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History of Men Test Cricket: an Overview Received: 14-11-2020
International Journal of Physiology, Nutrition and Physical Education 2021; 6(1): 174-178 ISSN: 2456-0057 IJPNPE 2021; 6(1): 174-178 © 2021 IJPNPE History of men test cricket: An overview www.journalofsports.com Received: 14-11-2020 Accepted: 28-12-2020 Sachin Prakash and Dr. Sandeep Bhalla Sachin Prakash Ph.D., Research Scholar, Abstract Department of Physical The concept of Test cricket came from First-Class matches, which were played in the 18th century. In the Education, Indira Gandhi TMS 19th century, it was James Lillywhite, who led England to tour Australia for a two-match series. The first University, Ziro, Arunachal official Test was played from March 15 in 1877. The first-ever Test was played with four balls per over. Pradesh, India While it was a timeless match, it got over within four days. The first notable change in the format came in 1889 when the over was increased to a five-ball, followed by the regular six-ball over in 1900. While Dr. Sandeep Bhalla the first 100 Tests were played as timeless matches, it was since 1950 when four-day and five-day Tests Director - Sports & Physical were introduced. The Test Rankings was introduced in 2003, while 2019 saw the introduction of the Education Department, Indira World Test Championship. Traditionally, Test cricket has been played using the red ball, as it is easier to Gandhi TMS University, Ziro, spot during the day. The most revolutionary change in Test cricket has been the introduction of Day- Arunachal Pradesh, India Night Tests. Since 2015, a total of 11 such Tests have been played, which three more scheduled. -
Prairie Farmers Directory of Montgomery County, Illinois, 1918
http://stores.ebay.com/Ancestry-Found PRAIRIE FARMER'S RELIABLE DIRECTORY of FARMERS and BREEDERS Montgomery County, Illinois Published By PRAIRIE FARMER Illinois Oldest and - -* Farm f'aptr [ABLE DIRECTORY http://stores.ebay.com/Ancestry-Found iR GAVE THE EAM PRODUCERS THIS BOOK BELONGS TO Russell Freemon Us Tiat Shelbyville, Illinois cow A FARMER said ^^ the other day, "I get three shots on my cows their cream, their calves and their manure. Oh, yes! I feed my hogs skim milk, and then I sell my cream weekly to Sugar Creek Creamery Co. "United States Food Administration License No. G-12992" FARMERS AND BREEDERS, MONTGOMERY COUNTY http://stores.ebay.com/Ancestry-Found J. A. L. V. HILL, President ISAAC HILL, Vice-President [ SULLIVAN, Cashier State Bank of Taylor Springs Organized 1912 Incorporated 1917 Capital Stock $25,000.00 Conservative to the point of safety; liberal to the point of meeting any demand of our customers that will benefit them. We realize that 3'our prosperity is also ours; come in and let us talk over the problems in which we are both so vitally interested. DIRECTORS L. V. HILL. Hillsboro. T. H. KING, Hillsboro. AMOS FRAME, Hillsboro. W. E. BLACKWOOD, Hillsboro. JESS. O. BROWN, Hillsboro. W. T. SCHLUKEBIER, Hillsboro. GEO. M. ROSENFELD, Taylor Springs. DANCISAK, Taylor Springs. | TAYLOR SPRINGS ILLINOIS a B B B a^ FRANK I. CLOTFELTER Implements, Wagons, Tractors, Farm Seeds of all kinds, Cream Separators, Fencing, Pumps, Gaso- line and Kerosene Engines, Light- ning Rods, Buggies, Belting, Hog Troughs and Water Tanks, Barn Equipment, Manure Spreaders, Feed Titan Tractor 10-20 Grinders, Fertilizer Sowers. -
The Naked Spur: Classic Western Scores from M-G-M
FSMCD Vol. 11, No. 7 The Naked Spur: Classic Western Scores From M-G-M Supplemental Liner Notes Contents The Naked Spur 1 The Wild North 5 The Last Hunt 9 Devil’s Doorway 14 Escape From Fort Bravo 18 Liner notes ©2008 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com The Naked Spur ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Wild North ©1952 Turner Entertainment Co., A Warner Bros. Entertainment Company. The Last Hunt ©1956 Turner Entertainment Co., A Warner Bros. Entertainment Company. Devil’s Doorway ©1950 Turner Entertainment Co., A Warner Bros. Entertainment Company. Escape From Fort Bravo ©1953 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. FSMCD Vol. 11, No. 7 • Classic Western Scores From M-G-M • Supplemental Liner Notes The Naked Spur Anthony Mann (1906–1967) directed films in a screenplay” and The Hollywood Reporter calling it wide variety of genres, from film noir to musical to “finely acted,” although Variety felt that it was “proba- biopic to historical epic, but today he is most often ac- bly too raw and brutal for some theatergoers.” William claimed for the “psychological” westerns he made with Mellor’s Technicolor cinematography of the scenic Col- star James Stewart, including Winchester ’73 (1950), orado locations received particular praise, although Bend of the River (1952), The Far Country (1954) and The several critics commented on the anachronistic appear- Man From Laramie (1955). -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Cricket Memorabilia Auction
knights Cricket Memorabilia Auction Sunday 26th April 2015 11.30am at The Premier Travel Inn (Leicester Fosse Park), Braunstone Lane East, Leicester LE3 2FW Viewing: Friday 5pm to 8pm and Saturday & Sunday 9am to 11.30am Please note that viewing is not permitted once the auction has commenced. Complimentary tea, coffee and mineral water will be available. Approximate rate of sale - 120/140 lots per hour ONLINE BIDDING For bidders who are unable to attend the sale in person, we offer an online bidding facility with www.the-saleroom.com. A buyer’s premium of 19% (plus V.A.T. Postal bids are welcomed and should be Call 01263 768488 prior to 24/4/14 to at 20%) of the hammer price is payable sent to: book your live telephone line. If you by the buyers of all lots. need to speak to someone personally Knight’s Sporting Ltd, after 23/4/15 please call 07885 515333 V.A.T. lots are marked throughout the Cuckoo Cottage, or 07718 740886. catalogue with an asterisk after the lot Town Green, number. V.A.T. charges are reclaimable Alby, Please note: All commission bids to be by V.A.T. registered traders within the Norwich received no later than 6pm on the day EEC. Purchasers outside the EEC will be NR11 7PR prior to the auction. exempt from these charges subject to Office: (01263) 768488 Auction results will be available by proof of postage or granting of licenses. Fax: (01263) 768788 telephone from 10.30am and on our Cheques to be made payable to Mobile: 07885 515333 website on Tuesday 28th April. -
Presidents Notes N1EZH Barry Kennedy Presidents Monthly Message for December 2014 from Barry – N1EZH
December 2014 Volume 53 Issue 12 Presidents notes N1EZH Barry Kennedy Presidents Monthly Message for December 2014 from Barry – N1EZH: Please Note: There will NOT be a December MARA Monthly Meeting! Winter is almost upon us and judging from the weather, may be a long one this year! I was able to basically trade my Tipper Mount and masts that were for a 39’ Rohn 25G Tower that I may only put up about 29’ with a tilt over of some sort which I hope to be able to clean up, paint and put up in the Spring. With the additional Rotor and mast for the antennas will be about 36’ or so tall when I am done. This will make it a few feet higher than my old one from a couple of years ago before the storm took it down. If anyone else in our club has done a project this year, or may be planning one either during the Winter or next Spring, then please take some photos and submit them to Rick – [email protected] so he can put them in our MARA Newsletter. For those of you that are on Facebook, I began a Massasoit Amateur Radio Association Facebook Page and have posted several items of interest on there. I have been updating the page with Club Events, photos, etc.from time to time in the hope that it will become another avenue for us in which to spark interest in our club and keep members informed of what we are doing outside of our Club Meetings and in our Community. -
DUISTER VERLEDEN 2 PULPFICTION SCHRIJVERS WESTERNS NOIRS EN ANDERE VERHALEN © Copyright & Verantwoordelijke Uitgever Walter A.P
Walter A.P. Soethoudt DUISTER VERLEDEN 2 PULPFICTION SCHRIJVERS WESTERNS NOIRS EN ANDERE VERHALEN © Copyright & verantwoordelijke uitgever Walter A.P. Soethoudt Walter A.P. Soethoudt DUISTER VERLEDEN 2 Pulpfiction schrijvers westerns noirs en andere verhalen De consequenties van onze goede daden achtervervolgen ons onverbiddelijk en zijn vaak moeilijker te dragen dan die van onze slechte. Marie von Ebner-Eschenbach INHOUD DEEL 1 Pulpfiction schrijvers 7 Cornell Woolrich: poëet van de schaduwen 9 Robert Bloch: De meester van het kwaad 69 Marjorie Bowen: kon met haar pen nauwelijks haar geest volgen 145 Charles Einstein: terwijl de stad slaapt 175 Charles Francis Coe: toen noir nog drama werd genoemd 187 Lionel White: gesmaakt door de avant-garde 201 Lucy Malleson: de vrouw die verstoppertje speelde 217 Chandler in Hollywood 233 Tiffany Thayer: poltergeisten en andere abnormale fenomenen 299 Leo Rosten: de waarheid is vreemder dan fictie 327 Rufus King: dramatische voorloper 341 Cyril McNeile: De schrijver van Bulldog Drummond was 367 geen nette heer DEEL 2 391 Westerns noirs Van Rio Bravo, Rio Lobo, El Dorado tot Les insoumis 393 Luke Short: De cowboy die een zwartkijker was 409 C.S. Boyles, jr.: Een man met vele namen 421 Niven Bush 427 Jesse en Frank James: populaire boeven 435 Sam H. Rolfe: Het begin van een grote vriendschap 439 Stuart N. Lake: hield Wyatt Earp in leven 441 6 duister verleden 2 DEEL 3 Andere filmverhalen 455 Pierre Louÿs: De vrouw en de ledenpop 457 De Shaffer tweeling 473 De wind in de wilgen 479 De laatste dagen van Pompeii 485 Wat gebeurde er met A Month in the Country? 489 The Yellow Rose of Texas 495 Ieder zijn vergif 505 DEEL 1 PULPFICTION SCHRIJVERS Cornell Woolrich: poëet van de schaduwen “I want her back. -
AFI PREVIEW Is Published by the Sat, Jul 9, 7:00; Wed, Jul 13, 7:00 to Pilfer the Family's Ersatz Van American Film Institute
ISSUE 77 AFI.com/Silver AFI SILVER THEATRE AND CULTURAL CENTER JULY 8–SEPTEMBER 14, 2016 44T H AFI LIFE ACHIEVEMENT AWARD HONOREE A FILM RESTROSPECTIVE THE COMPOSER B EHIND THE GREAT EST A MERICAN M OVIES O F OUR TIME PLUS GLORIOUS TECHNICOLOR ★ ’90S C INEMA N OW ★ JOHN C ARPENT E R LOONEY TUNES ★ KEN ADAM REMEMBERED ★ OLIVIA DE HAVILLAND CENTENNIAL Contents AFI Life Achievement Award: John Williams AFI Life Achievement Award: July 8–September 11 John Williams ......................................2 John Williams' storied career as the composer behind many of the greatest American films and television Keepin' It Real: '90s Cinema Now ................6 series of all time boasts hundreds of credits across seven decades. His early work in Hollywood included working as an orchestrator and studio pianist under such movie composer maestros as Bernard Herrmann, Ken Adam Remembered ..........................9 Alfred Newman, Henry Mancini, Elmer Bernstein and Franz Waxman. He went on to write music for Wim Wenders: Portraits Along the Road ....9 more than 200 television programs, including the groundbreaking anthology series ALCOA THEATRE Glorious Technicolor .............................10 and KRAFT TELEVISION THEATRE. Perhaps best known for his enduring collaboration with director Steven Spielberg, his scores are among the most iconic and recognizable in film history, from the edge-of-your- Special Engagements .................. 14, 16 seat JAWS (1975) motif to the emotional swell of E.T. THE EXTRA-TERRESTRIAL (1982) and the haunting UCLA Festival of Preservation ...............14 elegies of SCHINDLER'S LIST (1993). Always epic in scale, his music has helped define over half a century of the motion picture medium. -
For Club and Country
FOR CLUB AND COUNTRY by Ken Williams MCC Library Volunteer LIBRARY 2000 © The Melbourne Cricket Club Library Published by the MCC Library Melbourne Cricket Ground Yarra Park, East Melbourne 3002 First Published 2000 ISBN 0 9578074 0 6 Printed by: Buscombe Vicprint Typeset in: Garamond, Frutiger Designed by: George Petrou Design CONTENTS FOREWORD 2-3 RIGG, Keith Edward 45-46 BLACKHAM, John McCarthy 4-5 NAGEL, Lisle Ernest 46-47 COOPER, Bransby Beauchamp 6 DARLING, Leonard Stuart 48-49 MIDWINTER, William Evans 7-8 EBELING, Hans Irvine 50-51 KELLY,Thomas Joseph Dart 9-10 FLEETWOOD-SMITH, Leslie O'Brien 52-54 SPOFFORTH, Frederick Robert 10-12 IVERSON, John Bryan 54-57 ALLAN, Francis Erskine 13 McDONALD, Colin Campbell 57-58 ALEXANDER, George 14-15 KLINE, Lindsay Francis 59-60 BONNOR, George John 15-16 GUEST, Colin Ernest John 60-61 McDONNELL, Percy Stanislaus 17-18 WATSON, Graeme Donald 62-63 MOULE, William Henry 19 SHEAHAN, Andrew Paul 64-65 COULTHARD, George 20-21 WALKER, Maxwell Henry Norman 66-67 BRUCE, William 22 MOSS, Jeffrey Kenneth 68 TRUMBLE, John William 23 JONES, Dean Mervyn 69-70 WALTERS, Francis Henry 24 APPENDIX ONE: 71-77 McILWRAITH, John 25 Other Melbourne Cricket Club EDWARDS, John Dunlop 26 Test representatives. TRUMBLE, Hugh 27-28 APPENDIX TWO: 78-79 McLEOD, Robert William 29-30 Players to represent Victoria GRAHAM, Henry 30-31 whilst playing members of the McLEOD, Charles Edward 32-33 Melbourne Cricket Club ARMSTRONG, Warwick Windridge 34-35 APPENDIX THREE: 80 HAZLITT, Gervys Rignold 36-37 Melbourne Cricket Club RANSFORD, Vernon Seymour 38-39 First XI players who played first class HENDRY, Hunter Scott Thomas Laurie 40-41 cricket whilst not playing members PONSFORD, William Harold 42-44 of the club. -
4. You Only Live Twice
YOU ONLY LIVE TWICE UK/1967/117mins/adv12A Dir: Lewis Gilbert With: Sean Connery, Akiko Wakabayashi, Mie Hama Waylay any passer-by in the street and ask them to respond to the phrase ‘Bond villain’, and you’ll likely receive a mixture of replies: Oddjob’s hat; Jaws’ steel gnashers; Scaramanga’s nipple; Blofeld’s pussy. There’s every chance, though, that the first three words you’ll hear from most will be “hollowed-out volcano”. With the Carry Ons, Hammer horror, and the Beatles all hitting box-office peaks, the mid 1960s for once saw something of a boom in commercial British film fortunes. Of course there are always doom merchants hovering, and doubtless those craving ‘art’, respectability, significance from cinema were up in arms about the success of our low-class franchises. So the international attention and global influence grabbed by Cubby Broccoli’s ‘James Bond’ productions can’t have met with joy in certain quarters. Eager paying punters the world over couldn’t wait for the next instalment, and in 1966 with the World Cup safely in the bag and ‘Sunny Afternoon’ jauntily spinning on everybody’s turntable, YOU ONLY LIVE TWICE was already underway. The pressure was on. This was to be the most ambitious, vast Bond to date, with a Far Eastern location, beyond-ginormous Ken Adam sets, and a plan to go out of this world. And it was already booked into U.K. cinemas for June 13th 1967. Adding to the expanding list of problems (time-consuming aerial exploratory ‘recces’ seeking non-existent Japanese coastal castles, inability of cast members to speak English, Jan Werich being fired after five days as an ineffectual Blofeld and the major production heads avoiding death when after hastily changing flight plans, their originally scheduled plane crashed 25 minutes after take off), regular scriptwriter Richard Maibaum was unavailable for the first time. -
Sample Download
MARK PEEL PLAYING THE CRICKET’S TARNISHED IDEALS From Bodyline to present Contents Acknowledgements . .7 . Introduction . .9 . Chapter 1 ‘Well bowled, Harold’ . .2 0. Chapter 2 Bradman’s Revenge. 3.4 . Chapter 3 The Throwing Controversy. .5 4. Chapter 4 The Sedate Sixties? . 6.5 . Chapter 5 The Subversive Seventies . 78 Chapter 6 Kerry Packer’s Legacy . 100 Chapter 7 Danger in Paradise . .11 .2 . Chapter 8 The Prowling Tiger. .12 .7 . Chapter 9 The Headmaster’s Study . .143 . Chapter 10 ‘Ugly Australians’. .148 . Chapter 11 Conning the Umpire . 1.59 . Chapter 12 Muralitharan’s Elbow . 1.69 . Chapter 13 An Oriental Superpower . .17 .8 . Chapter 14 Mental Disintegration . 185 Chapter 15 ‘Monkeygate’. .19 .8 . Chapter 16 Ball-tampering . 21. 3. Chapter 17 England Bare Their Teeth. .2 29. Chapter 18 McCullum’s Crusade. 24. 1. Conclusion . 251 Bibliography . 261 Endnotes . 274 Index . 281 Chapter 1 ‘Well bowled, Harold’ RICKET has always been a controversial game, and never more so than during England’s 1932/33 tour of Australia, Cwhen Douglas Jardine’s side challenged the very bounds of sportsmanship. The sequence of events of the infamous bodyline series are too well known to recount in detail, but what’s of interest is how the ethical foundations of the game cracked all too easily. Following the evangelical revival in early 19th-century Britain, the cult of athleticism took root in its elite public schools from 1850 onwards, with physical exercise turned into a moral virtue. According to historian Jeffrey Richards, the whole ethos of athleticism could be summed up in three words – ‘play the game’ – which meant abiding by the spirit of the game, as well as the laws, so as not to gain an unfair advantage over an opponent.