Blue Tigers – Borges, Jorge Luis
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Time, Infinity, Recursion, and Liminality in the Writings of Jorge Luis Borges
Kevin Wilson Of Stones and Tigers; Time, Infinity, Recursion, and Liminality in the writings of Jorge Luis Borges (1899-1986) and Pu Songling (1640-1715) (draft) The need to meet stones with tigers speaks to a subtlety, and to an experience, unique to literary and conceptual analysis. Perhaps the meeting appears as much natural, even familiar, as it does curious or unexpected, and the same might be said of meeting Pu Songling (1640-1715) with Jorge Luis Borges (1899-1986), a dialogue that reveals itself as much in these authors’ shared artistic and ideational concerns as in historical incident, most notably Borges’ interest in and attested admiration for Pu’s work. To speak of stones and tigers in these authors’ works is to trace interwoven contrapuntal (i.e., fugal) themes central to their composition, in particular the mutually constitutive themes of time, infinity, dreaming, recursion, literature, and liminality. To engage with these themes, let alone analyze them, presupposes, incredibly, a certain arcane facility in navigating the conceptual folds of infinity, in conceiving a space that appears, impossibly, at once both inconceivable and also quintessentially conceptual. Given, then, the difficulties at hand, let the following notes, this solitary episode in tracing the endlessly perplexing contrapuntal forms that life and life-like substances embody, double as a practical exercise in developing and strengthening dynamic “methodologies of the infinite.” The combination, broadly conceived, of stones and tigers figures prominently in -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Some things remain / Permalink https://escholarship.org/uc/item/58z208b0 Author Guerra Cota, Aldo Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Some Things Remain A Thesis submitted in partial satisfaction of the requirements for the degree Master of Fine Arts in Visual Arts by Aldo Guerra Cota Committee in charge: Professor Louis Hock, Chair Professor Luis Alvarez Professor Anya Gallacio Professor Michael Trigilio 2014 The Thesis of Aldo Guerra Cota is approved and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2014 iii The space within us reaches out, translates each thing. For the essence of a tree to be real for you, cast inner space around it, out of the space that exists in you. Encircle it with restraint. It has no borders. Only in the realm of your renouncing can it, as a tree, be known. R.M. Rilke, Uncollected Poems,1924 iv TABLE OF CONTENTS Signature Page………..……………………………………………………..……iii Epigraph……………………………………………………………………………iv Table of Contents………………………………………………………………….v List of Figures…...…………….……………………………….………………....vi Abstract of the Thesis………………....………………………………………..vii Project Description….…………………..…………………………………….…..1 Bibliography………………………………………………………………………22 v LIST OF FIGURES Figure 1: Gallery View A ..…………..……………………………………...…..…2 Figure 2: Still image -
Ge Fei's Creative Use of Jorge Luis Borges's Narrative Labyrinth
Fudan J. Hum. Soc. Sci. DOI 10.1007/s40647-015-0083-x ORIGINAL PAPER Imitation and Transgression: Ge Fei’s Creative Use of Jorge Luis Borges’s Narrative Labyrinth Qingxin Lin1 Received: 13 November 2014 / Accepted: 11 May 2015 © Fudan University 2015 Abstract This paper attempts to trace the influence of Jorge Luis Borges on Ge Fei. It shows that Ge Fei’s stories share Borges’s narrative form though they do not have the same philosophical premises as Borges’s to support them. What underlies Borges’s narrative complexity is his notion of the inaccessibility of reality or di- vinity and his understanding of the human intellectual history as epistemological metaphors. While Borges’s creation of narrative gap coincides with his intention of demonstrating the impossibility of the pursuit of knowledge and order, Ge Fei borrows this narrative technique from Borges to facilitate the inclusion of multiple motives and subject matters in one single story, which denotes various possible directions in which history, as well as story, may go. Borges prefers the Jungian concept of archetypal human actions and deeds, whereas Ge Fei tends to use the Freudian psychoanalysis to explore the laws governing human behaviors. But there is a perceivable connection between Ge Fei’s rejection of linear history and tradi- tional storyline with Borges’ explication of epistemological uncertainty, hence the former’s tremendous debt to the latter. Both writers have found the conventional narrative mode, which emphasizes the telling of a coherent story having a begin- ning, a middle, and an end, inadequate to convey their respective ideational intents. -
1 Jorge Luis Borges the GOSPEL ACCORDING to MARK
1 Jorge Luis Borges THE GOSPEL ACCORDING TO MARK (1970) Translated by Norrnan Thomas di Giovanni in collaboration with the author Jorge Luis Borges (1899-1986), an outstanding modern writer of Latin America, was born in Buenos Aires into a family prominent in Argentine history. Borges grew up bilingual, learning English from his English grandmother and receiving his early education from an English tutor. Caught in Europe by the outbreak of World War II, Borges lived in Switzerland and later Spain, where he joined the Ultraists, a group of experimental poets who renounced realism. On returning to Argentina, he edited a poetry magazine printed in the form of a poster and affixed to city walls. For his opposition to the regime of Colonel Juan Peron, Borges was forced to resign his post as a librarian and was mockingly offered a job as a chicken inspector. In 1955, after Peron was deposed, Borges became director of the national library and Professor of English Literature at the University of Buenos Aires. Since childhood a sufferer from poor eyesight, Borges eventually went blind. His eye problems may have encouraged him to work mainly in short, highly crafed forms: stories, essays, fables, and lyric poems full of elaborate music. His short stories, in Ficciones (1944), El hacedor (1960); translated as Dreamtigers, (1964), and Labyrinths (1962), have been admired worldwide. These events took place at La Colorada ranch, in the southern part of the township of Junin, during the last days of March 1928. The protagonist was a medical student named Baltasar Espinosa. We may describe him, for now, as one of the common run of young men from Buenos Aires, with nothing more noteworthy about him than an almost unlimited kindness and a capacity for public speaking that had earned him several prizes at the English school0 in Ramos Mejia. -
The-Circular-Ruins-Borges-Jorge
THE CIRCULAR RUINS miseroprospero.com/the-circular-ruins 31 March 2017 FRIDAY FICTION [3] A short story from Ficciones by Jorge Luis Borges NO ONE saw him disembark in the unanimous night, no one saw the bamboo canoe sinking into the sacred mud, but within a few days no one was unaware that the silent man came from the South and that his home was one of the infinite villages upstream, on the violent mountainside, where the Zend tongue is not contaminated with Greek and where leprosy is infrequent. The truth is that the obscure man kissed the mud, came up the bank without pushing aside (probably without feeling) the brambles which dilacerated his flesh, and dragged himself, nauseous and bloodstained, to the circular enclosure crowned by a stone tiger or horse, which once was the colour of fire and now was that of ashes. The circle was a temple, long ago devoured by fire, which the malarial jungle had profaned and whose god no longer received the homage of men. The stranger stretched out beneath the pedestal. He was awakened by the sun high above. He evidenced without astonishment that his wounds had closed; he shut his pale eyes and slept, not out of bodily weakness but of determination of will. He knew that this temple was the place required by his invincible purpose; he knew that, downstream, the incessant trees had not managed to choke the ruins of another propitious temple, whose gods were also burned and dead; he knew that his immediate obligation was to sleep. Towards midnight he was awakened by the disconsolate cry of a bird. -
Blue Gum 2 Complete
Blue Gum, No. 2, 2015, ISSN 2014-21-53, Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona A Glimpse at Paul Auster and Jorge L. Borges through the Tinted Glass of Quantum Theory Myriam M. Mercader Varela Copyright©2015 Myriam M. Mercader Varela. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged. Abstract . The works of Jorge Luis Borges and Paul Auster seem to follow the rules of Quantum Theory. The present article studies a number of perspectives and coincidences in their oeuvre, especially a quality we have named “inherent ubiquity” which highlights the importance and of authorship and identity and the appearance of blue stones to mark the doors leading to new dimensions on the works of both authors. Keywords: Jorge L. Borges, Paul Auster, Authorship and Identity, Quantum Theory, Inherent Ubiquity, Blue Stones. Quantum Theory has ruled the scientific milieu for decades now, but it is not only for science that Quantum Theory makes sense. Literary critics have surrendered to its logic as a unique way to interpret literature because the world we live and write in is one and the same; it forms part of a whole. Although this article does not aim to analyze Quantum Theory, we would like to make a short summary of its basis in order to shape the arena we are stepping into. In 1982 a famous experiment undertaken by Alain Aspect proved that a very large percentage of the polarization angles of photons emitted by a laser beam was identical, which meant that particles necessarily communicate their position so that each photon’s orientation can parallel that of the one that serves as its pair. -
The Other/Argentina
The Other/Argentina Item Type Book Authors Kaminsky, Amy K. DOI 10.1353/book.83162 Publisher SUNY Press Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 29/09/2021 01:11:31 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://www.sunypress.edu/p-7058-the-otherargentina.aspx THE OTHER/ARGENTINA SUNY series in Latin American and Iberian Thought and Culture —————— Rosemary G. Feal, editor Jorge J. E. Gracia, founding editor THE OTHER/ARGENTINA Jews, Gender, and Sexuality in the Making of a Modern Nation AMY K. KAMINSKY Cover image: Archeology of a Journey, 2018. © Mirta Kupferminc. Used with permission. Published by State University of New York Press, Albany © 2021 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Library of Congress Cataloging-in-Publication Data Names: Kaminsky, Amy K., author. Title: The other/Argentina : Jews, gender, and sexuality in the making of a modern nation / Amy K. Kaminsky. Other titles: Jews, gender, and sexuality in the making of a modern nation Description: Albany : State University of New York Press, [2021] | Series: SUNY series in Latin American and Iberian thought and culture | Includes bibliographical references and index. -
Borges' “The Library of Babel” and Moulthrop's Cybertext
Borges’ “The Library of Babel” and Moulthrop’s Cybertext “Reagan Library” Revisited Perla Sassón-Henry United States Naval Academy he works of Jorge Luis Borges are intimately related to technology and sci- Tence. In his short stories “The Garden of Forking Paths” and “The Library of Babel,” Borges anticipates hypertext and the Internet well before the advent of these technologies. Bifurcation and chaos theory have also been associated with both works. Thomas Weissert claims that “Borges discovered the essence of Bifurcation Theory thirty years before chaos scientists mathematically formalized it” (223). Weissert’s research provides the foundation for a new direction in the study of Borges’ works: the tripartite connection among “The Library of Babel,” the cybertext “Reagan Library” by Stuart Moulthrop, and chaos theory. Each element of this triad contributes to the understanding of each literary work from the perspective of digital technology, and a new perspective in the literary analysis of Borges’ works emerges. Borges’ innovative ideas about reading, writing, the role of the author, the role of the reader, and the text are reflected in the genre known as hyperfiction. This new type of literature, created on the computer to be read on the computer, allows the reader to traverse a series of lexias—electronic spaces—via links that generate an intricate narrative. In the last two decades, hyperfiction has evolved from a black- and-white electronic digital text into a rich environment where the text consists of images and sounds integral to the narrative. According to Susana Pajares Tosca, “hypertext fiction generally plays with disorientation as an aesthetic effect” and “each hyperfiction has its own reading rules embedded in its structure, and they apply often only to that text” (271). -
The Numinous Gate: a Philosophico-Phenomenological Study
Maine State Library Maine State Documents Academic Research and Dissertations Special Collections 2015 The uminouN s Gate: A Philosophico- Phenomenological Study of Wonder and Image Consciousness in the Fabulist Art of Varo and Borges Robert Kalivac Carroll IDSVA Follow this and additional works at: http://digitalmaine.com/academic Recommended Citation Carroll, Robert Kalivac, "The uminousN Gate: A Philosophico-Phenomenological Study of Wonder and Image Consciousness in the Fabulist Art of Varo and Borges" (2015). Academic Research and Dissertations. Book 13. http://digitalmaine.com/academic/13 This Text is brought to you for free and open access by the Special Collections at Maine State Documents. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. THE NUMINOUS GATE: A PHILOSOPHICO-PHENOMENOLOGICAL STUDY OF WONDER AND IMAGE CONSCIOUSNESS IN THE FABULIST ART OF VARO AND BORGES Bob Kalivac Carroll Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts for the degree Doctor of Philosophy September 2015 Accepted by the faculty of the Institute of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. ___________________________ Dissertation Director Sigrid Hackenberg, Ph.D. Doctoral Committee ___________________________ George Smith, Ph.D. ___________________________ Simonetta Moro, Ph.D. Date of official submission: September 17, 2015 ii © 2015 Bob Kalivac Carroll ALL RIGHTS RESERVED iii Seré todos o nadie. Seré el otro Que sin saberlo soy, el que ha mirado Ese otro sueño, mi vigilia. La juzga, Resignado y sonriente. -
URBAN COWBOYS: an EXAMINATION of GAÚCHO IDENTITY FORMATION in RIO GRANDE DO SUL, BRAZIL by JAMES D. SAULS THESIS Submitted in P
URBAN COWBOYS: AN EXAMINATION OF GAÚCHO IDENTITY FORMATION IN RIO GRANDE DO SUL, BRAZIL BY JAMES D. SAULS THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Latin American Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Advisers: Lecturer Glen Goodman Associate Professor Dara Goldman ABSTRACT This piece investigates the historical, economic, and social development of South America’s cowboy, the gaúcho. Situated in southern Brazil, it tracks the emergence of a particular rural way of life and the subsequent conservative social movement established to safeguard the identity it created. It illustrates how the elites in Porto Alegre, the capital of Brazilian’s southernmost state Rio Grande do Sul, separated the gaúcho from his historical home on the vast plains of the Campanha and changed him into an idealized hero of the Farroupilha Revolution of 1835, a separatist regional revolution. Applying ethnographic research methods, this project tracks the establishment of gaúcho culture and the ways in which individuals adopt an idealized characterization of it to develop meaningful regional identities in the early years of the twenty-first century. Then, it examines the relationship between four individuals’ formal and informal participation in the traditionalist movement, as well as their attempts to negotiate and (re)define gaúcho identity based on their own experiences and beliefs. The thesis argues that although the traditional way of life of the gaúcho collapsed after the introduction of new technologies in the late nineteenth century, the idealized rural figure continues to be a strong source of pride for urbanites in the southernmost Brazilian state and beyond. -
The Enigmas of Borges, and the Enigma of Borges
THE ENIGMAS OF BORGES, AND THE ENIGMA OF BORGES Peter Gyngell, B.A. Thesis submitted to Cardiff University in partial fulfilment of the requirements for the degree of Doctor of Philosophy March 2012 ii ACKNOWLEDGEMENTS My thanks go to my grandson, Brad, currently a student of engineering, who made me write this thesis; to my wife, Jean, whose patience during the last four years has been inexhaustible; and to my supervisor, Dr Richard Gwyn, whose gentle guidance and encouragement have been of incalculable value. Peter Gyngell March 26, 2012 iii CONTENTS PREFACE 1 INTRODUCTION 2 PART 1: THE ENIGMAS OF BORGES CHAPTER 1: BORGES AND HUMOUR 23 CHAPTER 2: BORGES AND HIS OBSESSION WITH DEATH 85 CHAPTER 3: BORGES AND HIS PRECIOUS GIFT OF DOUBT 130 CHAPTER 4: BORGES AND HUMILITY 179 PART 2: THE ENIGMA OF BORGES CHAPTER 5: SOME LECTURES AND FICTIONS 209 CHAPTER 6: SOME ESSAYS AND REVIEWS 246 SUMMARY 282 POSTSCRIPT 291 BIBLIOGRAPHY 292 1 PREFACE A number of the quoted texts were published originally in English; I have no Spanish, and the remaining texts are quoted in translation. Where possible, translations of Borges’ fictions will be taken from The Aleph and Other Stories 1933-1969 [Borges, 1971]; they are limited in number but, because of the involvement of Borges and Norman Thomas di Giovanni, they are taken to have the greater authority; in the opinion of Emir Rodriguez Monegal, a close friend of Borges, these translations are ‘the best one can ask for’ [461]; furthermore, this book contains Borges’ ‘Autobiographical Essay’, together with his Commentaries on each story. -
Jorge Luis Borges and the South
Madeleine Byrne Jorge Luis Borges and the South Madeleine Byrne’s ather than a slow fade into the twilight of old age, the last two articles have appeared Rdecades of Jorge Luis Borges’s life saw the transformation of his in Australia, the UK, literary reputation and personal life (through the first International the US and France. Publishers’ Prize in 1961; then later the Spanish-speaking world’s most prestigious literary award, the Cervantes; the translation of his collected works into English and French and his late marriage to María Kodama). And yet in a way not unlike the knife-fighters seeking their deaths in his imagined Buenos Aires, this success appeared to come at a price. Following the 1976 Argentine coup d’état, Borges characterised the junta as ‘a government of soldiers, of gentlemen, of decent people’.1 After lunching with General Videla, he accepted honours from the regime of Augusto Pinochet. During a speech at the Chilean academy the same year, Borges urged the military to forge a patria fuerte (a strong fatherland) ‘in a barbarous continent’. Despite rejecting these views by 1980, the writer’s reputation among many, especially in Argentina and those on the Left, is yet to recover. To speak of Borges in the 1970s, one Argentine writer recalls, it was necessary to do so in a whisper. Few writers attract such critical extremes as Borges; with readers 217 MADELEINE BYRNE responding to his work in light of their bias as that of a right-wing appeaser, postmodern precursor, reactionary, lover. Yet moral absolutes are hard to divine in his literary universe.