Journal of the Conversations of Lord Byron : Noted During a Residence
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The Interpretation of Italy During the Last Two Centuries
CORNELL UNIVERSITY LIBRARY 6^60/ 111- DATE DUE 'V rT ^'iinih'^ ,.^i jvT^ifim.mimsmi'^ / PRINTED IN U S A. / CORNELL UNIVERSITY LIBRARY 3 1924 082 449 798 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/cletails/cu31924082449798 THE DECENNIAL PUBLICATIONS OF THE UNIVERSITY OF CHICAGO THE DECENNIAL PUBLICATIONS ISSUED IN COMMEMORATION OP THE COMPLETION OP THE PIEST TEX TEARS OP THE UNIVERSITY'S EXISTENCE AUTHORIZED BY THE BOARD OP TRUSTEES ON THE RECOMMENDATION OP THE PRESIDENT AND SENATE EDITED BY A COMMITTEE APPOINTED BY THE SENATE EDWABD CAPP3 STARR WILLARD CUTTING EOLLIN D. SALISBtTKT JAME9 ROWLAND ANGELL "WILLIAM I. THOMAS SHAILER MATHEWS GAEL DARLING BUCK FREDERIC IVES CARPENTER OSKAB BOLZA JDLIBS 3TIBGLITZ JACQUES LOEB THESE VOLXJMBS ARE DEDICATED TO THE MEN AKD WOMEN OP CUB TIME AND COUNTRY WHO BY WISE AND GENEK0U3 GIVING HAVE ENCOUBAGED THE SEARCH AFTBB TBUTH IN ALL DEPARTMENTS OP KNOWLEDGE THE INTERPRETATION OF ITALY THE INTERPRETATION OF ITALY DURING THE LAST TWO CENTURIES A CONTKIBUTION TO THE STUDY OF GOETHE'S "ITALIENISCHE KEISE" CAMILLO voN^LENZE rORMBBLI OF THE DBPAETMENT OF GEKMANIC LANGUAGES AND LITEEATUBES. NOW PEOFBSSOE OF GEKMAN IiITEBATDEE IN BEOTVN UNIVEESITT THE DECENNIAL PUBLICATIONS SECOND SERIES VOLUME XVII CHICAGO THE UNIVBKSITY OP CHICAGO PRESS 1907 'y\ Copyright 19(yt by THE UNIVEESIT¥ OF CHICAGO Published April 1907 ^' / (7 ^SJ^ Composed and Printecl By The University of Chicago Press Chicago, Illinois, U. S. A. ACKNOWLEDGMENT I owe grateful acknowledgment, for valuable assistance in procuring material, to the Libraries of the University of Chicago, of Harvard University, of Cornell University, and of the City of Boston. -
The Development of Lord Byron's Satire Vývoj Satiry Lorda Byrona
UNIVERZITA KARLOVA V PRAZE - FILOZOFICKÁ FAKULTA ÚSTAV ANGLOFONNÍCH LITERATUR A KULTUR The Development of Lord Byron's Satire Vývoj satiry lorda Byrona BAKALÁŘSKÁ PRÁCE Vedoucí bakalářské práce (supervisor): Zpracovala (author): Prof. PhDr. Martin Procházka, Dr.Sc. Alena Kopečná Praha, srpen 2015 Studijní obor (subject): Anglistika-amerikanistika 1 Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného či stejného titulu. V Praze dne 10. srpna 2015 I declare that the following BA thesis is my own work for which I used only the sources and literature mentioned, and that this thesis has not been used in the course of other university studies or in order to acquire the same or another type of diploma). Prague, 10 August 2015 ........................................................ 2 I would like to express my sincere gratitude and appreciation to my thesis supervisor Prof. PhDr. Martin Procházka, CSc. for his inspiring comments and patient guidance. Souhlasím se zapůjčením bakalářské práce ke studijním účelům. I have no objections to the BA thesis being borrowed and used for study purposes. 3 ABSTRACT As the aim of the thesis is to follow the development of Lord Byron's satirical voice, I have chosen to analyze three of his shorter satirical works (the analysis of Don Juan is omit- ted on purpose, since it has been thoroughly examined by many scholars) significantly differ- ent from each other both in form and content, and thus allowing me to map Byron's satirical technique and to contrast the texts. -
Biography of Sismondi
1 BIOGRAPHY OF SISMONDI HELMUT O. PAPPE I. Jean Charles Léonard Simonde was born on the 9th May 1773 into a Genevan family. In later life he changed his family to de Sismondi after an old Pisan aristocratic family from which he believed the Simondis to be descended. Charles’s parents were the pasteur Gèdèon François Simonde and his wife Henriette Ester Gabriele Girodz; a sister, Sara, called Serina by the family and her friends, saw the light of day two years later. The families of both parents were du haut the Simondes being on the borderline between nobility and upper bourgeoisie, the Girodz being members of the well-to-do upper bourgeoisie. Both the Simondes and the Girodz had come to Geneva as members of the second éimgration after the revocation of the Edict of Nantes in 1685, that is, both families were Protestant fugitives from religious persecution in France. The Girodz had come to Geneva from Chàlons-sur-Saône in 1689. Henriette’s father, Pierre Girodz, became a successful and highly respected businessman engaged in various commercial enterprises connected with the watchmaking trade. He owned a substantial town house close to the cathedral in the Bourg-de-Four and an imposing country seat ‘Tourant’ at Chênes, both to be the residences of Sismondi after his return from exile in Italy. On the occasion of the marriage of his daughter on the 12th January 1770 Pierre Girodz was able to give her a dowry his town house worth 30,000 Livres as well as 10,000 Livres in cash and 2,000 Livres worth of jewellery. -
Readings for Composition Compiled, Annotated, and Edited by Rhonda L
Readings for Composition Compiled, annotated, and edited by Rhonda L. Kelley Table of Contents Short Fiction ................................................................................................................................... 3 A Rose for Emily by William Faulkner ........................................................................................ 4 The Yellow Wallpaper by Charlotte Perkins Gilman ................................................................. 12 The Open Window by H. H. Munro (Saki) ............................................................................... 27 Miss Brill by Katherine Mansfield ............................................................................................ 30 Guy de Maupassant, The Necklace ........................................................................................... 34 Edgar Allan Poe, The Tell-Tale Heart ........................................................................................ 41 Edgar Allan Poe, Cask of Amontillado ...................................................................................... 45 Edgar Allan Poe, The Masque of the Red Death ........................................................................ 51 Nathaniel Hawthorne, Young Goodman Brown ....................................................................... 56 Rappaccini's Daughter by Nathaniel Hawthorne ..................................................................... 68 Sir Arthur Conan Doyle, The Adventure of the Speckled Band ............................................... -
A Companion to Romantic Poetry
A Companion to Romantic Poetry A Companion to Romantic Poetry Edited by Charles Mahoney © 2011 Blackwell Publishing Ltd. ISBN: 978-1-405-13554-2 99781405135542_1_pretoc.indd781405135542_1_pretoc.indd i 99/24/2010/24/2010 111:28:091:28:09 AAMM Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post-canonical texts, orientating the beginning student in new fi elds of study and providing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the fi eld. Published recently 54. A Companion to the History of the English Language Edited by Haruko Momma and Michael Matto 55. A Companion to Henry James Edited by Greg Zacharias 56. A Companion to the British and Irish Short Story Edited by Cheryl Alexander Malcolm and David Malcolm 57. A Companion to Jane Austen Edited by Claudia L. Johnson and Clara Tuite 58. A Companion to the Arthurian Literature Edited by Helen Fulton 59. A Companion to the Modern American Novel 1900–1950 Edited by John T. Matthews 60. A Companion to the Global Renaissance Edited by Jyotsna G. Singh 61. A Companion to Thomas Hardy Edited by Keith Wilson 62. A Companion to T. S. Eliot Edited by David E. Chinitz 63. A Companion to Samuel Beckett Edited by S. E. Gontarski 64. A Companion to Twentieth-Century United States Fiction Edited by David Seed 65. -
The Songs of Luigi Gordigiani (1806-1860), "Lo Schuberto Italiano" Thomas M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 The Songs of Luigi Gordigiani (1806-1860), "Lo Schuberto Italiano" Thomas M. Cimarusti Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE SONGS OF LUIGI GORDIGIANI (1806-1860), “LO SCHUBERTO ITALIANO” By THOMAS M. CIMARUSTI A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2007 Copyright © 2007 Thomas M. Cimarusti All Rights Reserved The members of the Committee approve the dissertation of Thomas M. Cimarusti defended on 28 June 2007. Douglass Seaton Professor Directing Dissertation Valerie Trujillo Outside Committee Member Charles E. Brewer Committee Member Jeffery Kite -Powell Committee Member William Leparulo Committee Member Approved: Seth Beckman, Chair, College of Music Don Gibson, Dean, College of Music The Office of Graduate Studies has verified and approved the above named committee members. ii To my parents iii ACKNOWLEDGMENTS The completion of this dissertation involved the help of many individuals. I am most grateful to my advisor Dr. Douglass Seaton, whose encouragement, patience, and inspiration have been invaluable. I am profoundly indebted to him. My deepest thanks to my committee members Drs. Charles Brewer, Jeffery Kite-Powell, and William Leparulo for their comments and suggestions regarding initial drafts. My sincere appreciation to Dr. Valerie Trujillo who, due to unforseen circumstances, stepped in to serve on the committee just prior to my defense. I am also thankful for Italian scholar Dr. -
The Metaphysics of Improvisation
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2012 The Metaphysics of Improvisation Tobyn C. DeMarco Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1679 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE METAPHYSICS OF IMPROVISATION by TOBYN C. DEMARCO A dissertation submitted to the Graduate Faculty in Philosophy in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2012 ii © 2012 TOBYN C. DEMARCO All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Philosophy in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Barbara Gail Montero __________________________________________ _______________ __________________________________________ Date Chair of Examining Committee John Greenwood __________________________________________ _______________ __________________________________________ Date Executive Officer Nickolas Pappas __________________________________________ Steven Ross __________________________________________ Noël Carroll __________________________________________ Supervisory Committee The City University of New York iv Abstract THE METAPHYSICS OF IMPROVISATION by Tobyn C. DeMarco Adviser: Professor Nickolas Pappas In “The Metaphysics of Improvisation,” I criticize wrongheaded metaphysical views of, and theories about, improvisation, and put forward a cogent metaphysical theory of improvisation, which includes action theory, an analysis of the relevant genetic and aesthetic properties, and ontology (work-hood). The dissertation has two Parts. Part I is a survey of the history of many improvisational practices, and of the concept of improvisation. -
Life and Letters of Robert Browning by Mrs
Life and Letters of Robert Browning by Mrs. Sutherland Orr Second Edition Preface Such letters of Mr. Browning's as appear, whole or in part, in the present volume have been in most cases given to me by the persons to whom they were addressed, or copied by Miss Browning from the originals under her care; but I owe to the daughter of the Rev. W. J. Fox -- Mrs. Bridell Fox -- those written to her father and to Miss Flower; the two interesting extracts from her father's correspondence with herself and Mr. Browning's note to Mr. Robertson. For my general material I have been largely indebted to Miss Browning. Her memory was the only existing record of her brother's boyhood and youth. It has been to me an unfailing as well as always accessible authority for that subsequent period of his life which I could only know in disconnected facts or his own fragmentary reminiscences. It is less true, indeed, to say that she has greatly helped me in writing this short biography than that without her help it could never have been undertaken. I thank my friends Mrs. R. Courtenay Bell and Miss Hickey for their invaluable assistance in preparing the book for, and carrying it through the press; and I acknowledge with real gratitude the advantages derived by it from Mr. Dykes Campbell's large literary experience in his very careful final revision of the proofs. A. Orr. April 22, 1891. Contents Chapter 1 Origin of the Browning Family -- Robert Browning's Grandfather -- His position and Character -- His first and second Marriage -- Unkindness towards his eldest Son, Robert Browning's Father -- Alleged Infusion of West Indian Blood through Robert Browning's Grandmother -- Existing Evidence against it -- The Grandmother's Portrait. -
The Aesthetics of Madame De Staël and Mary Shelley
Université de Montréal The Aesthetics of Madame de Staël and Mary Shelley Maria Mouratidis Département d’études anglaises, Faculté des Arts et Sciences Thèse présentée à la Faculté des Arts et des Sciences en vue de l’obtention du grade de Doctorat en Études anglaises. Décembre, 2012 ©, Maria Mouratidis, 2012 Résumé L’esthétique de Madame de Staël and Mary Shelley discute l’art de l’improvisation et le concept de l’enthousiasme dans les écrits de ces deux auteurs. Dans ce projet, j’explore l’esthétique d’improvisation et d’enthousiasme de Madame de Staël dans Corinne, en me référant à son autre roman Delphine, à sa pièce de théâtre Sapho, et à ses nouvelles ainsi qu’à ses textes philosophiques comme De l’Allemagne, De l’influence des passions, et De la littérature. J’argumente que Madame de Staël représente à travers le caractère de Corinne une esthétique anti-utilitaire. J’explique qu’elle évoque des valeurs cosmopolites qui valorisent une culture indigène qui est en opposition avec l’impérialisme de Napoléon. De plus, j’examine comment les improvisations de Corinne dérivent d’un enthousiasme qui est associé à la définition que Platon offre du terme. Ceci est évident par la signification que Madame de Staël présente du terme dans De L’Allemagne. J’interprète la maladie de Corinne comme étant d’origine psychosomatique qui est manifesté par la perte de son génie et par un suicide lent qui est une expression de colère contre la patriarchie. Le caractère de Corinne permet à Madame de Staël d’explorer le conflit que les femmes artistes éprouvaient entre ayant une carrière artistique et adhérant à l’idéologie domestique. -
"Vico's Homer and the "Oral Versus Written" Dilemma" Steven M. Berry
"Vico's Homer and the "Oral Versus Written" Dilemma" Steven M. Berry Note: The author is in the process of revising this manuscript and welcomes suggestions and corrections. Please email him at [email protected]. VICO’S HOMER AND THE “ORAL VERSUS WRITTEN” DILEMMA by Steven M. Berry, Ph.D. Verisimilia namque vera inter et falsa sunt quasi media. “For indeed, probabilities (things that seem true) are midway, more or less, between true things and false things.” My translation — Giambattista Vico, De nostri temporis Studiorum Ratione (1709) Tutte l’antiche storie profane hanno favolosi in princìpi. “All the profane stories of antiquity were originally recited orally, as fables.” (my translation) §122. It is . [a] property of the human mind that whenever men can form no idea of distant and unknown things, they judge them by what is familiar and at hand. —Giambattista Vico, La Scienza Nuova (Bergrin and Fisch translation) 1 INTRODUCTION The inspiration for this study has come from the enthusiasm which Gregory Nagy, Francis Jones Professor of Classics at Harvard University, has shared with me over several years regarding the insights of Giambattista Vico (1668-1744) into the true nature of Homeric transmission. Vico’s appeal for Nagy, and for most Vico specialists, as well, resides in the Neapolitan’s visionary realization, at least in places throughout his opus, that the common image of the “blind singer” as it has come down through the European tradition is a distortion, because it has consistently presented one supreme, universally lionized yet existentially elusive “oral poet who” left to posterity a pair of epic masterpieces which were eventually transformed into “texts.” In these loci Vico describes a group of blind, destitute singers wandering throughout Greece. -
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Minstrels in the drawing room: music and novel-reading in Johann Wolfgang von Goethe, Walter Scott, and George Eliot Andrew Lynn Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Andrew Lynn All rights reserved ABSTRACT Minstrels in the drawing room: music and novel-reading in Johann Wolfgang von Goethe, Walter Scott, and George Eliot Andrew Lynn “Minstrels in the Drawing Room” is an investigation of the representation of musical listening in the nineteenth-century novel. Theoretical accounts of the novel have tended to see it as a universal form, one that opportunistically subsumes all others as its represented content; descriptions of the novel’s implied audience often interpret novel-reading as an essentially absorptive activity linking private reading to public belonging through an act of identification. For the writers I discuss here, however, musical listening is interesting because it is a rival mode of shared aesthetic experience that, before the advent of sound recording, was necessarily social. This dissertation draws on recent developments in the history of reading and media theory to describe how novels by three central figures of the European novelistic canon – Goethe, Scott, and Eliot – turn to musical listening to reflect upon the ways in which the absolutely open nature of the novel’s mode of address is nevertheless prone to limitation. The dissertation thus complicates often all-or-nothing theories of novel-reading, offering instead a description of how novels model a distanced identification between reader and text. -
The Female Enthusiast: Nineteenth-Century Women and the Poetics of Inspiration
THE FEMALE ENTHUSIAST: NINETEENTH-CENTURY WOMEN AND THE POETICS OF INSPIRATION Rachael Isom A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2019 Approved by: Jeanne Moskal Janice Hewlett Koelb Laurie Langbauer Eliza Richards Beverly Taylor © 2019 Rachael Isom ALL RIGHTS RESERVED ii ABSTRACT Rachael Isom: The Female Enthusiast: Nineteenth-Century Women and the Poetics of Inspiration (Under the direction of Jeanne Moskal) By tracing the evolution of the female enthusiast across generic and disciplinary boundaries, this project enacts a postsecular rethinking of women’s writing about inspiration and genius in the first half of the nineteenth century. Enthusiasm’s religious inheritance lent authority to Romantic-era women in a literary marketplace skewed toward masculinized expressions of feeling, but linking their writing to prophetic zeal also compromised its legitimacy. Departing from early female Romantics’ more politicized claims to rhetorical power, many second- generation women aimed to renovate enthusiasm by emphasizing its association with feminine restraint and by linking it to a safer version of female genius: the Italian tradition of improvisation most famously exemplified in fiction by Germaine de Staël’s Corinne, or Italy (1807). Women writers avoided the condemnations often hurled at their literary foremothers, and at Methodists and Jacobin radicals, by marrying these religious and secular enthusiasms. But combining the improvisatrice model with the heretical prophetess had costs of its own: in attempting to wed these two discourses by supplementing religious vocabulary with secularized poetics, these women often lost their most apparent claim to self-authentication under the historical category of Christian enthusiasm.