A. in crafts from Instituto items. Scott often worked on quilts with Bradford R.
    [Show full text]
  • Diane Burko: an Artist Confronts Climate Change
    DIANE BURKO S O L O E X H I B I T I O N S 2021 – UPCOMING: DIANE BURKO: AN ARTIST CONFRONTS CLIMATE CHANGE, the American University Museum, Washington D.C., September – October 2021 2019 – UPCOMING: ENDANGERED, Cindy Lisica Gallery, Houston, TX, May 3 – June 6, 2019 2018 Repairing the Earth (Tikkun Olam): Diane Burko, Artist and Environmental Activist, Rodeph Shalom, Philadelphia, PA, December 6, 2018 — April 30, 2019 Endangered: from Glaciers to Reefs, National Academy of Sciences, Washington, D.C, August 15, 2018 — January 30, 2019 Diane Burko: Vast and Vanishing, Rowan University Art Gallery, Glassboro, NJ, March 8 – April 21, 2018 2017 Glacial Shifts, Changing Perspectives, Paintings and Photographs by Diane Burko, Walton Art Center, Fayetteville, AR 2016 Traces of Change, Cindy Lisica Gallery, Houston, TX Glacial Dimensions: Art and the Global Ice Melt, Diane Burko and Paula Winokur, Burger Gallery, Kean University, Union, NJ 2014 Diane Burko Photographs: Investigating the Environment, LewAllen Galleries, Santa Fe, NM 2013 Diane Burko: Glacial Perspectives, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ 2012 Diane Burko: Water Matters, LewAllen Gallery, Santa Fe, NM 2011 Diane Burko: Photo Show, Locks Gallery, Philadelphia, PA Politics of Snow II, Woodrow Wilson School, Bernstein Gallery, Princeton University, Princeton 2010 Politics of Snow, Locks Gallery, Philadelphia, PA 2007 Alumni Invitational II: Diane Burko, Linda Karshon, Joshua Marks, Bing Wright, Tang Museum, Skidmore College Saratoga Springs, NY Diane Burko:
    [Show full text]
  • Spring 1989 CAA Newsletter 9 NEWS SOLO SHOWS by ARTIST MEMBERS
    newsletter Volume 14, Number 1 Spring 1989 1989 ANNUAL MEETING AWARDS AND CONVOCATION CAA CONVOCATION HELD AT The Distinguished Artist Award for Lifetime presentation at the CAA Convocation. Any THE PALACE OF FINE ARTS Achievement went to Louise Bourgeois foreign scholars who reside outside of THEATER "as a sign of our appreciation of this North America are eligible for the grant for important artist's distinguished career and the 1990 meeting in New Yark. Please write ongoing crcative achievements." to the CAA offices in New York to request Awards for excellence in scholarship, an application fann. teaching, criticism and studio work were In addition, the College Art Association is presented at the Convocation ceremonies of very pleased to announce that the The Convocation was followed by a the 77th CAA Annual Meeting held on Librairie Leonee Laget, a prominent reception at The Exploratorium at which Friday evening. February 17. in the Palace international bookseller located in Paris, box dinners were available. An unusual of Fine Arts Theatre. Harry S. Parker, which specializes in fine arts and design, performance entitled Pneumatic Men was III, Director of the Fine Arts Museums of has generously presented the College Art given by Chico MacMurtrie and his San Francisco, delivered the opening Association with a grant of $750 to support mechanical/hydraulic performers. Also, greeting. Phyllis Pray Bober, the travel of a foreign art historian residing there was the lively Leung's White Crane President of the College Art Association, outside of North America to attend the Kung Fu Association in dragon costumes presided. meeting in San Francisco.
    [Show full text]