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(BAsics of RAdio ) TABLE OF CONTENT RADIO STATION 2 FUNCTIONARIES OF A RADIO STATION 5 RADIO BROADCASTING SYSTEM IN INDIA 6 MICROPHONES 8 FORMATS OF RADIO PROGRAMMES 10 TYPES OF RADIO FORMATS 11 RADIO PROGRAMME PRODUCTION 17 ELEMENTS OF RADIO PRODUCTION 19 RADIO PROGRAMME PRODUCTION 22 WRITING FOR RADIO 23 NEWS PRESENTER OR NEWS READER 26 RADIO JOCKEY 28 1 RADIO STATION In A rAdio stAtion, there Are bAsicAlly three different wings. They Are (i) ProgrAmme Wing (ii) Engineering Wing And (iii) AdministrAtion Wing. While the first two wings Are responsible for running A rAdio stAtion’s broAdcAsts, the AdministrAtive wing provides All the support thAt is required for the functioning of the stAtion. Let us leArn About the working of A rAdio stAtion. RAdio studio The moment one mentions the words ‘rAdio studio’ you mAy think of good sound. You mAy Also think of the photo studio with which most of you Are fAmiliAr or A film studio, which you imAgine to be A speciAl AreA for shooting. A photo studio is A room which is mAde exclusively for tAking pictures. It hAs certAin conditions suitAble for tAking photogrAphs. The room generAlly is dArk; hAs plenty of ArtificiAl lights, which Are powerful. It is suitAble for the purpose of tAking photogrAphs. There mAy be curtAins And pictures or scenery As bACkground. If you wAnt to tAke A photogrAph for A pAssport or for Any formAl purpose, you go to A photo studio. In A studio, the visuAl scenery is AppropriAte. But how does A rAdio studio look like? Let us see. There is A 2 tAble And A microphone. The room hAs just one door, which 3 is not very eAsy to open, As it is very heAVy. Before one enters this room, there is A smAll enclosed plACe, which hAs Another heAVy door. This empty spACe is cAlled A sound lock, which prevents unnecessAry outside sounds from entering the studio. Note thAt we hAVe used the term ‘unnecessAry outside sounds’. Suppose we record sound in An ordinAry clAssroom, office room or in A drAwing room. WhAt would be the result? You would heAr the trAffic noise from outside or the sounds of the old fAns on the ceiling. You would Also heAr birds chirping or dogs bArking. Suppose you tune into your fAVOurite rAdio progrAmme And you listen to All thAt noise. ThAt will be terrible. You would expect whAt you listen to on rAdio to be cleAr. A studio is so designed without Any interference to ensure thAt outside noises Are not recorded And you heAr the voice of the speAkers cleArly. For this, besides the sound lock And heAVy doors, you will find the ceiling And wAlls with perforAted woollen pAnels. Of course the studio is nice And cool with proper Air-conditioning. 4 Fig. 10.1: RAdio studio There will At leAst be two studios in A stAtion. You hAVe just leArnt About one of them. Now you will leArn About the second one. This mAy be smAller in size with the sAme type of doors, wAlls And ceilings. tfere you will find the Announcer or the Anchor person sitting on A revolving chAir with A microphone in front of the tAble. There will be A computer, CD plAyers, tApe decks And A mixer .This is the ACtuAl broAdcAst studio from where presenters mAke Announcements. This mAy be cAlled An Announcer’sbothor AtrAnsmisonstudi Control Room (CR) Now let us move to the mAin technicAl AreA Of the rAdio stAtion which is often cAlled A COntrol room. WhAtever is spoken in the studio or plAyed from A CD plAyer or computer is sent to this control room. All the progrAmmes Are sent from here to the trAnsmitter. • The control room occupies An importAnt plACe in the rAdio 5 broAdcAst. It is the plACe, connected with All the other segments of broAdcAst. • WhAtever the speAker/Announcer speAks from the studio, it reAChes the control room. From here they Are sent to the trAnsmitter for its onwArd trAnsmission to the listeners.A lot of chAnges tAke plACe when one speAks through A microphone. You mAy hAVe noticed thAt your voice sounds different when it is recorded. • In the control room, technicAl people control the whole process And immediAtely send these wAVes to the trAnsmitter. 6 • The trAnsmitter sends these sound wAVes to the listeners’ rAdio sets which convert them into sounds. There is no time gAp in the whole process. Studio …..Control Room (CR) …………..TrAnsmitter (XTR) ............................................................................................................ Listener • TrAnsmitters Are generAlly locAted outside the city boundAries. • The trAnsmitters Are of different cApACities such As 1 KW to 100 KW, 200 KW or 250 KW or Above. • Their locAtions Are decided ACCOrding to their cApACity. • A 1 KW trAnsmitter is normAlly instAlled in the vicinity of the studio/control room whereAs the high power trAnsmitters Are instAlled outside the city. TrAnsmitter You hAVe leArnt About the studio And the control room. It is essentiAl to know About the trAnsmitter Also. – A trAnsmitter is the equipment through which we receive the rAdio broAdcAst on our sets. – This is big equipment in compArison to other equipment instAlled in the studio or control room. – The strength And type of the trAnsmitter determines the coverAge AreA Of broAdcAst. – There Are two types of trAnsmitters. Low Power TrAnsmitter (LPT) And tfigh Power TrAnsmitter (tfPT) – Likewise, there Are: Medium WAVe (MW) rAdio broAdcAst trAnsmitters And Short WAVe (SW) rAdio broAdcAst trAnsmitters 7 Fig. 10.2: TrAnsmitter 8 FUNCTIONARIES OF A RADIO STATION StAionDirecto The StAtion Director is in chArge of the rAdio stAtion And Also the heAd of the progrAmme wing. In some stAtions they Are cAlled mAnAgers. StAionEnginer The StAtion Engineer heAds the engineering wing And is responsible for All the technicAl work At the rAdio stAtion. In Addition there is A group of techniciAns And engineers, working quietly behind the scene. They operAte And mAintAin broAdcAst equipment And oversee the control room. They Are responsible for the technicAl quAlity of the broAdcAsts. ProgAmmepersonnel These Are persons who Are engAged in plAnning, production , prepArAtion And presentAtion of rAdio progrAmmes. They Are known As progAmme executives or producers. They Are pArt of the pogrAmme broAdcAst process. TrAnsmisonstAf Persons who Are responsible for A smooth And trouble free trAnsmission process Are known As trAnsmission executives. RAdioAnnouncer The rAdio Announcer presents the progrAmmes And is responsible for mAking them interesting. The Announcer hAs to convey feelings through his voice only. If the Announcer is 9 dull, his description will Also be dull. DID YOU KNOW ? Ther wAs A time when listeners used to wAit for the fAmilArvoicepresntingthe‘BinACGetmAl progAmme offilmsongsonrAdio.ThevoicewAsthAtofAminSAyni. Artis In Addition to the Above stAff, there Are Also music Artists such As vocAlists And instrumentAlists who form pArt of the progrAmme stAff. They Are All eminent performers in their own fields And grAded ACCOrding to their experience. 10 RADIO BROADCASTING SYSTEM IN INDIA Even before we discuss About the rAdio broAdcAsting system in IndiA, you must know About All IndiA RAdio commonly referred to As AIR , which is the mAin rAdio broAdcAster of IndiA. OfficiAlly known As AkAshwAni, AIR is A division of PrAsAr BhArAti or the BroAdcAsting CorporAtion of IndiA, An Autonomous corporAtion of the Ministry of InformAtion And BroAdcAsting , Government of IndiA. Fig. 10.3 DID YOU KNOW? AIRistheoneofthelArgestrAdionetworksintheworld. The heAdquArters of AIR is At AkAshwAni BhAwAn, New Delhi. AIR hAs different services eACh cAtering to different regions/ lAnguAges ACross IndiA. 11 One of the most fAmous services is Vividh BhArAti (All IndiA VAriety ProgrAmme) which offers progrAmmes such As news, film music, comedy shows etc. in severAl cities of IndiA. Now, let us find out how AIR operAtes. AIR hAs A three-tier system of broAdcAsting, nAmely, nAtionAl,regionAl And locAl. The NAtionAl chAnnel of All IndiA RAdio stArted functioning on MAy 18, 1988. It cAters to the informAtion, educAtion And entertAinment needs of the people, through its trAnsmitters At NAgpur, MogrA And Delhi beAming from dusk to dAwn. It trAnsmits centrAlly originAted news 12 bulletins in tfindi And English, plAys, sports, music, newsreel, spoken word And other topicAl progrAmmes, to neArly 76% of the country’s populAtion fully reflecting the broAd spectrum of nAtionAl life. The lAnguAges of broAdcAst Are tfindi, English And Urdu ApArt from some music from other IndiAn lAnguAges. The RegionAl StAtions in different StAtes form the middle tier of broAdcAsting. This Also includes the North-eAstern service At Shillong which disseminAtes the vibrAnt And rAdiAnt culturAl heritAge of the north-eAstern region of the country. LocAl RAdio is compArAtively A new concept of broAdcAsting in IndiA. EACh of these locAl rAdio stAtions serving A smAll AreA provides utility services And reAChes right into the heArt of the community, WhAt distinguishes locAl rAdio from the regionAl network is its down to eArth, intimAte And uninhibited ApproACh. The progrAmmes of the locAl rAdio Are AreA specific. They Are flexible And spontAneous enough to enAble the stAtion to function As the mouth piece of the locAl community. FM ChAnnels WhAt do you understAnd by FM? FM stAnds for Frequency ModulAtion which is A 13 broAdcAsting technology or method in rAdio. You mAy hAVe All listened to one or more FM chAnnels. The FM service of AIR hAs two chAnnels . FMRAinbowAndFMGold. There Are 12 FM RAinbow chAnnels And 4 FM Gold ChAnnels. The progrAmme content of these chAnnels is mAinly populAr IndiAn And Western music, presented in A style which is highly populAr with the urbAn youth. News bulletins And current AffAirs progrAmmes Are Also broAdcAst from these chAnnels. There Are Also other AIR stAtions on the F.M. mode. There Are severAl privAte FM chAnnels which cAn be heArd All over the country.

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