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This Paper Is a Descriptive Bibliography of Thirty-Three Works
Jennifer S. Clements. A Descriptive Bibliography of Selected Works Published by Robert Estienne. A Master’s Paper for the M.S. in L.S degree. March, 2012. 48 pages. Advisor: Charles McNamara This paper is a descriptive bibliography of thirty-three works published by Robert Estienne held by the Rare Book Collection of the University of North Carolina at Chapel Hill. The paper begins with a brief overview of the Estienne Collection followed by biographical information on Robert Estienne and his impact as a printer and a scholar. The bulk of the paper is a detailed descriptive bibliography of thirty-three works published by Robert Estienne between 1527 and 1549. This bibliography includes quasi- facsimile title pages, full descriptions of the collation and pagination, descriptions of the type, binding, and provenance of the work, and citations. Headings: Descriptive Cataloging Estienne, Robert, 1503-1559--Bibliography Printing--History Rare Books A DESCRIPTIVE BIBLIOGRAPHY OF SELECTED WORKS PUBLISHED BY ROBERT ESTIENNE by Jennifer S. Clements A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina March 2012 Approved by _______________________________________ Charles McNamara 1 Table of Contents Part I Overview of the Estienne Collection……………………………………………………...2 Robert Estienne’s Press and its Output……………………………………………………2 Part II -
HISTORY of the BOOK Chapter 5. the Invention and Spread of Printing
HISTORY of the BOOK Chapter 5. The Invention and Spread of Printing Blocks, type, paper, and markets, contact Impressions of wood blocks on cloth, or metal stamping in clay, wax, and leather, existed long before the idea of movable type was realized in Mainz. As we have seen, scrolls, tablets, and the bound codex book were all fully developed by the 15th century, and the range of materials pressed into use for writing included palm leaves, bark, walls, and skin in addition to vellum, parchment, papyrus, clay and paper. Of these, paper was the last to be invented, and until the creation of synthetic materials in recent centuries and digital modes of display, paper remained the most important and ubiquitous substrate for written language. And though the use of seals and stamps can be traced almost into prehistory, the idea of printing multiple copies of a text for purposes of distribution to a literate audience is more recent. The first printing for texts was most likely invented in China, with Chinese characters cut in the faces of individual wooden blocks, or whole texts cut in a single block.1 But the innovations brought to this art by Johann Gutenberg in the middle of the 15th century changed the scale and scope of printing.2 Not only was movable type a radical improvement in achieving efficiency for reproduction of multiple copies of a text, but the rationalization of labor that was embedded in this innovative shift created a model that would inform practices well into the industrial revolution hundreds of years later.3 Literacy, already on the rise in the late Middle Ages in Europe, and integral to certain communities in Asia, the Indian Subcontinent, and Northern Africa, would be fostered by increased availability of printed texts.4 Controversies would arise as debates about access to religious texts, in particular, would split along fault lines of belief. -
Illinois Classical Studies
NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost Book Is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result In dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN e-f ^.ft.f r OCT [im L161—O-1096 A ILLINOIS CLASSICAL STUDIES VOLUME XVIII 1993 ISSN 0363-1923 ILLINOIS CLASSICAL STUDIES VOLUME XVIII 1993 SCHOLARS PRESS ISSN 0363-1923 ILLINOIS CLASSICAL STUDIES VOLUME XVIII Studies in Honor of Miroslav Marcovich ©1993 The Board of Trustees University of Illinois Copies of the journal may be ordered from: Scholars Press Membership Services P.O. Box 15399 Atlanta, GA 30333-0399 Printed in the U.S.A. 220 :^[r EDITOR David Sansone ADVISORY EDITORIAL COMMITTEE John J. Bateman Howard Jacobson Gerald M. Browne S. Douglas Olson William M. Calder III Maryline G. Parca CAMERA-READY COPY PRODUCED BY Britt Johnson, under the direction of Mary Ellen Fryer Illinois Classical Studies is published annually by Scholars Press. Camera- ready copy is edited and produced in the Department of the Classics, University of Illinois at Urbana-Champaign. Each conu-ibutor receives twenty-five offprints. Contributions should be addressed to: The Editor, Illinois Classical Studies Department of the Classics 4072 Foreign Languages Building 707 South Mathews Avenue Urbana, Illinois 61801 ^-AUro s ioM --J^ojrco ^/c/ — PREFACE The Department of the Classics of the University of Illinois at Urbana- Champaign and the Advisory Editorial Committee of Illinois Classical Studies are pleased to devote this issue and the next to the publication of Studies in Honor of Miroslav Marcovich. -
Latin Books Published in Paris, 1501-1540
Latin Books Published in Paris, 1501-1540 Sophie Mullins This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 6 September 2013 1. Candidate’s declarations: I, Sophie Anne Mullins hereby certify that this thesis, which is approximately 76,400 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September 2007 and as a candidate for the degree of PhD in September 2007; the higher study for which this is a record was carried out in the University of St Andrews between [2007] and 2013. (If you received assistance in writing from anyone other than your supervisor/s): I, …..., received assistance in the writing of this thesis in respect of [language, grammar, spelling or syntax], which was provided by …… Date 2/5/14 signature of candidate ……… 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date 2/5/14 signature of supervisor ……… 3. Permission for electronic publication: (to be signed by both candidate and supervisor) In submitting this thesis to the University of St Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. -
Durham Research Online
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Durham Research Online Durham Research Online Deposited in DRO: 04 April 2018 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: O'Brien, John (2015) 'A book (or two) from the Library of La Bo¡etie.',Montaigne studies., 27 (1-2). pp. 179-191. Further information on publisher's website: https://classiques-garnier.com/montaigne-studies-2015-an-interdisciplinary-forum-n-27-montaigne-and-the-art- of-writing-a-book-or-two-from-the-library-of-la-boetie.html Publisher's copyright statement: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 http://dro.dur.ac.uk A Book (or Two) from the Library of La Boétie John O’Brien The copy of the Greek editio princeps of Cassius Dio, now in Eton College, has long been recognized as formerly belonging to Montaigne (figure 1).1 It bears his signature in the usual place and in his usual style. -
Shakziel-Hebrew.Pdf
An angel set over the beasts is mentioned in Hermas' "Visions," iv. 2; his name is Thegri (see Hekalot, vi.) (Turiel = "bull-god," Jerome on Hab. i. 14). In Abraham of Granada's "Berit Menuḥah," p. 37, are mentioned the angel Jeḥiel (Hayyel?), set over the wild beasts; 'Anpiel, over the birds; Hariel (Behemiel), over the tame beasts; Shaḳẓiel, over the water-insects; Dagiel, over the fish; Ilaniel, over the fruit-bearing trees; Seraḳel, over the trees not bearing fruit. http://www.jewishencyclopedia.com/articles/1521-angelology Angel of Water Insects [Shakziel] http://spiritualrealm.blog.com/angels/angelic-properties-dictionary-a-z/w/ Shakziel: The angel with dominion over water insects http://www.bethcoleman.net/angelsrst.html Shakziel - an angel who rules over water bugs. http://hafapea.com/angelpages/angels6.html https://translate.google.com/#auto/en/%D7%A9%D6%B8%D7%81%D7%9B%D6%B0%D7%A6 Katz (surname) 1 Katz (surname) Katz is a common German surname. It is also one of the oldest Ashkenazi Jewish surnames. Germans with the last name Katz may originate in the Rhine River region of Germany, where the Katz Castle is located. (The name of the castle does not derive from Katze, cat, but from Katzenelnbogen, going back to Latin Cattimelibocus, consisting of the ancient Germanic tribal name of the Chatti and Melibokus.) Katzman, deriving from the German Katz, is a Slavic name meaning high priest or king. It is believed the Katzman surname originates from Germany and has roots from there as well. As a Jewish surname, Katz is an abbreviation formed from the Hebrew initials of the term Kohen Tzedeq (Hebrew: meaning "priest of justice"/"authentic priest" or Kohen Tzadok meaning the name-bearer is of patrilineal ,(כּ״ץ descent of the Kohanim sons of Zadok. -
Europos Humanistas Marko Marulić – a European Humanist Parodos Katalogas / Exhibition Catalogue
Markas Maruličius – Europos humanistas Marko Marulić – A European Humanist Parodos katalogas / Exhibition catalogue Markas Maruličius – Europos humanistas Marko Marulić – A European Humanist Parodos katalogas / Exhibition catalogue Zagrebo nacionalinė ir universitetinė biblioteka / The National and University Library in Zagreb, 2020 IMPRESSUM Išleido/ Publisher Zagrebo nacionalinė ir universitetinė biblioteka/ The National and University Library in Zagreb Leidėjas/ For the publisher dr. sc. Tatijana Petrić, l. e. p. Zagrebo nacionalinės ir universitetinės bibliotekos direktorė/ Acting Director General of the National and University Library in Zagreb Dr Tatijana Petrić Speciali padėka parodos partneriui Splito literatūros rateliui ir dr. Bratislavui Lučinui, Marko Maruličiaus tyrimų centro vadovui ir jo humanistų rateliui MARULIANUM, kurių tyrinėjimais ir autoriniais tekstais paremtas parodos turinys./ A special thanks to exhibition partner Književni krug Split (Split Literary Circle) and the manager of Centar za proučavanje Marka Marulića i njegova humanističkoga kruga MARVLIANVM (The Centre for Exploring Marko Marulić and his Humanistic Circle – MARVLIANVM) Dr Bratislav Lučin on whose exploring and authorial texts the content of the exhibition is based. Katalogą parengė/ Text editors Nela Marasović Iva Perinić Renata Petrušić Viktorija Vaitkevičiūtė Vesna Vlašić Jasenka Zajec Redaktorės/ Editors Nela Marasović Jasenka Zajec Į anglų kalbą vertė/ Translation into English Dalia Cidzikaitė Mislav Modronja Į lietuvių kalbą vertė/ Translation into Lithuanian Jurga Jozič Maketavo ir parengė spaudai/ Graphic design and print preparation Goran Hasanec Nuotraukų autoriai/ Photographs Darko Čižmek Sonja Hrelja Spausdino/Print ITG d.o.o. Tiražas/ Print run 200 Leidimo vieta ir metai/ Place and date of publication Zagreb, 2020 ISBN 978-953-500-193-5 CIP zapis je dostupan u računalnome katalogu Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 001050323. -
Printers: New Cultural Actors in Europe Beginning in the Late fifteenth Century
Humanists and Europe Printers: new cultural actors in Europe beginning in the late fifteenth century Catherine KIKUCHI ABSTRACT Printing was born in Germany with the production of the Gutenberg Bible, although printers set up shop across all of Europe beginning in the first decades of the century. They specialized, organized, and collaborated with merchants and bookshops. This new industry was particularly concentrated in merchant cities and university towns. Their editorial strategies sought to reach an increasingly broader audience which was not limited to persons of letters, although important printers worked with the Humanists for the diffusion of high quality revised editions. Their collaboration involved ancient texts, such as the Greek editions of Aldus Manutius, as well as religious texts, the Bible in particular. Printing was thus a driver of religious and intellectual renewal, but was also suspected of conveying harmful and heretical ideas; with the Reformation and Counter-Reformation, printers were increasingly controlled by political and religious authorities, a control that some of them were able to circumvent. The invention and diffusion of printing The birth of printing in Europe is dated as 1452, when Johann Gutenberg produced the 42-line Bible in Mainz with the help of Peter Schöffer and funding from Johann Fust. This invention takes its place in the long-term history of technology, stretching from Chinese and Korean printing methods to engraved Bibles for the poor in the fourteenth and fifteenth centuries. The true change with Gutenberg was not so much the press itself, but the use of movable type. Furthermore, the success of printing was also due to its connection with important merchants who invested in this new art, such as Johann Fust. -
Ix. Mediteranski Korijeni Filozofije
ISSN 1848-4387 HRVATSKO FILOZOFSKO DRUšTVO ODSJEK ZA FILOZOFIJU FilozoFski Fakultet sveučilišta u splitu Simpozij IX. MEDITERANSKI KORIJENI FILOZOFIJE 9.–11. travnja 2015. Filozofski fakultet sveučilišta u splitu poljana kraljice Jelene 1/iii. (uz peristil), split organizacijski odbor prof. dr. sc. Mislav Kukoč, predsjednik Organizacijskog odbora doc. dr. sc. Marita Brčić, tajnica Mira Matijević, poslovna voditeljica prof. dr. sc. Pavo Barišić prof. dr. sc. Dunja Jutronić prof. dr. sc. Luka Tomašević izv. prof. dr. sc. Hrvoje Relja izv. prof. dr. sc. Borislav Dadić doc. dr. sc. Tonći Kokić Gabrijela Bašić, mag. phil. Ljudevit Hanžek, mag. phil. Emil Kušan, mag. phil. Anita Lunić, mag. phil. Organizatori Hrvatsko filozofsko društvo Odsjek za filozofiju, Filozofski fakultet Sveučilišta u Splitu simpozij se organizira uz potporu Ministarstva znanosti, obrazovanja i sporta Republike Hrvatske Filozofskog fakulteta Sveučilišta u Splitu Sveučilišta u Splitu Poglavarstva grada Splita Turističke zajednice grada Splita Franjevačke provincije Presvetog Otkupitelja, Split Sadržaj Mislav Kukoč, Uvod: IX. Mediteranski korijeni filozofije . 5 Program simpozija . 11 Sažeci izlaganja . 17 Adresar sudionika . 71 Uvod IX. MEDITERAnSKI KORIJEnI FILOzOFIJE Hrvatsko filozofsko društvo i Odsjek za filozofiju Filozofskog fakulteta Sveučilišta u Splitu organiziraju međunarodni filozofski i interdisciplinar- ni simpozij IX. Mediteranski korijeni filozofije, od 9. do 11. travnja 2015. godine u dvorani Filozofskog fakulteta u Splitu, smještenoj na pročelju Peristila, u središtu veličanstvene Dioklecijanove palače, spomenika nul- te kategorije svjetske kulturne baštine pod zaštitom UnESCO-a, što kao ogledni primjerak mediteranske kulturne baštine, savršeno korespondira s duhom i svrhom simpozija. Mediteran je kolijevka zapadno-europske filozofije i znanosti koja, zajedno s također mediteranskim naslijeđem hebrejsko-kršćanske religijske tradici- je udara temelje zapadno-europske kulture i civilizacije. -
University of Illinois Modern Foreign Language Newsletter
405 Q Ul v. 23-27 Digitized by the Internet Archive in 2011 with funding from University of Illinois Urbana-Champaign http://www.archive.org/details/universityofilli2327univ UNIVERSITY OF ILLINOIS LIBRARY AJ URSANA-CHAMPAIGN Twnfc &w* ' THE UNIVERSITY OF ILLINOIS MODERN FOREIGN LANGUAGE NEWSLETTER October, 1969 Director: Prof. Anthony M. Pasquariello Vol. XXIII, No. 1 Editor: Maxwell Reed Mowry, Jr. Dear Colleagues: In this first issue of the 23rd year of the University of Illinois Modern Foreign Language Newsletter, it is my privilege to send greetings to readers and colleagues throughout the state and to wish you all a successful year. A special welcome this year goes to Prof. Anthony M. Pasquariello, who on Sept. 1 assumed the headship of the Dept. of Spanish, Italian, & Portuguese at the U.I. He will also serve as Director of the Newsletter. He succeeds Prof. William H. Shoemaker in both capacities. At this point it would seem appropriate to salute Prof o Shoemaker for his long service both as department head and as Director of the Newsletter. All of his colleagues and friends will join me, I am sure, in thanking him and wishing him well. Two professors return to the Urbana campus after a year's sojourn in Europe. They are Prof. Francois Jost, who returns to direct again the Graduate Program in Comparative Literature, and Prof. Bruce Mainous, returning to his post as Head of the Dept. of French. Prof. Mainous spent the past year in Rouen, France, as Director of the Illinois-Iowa Year-Abroad Program; Prof. Jost spent a sabbatical year in Switzerland under the auspices of the Center for Advanced Study and also lectured at the Univ. -
Durham Research Online
Durham Research Online Deposited in DRO: 19 August 2015 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Cowling, D. (2007) 'Henri Estienne and the problem of French-Italian code-switching in sixteenth-century France.', in The French language and questions of identity. Oxford: Legenda, pp. 162-170. Further information on publisher's website: http://www.mhra.org.uk/publications/French-Language-Questions-Identity Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Henri Estienne and the problem of French-Italian code-switching in sixteenth-century France David Cowling, University of Durham It seems appropriate that Henri Estienne (1531-98), the great sixteenth-century humanist and hellenist, compiler of the monumental Thesaurus linguae graecae of 1572 and scholarly editor of numerous first editions of ancient Greek authors, should find a place in a volume devoted to the French language and questions of identity.1 In his vernacular writings, Estienne repeatedly claims that it is ‘l’honneur de la nation’ or ‘l’honneur de [la] patrie’ that has led him to assert the superiority of the French language over its rivals, notably Italian, and to seek to maintain its purity from foreign (primarily Italian) influence (Estienne 1579: fol. -
1 Translation As Editorial Mediation: Charles Estienne's Experiments
1 Translation as Editorial Mediation: Charles Estienne’s Experiments with the Dissemination of Knowledge Hélène Cazes, University of Victoria Charles Estienne (1504-64) is often presented as the son, brother, or uncle of better- known members of his family, all printers of renown. Most of the Estiennes are well known for their contribution to philology and their erudite editions; in the Estienne lansdacape made of ‘editiones principes’ and learned dictionaries, Charles, in contrast, appears as the man of ‘second’ editions, translations, vulgarizations. He is also remembered as the bankrupt of the family. Yet, he may well be the Estienne who is the closest to our modern editing ventures: by including his readership in the conception of his catalogue, by adapting existing works to a public he hopes to be larger and larger, by addressing French-reading only audiences and young students, Charles Estienne questions the boundaries of edition and blurs its boundaries with communication and translation. This paper proposes a new appraisal of his work as an editor and as a mediator of Renaissance culture, both Classical and contemporary. The second son of Henri Estienne (the Elder), he worked as a printer in Paris for a brief decade between 1552 and 1564, not by choice but by circumstance, after completing a degree in medicine in 1540, publishing a treatise on human dissection in 1545-1546, writing several books for young people between 1535 and 1550, and composing 2 translations from Latin and Italian.1 A family member of secondary importance, surrounded by the figures of the Estienne dynasty of humanist editor-printers, he became the head of the printing house when his brother Robert left for Geneva.