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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
1967 to 2017 CANADA TRANSFORMED
FALL / WINTER 2017 1967 to 2017 CANADA TRANSFORMED RANDY BOSWELL DOMINIQUE CLÉMENT VICTOR RABINOVITCH KEN MCGOOGAN NELSON WISEMAN JACK BUMSTED VERONICA STRONG-BOAG JEAN-PHILIPPE WARREN JACK JEDWAB TABLE OF CONTENTS 3 INTRODUCTION MILESTONES, LEGACIES AND A HALF-CENTURY OF CHANGE Randy Boswell 7 HOW CANADIAN BOOMERS SPIRITED THE SIXTIES INTO THE 21ST CENTURY Ken McGoogan 11 “SHE NAMED IT CANADA BECAUSE THAT’S WHAT IT WAS CALLED”: LANGUAGE AND JUSTICE IN CANADA 2017+ Veronica Strong-Boag 15 CANADA’S RIGHTS CULTURE: FIFTY YEARS LATER Dominique Clément 20 AN EVER-CHANGING FACE AND IDENTITY Nelson Wiseman 24 AN UNEXPECTED CANADA Jean-Philippe Warren 28 50 YEARS OF CANADIAN CULTURE: THE ROOTS OF OUR MODEL AND THE BIG, NEW THREAT Victor Rabinovitch 33 HAS THE COUNTRY REALLY CHANGED ALL THAT MUCH IN THE PAST 50 YEARS? Jack Bumsted 36 VIVE LE QUÉBEC LIBRE @ 50: THE RISE AND DECLINE OF QUÉBEC’S INDEPENDENCE MOVEMENT, 1967-2017 Jack Jedwab CANADIAN ISSUES IS PUBLISHED BY ASSOCIATION FOR CANADIAN STUDIES BOARD OF DIRECTORS Canadian Issues is a quarterly publication of the Association Elected November 3, 2017 for Canadian Studies (ACS). It is distributed free of charge to individual and institutional members of the ACS. Canadian CELINE COOPER Montréal, Québec, Chairperson of the Board of Directors, Issues is a bilingual publication. All material prepared by Columnist at the Montréal Gazette, PhD Candidate, the ACS is published in both French and English. All other OISE/University of Toronto articles are published in the language in which they are written. Opinions expressed in articles are those of the authors THE HONOURABLE HERBERT MARX and do not necessarily reflect the opinion of the ACS. -
Westwood Creative Artists ______
Westwood Creative Artists ___________________________________________ FRANKFURT CATALOGUE Fall 2019 INTERNATIONAL RIGHTS Director: Meg Wheeler AGENTS Chris Casuccio Jackie Kaiser Michael A. Levine Hilary McMahon John Pearce Bruce Westwood Meg Wheeler FILM & TELEVISION Michael A. Levine 386 Huron Street, Toronto, Ontario M5S 2G6 Canada Phone: (416) 964-3302 ext. 233 E-mail: [email protected] Website: www.wcaltd.com Table of Contents News from Westwood Creative Artists page 2 – 4 Recent sales page 5 – 6 Recent prizes page 7 Fiction Dede Crane, One Madder Woman page 9 Charles Demers, Primary Obsessions page 10 Thomas King, 77 Fragments of a Familiar Ruin page 11 Keith Ross Leckie, Cursed! page 12 Kathryn Nicolai, Nothing Much Happens page 13 Sara O’Leary, The Ghost in the House page 14 Non-Fiction Madhur Anand, This Red Line Goes Straight to Your Heart page 17 Bill Cosgrave, Love Her Madly page 18 Antonio Michael Downing, Saga Boy page 19 Tara Henley, Lean Out page 20 Thomas Homer-Dixon, Commanding Hope page 21 Jay Ingram, The Science of Why 5 page 22 – 23 Bruce Kirkby, Blue Sky Kingdom page 24 Jeannie Marshall, Seeing Things page 25 Bob McDonald, An Earthling’s Guide to Outer Space page 26 Peter Nowak, The Rise of Real-life Superheroes page 27 Sarah Quigley, The Divorce Diaries page 28 Titles of Special Note M.G. Vassanji, A Delhi Obsession page 31 Nellwyn Lampert, Every Boy I Ever Kissed page 32 Tessa McWatt, Shame on Me page 33 Ailsa Ross, The Woman Who Rode a Shark page 34 Jenny Heijun Wills, Older Sister. Not Necessarily Related. -
Listado Novela Negra
GUÍA NOVELA NEGRA ADULTOS Literatura - A tumba abierta. Susaeta, 1990. - ADLER-OLSEN, Jussi. Selfies. Maeva, 2017. - ALLAN POE. Relatos escogidos. Grupo Zeta, 2017. - ALONSO, Greta. El cielo de tus días. Planeta, 2020. - ALONSO GARCÍA-POZUELO, Javier. La cajita de rapé. Maeva, 2017. - ANDREA, Luca de. La sustancia del mal. Alfaguara, 2017. - ARLIDGE, M.J. Ni lo ves ni lo verás. Suma de Letras, 2015. - ASHER, Jay. Por trece razones. Nube de Tinta, 2017. - ATWOOD, Margaret. Asesinato en la oscuridad. MDS Books- Mediasat, 2003. - AUB, Max. Mucha muerte. Cuadernos del Vigía, 2011. - AUBERT, Brigitte. La muerte acecha. Destino, 1998. - AUSTER, Paul. Ciudad de cristal. Anagrama, 1997. - AXAT, Federico. La última salida. Destino, 2016. - BALDACCI, David. Camel Club. Zeta Bolsillo, 2007. - BANNALEC, Jean-Luc. Asesinato en Concarneau. Grijalbo, 2020. - BARTON, Fiona. La viuda. Planeta, 2016. - BAZELL, Josh. Burlando a la parca. Anagrama, 2009. - BLACK, Benjamín. Los lobos de Praga. Alfaguara, 2019. - BLACK, Benjamin. Quirke en San Sebastián. Alfaguara, 2021. - BLACK, Benjamín. Las sombras de Quirke. Alfaguara, 2017. - BLUE JEANS. La chica invisible. Planeta, 2018. - BLUE JEANS. La promesa de Julioa. Planeta, 2020. - BLUE JEANS. El puzle de cristal. Planeta, 2019 . - BONILLA, Juan. Nadie conoce a nadie. Ediciones B, 1999. - BRACKEN, Alexandra. Mentes poderosas. RBA, 2018. - BRADLEY, Allan. Flavia de los extraños talentos. Planeta, 2009. - BRAGI, Steinar. El silencio de las tierras altas. Destino, 2016. - BRAULIO, Juanjo. El silencio del pantano. Ediciones B, 2015. - BROWN, Dan. Origen. Planeta, 2017. - BRYNDZA, Robert. Te veré bajo el hielo. Roca, 2017. - CAIN, James M. El cartero llama dos veces. El País, 2004. - CALDERON, Reyes. El último paciente del doctor Wilson. -
Writing Here1
WRITING HERE1 W.H. NEW n 2003, for the BC Federation of Writers, Susan Musgrave assembled a collection of new fiction and poetry from some fifty-two IBC writers, called The FED Anthology.2 Included in this anthology is a story by Carol Matthews called “Living in ascii,” which begins with a woman recording her husband’s annoyance at whatever he sees as stupidity (noisy traffic and inaccurate grammar, for instance, and the loss of his own words when his computer apparently swallows them). This woman then tells of going to a party, of the shifting (and sometimes divisive) relationships among all the women who were attending, and of the subjects they discussed. These included a rape trial, national survival, men, cliffs, courage, cormorant nests, and endangered species. After reflecting on the etymology of the word “egg” (and its connection with the word “edge”), she then declares her impatience with schisms and losses, and her wish to recover something whole. The story closes this way: “If I were to tell the true story, I would write it not in words but in symbols, [like an] ... ascii printout. It would be very short and very true. It would go like this: moon, woman, woman; man, bird, sun; heart, heart, heart, heart, heart; rock, scissors, paper. The title would be egg. That would be the whole story.”3 This egg is the prologue to my comments here. So is the list of disparate nouns – or only seemingly disparate, in that (by collecting them as she does) the narrator connects them into story. -
Special Committee on Cosmetic Pesticides
REPORT FOURTH SESSION THIRTY-NINTH PARLIAMENT Special Committee on Cosmetic Pesticides MAY 2012 May 17, 2012 To the Honourable Legislative Assembly of the Province of British Columbia Honourable Members: I have the honour to present herewith the Report of the Special Committee on Cosmetic Pesticides. The Report covers the work of the Committee in the third and fourth sessions of the 39 th Parliament in regard to its inquiry into the feasibility of a province-wide ban on the cosmetic use of pesticides. Respectfully submitted on behalf of the Committee, Bill Bennett, MLA Chair Table of Contents Composition of the Committee ......................................................................................................................... i Terms of Reference ........................................................................................................................................... ii Executive Summary ......................................................................................................................................... iii Introduction ..................................................................................................................................................... 1 Work of the Committee ................................................................................................................................... 3 Presentations ............................................................................................................................................... -
The Globe 100: Our Favourite Books of 2020
The Globe 100: Our favourite books of 2020 Globe and Mail editors and reviewers offer up our annual guide to the most notable fiction, non- fiction, thrillers, graphic novels, picture books, young adult books and cookbooks of the year MARGARET CANNON, JEFFREY CANTON, JUDITH PEREIRA, SEAN ROGERS, AND ALEC SCOTT SPECIAL TO THE GLOBE AND MAIL PUBLISHED DECEMBER 4, 2020UPDATED 1 MINUTE AGO ILLUSTRATION BY SALINI PERERA Ridgerunner GIL ADAMSON (HOUSE OF ANANSI PRESS) The sequel to The Outlander (2007), this gothic Western was short-listed for this year’s Giller and won the Writers’ Trust Fiction Prize. The novel begins in 1917 with the death of Mary, the first novel’s main character, and focuses on the father of her child, Moreland. He sets out to steal enough cash to give his son a comfortable life. But their boy, who has his parents’ stubbornness and itch for self- sufficiency, doesn’t stay put for long. READ OUR INTERVIEW WITH AUTHOR GIL ADAMSON Homeland Elegies AYAD AKHTAR (LITTLE, BROWN AND COMPANY) This novel by the Pulitzer-winning author of Disgraced provocatively blends fact and fiction, paradox and contradiction, appearing to be a memoir of a man with the same name and pedigree as its author – a Pulitzer-winning American playwright of Pakistani-Muslim extraction whose father, a doctor, became enamoured with Donald Trump after treating him for a heart ailment, and then disillusioned after he assumes the presidency. READ OUR INTERVIEW WITH AUTHOR AYAD AKHTAR Leave The World Behind RUMAAN ALAM (HARPERCOLLINS) The author of Rich and Pretty and That Kind of Mother is back with a look at what happens when a pair of white renters, Clay and Amanda, are startled by the unexpected arrival of the Black property owners, who claim they’re escaping a mysterious blackout in New York. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Punternet UK Review of Yumi of Luton
(załącznik 1/appendix 1) Łódź, data/date 26/05/17 Imię i nazwisko/First name(s) and surname: Rosa Marina Senent Julián Nr albumu/Student identification number: E-2826 Specjalność/Field of specialisation: Erasmus Mundus Master's Degree in Women's and Gender Studies (GEMMA Programme) Wydział Studiów Międzynarodowych i Politologicznych/ /Faculty of International and Political Studies Uniwersytet Łódzki/University of Łódź (wesja polska/Polish version) Oświadczenie Oświadczam, że złożona przeze mnie praca magisterska, kończąca studia pt.: “He who pays the piper calls the tune: masculinity and sex purchase online – a critical discourse analysis” jest moim samodzielnym opracowaniem. Oznacza to, że nie zlecałem/am opracowania rozprawy lub jej części innym osobom, ani nie odpisywałem/am tej rozprawy lub jej części z prac innych osób. (wesja angielska/English version) Declaration I hereby declare that my Master’s thesis submitted upon completion of the studies, entitled “He who pays the piper calls the tune: masculinity and sex purchase online – a critical discourse analysis” is my own work written unaided. This means that I have not had it or any of its parts written by a third party, and I have not copied it or any of its parts from anyone else’s work. (podpis/signature) (załącznik 2/appendix 2) Łódź, data/date 26/05/17 Imię i nazwisko/First name(s) and surname: Rosa Marina Senent Julián Nr albumu/Student identification number: E-2826 Specjalność/Field of specialisation: Erasmus Mundus Master's Degree in Women's and Gender Studies (GEMMA Programme) -
Susan Swan: Michael Crummey's Fictional Truth
Susan Swan: Michael Crummey’s fictional truth $6.50 Vol. 27, No. 1 January/February 2019 DAVID M. MALONE A Bridge Too Far Why Canada has been reluctant to engage with China ALSO IN THIS ISSUE CAROL GOAR on solutions to homelessness MURRAY BREWSTER on the photographers of war PLUS Brian Stewart, Suanne Kelman & Judy Fong Bates Publications Mail Agreement #40032362. Return undeliverable Canadian addresses to LRC, Circulation Dept. PO Box 8, Station K, Toronto, ON M4P 2G1 New from University of Toronto Press “Illuminating and interesting, this collection is a much- needed contribution to the study of Canadian women in medicine today.” –Allyn Walsh McMaster University “Provides remarkable insight “Robyn Lee critiques prevailing “Emilia Nielsen impressively draws into how public policy is made, discourses to provide a thought- on, and enters in dialogue with, a contested, and evolves when there provoking and timely discussion wide range of recent scholarship are multiple layers of authority in a surrounding cultural politics.” addressing illness narratives and federation like Canada.” challenging mainstream breast – Rhonda M. Shaw cancer culture.” –Robert Schertzer Victoria University of Wellington University of Toronto Scarborough –Stella Bolaki University of Kent utorontopress.com Literary Review of Canada 340 King Street East, 2nd Floor Toronto, ON M5A 1K8 email: [email protected] Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/ support Vol. 27, No. 1 • January/February 2019 EDITORS-IN-CHIEF Murray Campbell (interim) Kyle Wyatt (incoming) [email protected] 3 The Tools of Engagement 21 Being on Fire ART DIRECTOR Kyle Wyatt, Incoming Editor-in-Chief A poem Rachel Tennenhouse Nicholas Bradley ASSISTANT EDITOR 4 Invisible Canadians Elaine Anselmi How can you live decades with someone 22 In the Company of War POETRY EDITOR and know nothing about him? Portraits from behind the lens of Moira MacDougall Finding Mr. -
Fall 2013 / Winter 2014 Titles
INFLUENTIAL THINKERS INNOVATIVE IDEAS GRANTA PAYBACK THE WAYFINDERS RACE AGAINST TIME BECOMING HUMAN Margaret Atwood Wade Davis Stephen Lewis Jean Vanier Trade paperback / $18.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 ANANSIANANSIANANSI 978-0-88784-810-0 978-0-88784-842-1 978-0-88784-753-0 978-0-88784-809-4 PORTOBELLO e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $16.95 978-0-88784-872-8 978-0-88784-969-5 978-0-88784-875-9 978-0-88784-845-2 A SHORT HISTORY THE TRUTH ABOUT THE UNIVERSE THE EDUCATED OF PROGRESS STORIES WITHIN IMAGINATION FALL 2013 / Ronald Wright Thomas King Neil Turok Northrop Frye Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $14.95 978-0-88784-706-6 978-0-88784-696-0 978-1-77089-015-2 978-0-88784-598-7 e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $14.95 WINTER 2014 978-0-88784-843-8 978-0-88784-895-7 978-1-77089-225-5 978-0-88784-881-0 ANANSI PUBLISHES VERY GOOD BOOKS WWW.HOUSEOFANANSI.COM Anansi_F13_cover.indd 1-2 13-05-15 11:51 AM HOUSE OF ANANSI FALL 2013 / WINTER 2014 TITLES SCOTT GRIFFIN Chair NONFICTION ... 1 SARAH MACLACHLAN President & Publisher FICTION ... 17 ALLAN IBARRA VP Finance ASTORIA (SHORT FICTION) ... 23 MATT WILLIAMS VP Publishing Operations ARACHNIDE (FRENCH TRANSLATION) ... 29 JANIE YOON Senior Editor, Nonfiction ANANSI INTERNATIONAL ... 35 JANICE ZAWERBNY Senior Editor, Canadian Fiction SPIDERLINE .. -
Adderson, Caroline
Caroline Adderson Fonds In Special Collections, Simon Fraser University Library Finding aid with file descriptions prepared by: Wendy Sokolon, November 2006 40. Caroline Adderson fonds 1986-2004 2.58 m of textual records and other material Biographical Sketch: Caroline Adderson was born in Edmonton, Alberta in 1963. After finishing high school, she entered Katimavik, a Canadian youth volunteer-service program, and travelled across Canada, partaking in such activities as working on a sheep farm and building log cabins on a reservation. Adderson completed an education degree at UBC in 1986, and a year later she settled in Vancouver and started teaching ESL. She has spent most of her adult life in Vancouver, B.C., but has also lived for brief periods in New Orleans and Toronto. Her first book of short fiction, Bad Imaginings (1993) won the 1994 Ethel Wilson Fiction Prize, was shortlisted for the 1993 Governor General’s Award and Commonwealth Book Prize, and in audio format the CNIB (Canadian National Institute for the Blind) Talking Book of the Year. These stories have since appeared in many anthologies and have been broadcast and adapted for radio. Her first novel, A History of Forgetting (1999) was nominated for the 2000 Ethel Wilson Fiction Prize and the 2000 Rogers’ Writer’s Trust Fiction Prize. Her second novel, Sitting Practice (2003) was shortlisted for the VanCity Book Prize for best book pertaining to women’s issues by a B.C. author as well as the City of Vancouver Book Award. It won the 2004 Ethel Wilson Fiction Prize. Her works of fiction and non-fiction have been widely published in literary magazines and newspapers.