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Nora Danish Duta Terbaru Safi Rania Gold
11/13/2014 Koleksi Gambar Artis Malaysia: Nora Danish Duta Terbaru Safi Rania Gold 0 More Next Blog» Create Blog Sign In Koleksi Gambar Artis Malaysia koleksi gambar artis malaysia dan indonesia yang hangat di internet, majalah, suratkhabar W E D N E S D A Y , N O V E M B E R 1 2 , 2 0 1 4 Langgan Blog Ini Popular Posts Nora Danish Duta Terbaru Safi Rania Gold Followers Gambar bogel Like 0 Zarina An Julie Join this site tersebar di internet with Google Friend Connect Members (428) More » Kepalsuan Gambar Lucah Intan Ladyana Gambar panas Isteri Radhi OAG Already a member? Sign in Carian Artis Galeri gambar Jue ( Find us on Facebook Zuliana Aziz ) Gambar Artis Malaysia Like 2,022 people like Gambar Artis Malaysia. Gambar panas baru Zarina An Julie Tools Facebook social plugin Total Pageviews Pilih Artis 5 1 4 6 7 3 4 Berita artis ( 117 ) artis kahwin ( 50 ) Siti Nurhaliza ( 34 ) gambar artis ( 28 ) Gambar panas Pages ( 23 ) Berita Semasa ( 20 ) Gambar menarik ( 17 ) Erra Home Fazira ( 14 ) Mawi ( 11 ) artis bersalin ( 11 ) artis cerai ( 11 ) Blogger Tricks AF5 ( 10 ) Nora Danish ( 10 ) artis tunang ( 10 ) Ashraf Muslim ( 9 ) Bawang Merah Bawang Putih ( 9 ) Fasha Sandha ( 9 ) abby abadi ( 9 ) Diana Danielle ( 8 ) Diana Naim ( 8 ) Gambar ( 8 ) Ina naim ( 8 ) artis tudung Powered by Blogger. ( 8 ) Ashraf Sinclair ( 7 ) Bunga Citra lestari ( 7 ) Fara Fauzana Komen terkini ( 7 ) Rozita Che Wan ( 7 ) Catriona Ross ( 6 ) Linda Onn Recommend this on Google ( 6 ) Lisdawati ( 6 ) Maya Karin ( 6 ) Norman Hakim ( 6 ) Ads http://gambarartis.blogspot.com/2014/11/nora-danish-duta-terbaru-safi-rania-gold.html -
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Berlinale 2007 MUKHSIN Generation MUKHSIN Kplus MUKHSIN MUKHSIN Regie: Yasmin Ahmad Malaysia 2006 Darsteller Orked Sharifah Aryana Syed Länge 94 Min. Zainal Rashid Format 35 mm, 1:1.85 Mukhsin Mohd. Syafie bin Farbe Naswip Pak Atan Irwan Iskandar bin Stabliste Abidin Buch Yasmin Ahmad Mak Inom Sharifah Aleya Syed Inom Yan Zainal Rashid Kamera Keong Low Kak Yam Adibah Noor binti Schnitt Affandi Jamaluddin Mohd. Omar Ausstattung Ujang Yem Rafiq Ashidiq bin Produzent Ahmad Puad Onah Abdull Aziz Co-Produzent Dhojee Rosnah Yems Vater Muhammad Zaili bin Kassim Sulan Co-Produktion MHZ Film, Petaling Yems Mutter Norlela binti Yahmad Jason Ng. Choo Seong Produktion Hussein Sallehuddin bin Abu Grand Brilliance Sdn. Bhd. Bakar 3rd fl, North Wing, Sri Pentas, No. 3, Mak Senah Mislina binti Persiaran Bandar Utama, Bandar Utama Mohd. Syafie bin Naswip, Sharifah Aryana Syed Zainal Rashid Mustaffa PTM-47800 Petaling, Selangor Darul Ehsan Tel.: 77 26 63 33 Fax: 77 26 68 85 MUKHSIN [email protected] Mukhsin ist ein Junge, Orked ein Mädchen, und irgendwann im Leben beginnt die Zeit, wo das wichtig wird. Orked kommt aus einer starken Weltvertrieb Familie und hat keine Scheu, mit Jungen zu spielen. Als sie dabei Mukhsin Grand Brilliance Sdn. Bhd. begegnet, werden sie schnell beste Freunde. Er baut einen zweiten Sitz an 3rd fl, North Wing, Sri Pentas, No. 3, Persiaran Bandar Utama, Bandar Utama sein Fahrrad, und so reisen die beiden allein durch Alleen bis auf die Wiesen PTM-47800 Petaling, Selangor Darul Ehsan hinaus, um Drachen steigen zu lassen. Abends sitzen sie auf dem Ast eines Tel.: 77 26 63 33 Baumes und träumen. -
Yasmin Ahmad: Auteuring a New Malaysian Cinematic Landscape
Yasmin Ahmad: Auteuring a New Malaysian Cinematic Landscape Lee Yuen Beng School of Communication, Universiti Sains Malaysia, MALAYSIA [email protected] ABSTRACT Since P. Ramlee, no other filmmaker but Yasmin Ahmad has been capable of creating a significant impact in Malaysian cinema. She achieved this through her films that have persistently challenged not only the conventions of Malaysian cinema, but also daringly exposed societal taboos and its hypocrisies on the cinematic screen. All her six films differ from the conservative, unadventurous and conventional Malaysian films that revolve around the tiresome, "tried and tested", monotonous entertainment containing elements of love (suka), sadness (duka) and humour (jenaka). Her films, which are criticisms about the failings of the Malaysian society and in particular the Malays, employ cosmopolitan themes of humour, love and humanism to move beyond merely focusing on race and ethnicity. In doing so, her films paradoxically employ the "sensitive" issue of interethnic relations to highlight the struggles faced by common Malaysians within and between cultures and religions. By highlighting the everyday problems faced by everyday people, Yasmin Ahmad has extensively altered the Malaysian cinematic landscape by removing demarcations along racial, ethnic, religion, cultural, age and gender lines. This allows her films to move beyond being focused on multiculturalism and to contest more socially, culturally and politically issues closely related to Malaysians. This consistent demonstration of -
Pencapaian Filem Cereka Tempatan Di Peringkat Antarabangsa (1950-2017)] Finas Malaysia
[INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017)] FINAS MALAYSIA INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017) 1 KAJIAN & PENGUMPULAN DATA OLEH : Ahmad Syazli Muhd Khiar ([email protected]) Pengarah Dasar & Penyelidikan FINAS TARIKH KEMASKINI : 31 Disember 2017 (Tertakluk kepada kemaskini data dan maklumat dari masa ke semasa) Bil Judul Filem [INISIATIFPengarah PEMBANGUNANama N DATA INDUSTRINama Festival FILE M: PENCAPAIANTahun Tempat FILEM CEREKAPenerima TEMPATAN Status Pencapaian Produksi/Tahun DI PERINGKATPenyertaan ANTARABANGSA (1950-2017)] FINAS MALAYSIA Tayangan 1 Nasib B.S Rajhans Malay Film BFI Festival of 1950 London, UK Malay Film Tayangan Official Selection Productions/1949 Commonwealth Films Productions 2 Iman K.R.S Sastry Malay Film 1st Asia Pacific Film 1954 Tokyo, Malay Film Penyertaan Official Submission Productions/1954 Festival Jepun Productions 3 Hang Tuah Phani Majumdar Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions Tan Sri P. Ramlee Menang Penggubah Muzik Terbaik 7th Berlin International 1956 Berlin, Malay Film Pencalonan Filem Terbaik (Golden Bear) Film Festival Germany Production (In Competition) 4 Semerah Padi Tan Sri P. Ramlee Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions 5 Anakku Sazali Phani Majumdar Malay Film 4th Asia -
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CENTER FOR SOUTHEAST ASIAN STUDIES UNIVERSITY OF HAWAI‘I AT MĀNOA CSEAS Bulletin Aloha from the Director Aloha and greetings. I am very Several films won prizes, the most notable pleased to report on the recent achieve- being the festival’s Golden Orchid for ments of the Center for Southeast Asian Best Feature, which went to Berbagi Suami Studies. (Love for Share), from Indonesia. INSIDE THIS ISSUE The jewel in our crown for the Director Nia Dinata and actress Jajang academic year 2006-07 was undoubtedly C. Noer were our guests. Another signifi- 1 the initiation of an ambitious subtitling cant film was Gubra (Anxiety), written and FACULTY project for Southeast Asian film, which directed by Yasmin Ahmad. Producer Aloha and Welcome, Conferences was conceived during our weekly Elyna Shukri and actress Sharifah and Papers, Research and Travel, screenings of Southeast Asian films on Amani attended the festival, and last Awards and Fellowships, Publica- campus. The workshop was held last April the Center organized a retrospec- tions, etc. summer, and the special class conducted tive of all of Ahmad’s films at the by John McGlynn (who came from Ja- Honolulu Academy of Arts. We were 2 karta) resulted in the subtitling of ten honored that Yasmin herself found time STUDENTS films from Southeast Asia which have in her busy schedule to come to this retro- Awards and Fellowships, Research never been viewed overseas. In the first spective, and the large audiences who and Travel, Conferences, etc. stages of this project we see the distribu- attended very much appreciated her gra- tion of these films to universities and cious and open responses to their ques- 3 colleges as an important addition to the tions. -
(KAJIAN ANALISIS SEMIOTIK MODEL ROLAND BARTHES) Skripsi Di
MAKNA TOLERANSI BERAGAMA DALAM DALAM FILM MUALLAF KARYA YASMIN AHMAD (KAJIAN ANALISIS SEMIOTIK MODEL ROLAND BARTHES) Skripsi Diajukan kepada Fakultas Ilmu Dakwah dan Ilmu Komunikasi untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Komunikasi Islam (S.Kom.I.) Oleh GITHARAMA MAHARDHIKA NIM 109051000181 PROGRAM STUDI KOMUNIKASI DAKWAH DAN PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1437H/2016M ABSTRAK Nama : Githarama Mahardhika Judul : Makna Toleransi Beragama Dalam Dalam Film Muallaf Karya Yasmin Ahmad (Kajian Analisis Semiotik Roland Barthes) Film adalah karya seni yang sarat dengan simbol-simbol yang di dalamnya terkandung makna tertentu. Film merupakan salah satu media komunikasi massa audiovisual yang mampu mempengaruhi jiwa manusia, dimana penontonnya seakan menyaksikan langsung bahkan seolah-olah ikut terlibat pada peristiwa yang terjadi dalam sebuah film. Film umumnya dibangun oleh banyak tanda, tanda-tanda termasuk berbagai sistem tanda yang bekerja sama dengan baik dalam upaya mencapai efek yang diharapkan. Studi ini merupakan sebuah upaya untuk menemukan makna semiotik di balik film Muallaf. Secara umum penulis menggunakan metode penelitian kualitatif untuk meneliti film ini. Metode kualiatif memungkinkan penulis mengkaji film secara lebih mendalam untuk menggali makna yang tersirat dalam berbagi simbol, kode, dan seluruh adegan yang hendak digunakan sebagai objek penelitian. Beberapa pertanyaan yang selanjutnya mengarahan penulis antara lain: Bagaimana makna film Muallaf berdasarkan analisis semiotik Roland Barthes? Bagaimana makna teks judul dari film Muallaf? Penulis akan menganalisisnya dengan menggunakan pendekatan semiotik yang dikembangkan oleh pemikir asal Perancis, Roland Barthes. Pendekatan semiotik ala Roland Barthes ini memberi titik tekan pada makna denotatif, konotatif, dan mitos. Makna denotatif adalah interaksi antara signifier dan signified dalam sign, dan antara sign dengan objek dalam realitas. -
Pemaparan Kepelbagaian Budaya Dan Agama Dalam Filem Muallaf Arahan Yasmin Ahmad the Representation of Multiculturalism and Religion in Yasmin Ahmad's Muallaf
Pemaparan Kepelbagaian Budaya dan Agama dalam Filem Muallaf Arahan Yasmin Ahmad The Representation of Multiculturalism and Religion in Yasmin Ahmad's Muallaf Ngo Sheau Shi1* and Harith Baharudin2 1School of Communication, Universiti Sains Malaysia, MALAYSIA 2 Faculty of Film, Theatre and Animation, Universiti Teknologi MARA, MALAYSIA *Corresponding author: [email protected] ABSTRAK Filem Muallaf yang dihasilkan oleh Yasmin Ahmad pada tahun 2008 menimbulkan kontroversi dari segi pemaparan agama dalam filem tersebut sehingga tayangannya dihalang di pawagam Malaysia oleh Lembaga Penapisan Filem. Kebanyakan kritikan terhadap filem tersebut mengabaikan bahasa sinematik (bentuk filem) sebagai penentu dalam pembentuk makna yang selalunya dikaitkan dengan ideologi dominan dalam masyarakat. Artikel ini membincangkan bagaimana teks filem tersebut digunakan sebagai artifak budaya yang menerbitkan apa yang disifatkan sebagai kedudukan penonton dalam bidang kajian filem yang berpotensi menerima maksud yang dikonstruk melalui bahasa filem dalam konteks masyarakat tertentu. Sehubungan itu, artikel ini bertujuan untuk membuat analisis tekstual yang mendalam terhadap filem Muallaf (2008) dan memfokuskan pemaparan isu keagamaan dengan meneliti struktur naratif dan penyusunan visual melalui sudut pandangan ilmiah yang 112 Wacana Seni Journal of Arts Discourse. Jil./Vol.14. 2015 berasaskan kerangka teori kepelbagaian budaya untuk memperbahaskan isu-isu kontroversial yang tercetus daripada pemahaman arbritrari tentang isu agama dan budaya di Malaysia. Menerusi -
Cultural Policies to the Creation of Nation-States in the Former Colonies
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS THE POLITICS OF DRAMA: POST-1969 STATE POLICIES AND THEIR IMPACT ON THEATRE IN ENGLISH IN MALAYSIA FROM 1970 TO 1999. VELERIE KATHY ROWLAND (B.A. ENG.LIT. (HONS), UNIVERSITY MALAYA) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE ACKNOWLEDGEMENTS Theatre practice is largely undocumented in Malaysia. Without the many practitioners who gave of their time, and their valuable theatre programme collections, my efforts to piece together a chronology of theatre productions would not have been possible. Those whose contribution greatly assisted in my research include Ivy Josiah, Chin San Sooi, Thor Kah Hoong, Datuk Noordin Hassan, Datuk Syed Alwi, Marion D’Cruz, Shanti Ryan, Mano Maniam, Mervyn Peters, Susan Menon, Noorsiah Sabri, Sabera Shaik, Faridah Merican, Huzir Sulaiman, Jit Murad, Kee Thuan Chye, Najib Nor, Normah Nordin, Rosmina Tahir, Zahim Albakri and Vijaya Samarawickram. I received tremendous support from Krishen Jit, whose probing intellectualism coupled with a historian’s insights into theatre practice, greatly benefited this work. The advice, feedback and friendship of Jo Kukathas, Wong Hoy Cheong, Dr. Sumit Mandal, Dr. Tim Harper, Jenny Daneels, Rahel Joseph, Adeline Tan and Eddin Khoo are also gratefully acknowledged. The three years spent researching this work would not have been possible without the research scholarship awarded by the National University of Singapore. For this I wish to thank Dr. Ruth Bereson, for her support and advice during the initial stages of application. I also wish to thank Prof. -
Ld in Another Country
FOR IMMEDIATE RELEASE LET YOUR imagiNATION RUN W!LD IN ANOTHER COUNTRY 1 April 2015 – This June, W!LD RICE explores the history and heritage of Singapore and Malaysia in Another Country , a funny, poignant and insightful look at life on both sides of the Causeway. The production is part of W!LD RICE's year-long imagiNATION season, which marks the company's 15th anniversary and coincides with Singapore's own jubilee celebrations. Each imagiNATION production takes inspiration from the five stars of the Singapore flag. Another Country examines the 'Peace' – or lack thereof – shared by two countries that were torn asunder in 1965. “The 50th year of Singapore's independence also marks the separation of Singapore from our nearest and dearest neighbour,” says Ivan Heng, Artistic Director of W!LD RICE. “Sometimes, that separation feels illusive, even fictional, especially when we travel to each other's countries, and realise how much culture, history and food we still share. In a year all about embracing our nationhood and sovereignty, we thought it was also important to celebrate what we have in common with Malaysia.” A truly collaborative, cross-cultural project, Another Country challenges Heng and his Singaporean cast to understand, embrace and perform texts by some of Malaysia's finest writers. At the same time, Malaysian director Jo Kukathas and her cast will dig into an eclectic array of Singapore literature, unearthing what remains beneath the politics and posturing that have often complicated relations between the two nations. “Often, we think of a country or a nation as a political entity, made not by people but by politics and policies. -
Festival Filem Malaysia 1 Tarikh : 13 April 1980 Tempat : Nirwana Ballroom, Hotel Hilton, Kuala Lumpur Tema : Malam Merak Kayangan Jumlah Penyertaan: 16 Penyertaan
INISIATIF PEMBANGUNAN DATA INDUSTRI DATA PEMENANG FESTIVAL FILEM MALAYSIA (FFM) FESTIVAL : FESTIVAL FILEM MALAYSIA 1 TARIKH : 13 APRIL 1980 TEMPAT : NIRWANA BALLROOM, HOTEL HILTON, KUALA LUMPUR TEMA : MALAM MERAK KAYANGAN JUMLAH PENYERTAAN: 16 PENYERTAAN BIL. KATEGORI PEMENANG JUDUL FILEM 1. Filem Heavy Drama Terbaik (Filem Terbaik) Jins Shamsudin Productions Tiada Esok Bagimu 2. Filem Light Drama Terbaik Syed Kechik Film Productions Sumber Ilhamku 3. Pengarah Terbaik Jins Shamsudin Tiada Esok Bagimu 4. Pelakon Lelaki Terbaik Jins Shamsudin Tiada Esok Bagimu 5. Pelakon Wanita Terbaik Azean Irdawaty Esok Masih Ada 6. Pelakon Pembantu Lelaki Terbaik Mahmud June Sumber Ilhamku 7. Pelakon Pembantu Wanita Terbaik Adibah Amin Adik Manja 8. Filem Komedi Terbaik Merdeka Film Productions Adik Manja 9. Penyunting Filem Terbaik Johari Ibrahim Tiada Esok Bagimu 10. Skrip Terbaik Othman Hafsham Adik Manja 11. Sinematografi Terbaik S. Mohan Esok Masih Ada 12. Bintang Harapan Fauziah Ahmad Daud Ceritaku Ceritamu 13. Lagu Tema Asal Terbaik Ahmad Nawab/Lagu: Tangisan Sumber Ilhamku Hati Yang Derita INISIATIF PEMBANGUNAN DATA INDUSTRI DATA PEMENANG FESTIVAL FILEM MALAYSIA (FFM) FESTIVAL : FESTIVAL FILEM MALAYSIA KE 2 TARIKH : 12 APRIL 1981 TEMPAT : NIRWANA BALLROOM, HOTEL HILTON, KUALA LUMPUR TEMA : MALAM MERAK KAYANGAN JUMLAH PENYERTAAN: 11 PENYERTAAN BIL. KATEGORI PEMENANG JUDUL FILEM 1. Filem Terbaik Sarimah Film Productions Sdn Bhd Dia Ibuku 2. Filem Heavy Drama Terbaik Sarimah Film Productions Sdn Bhd Dia Ibuku 3. Filem Komedi Terbaik Indra Film Production Penyamun Tarbus 4. Filem Light Drama Terbaik Syed Kechik Film Productions Bintang Pujaan 5. Pengarah Terbaik Yassin Salleh Dia Ibuku 6. Pelakon Lelaki Terbaik Rahim Razali Abang 7. Pelakon Wanita Terbaik Sarimah Ahmad Dia Ibuku 8. -
Fostering Unity Among Malaysians: a Case Study on the Local Film Industry
International Journal of Humanities and Social Science Vol. 3 No. 10 [Special Issue – May 2013] Fostering Unity among Malaysians: A Case Study on the Local Film Industry Siti ZabedahMohd Shariff Ismail Sualman Eka Diana AdiIrawan Faculty of Communication and Media Studies Universiti Teknologi MARA (UiTM) Shah Alam, Selangor Malaysia. Abstract This case study attempts to identify the elements of unity that can be found in Malaysian local films. Films in a way, are said to play a vital role in uniting people by showing exemplary of solidarity and equality that can be imitate by the viewers to create unity among them. This is because people tend to imitate what they see and hear from a film especially the youngsters. Malaysian films such as Sepet, Gubra, Talentime and Estet are some of the local films that can be categorized a 1Malaysia model films as they bring all races in Malaysia under one roof. As such, unity can be found by finding common ground among people of different beliefs and background. A focus of unifying elements creates harmony and brings people together instead of dividing them whether it is by race, culture, political beliefs or other differences. This study also attempts to analyse the factors that might be a contributing factor towards initiating unity among societies in Malaysia. Findings indicate that there is a lack of films that stress on unity even though the film industry in Malaysia has reached a better position in terms of the number of audience. One significant finding is that there is too much of horror films that bring no benefits to viewers. -
Galaksi Media Online Topics: Semasa, Hiburan, Sukan
Home Gallaksii Hiiburan Gallaksii Sukan Gallaksii Semasa Lensa Gallaksii Mediia Hubungii Kamii (SUKAN) MENANGI 5 PAS VIP NEON DASHING ALL STARS Sponsors CABARAN DASHING 2 Dec. 05 Sukan no comments Hubungii Kamii : Sila maklumkan kepada kami segala kemusykilan, pertanyaan serta pemberitahuan melalui email : [email protected] Kemuncaknya disini! Cabaran Dashing 2 bakal menobatkan juara futsal neon musim kedua pertandingan futsal neon pertama di Malaysia pada 13 Disember 2013 ini sekaligus membawa pulang hadiah utama berupa wang tunai bernilai RM 10,000.00. Dibawakan kepada anda oleh Dashing For Men jenama produk penjagaan keterampilan lelaki terulung tempatan ia memperhebat imej sukan futsal ke aras yang lebih tinggi dan mencabar dengan penganjuran peraduan ini buat julung kalinya di Malaysia. NetworkedBlogs Blog: Galaksi Media Online Topics: Semasa, Hiburan, Sukan Follow my blog Gallaksii Mediia converted by Web2PDFConvert.com Galaksi Media Like 155 people like Galaksi Media. Cabaran Dashing 2 turut memperkenalkan Dashing Allstars yang diterajui duta Dashing For Men pelakon Remy Ishak dan selebriti Henry Golding serta pemain bola sepak Selangor Afiq Azmi dan Bunyamin umar yang bakal beraksi pada perlawanan akhir Cabaran Dashing 2. Facebook social plugin Dashing For Men memberikan peluang kepada peminat futsal untuk merasai pengalaman menjaringkan gol neon di Klinik futsal neon Cabaran Dashing 2 yang diketuai oleh jurulatih profesional undangan – Rusdi Suparman, bekas pemain bola sepak kebangsaan serta tips- tips dan teknik asas