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The Sign of Peace the Mass in Slow Motion
The Mass In Slow Motion Volume 22 The Sign of Peace The Mass In Slow Motion is a series on the Mass explaining the meaning and history of what we do each Sunday. This series of flyers is an attempt to add insight and understanding to our celebration of the Sacred Liturgy. This series will follow the Mass in order beginning with The Gathering Rite through The Final Blessing and Dismissal, approximately 25 volumes. Previous editions are available via the rectory office or our website: www.hcscchurch.org. The Rite of Peace follows the “Our Father” and the prayer “Lord Jesus Christ you said to your Apostles, „I leave you peace…‟, by which the Church asks for peace and unity for herself and for the whole human family, and the faithful express to each other their ecclesial communion and mutual charity before communicating in the Sacrament. The manner of expressing this sign of peace is established by Conferences of Bishops in accordance with the culture and customs of the peoples. It is, however, appropriate that each person offer the sign of peace only to those who are nearest and in a sober manner. (cf G.I.R.M. # 82) Other instructions in the Missal indicate that exchange of peace is shared “if appropriate” and that the celebrant “gives the sign of peace to a deacon or minister.” The instruction adds that the priest may give the sign of peace to the ministers but always remains within the sanctuary, so as not to disturb the celebration. Hence, we learn some of the following things about the sign of peace: 1. -
Namaste: the Significance of a Yogic Greeting
Newsletter Archives Namaste: The Significance of a Yogic Greeting The material contained in this newsletter/article is owned by ExoticIndiaArt Pvt Ltd. Reproduction of any part of the contents of this document, by any means, needs the prior permission of the owners. Copyright C 2000, ExoticIndiaArt Namaste: The Significance of a Yogic Greeting Article of the Month - November 2001 In a well-known episode it so transpired that the great lover god Krishna made away with the clothes of unmarried maidens, fourteen to seventeen years of age, bathing in the river Yamuna. Their fervent entreaties to him proved of no avail. It was only after they performed before him the eternal gesture of namaste was he satisfied, and agreed to hand back their garments so that they could recover their modesty. The gesture (or mudra) of namaste is a simple act made by bringing together both palms of the hands before the heart, and lightly bowing the head. In the simplest of terms it is accepted as a humble greeting straight from the heart and reciprocated accordingly. Namaste is a composite of the two Sanskrit words, nama, and te. Te means you, and nama has the following connotations: To bend To bow To sink To incline To stoop All these suggestions point to a sense of submitting oneself to another, with complete humility. Significantly the word 'nama' has parallels in other ancient languages also. It is cognate with the Greek nemo, nemos and nosmos; to the Latin nemus, the Old Saxon niman, and the German neman and nehman. All these expressions have the general sense of obeisance, homage and veneration. -
The Power of Images in the Age of Mussolini
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies. -
Module-04-Greetings-Etiquette-And
Event Planner Module 04 4. Module 04- Greetings etiquette and handshake protocol Table of Contents 4. Module 04- Greetings etiquette and handshake protocol ............................................................................ 1 4.1 Managing Greetings etiquette and handshake protocol ......................................................................... 2 4.2 Handshake, greetings, and kisses ............................................................................................................ 3 4.3 Personal space ......................................................................................................................................... 5 4.4 Hand kisses ............................................................................................................................................... 5 1 | P a g e 4.1 Managing Greetings etiquette and handshake protocol Working as an event manager, you will certainly deal with people from different countries, cultures, and backgrounds. This can be fun, but also can be a little complicated. The customs and rituals involved in greeting often differ from country to country, and unfamiliar customs may be confusing. The situation becomes even more complex when different greeting gestures are required between men and women, women and women, and men and men. Luckily, the ultimate pleasant gesture is used in every country. Although occasionally, in some cultures and under certain circumstances, it may have negative connotations, this ultimate gesture is seldom misunderstood -
Common Tips from Different Cultures Bangladesh
Common Tips From Different Cultures Bangladesh 1. Describe a typical business introduction We do handshake with a good grip and indeed the hands shake, literally. It's a courtesy to offer some drinks - tea, coffee etc. 2. Describe a typical personal greeting? Usually we exchange Salaam or Adaab or Nomoskar depending on religious identity. Whenever a Muslim meets another Muslim he greets with Salaam (it means please be on you). It is good to hug and handshake. Whenever a Hindu meets another Hindu he greets with Namaskar (means- Bowing to the divine in you). Namaskar is spoken with a gentle bow and touching two hands like High-Five style. When two persons from different religion meets they greets with Adab (means respect). Adab is usually spoken with a little hand gesture. 3. What food is taboo in your country/culture? Pork. Usually nobody eats. Alcohol is also taboo for Muslims. Beef is a taboo for Hindus. 4. What are other taboos in your country/culture? We don't eat with left hand. One should stand up while talking to teacher. Whatever you give and take use the right hand or both hand every time. 5. Other information you wish to share about your country/culture with other students? If you visit someone's home you should eat something. If someone comes to visit you, offer some food/drinks. And we are always late. So, if you invite one Bangladeshi at 10 AM, please don't be upset if he comes at 10:30 AM. :) Brazil 1. Describe a typical business introduction In Brazil we shake hands even if it is opposite sex (kiss on the cheek is not good in these situations). -
Vocabulary Gesture Greeting Insult Rude A) What Is a Gesture You Use Every Day?
Name ____________________________ Date ____________ Vocabulary Gesture Greeting Insult Rude a) What is a gesture you use every day? b) Do you think gestures are the same around the world? Why do you think that? c) Is there a gesture you don’t like? What is it, and why don’t you like it? Watch this video: Gestures around the world http://youtu.be/fa_GCK-Czqs Answer the questions. Write full sentences, please! 1. In America, you should give a ___________ handshake. You shouldn’t give a ____________ handshake. 2. How do Americans greet friends? 3. What does thumbs up mean in the US? 4. Name three meanings for the “V” sign 5. What gesture is an insult in Italy? What does it mean? 6. How do you gesture “okay” in the US? Does it mean the same in your country? 7. Tell three new words you learned by watching this video. 8. Tell about 3 gestures from your country. Are they the same or different in the US? (use the back of this paper) 9. Write 3 questions you have about the video. (use the back of this paper) 10. Did you like watching the video? Why or why not? (use the back of this paper) Greetings around the world (from Mama Lisa’s Blog http://www.mamalisa.com/blog/ ) I'm fascinated by the differences in how people greet each other in different countries. What can be good manners in one country, can be rude in another. When first meeting someone here in the US, at least in New York, most people will shake hands. -
Grade 1 Adab Unit 1 the Greeting in Islam Table of Contents
Grade 1 Adab Unit 1 The Greeting in Islam Table of Contents Lesson 1: What Does Greeting Mean? ...............................................................................................3 Lesson 2: How the Islamic Greeting began. .....................................................................................4 Activity 1: Read about/Listen to How the Greeting Begin. ..................................................5 Lesson 3: The Islamic Greeting...........................................................................................................6 Lesson 3a: What is the Islamic greeting? .................................................................................... 6 Activity 1: Saying As-salaamu Alaykum.....................................................................................6 Lesson 3b: Do I have to greet another Muslim? ......................................................................... 6 Lesson 3c: How to return the greeting. ........................................................................................ 8 Lesson 3d: What if I don’t return the greeting? ....................................................................... 9 Lesson 3e: Do I have to greet someone I don’t even know? .................................................. 10 Lesson 4: Greeting First ......................................................................................................................11 Lesson 4a. Why is it Important to Greet First? ...................................................................... -
Body Language and Gestures Glossary 1
ARTHUR MELLOWS VILLAGE COLLEGE COMENIUS PROJECT Body language and gestures Glossary 1 Contents Introduction………………………………………………………………………3. Eating body language………………………………………………………..4. Eating body language pictures………………………………………...5-9. Greetings body language………………………………………………10-.12. Greetings body language pictures……………………………………11-12. School body language………………………………………………………...13. School body language pictures.................................................14-15. 2 Introduction There are hundreds of different gestures and many different kinds of body languages that we use in our every-day lives. Here at Arthur Mellows, the Comenius pupils have focussed on 3 types of body language and gestures that we use most commonly. These are: Eating Greetings School Body language 3 When you like a food you smile, pat your tummy and eat it, when you dislike a food you make a funny face or don’t eat it. When you are not sure what to order you look confused and keep on looking at the menu. To show you have chosen what to order you close the menu and put it in front of you and continue talking to whoever you are with. To show you have had enough food you place your knife and fork together on the centre of your plate. To show you want more you do not put your knife and fork on the plate. To attract the waiter’s attention you put your hand up. To ask for the bill your push your plates forward onto the table and sit back, then get your money out. To ask if someone wants a drink you mime a drinking action. To ask someone to pass you something you point at the object then point at yourself. -
To Honor All Children
LIFE IN THE CAMPS AND GHETTOS Photo courtesy of the United States Holocaust Memorial Museum 179 Unit III: Life in the Camps and Ghettos Unit Goal: Students will develop a basic knowledge and understanding of the tragic horror and devastation of life in the camps and ghettos for the Jews and other targets of Nazi oppression and of the human spirit and creativity that persisted in the face of that oppression. Performance Objectives Teaching/Learning Strategies and Activities Instructional Materials/Resources Students will be able to: A. Teacher information: Essay overview of life in the ghettos and camps. B. The Ghettos 1. Examine various aspects of Nazi policies 1. Read the excerpts from Smoke and 1. Smoke and Ashes: The Story of the and their impact on individuals and groups, Ashes: They Story of the Holocaust Holocaust by Barbara Rogasky. Read i.e. laws, isolation, deportation, ghettos, by Barbara Rogasky. Examine the excerpts in guide. murder, slave labor, labor camps, Nazi purposes in creating the ghettos, concentration camps, physical and mental the conditions inside, and the ultimate torture, death camps, and the final fate of those in the ghettos. Use the solution. questions to help initiate a class discussion and select from the 2. Analyze why people and nations act in the activities for the students. following ways: bullies, gangs, rescuers, 2. Upon the Head of a Goat (Reading 2. Read this second excerpt to be found in the heroes, silent bystanders, collaborators, Two) by Aranka Siegel examines the guide from Aranka Siegel's and perpetrators. growing repression of the fascist autobiographical tale Upon the Head of a regime. -
Greeting Rituals New Handout
Instructions: make two copies of this handout, a handout A and handout B. 1. on the basis of the number of participants, decide on how many greeting rituals to use and cut the boxes with the instructions of each handout 2. Divide the participants in two groups: the GUESTS and the HOSTS. The hosts wait for one or more guests. 3. Give out the instructions of handout A to the GUESTS and the instructions of handout B to the HOSTS Examples of greetings (names of countries can be removed): Thailand : Greet with ‘wai’: Place palms together in a lotus bud at your chest, elbows down, and bow your head slightly Egypt : Give a firm and long handshake and look straight in the other person’s eyes while smiling The Philippines : Give a limp handshake and look down Malaysia : Touch the other person’s hands with both your hands, then bring them back to your breast India : Greet with ‘namaste’ : palms together as though praying and bend or nod France : Kiss on both cheeks, two times New Zealand Maori : Rub your nose to the other person’s nose Turkey (with an elder) : take the person’s hand, kiss the top of it, and then bring that person’s hand to your forehead Central African Republic : Slap right hands, then grab each other’s middle finger using a thumb and middle finger Grenada : Tap clenched fists Belgium : Kiss the other person on the right cheek Singapore : Slide your palms together back towards your chest then end with the hand over heart Korea : Wave and smile, but do not make any physical contact. -
Medieval Perspectives in Europe : Oral Culture and Bodily Practices
343 Medieval perspectives in Europe: Oral culture and bodily practices 1. Oral culture in the Middle Ages 2. Bodily signs: Structure and semantics 3. Areas of application 4. References Abstract Prior to the invention of book printing, Western culture had no efficient storage medium that served to unburden human memory. Instead of writing a mnemotechnics based on the visual perception of bodily movements, took over the functions of orienting, identify- ing, and stabilizing the social order in the medieval period. In medieval instructions on ecclesiastic and secular norms of behavior, the categorization of the most wide-spread and relevant bodily practices was ordered according to the various functions of the body parts involved, such as neck, back, and knee muscles, arms, hands, lips, and facial muscles. Naturally, such a system of signifiers (like the prostration, the genuflection with inclined body, the genuflection with erect body, bowing to the waist, bowing to the chest, the foot kiss, the knee kiss, the shoulder kiss, the hand kiss, etc.) which will be recon- structed here on the basis of various source corpora, could not encompass all the motion sequences that took place in the context of different interactions. Nevertheless, it has proven useful to treat socially meaningful actions as communicative acts within the contexts of 1) religion, 2) law, 3) ceremonial and 4) etiquette. Oral culture in the Middle Ages Prior to the invention of book printing, Western culture had no efficient storage medium that served to unburden human memory. Based on this observation, Walter Ong constructed his theory of orality, according to which orally communicating peoples know only what they can bear in memory. -
The Roman Salute
The Roman Salute The Roman Salute Cinema, History, Ideology Martin M. Winkler THE OHIO STATE UNIVERSITY PREss COLUMBus Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Winkler, Martin M. The Roman salute : cinema, history, ideology / Martin M. Winkler. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-0864-9 (cloth : alk. paper) ISBN-10: 0-8142-0864-9 (cloth : alk. paper) 1. Rome—In motion pictures. 2. Rome—In art. 3. Rome—In literature. 4. Salutations. I. Title. PN1995.9.R68W56 2009 700'.45837 [22] 2008041124 This book is available in the following editions: Cloth (ISBN 978-0-8142-0864-9) CD-ROM (ISBN 978-0-8142-9194-8) Cover design by Laurence J. Nozik Text design by Juliet Williams Type set in Adobe Bembo Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the Ameri- can National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 contents Illustrations vii Acknowledgments xi Introduction 1 1. History and Ideology: Half-Truths and Untruths 1 2. Ideology and Spectacle: The Importance of Cinema 6 3. About This Book 11 One Saluting Gestures in Roman Art and Literature 17 Two Jacques-Louis David’s Oath of the Horatii 42 Three Raised-Arm Salutes in the United States before Fascism: From the Pledge of Allegiance to Ben-Hur on Stage 57 Four Early Cinema: American and European Epics 77 Five Cabiria: The Intersection of Cinema and Politics 94 1.