Iii KNOWLEDGE PRODUCTION, CAPITAL PUNISHMENT, AND
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Prieur Dissertation 6 18 10
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title In the System: Art, Prison, and the Performance of Social Welfare Permalink https://escholarship.org/uc/item/0rq886vg Author Prieur, Nina Billone Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California In the System: Art, Prison, and the Performance of Social Welfare By Nina Billone Prieur A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Angela Y. Davis Professor Shannon Steen Professor Rebecca McLennan Fall 2010 In the System: Art, Prison, and the Performance of Social Welfare © 2010 by Nina Billone Prieur Abstract In the System: Art, Prison, and the Performance of Social Welfare by Nina Billone Prieur Doctor of Philosophy in Performance Studies Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Shannon Jackson, Chair Over the past three decades, the state of California has launched the largest prison construction project in history. The United States has followed California’s lead by massively expanding its penal system and radically dismantling its welfare system. The country currently incarcerates not only more people, but also a greater percentage of its population than any other nation in the world. During this same period, increasing numbers of artists have intervened in the spaces between the U.S. prison and welfare systems. San Francisco has served as a crucible for these endeavors, which constitute a defining feature of the emerging field of community-based performance. -
Donmar Warehouse Projects Ltd HEAD of FINANCE
Donmar Warehouse Projects Ltd HEAD OF FINANCE Responsible to: Executive Director Responsible for: Management Accountant, Finance Assistant Location 3 Dryden Street, London WC2E 9NA Term of employment Full time, permanent position Working Hours 40 hours per week and evening work where necessary Salary Dependent on experience ABOUT THE DONMAR “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse, led by Michael Longhurst, Artistic Director and Henny Finch, Executive Director, is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. Since 1992 the Donmar has built a reputation for artistic excellence as one of the UK’s leading producing theatres. From our iconic warehouse space in the heart of London’s West End, we create world-class theatre with international impact. Our intimate auditorium offers audiences – 95,000 annually - a unique shared experience, and an unparalleled connection with performers. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. We develop new artists and future audiences through our renowned training programmes and our Discover educational activity in schools and communities. We share the theatre we make widely through transfers, tours and on screen. A registered charity, with a turnover of around £7m/year, the Donmar is funded by a combination of Arts Council England investment (7%), box office (35%) fundraising from individuals, Trusts and Foundations and corporate sponsorships (53%), and other income (5%). -
Introduction: Places Post-Colonialism Forgot (And How to Find Them)
Introduction: Places Post-Colonialism Forgot (and How to Find Them) David Butz1 Brock University [email protected] The four papers in this themed issue had their first public airing in a session titled “Places Post-Colonialism Forgot: New Examinations of Center and Periphery” at the 2009 Las Vegas AAG Meetings. The session was co-organised by Karen Morin and Tamar Rothenberg, and sponsored by the Indigenous Peoples Specialty Group, the Socialist and Critical Geography Specialty Group, and the Historical Geography Specialty Group; I was one of the discussants. The papers’ thematic coherence as a set hinges on two similarities. Each piece focuses on something that its author or authors think post-colonial analysis has overlooked or excluded – ways that groups constitute themselves, experiences of subordination, diasporic identities, and ongoing peripheralizations. And each paper deals in its way with the effects of centre/periphery dichotomies. Pamela Shurmer-Smith provides a glimpse at the remembrances, lives and identities of former White Northern Rhodesians who now, in diaspora, find themselves in locations that are peripheral to what remain the geographical centres of their identity; Ian Baird argues that the core concepts of post-colonial studies peripheralize certain instances of colonialism; Ellis draws from her research on middle class political formations in Chennai, India, to criticize post-colonial scholarship on India for relegating class to the peripheries of its analyses; Karen Morin and Tamar Rothenberg draw attention to pervasive centre/periphery binaries 1 Creative Commons licence: Attribution-Noncommercial-No Derivative Works ACME: An International E-Journal for Critical Geographies, 2011, 10 (1), 42-47 43 in the social and spatial configuration of higher education. -
Fourth World Nation: a Critical Geography of Decline
FOURTH WORLD NATION: A CRITICAL GEOGRAPHY OF DECLINE by Olon Frederick Dotson A Dissertation Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy Department of American Studies West Lafayette, Indiana August 2019 2 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Bill Mullen, Chair College of Liberal Arts, American Studies Dr. Leonard Harris College of Liberal Arts, American Studies Dr. Cornelius Bynum College of Liberal Arts, American Studies Dr. Stephen Paul O’Hara Xavier University, Department of History Approved by: Dr. Rayvon Fouché Head of the Graduate Program 3 This research effort is dedicated to Cloice C. Dotson. Without exception, you have been all that a father is supposed to be. If I could only begin to approach the level of responsibility and devotion that you have demonstrated as a father and mentor to me, you can be assured that your grandchildren, and someday, their children, will be able to make their way in this Fourth World Nation. With love and gratitude, Your son. 4 ACKNOWLEDGMENTS My late mother, my motherly stepmother, my sisters and brother, my friends and colleagues Wes, Lisa, Karen, Pam, Ted, Nihal, John, Michael and John, staff and faculty at Ball State, (first encouraged me to pursue doctoral studies) my Committee Chair: Bill Mullen, and Committee Members, Leonard Harris and Cornelius L. Bynum, my external committee member S. Paul O’Hara, Richard Hogan, Nathalia Jaramillo, Rayvon Fouche’, folk in the trenches, the late Grace Lee Boggs, the late Reverend Emory Davis, Malik Yakini, Imhotep Adisa, Pam Dorr, David Elkins, Wayne Curtis, Myrtle Thompson, Sylvester Brown, Elizabeth Patton-Whiteside. -
Critical Geography in Germany
Soc. Geogr. Discuss., 5, 117–144, 2009 www.soc-geogr-discuss.net/5/117/2009/ Social Geography SGD © Author(s) 2009. This work is distributed under Discussions 5, 117–144, 2009 the Creative Commons Attribution 3.0 License. Social Geography Discussions is the access reviewed discussion forum of Social Geography Critical geography in Germany B. Belina et al. Critical geography in Germany: from Title Page exclusion to inclusion via Abstract Introduction internationalisation Conclusions References Tables Figures B. Belina1, U. Best2, and M. Naumann3 1Frankfurt University, Department of Human Geography, Robert-Mayer-Str. 6–8, J I 60325 Frankfurt am Main, Germany 2Chemnitz University of Technology, European Studies, Straße der Nationen 62, J I 09107 Chemnitz, Germany Back Close 3University of Hamburg, Department of Geography, Bundesstr. 55, 20146 Hamburg, Germany Full Screen / Esc Received: 28 November 2008 – Accepted: 27 February 2009 – Published: 18 March 2009 Correspondence to: B. Belina ([email protected]) Printer-friendly Version Published by Copernicus Publications. Interactive Discussion 117 Abstract SGD Critical perspectives have become more visible in German human geography. Drawing on an analysis of the debate around the German reader “Kulturgeographie” published 5, 117–144, 2009 in 2003, we suggest that this case provides new insights into the “geography of critical 5 geography”. We briefly discuss the history of left geography in Germany, leading to Critical geography in a comparison of the conditions of left geography around 1980 and in recent years. Germany The focus is on two factors in the changed role of critical perspectives in German geography: (1) the growing internationalisation of German geography, which opened B. -
Alexandre Nodopaka - Poems
Poetry Series Alexandre Nodopaka - poems - Publication Date: 2016 Publisher: Poemhunter.com - The World's Poetry Archive Alexandre Nodopaka(1940) Biopsy: Conceived in Ukraine, Alex Nodopaka first exhibited in Russia. Finger-painted in Austria. Studied tongue-in-cheek at the Ecole des Beaux Arts, Casablanca, Morocco. Doodles & writes with crayons on human hides. Full time artist, art instructor, judge, and self-appointed critic with pretensions to writing. Considers his past irrelevant. He seeks now reincarnations with micro acting parts in IFC movies. The secondary synopsis is that the author has been a mechanical engineer and practiced that profession between 1962 and 1998 in the San Francisco Bay Area a.k.a. Silicon Valley. Alex Nodopaka began his career with IBM in San Jose, California. He subsequently worked at Memorex and many disc drive companies in the disc drive industry. He also worked for Stanford Linear Accelerator and the Stanford Architectural Office before moving on to a variety of other engineering functions as an engineering consultant. In 1985 he had an engineering article that dealt with clean room environment specifications that was published in Machine Design, a monthly technical magazine. alexnodopaka2@ Art Editor (2013 to present) Art Editor (2010 to 2013) PUBLICATIONS dealing with artistic pursuits * Peninsula Magazine * Pacific Guest Magazine * Peninsula Guest Magazine * Livermore Times * Pleasanton Times * Dublin Independent * Menlo Park Recorder * California Today San Jose Mercury * Menlo Park Almanac * Painterskey, -
Golden Gulag
GOLDEN GULAG AMERICAN CROSSROADS EDITED BY EARL LEWIS, GEORGE LIPSITZ, PEGGY PASCOE, GEORGE SÁNCHEZ, AND DANA TAKAGI GOLDENGULAG PRISONS, SURPLUS, CRISIS, AND OPPOSITION IN GLOBALIZING CALIFORNIA RUTHWILSONGILMORE UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON University of California Press, one of the most distinguished uni- versity presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and nat- ural sciences. Its activities are supported by the UC Press Founda- tion and by philanthropic contributions from individuals and insti- tutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Gilmore, Ruth Wilson, 1950–. Golden gulag : prisons, surplus, crisis, and opposition in globalizing California / Ruth Wilson Gilmore. p. cm—(American crossroads ; 21). Includes bibliographical references and index. isbn-13: 978-0-520-22256-4 (cloth : alk. paper) isbn-10: 0-520-22256-3 (cloth : alk. paper) isbn-13: 978-0-520-24201-2 (pbk. : alk. paper) isbn-10: 0-520-24201-7 (pbk. : alk. paper) 1. Prisons—California. 2. Prisons—Economic aspects—California. 3. Imprisonment—California. 4. Criminal justice, Administration of—California. 5. Discrimination in criminal justice administration—California. 6. Minorities—California. 7. California—Economic conditions. I. Title. II. Series. HV9475.C2G73 2007 365'.9794—dc22 2006011674 Manufactured in the United States of America 15 14 13 12 111098765 This book is printed on New Leaf EcoBook 60, containing 60% postconsumer waste, processed chlorine free; 30% de-inked recycled fiber, elemental chlorine free; and 10% FSC-certified virgin fiber, to- tally chlorine free. -
Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership -
Space Invaders: Critical Geography, the Third World in International Law and Critical Race Theory
Volume 45 Issue 5 Article 5 2000 Space Invaders: Critical Geography, the Third World in International Law and Critical Race Theory Keith Aoki Follow this and additional works at: https://digitalcommons.law.villanova.edu/vlr Part of the Civil Rights and Discrimination Commons Recommended Citation Keith Aoki, Space Invaders: Critical Geography, the Third World in International Law and Critical Race Theory, 45 Vill. L. Rev. 913 (2000). Available at: https://digitalcommons.law.villanova.edu/vlr/vol45/iss5/5 This Symposia is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Villanova Law Review by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Aoki: Space Invaders: Critical Geography, the Third World in Internatio 2000] SPACE INVADERS: CRITICAL GEOGRAPHY, THE "THIRD WORLD" IN INTERNATIONAL LAW AND CRITICAL RACE THEORY* KEITH AoKI** TABLE OF CONTENTS I. INTRODUCTION: WHY "SPACE" MATTERS: A PARADOX AND A Q UESTION ................................................ 914 II. THE POLITICS OF "PLACE" AND "SPACE" IN THE CONDITION OF POSTMODERNITY .......................................... 917 III. THE CRITIQUE OF DEVELOPMENT IN INTERNATIONAL LAW: WHERE EXACTLY IS THE "THIRD WORLD"? .................. 924 IV. LIBERAL V. "CULTURAL NATIONALIST" VISIONS OF "RACE" .... 931 V. RACE, PLACE AND SPACE MATTER ........................... 936 A. Geography and Sovereignty: Richard Thompson Ford ........ 939 B. Spatial and Geographic Marginalizationat the Intersection of Race and Class ........................................ 942 1. John 0. Calmore ................................... 942 2. Chantal Thomas ................................... 944 C. Global Markets, Racial Spaces and the Legal Struggle for Community Control of Investment ........................ 949 1. Elizabeth M . Iglesias ................................ 949 2. Audrey G. -
True Nyms and Crypto Anarchy
True Nyms and Crypto Anarchy Timothy C. May One of the biggest issues in cyberspace these days, one that will continue to be an issue as long as there is such a venue as the Internet, is the safety of communication from prying eyes. In the detailed and persuasive essay that follows, Tim May, formerly a physicist at Intel and one of the founding members of the Cypherpunks, discusses the big issues involved—invasion of privacy, the specter of government interference in personal affairs, the use of electronically forwarded information by a variety of people, entities, and organizations for purposes other than those intended by the forwarder … these are all issues of tremendous importance to anyone who uses the Internet —and that means just about everyone, in one way or another. In a previous age, these issues were not of such great importance, for there was never the possibility that anyone could find and gather enough information to do harm to others in the ways that are now possible with the Internet. Today, however … Read Tim May’s essay and you’ll never feel quite as safe as you did a moment before you read these pages. This article was written in 1996. 25 The Impact of True Names “True Names” came to my attention in 1986, when a friend of mine gave me a dog-eared Xerox copy and said “You need to read this.” But before I even started reading this samizdat edition, the Bluejay Books trade paperback edition appeared and that’s what I read, saving my eyesight and giving Vernor Vinge his proper cut of the action. -
Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law
Kahleen Crawford Casting: As casting directors (selected credits) True Things About Me (2020) Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law. Feature film. Cast inc: Ruth Wilson, Tom Brooke and Hayley Squires Vigil (2020) Directors: James Strong, Isabelle Sieb Producer: Angie Daniell, Simon Heath and Jake Lushington, World Productions. 6 part Television series. Cast inc: Suranne Jones, Rose Leslie, Shaun Evans, Paterson Joseph and Gary Lewis His Dark Materials S1 and S2 (2019-Present) Directors inc: Tom Hooper. Producers: Jane Tranter and Julie Gardner, Bad Wolf, Dan McCulloch and Laurie Borg. BBC TV series based upon the Philip Pullman books, adapted by Jack Thorne. Currently casting. Cast inc: Ruth Wilson, James McAvoy, Dafne Keen, Amir Wilson, Andrew Scott, Simone Kirby and Lin-Manuel Miranda The Nest (2020) Directors: Andy De Emmony, Simen Elsvick Producers: Clare Kerr, Susan Hogg, Simon Lewis, Studio Lambert Television series Cast inc: Martin Compston, Sophie Rundle and Mirren Mack The North Water (2020) Director: Andrew Haigh Producers: Iain Canning, Jamie Laurenson and Kate Ogborn, See-Saw. BBC Television. Cast inc: Colin Farrell, Jack O’Connell, Stephen Graham and Tom Courtenay I Hate Suzie (2020) Directors: Georgi Banks-Davies and Anthony Neilson Produces: Andrea Dewsbery and Julie Gardner. 8-part Television series for Sky Atlantic created by Billie Piper and Lucy Prebble, written by Lucy Prebble. Cast inc: Billie Piper, Laila Farzad, Dan Ings, and introducing Matthew -
Beyond Theories: Intellectual Property Dynamics in the Global Knowledge Economy
WAKE FOREST INTELLECTUAL PROPERTY LAW JOURNAL VOLUME 9 2008 - 2009 NUMBER 2 BEYOND THEORIES : INTELLECTUAL PROPERTY DYNAMICS IN THE GLOBAL KNOWLEDGE ECONOMY CHIDI OGUAMANAM * ABSTRACT This Article critically examines the inadequacy of theoretical postulates on intellectual property. It acknowledges that theorizing around intellectual property is an important ongoing but elusive intellectual adventure that is critical for law and policy direction on intellectual property. Perhaps, at no time is this fact more obvious than in the extant post-industrial epoch or the era of Global Knowledge Economy (“GKE”). The latter is spurred by advances in bio- and digital technologies. Both phenomena drive significant shift and transition in intellectual property jurisprudence and in the tide of innovation from physical to life sciences. They also supervise implosions in new and complex domains or sites for knowledge and information generation. As its feature, the global knowledge economic order is undergirded by an institutional and structural shift in international intellectual property lawmaking and governance, provoking a serendipitous counter-regime dynamic in diverse sites for contestations around intellectual property. The pivotal role of intellectual property in the GKE presents intellectual property as an increasingly multidisciplinary subject with complex issue linkages in virtually all fronts, including public health, human rights, biodiversity, biotechnology, biopiracy, the environment, ethics, culture, indigenous knowledge, electronic commerce, and research ethos. Overall, these and many more issue linkages to intellectual property are part of the latter’s open-ended dynamics in the GKE. They are constitutive of a myriad of factors that task and shape policy and theory on intellectual property as the knowledge economy continues to unravel.