Insights from the Ancient Word: the Use of Colonial Sources in the Study of Aztec Society
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Knowledge of Skull Base Anatomy and Surgical Implications of Human Sacrifice Among Pre-Columbian Mesoamerican Cultures
See the corresponding retraction, DOI: 10.3171/2018.5.FOCUS12120r, for full details. Neurosurg Focus 33 (2):E1, 2012 Knowledge of skull base anatomy and surgical implications of human sacrifice among pre-Columbian Mesoamerican cultures RAUL LOPEZ-SERNA, M.D.,1 JUAN LUIS GOMEZ-AMADOR, M.D.,1 JUAN BArgES-COLL, M.D.,1 NICASIO ArrIADA-MENDICOA, M.D.,1 SAMUEL ROMERO-VArgAS, M.D., M.SC.,2 MIGUEL RAMOS-PEEK, M.D.,1 MIGUEL ANGEL CELIS-LOPEZ, M.D.,1 ROGELIO REVUELTA-GUTIErrEZ, M.D.,1 AND LESLY PORTOCArrERO-ORTIZ, M.D., M.SC.3 1Department of Neurosurgery, Instituto Nacional de Neurologia y Neurocirugia “Manuel Velasco Suárez;” 2Department of Spine Surgery, Instituto Nacional de Rehabilitación; and 3Department of Neuroendocrinology, Instituto Nacional de Neurologia y Neurocirugia “Manuel Velasco Suárez,” Mexico City, Mexico Human sacrifice became a common cultural trait during the advanced phases of Mesoamerican civilizations. This phenomenon, influenced by complex religious beliefs, included several practices such as decapitation, cranial deformation, and the use of human cranial bones for skull mask manufacturing. Archaeological evidence suggests that all of these practices required specialized knowledge of skull base and upper cervical anatomy. The authors con- ducted a systematic search for information on skull base anatomical and surgical knowledge among Mesoamerican civilizations. A detailed exposition of these results is presented, along with some interesting information extracted from historical documents and pictorial codices to provide a better understanding of skull base surgical practices among these cultures. Paleoforensic evidence from the Great Temple of Tenochtitlan indicates that Aztec priests used a specialized decapitation technique, based on a deep anatomical knowledge. -
The Toro Historical Review
THE TORO HISTORICAL REVIEW Native Communities in Colonial Mexico Under Spanish Colonial Rule Vannessa Smith THE TORO HISTORICAL REVIEW Prior to World War II and the subsequent social rights movements, historical scholarship on colonial Mexico typically focused on primary sources left behind by Iberians, thus revealing primarily Iberian perspectives. By the 1950s, however, the approach to covering colonial Mexican history changed with the scholarship of Charles Gibson, who integrated Nahuatl cabildo records into his research on Tlaxcala.1 Nevertheless, in his subsequent book The Aztecs under Spanish Rule Gibson went back to predominantly Spanish sources and thus an Iberian lens to his research.2 It was not until the 1970s and 80s that U.S. scholars, under the leadership of James Lockhart, developed a methodology called the New Philology, which focuses on native- language driven research on colonial Mexican history.3 The New Philology has become an important research method in the examination of native communities and the ways in which they changed and adapted to Spanish rule while also holding on to some of their own social and cultural practices and traditions. This historiography focuses on continuities and changes in indigenous communities, particularly the evolution of indigenous socio-political structures and socio-economic relationships under Spanish rule, in three regions of Mexico: Central Mexico, Yucatan, and Oaxaca. Pre-Conquest Community Structure As previously mentioned, Lockhart provided the first scholarship following the New Philology methodology in the United States and applied it to Central Mexico. In his book, The Nahuas After the Conquest, Lockhart lays out the basic structure of Nahua communities in great detail.4 The Nahua, the prominent indigenous group in Central Mexico, organized into communities called altepetl. -
UNIVERSITY of CALIFORNIA Los Angeles Nahua and Spanish
UNIVERSITY OF CALIFORNIA Los Angeles Nahua and Spanish Concepts of Health and Disease in Colonial Mexico, 1519-1615 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Rebecca Ann Dufendach 2017 © Copyright by Rebecca Ann Dufendach 2017 ABSTRACT OF THE DISSERTATION Nahua and Spanish Concepts of Health and Disease in Colonial Mexico, 1519-1615 by Rebecca Ann Dufendach Doctor of Philosophy in History University of California, Los Angeles, 2017 Professor Kevin B. Terraciano, Chair This dissertation uses a wide variety of original historical sources to examine Nahua (Aztec) and Spanish concepts of health and sickness in the sixteenth century, and how both cultures applied these concepts in their attempt to understand the widespread, devastating epidemics that plagued colonial Mexico or New Spain. The Nahuatl and Spanish texts of the Florentine Codex and the Relaciones Geográficas, in addition to several other pictorial and alphabetic writings, abound with information on a topic that is little explored and poorly understood: how did indigenous peoples comprehend and remember the terrible, recurring diseases that wiped out about 90% of their population over the course of a century? How did they associate disease with the arrival of the Spaniards, the conquest, Christianity, and colonial rule? How did they speak and write about these matters? And how did their words on these topics differ from what the Spaniards said? How did Spanish cultural concepts, based on Greek, Roman, -
The Bilimek Pulque Vessel (From in His Argument for the Tentative Date of 1 Ozomatli, Seler (1902-1923:2:923) Called Atten- Nicholson and Quiñones Keber 1983:No
CHAPTER 9 The BilimekPulqueVessel:Starlore, Calendrics,andCosmologyof LatePostclassicCentralMexico The Bilimek Vessel of the Museum für Völkerkunde in Vienna is a tour de force of Aztec lapidary art (Figure 1). Carved in dark-green phyllite, the vessel is covered with complex iconographic scenes. Eduard Seler (1902, 1902-1923:2:913-952) was the first to interpret its a function and iconographic significance, noting that the imagery concerns the beverage pulque, or octli, the fermented juice of the maguey. In his pioneering analysis, Seler discussed many of the more esoteric aspects of the cult of pulque in ancient highland Mexico. In this study, I address the significance of pulque in Aztec mythology, cosmology, and calendrics and note that the Bilimek Vessel is a powerful period-ending statement pertaining to star gods of the night sky, cosmic battle, and the completion of the Aztec 52-year cycle. The Iconography of the Bilimek Vessel The most prominent element on the Bilimek Vessel is the large head projecting from the side of the vase (Figure 2a). Noting the bone jaw and fringe of malinalli grass hair, Seler (1902-1923:2:916) suggested that the head represents the day sign Malinalli, which for the b Aztec frequently appears as a skeletal head with malinalli hair (Figure 2b). However, because the head is not accompanied by the numeral coefficient required for a completetonalpohualli Figure 2. Comparison of face date, Seler rejected the Malinalli identification. Based on the appearance of the date 8 Flint on front of Bilimek Vessel with Aztec Malinalli sign: (a) face on on the vessel rim, Seler suggested that the face is the day sign Ozomatli, with an inferred Bilimek Vessel, note malinalli tonalpohualli reference to the trecena 1 Ozomatli (1902-1923:2:922-923). -
Oral Tradition 25.2
Oral Tradition, 25/2 (2010): 325-363 “Secret Language” in Oral and Graphic Form: Religious-Magic Discourse in Aztec Speeches and Manuscripts Katarzyna Mikulska Dąbrowska Introduction On the eve of the conquest, oral communication dominated Mesoamerican society, with systems similar to those defined by Walter Ong (1992 [1982]), Paul Zumthor (1983), and Albert Lord (1960 [2000]), although a written form did exist. Its limitations were partly due to the fact that it was used only by a limited group of people (Craveri 2004:29), and because the Mixtec and Nahua systems do not totally conform to a linear writing system.1 These forms of graphic communication are presented in pictographic manuscripts, commonly known as codices. The analysis of these sources represents an almost independent discipline, as they increasingly become an ever more important source for Mesoamerican history, religion, and anthropology. The methodology used to study them largely depends on how the scholar defines “writing.” Some apply the most rigid definition of a system based on the spoken language and reflecting its forms and/or structures (e.g., Coulmas 1996:xxvi), while others accept a broader definition of semasiographic systems that can transmit ideas independent of actual spoken language (yet function at the same logical level) and thus also constitute writing (e.g., Sampson 1985:26-31). The aim of this study is to analyze the linguistic “magical-religious” register of the Nahua people, designated as such because it was used for communication with the sacred realm. In this respect, it represents one of the “sacred languages,” as classified by Zumthor (1983:53). -
Aztec Culture
Aztec Culture The Aztec civilization contained about 15 million people that lived in nearly 500 towns and cities. About 300,000 people lived in Tenochtitlan. In this famous city, the government controlled and were responsible to deal with taxes, punishment, famine, and market trading. Punishment in the city of Tenochtitlan was enforced for breaking any of the code of government laws. Offenders were enslaved into tedious work conditions for a specific amount of time. If the offense happened to be minor, the law-breaker was charged with a string of fees or fines. This type of governing system is only one of the many things that affected aspects of everyday life for the Aztecs. ART The Aztec sculptures which adorned their temples and other buildings were among the most elaborate in all of the Americas. Their purpose was to please the gods and they attempted to do that in everything they did. Many of the sculptures reflected their perception of their gods and how they interacted in their lives. The most famous surviving Aztec sculpture is the large circular Calendar Stone, which represents the Aztec universe. EDUCATION The Mexicas were especially interested in education. Boys and girls were carefully educated from birth. During the first years of life, fathers educated boys, while mothers took care of girls. Once family education was over, the children of the nobles and priests went to the calmecac, and all others went to the tepochcalli . The Aztecs believed that education was extremely valuable and insisted that boys, girls and young people attend school. There were two main types of school, the so-called tepochcalli and the calm*cac. -
Aztec Festivals of the Rain Gods
Michael Graulich Aztec Festivals of the Rain Gods Aunque contiene ritos indiscutiblemente agrícolas, el antiguo calendario festivo de veintenas (o 'meses') de la época azteca resulta totalmente desplazado en cuanto a las temporadas, puesto que carece de intercalados que adaptan el año solar de 365 días a la duración efectiva del año tropical. Creo haber demostrado en diversas pu- blicaciones que las fiestas pueden ser interpretadas en rigor sólo en relación con su posición original, no corrida aún. El presente trabajo muestra cómo los rituales y la re- partición absolutamente regular y lógica de las vein- tenas, dedicadas esencialmente a las deidades de la llu- via - tres en la temporada de lluvias y una en la tempo- rada de sequía - confirman el fenómeno del desplaza- miento. The Central Mexican festivals of the solar year are described with consi- derable detail in XVIth century sources and some of them have even been stu- died by modern investigators (Paso y Troncoso 1898; Seler 1899; Margain Araujo 1945; Acosta Saignes 1950; Nowotny 1968; Broda 1970, 1971; Kirchhoff 1971). New interpretations are nevertheless still possible, especially since the festivals have never been studied as a whole, with reference to the myths they reenacted, and therefore, could not be put in a proper perspective. Until now, the rituals of the 18 veintenas {twenty-day 'months') have always been interpreted according to their position in the solar year at the time they were first described to the Spaniards. Such festivals with agricultural rites have been interpreted, for example, as sowing or harvest festivals on the sole ground that in the 16th century they more or less coincided with those seasonal events. -
Tenochtidán: Ceremonial Center Miraculous Appearance of a Whirlwind That Connected at the Heart Oftenochtitlán Stood One of the Most Prorni- Earth with Heaven
T or Serpent Wall, consisting of a line of serpents sculpted miraculous spring of red and blue waters-revealed to the from stone, was erected on a platform around three sides Mexica the location where they should settle and end of the base of the pyramid. North and south of the pyra- their wanderings. The Mexica raised their temple in that mid are small adoratorio altars, as well as a depiction of a spot, which represented the threshold of the opening that xiuhcoatl (fire serpent), its head crested with points indi- communicated between the world of humans and the cating a relation to the cult of the sun, the renewal ensu- world where gods dwelt. This portal was represented by ing from the New Fire Ceremony, and the periodic cycle either an anthill, a sabine tree (Juniperus mexicana), a of fifty-two years. double cave, or a double spring. These binary elements, along with the colors red and blue, would later determine FURTHER READINGS the principal characteristics of the main pyramid dedi- León Portilla, M. 1967. El proceso de aculturación de los cated to Huitzilopochtli (god of war, a solar deiry) and to Chichimecas de Xólotl. Estudios de Cultura Náhuatl Tlaloc (god of rain, an earth-related deiry), two gods who 7:59-86. played opposite but complementary roles. Marquina,1. 1935. Tenayuca, estudio arqueológico de la Thirteen years later, around A.D. 1337, a group of dis- pirámide de Este Lugar. Talleres Gráficos del Museo contented Mexica broke away from the rest and founded Nacional de Arqueología, Historia y Ethnografia, 35. -
Arthur JO Anderson Papers
http://oac.cdlib.org/findaid/ark:/13030/c84j0fz6 No online items Finding Aid for the Arthur J. O. Anderson papers, 1892-1998 Finding aid prepared by Chris Salvano and Kelly Besser with assistance from Megan Hahn Fraser; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Arthur J. O. 2133 1 Anderson papers, 1892-1998 Descriptive Summary Title: Arthur J. O. Anderson papers Collection number: 2133 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 58 linear ft. Date: 1892-1998 Abstract: Arthur James Outram Anderson was a professor and researcher whose specializations included the American Southwest, Mesoamerica, and the Nahuatl language. Anderson’s most significant work that defined his professional career was his collaboration with colleague Charles E. Dibble, of the University of Utah, on their English translation of the Aztec language Florentine Codex. The collection consists of correspondence, manuscripts, publications, typescripts, scrapbooks, maps, photographs, slides, microfilm, negatives and notes related to his work as a professor, researcher, editor and translator. Language of Materials: Majority in English, some materials in Spanish, Portuguese, German and Nahuatl. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Anderson, Arthur J.O. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. -
Quetzalcoatl and the Irony of Empire : Myths and Prophecies in the Aztec Tradition / Davíd Carrasco ; with a New Preface.—Rev
Quetzalcoatl and the Irony of Empire Quetzalcoatl and the Irony of Empire Myths and Prophecies in the Aztec Tradition Revised Edition David Carrasco ~University Press of Colorado Copyright © 2000 by the University Press of Colorado International Standard Book Number 0-87081-558-X Published by the University Press of Colorado 5589 Arapahoe Avenue, Suite 206C Boulder, Colorado 80303 Previously published by the University of Chicago Press All rights reserved. Printed in the United States of America. The University Press of Colorado is a cooperative publishing enterprise supported, in part, by Adams State College, Colorado State University, Fort Lewis College, Mesa State College, Metropolitan State College of Denver, University of Colorado, University of Northern Colorado, University of Southern Colorado, and Western State College of Colorado. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992 Library of Congress Cataloging-in-Publication Data Carrasco, Davíd. Quetzalcoatl and the irony of empire : myths and prophecies in the Aztec tradition / Davíd Carrasco ; with a new preface.—Rev. ed. p. cm. Includes bibliographical references and index. ISBN 0-87081-558-X (alk. paper) 1. Aztec mythology. 2. Aztecs—Urban residence. 3. Quetzalcoatl (Aztec deity) 4. Sacred space—Mexico. I. Title. F1219.76.R45.C37 2000 299'.78452—dc21 00-048008 09 08 07 06 05 04 03 02 01 00 10 9 8 7 6 5 4 3 2 1 To my mythic figures -
Emily Floyd Fray Bernardino De Sahagún and the Construction Of
Emily Floyd Fray Bernardino de Sahagún and the construction of the Aztec Pantheon Fray Bernardino de Sahagún is often hailed as the first great ethnographer. This characterization of Sahagún pays tribute to his exhaustive curiosity and deep interest in the cultures he recorded. At the same time, it obscures his motivations in compiling his vast compendium of culture, religion, and history. In overemphasizing Sahagún's supposed impartiality and objectivity, this approach discourages critical readings of his work. Sahagún's work should not be read as an unbiased source for knowledge about the Aztecs, ignoring the context in which it was compiled. In Book 1 of the Florentine Codex, The Gods, Sahagún provides a visual and written list of the Aztec deities. In this paper, I will argue that while the representation of the Aztec deities in The Gods draws upon both Aztec and Christian visual conventions, close association with either religious tradition was potentially dangerous. By giving the Aztec gods a Greco-Roman gloss, Sahagún distanced the deities from pre-Catholic religious practice and placed them into the ambiguous language of Renaissance approaches to the Greco-Roman deities. This portrayal has the effect of distancing the deities from religious practice and placing them into the equal parts glorifying and secularizing context of the Renaissance Greco-Roman pantheon. The visual language employed by Sahagún's artists in The God's list of Aztec deities owes little to Aztec visual conventions. Sahagún's artists were students of the friars at the Colegio de Santa Cruz de Tlateloco, trained in European theories of proportion and draftsmanship. -
En Torno Al Origen De Las Imágenes De La Sección De Las Veintenas En Los Primeros Memoriales De Fray Bernardino De Sahagún
En torno al origen de las imágenes de la sección de las veintenas en los Primeros Memoriales de fray Bernardino de Sahagún Katarzyna Granicka Universidad de Varsovia, Facultad «Artes Liberales» [email protected] Recibido: 25 de octubre de 2014 Aceptado: 15 de noviembre de 2014 RESUMEN El objetivo de este trabajo es el análisis del contenido pictórico de la sección de las veintenas de los Primeros Memoriales, un manuscrito de fray Bernardino de Sahagún, para ver si a través del mismo es posible obtener nuevos datos sobre el origen de esas ilustraciones, así como de sus autores. El análisis cuidadoso de este mate- rial sugiere que su procedencia es prehispánica, y que no es cierto que las imágenes originales proporcionadas a Sahagún durante la creación del manuscrito procedieran de Tepepolco, tal como se consideraba hasta ahora. Palabras clave: Aztecas, nahuas, Bernardino de Sahagún, Primeros Memoriales, manuscritos pictográficos, fiestas, rituales. Around the Origin of the Images in the Veintena Section of the Primeros Memoriales by fray Bernardino de Sahagún ABSTRACT By examining the pictorial content of the veintena section of the Primeros Memoriales, the manusctipt com- piled by fray Bernardino de Sahagún, I identify new pieces of evidence on the origin of these illustrations and their authors. A carefull analisis of this material suggests that it is strongly embedded in the pre-Hispanic tra- dition and that it is doubtful that their iconographic sources originated in Tepeopolco, as it is widely believed. Key words: Aztecs, Nahuas, de Sahagún, Primeros Memoriales, pictographic manuscripts, festivals, rituals. Sumario: 1. La creación de los Primeros Memoriales.