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Writing About Comics and Copyright
CREATe Working Paper 2013/9 (December 2013) Writing About Comics and Copyright Authors Ronan Deazley Jason Mathis University of Glasgow www.jasonmathis.ca [email protected] [email protected] Initially released as a pre-publication edition privately printed for the authors, limited to a print run of 200 copies. CREATe Working Paper Series DOI: 10.5281/zenodo.8379. This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. 1 WRITING ABOUT COMICS AND COPYRIGHT Ronan Deazley and Jason Mathis Copyright © 2013 Ronan Deazley and Jason Mathis [ii] For Moira and Ruby [iii] [iv] TABLE OF CONTENTS Introduction 1 Comics scholarship and clearing rights 3 What is a ‘work’? 6 Insubstantial copying 12 Criticism and review 16 Current proposals for reform 20 Conclusion 23 30 Afterword / Manifesto 28 Notes [v] [1] [2] COMICS SCHOLARSHIP AND CLEARING RIGHTS Academics who research and write about the visual world often complain about the way in which copyright law can hinder their scholarly endeavours, and with good reason. Writing about visual work without reproducing that work is an impoverished exercise, for both writer and reader. But, reproducing visual material can trigger concerns on the part of the conscientious author or – more often – demands on the part of the publisher about the need to secure copyright permission. In this respect, comics scholarship is - ing rights for publication can be frustrating and time-consuming, andno different academic from publishers any other often field manage of visual the or cultural business studies. -
The Charmian Clift Phenomenon Graham Rochford Tucker University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1991 From novelist to essayist: the Charmian Clift phenomenon Graham Rochford Tucker University of Wollongong Recommended Citation Tucker, Graham Rochford, From novelist to essayist: the Charmian Clift phenomenon, Doctor of Philosophy thesis, Department of English, University of Wollongong, 1991. http://ro.uow.edu.au/theses/1369 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. FROM NOVELIST TO ESSAYIST: THE CHARMIAN CLIFT PHENOMENON A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from THE UNIVERSITY OF WOLLONGONG by GRAHAM ROCHFORD TUCKER, B.A., M.A. (Honours) &*2g&« DEPARTMENT OF ENGLISH 1991 This thesis is dedicated to the memory of the late PROFESSOR GRAHAME JONES of New England University 'II faut imaginer Sisyphe heureux' CONTENTS Page ACKNOWLEDGEMENTS (iv) ABBREVIATIONS (v) ABSTRACT (vi) INTRODUCTION i. THE CHARMIAN CLIFT PHENOMENON 1 ii. KINDRED SPIRITS 19 CHAPTERS I THURSDAY'S HERALD: CHARMIAN CLIFT AND THE NEW JOURNALISM 28 II THE PRIZE 48 III THE JOINT NOVELS 65 IV THE NOVELS: i. WALK TO THE PARADISE GARDENS 90 V THE NOVELS: ii. HONOUR'S MIMIC 109 VI THE NOVELS: POSTSCRIPT 123 VII * TRAVEL BOOKS 130 VIII ' THE MERMAID 140 IX LOTUS EATERS 165 X BROTHER JACK 203 XI THE WOMEN COLUMNISTS 228 XII COMING HOME 257 XIII OUT OF ASPIC: i. NOT CULLED 298 XIV OUT OF ASPIC: ii. TOO LATE FOR ASPIC 313 XV CHARMIAN'S WORLD: i. -
Morte Nel Mar Rosso "™™™"™ "*""****""*******""''''''" Paul Accola
Giornali- i Libro d'Arte Anno 40", nuova sene n.-19 Spedizione n abbonamento postale gr 1/70 Ila I. :Ì0()0 / arretrati!. GODO Lunedì 16 dicembre 1991 * FOraìtGiornale fondato da Antoniào Gramsci Editoriale Una nave egiziana, la Salem Express, è affondata dopo aver urtato una barriera corallina La tragedia ha colpito pellegrini di ritomo dai luoghi sacri dell'Islam. Soccorsi in ritardo Super Tomba Quarto successo |x'r Alt>erto Partito degli onesti? Tomba (nella foto) in Cop vince ancora pa del mondo len sulle nevi e torna primo dell'Alta Badia il campione Meglio i referendum bolognese si e aggiudicato in Coppa lo slalom gigante davanti agli svizzeri Steve 1-ocher e — AUGUSTO BARBERA Morte nel Mar Rosso "™™™"™ "*""****""*******""''''''" Paul Accola. Con questo nuovo successo Alberto Tomba torna in testa alla classifica generale con trenta punti di vantaggio su Accola E domani a campagna referendaria entra nell'ultima fa la sfida tra Tomba e Accola si rinnova nello slalom speciale se, quella in cui, superata la soglia di sicurez di Madonna di Campiglio. NELLO SPORT za, diventa fondamentale raggiungere l'obiet tivo politico del massimo delle firme. Il Pds è Naufragio con quasi 500 vittime .^^L^ stato parte fondamentale di Questa campa- Un pari Un'altra giornata favorevole na. il suo ruolo va al di la dell assai rilevante al Milan. I rossoneri pareg ?lime raccolte dai suoi militanti, giù 250.000. Quattrocento persone disperse in mare. Una nave all'Olimpico giano (1-1) all'Olimpico Non sembri una lorzatura: proporsi oggi, in questo paese, fa felice contro la Lazio e guadagna di raccordare precisamente tra di loro consenso, poteri e egiziana, la «Salem Express», è naufragata la notte di no un punto in classifica sul responsabilità, assume un carattere rivoluzionario rispetto sabato al largo del porto di Safaga, sul Mar Rosso. -
Scarica Il Catalogo / Download Pdf File
1 L’ARENGARIO Via Pratolungo 192 STUDIO BIBLIOGRAFICO 25064 Gussago (BS) Dott. Paolo Tonini e Bruno Tonini ITALIA Web www.arengario.it E-mail [email protected] Tel. (+39) 030 252 2472 Bruno e Paolo Tonini Fax Fotografia di Tano D’Amico (+39) 030 252 2458 Il fumetto italiano d’avanguardia Volumi già pubblicati: n. 1: Andrea Pazienza. Zanardi: cronologia delle storie, 17 settembre 2016. n. 2: Prima pagare. Storie immagini ricordi di Andea Pazienza, 17 ottobre 2016. 2 L’ARENGARIO STUDIO BIBLIOGRAFICO PRIMA PAGARE Storie immagini ricordi di Andrea Pazienza Con un testo di Vincenzo Sparagna Andrea Pazienza: arte e rivoluzione EDIZIONI DELL’ARENGARIO Il fumetto italiano d’avanguardia 2 1 Andrea Pazienza, Ancora un postdatato del Monte dei Paschi Norvegesi!, 1985. Disegno originale inedito, matita su carta 32,8x23,5 cm. 2 3 Pagare caro pagare tutto Ho conosciuto Andrea Pazienza un anno fa. Nel 1977 ave- vo smesso da un pezzo di leggere fumetti: studiavo Hegel e Carlo Marx, avevo 17 anni come Rimbaud – on n’est pas sérieux quand on a dix-sept ans. L’ho conosciuto solo un anno fa non ricordo come, sfogliando a caso non so che libro o giornale, dopo anni che raccolgo materiale sul Mo- vimento ’77. Andrea Pazienza se n’è andato via dalla vita nel giugno del 1988. Non so se saremmo stati amici ieri o oggi, ma credo che in lui ci fosse quel che di più irriducibile e disperato potesse produrre quel movimento, la sua poe- sia. E così ho fatto questo catalogo, pagando tutto quello che era necessario pagare. -
Eschatology and the Technological Future
Eschatology and the Technological Future This book offers an insightful and timely analysis of key theorists and ideas in the intersection between theology and technology. From the religiously inspired technological optimism of Pierre Teilhard de Chardin and Nikolai Fedorov, to the darker technological pessimism of Jacques Ellul, the contributions of Christian theorists to under- standing the technological milieu can offer us fresh perspectives on some intractable problems of modern life. As Burdett clearly shows, technological optimism and utopianism have religious roots, and a technological culture that ignores its own roots is in danger not only of environmental devastation, but also existential and spiritual despair. A fi ne book at a critical time. — David Lewin, Liverpool Hope University, UK The rapid advancement of technology has led to an explosion of speculative theories about what the future of humankind may look like. These “tech- nological futurisms” from the fi elds of nanotechnology, biotechnology and information technology are drawing growing scrutiny from the philosophi- cal and theological communities. This text seeks to contextualize the grow- ing literature on the cultural, philosophical and religious implications of technological advancement by considering technological futurisms such as transhumanism in the context of the long historical tradition of technologi- cal dreaming. Michael Burdett traces the latent religious sources of our con- temporary technological imagination by looking at visionary approaches to technology and the future in seminal technological utopias and sci- ence fi ction and draws on past theological responses to the technological future with Pierre Teilhard de Chardin and Jacques Ellul. Burdett’s argu- ment arrives at a contemporary Christian response to transhumanism based around the themes of possibility and promise by turning to the works of Richard Kearney, Eberhard Jüngel and Jürgen Moltmann. -
Universidade De São Paulo Escola De Comunicações E
UNIVERSIDADE DE SÃO PAULO! ESCOLA DE COMUNICAÇÕES E ARTES! PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS DA COMUNICAÇÃO JOAQUIM CARDIA GHIROTTI Frank Miller e os quadrinhos: pelo que vale a pena morrer SÃO PAULO 2017 JOAQUIM CARDIA GHIROTTI Frank Miller e os quadrinhos: pelo que vale a pena morrer Tese apresentada ao Programa de Pós-Graduação em Ciências da Comunicação da Escola de Comunicações e Artes da Universidade de São Paulo para a obtenção do título de Doutor em Ciências da Comunicação Área de Concentração: Interfaces sociais da Comunicação Linha de Pesquisa: Comunicação, Cultura e Cidadania Orientador: Prof. Dr. Waldomiro de Castro Santos Vergueiro SÃO PAULO 2017 Autorizo a reprodução e a divulgação parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. GHIROTTI, J. C. Frank Miller e os quadrinhos: pelo que vale a pena morrer. Tese apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para a obtenção do título de Doutor em Ciências da Comunicação. Aprovado em: Banca examinadora Prof. Dr. Waldomiro de Castro Santos Vergueiro (orientador) Julgamento:________________________________Assinatura:__________________ Julgamento:________________________________Assinatura:__________________ Julgamento:________________________________Assinatura:__________________ Julgamento:________________________________Assinatura:__________________ Julgamento:________________________________Assinatura:__________________ “Worth dying for. Worth killing for. Worth going to hell for. Amen.” - Frank Miller, Sin City. Agradeço ao professor Waldomiro Vergueiro, por ter aceitado o desafio desta pesquisa, e me dado a oportunidade e o privilégio de ter sua orientação, sua liderança sempre certeira, criteriosa, clarificadora, que foi fundamental para a lapidação, o desenvolvimento e a maturação deste trabalho. Acima de tudo, pela inspiração. -
This Session Will Be Begin Closing at 6PM on 6/30/21, So Be Sure to Get Those Bids in Via Proxibid! Follow Us on Facebook & Twitter @Back2past for Updates
6/30 - Mega Magazine Mixer with Comics & Toys 6/30/2021 This session will be begin closing at 6PM on 6/30/21, so be sure to get those bids in via Proxibid! Follow us on Facebook & Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast! See site for full terms. LOT # QTY LOT # QTY 1 Auction Policies 1 10 Heavy Metal Magazine Lot 1 (7) magazines from 2010-2011. Includes Spring 2010 Mythical 2 Heavy Metal September 1981/Key Taarna 1 First cover appearance of Taarna. Cover art by Chris Achilleos. VF Special. VF/VF+ condition. condition. 11 Amazing Spider-Man #265/1st Silver Sable 1 First appearance of Silver Sable. FN- condition with rolling 3 Amazing Spider-Man #361/1st Carnage 1 First full appearance of Carnage. VF- with rolling damage to the damage. lower third of the book. 12 DVD/Blu-Ray Box Lot 1 You get all pictured. Includes Dune Director's Cut 3-Disc Set, 4 Deadly Hands of Kung Fu #20-23/Keys 1 First appearance of Silver Dragon. First cameo and full appearance Spider-Man, Spider-Man 2 and more. Nice shape. of Jack of Hearts. Covers have been cut, but magazines are 13 Funko Pop! Fantastic Four Set of (4) 1 otherwise complete. Bronze Age Classics. The Thing, Human Torch, Mister Fantastic and Invisible Girl. New in sealed packages. 5 Marvel Preview/Premiere Lot 1 (6) Bronze Age Marvel/Curtis Magazines. -
Canadian Comic Books at Library and Archives Canada1 Meaghan Scanlon
Canadian Comic Books at Library and Archives Canada1 Meaghan Scanlon Abstract Library and Archives Canada (LAC) has what is likely the largest collection of Canadian comic books in a Canadian library. LAC’s collection has three distinct parts: comics acquired via legal deposit, the John Bell Collection of Canadian Comic Books, and the Bell Features Collection. These holdings, which span the history of the comics medium in Canada, represent a significant resource for researchers studying Canadian comics. This article looks at each of the three main parts of LAC’s comic book collection, giving an overview of the contents of each part, and providing information on how researchers can discover and access these comics. The article also briefly explores other comics-related holdings at LAC. Its purpose is to provide a starting point for researchers seeking to make use of LAC’s comic book collections. Résumé Bibliothèque et Archives Canada (BAC) recèle ce qui constitue vraisemblablement la plus vaste collection de bandes dessinées canadiennes dans une bibliothèque canadienne. La collection de BAC comporte trois parties distinctes: les bandes dessinées acquises grâce au dépôt légal, la collection de bandes dessinées canadiennes de John Bell et la collection Bell Features. Ce fonds documentaire, qui couvre l’histoire du médium bandes dessinées, représente une ressource importante pour les chercheurs qui étudient les bandes dessinées 1 This article draws on research I have previously presented in two conference papers: “Drawn Across the Border: Canadian Comic Books at Library and Archives Canada,” Canadian Association for the Study of Book Culture, Brock University, St. Catharines, ON, May 27, 2014, and “‘Written, Drawn, and Printed in Canada—by Canadians!’: Bell Features, CanCon, and the Perception of Comics in Postwar Canada,” Society for the History of Authorship, Reading and Publishing, Montreal, QC, July 10, 2015. -
Words + Pictures: a Manifesto
University of Texas Rio Grande Valley ScholarWorks @ UTRGV Creative Writing Faculty Publications and Presentations College of Fine Arts 9-20-2017 Words + Pictures: A Manifesto Jean Braithwaite The University of Texas Rio Grande Valley Follow this and additional works at: https://scholarworks.utrgv.edu/cw_fac Part of the American Literature Commons, American Popular Culture Commons, and the Creative Writing Commons Recommended Citation Braithwaite, Jean (2017) "Words + Pictures: A Manifesto," Studies in 20th & 21st Century Literature: Vol. 42: Iss. 1, Article 4. https://doi.org/10.4148/2334-4415.1957 This Article is brought to you for free and open access by the College of Fine Arts at ScholarWorks @ UTRGV. It has been accepted for inclusion in Creative Writing Faculty Publications and Presentations by an authorized administrator of ScholarWorks @ UTRGV. For more information, please contact [email protected], [email protected]. Words + Pictures: A Manifesto Abstract In the second decade of the 21st century, academic comics studies is well established as a serious intellectual subject, but for many non-specialists, including university administrators, a sense of frivolity still attaches to comics. This brief essay braids together personal history and intellectual analysis: 1) it compares the cultural position of comics today to the position of novels in the 19th century; 2) it analyzes the complementary nature of the verbal and visual channels; 3) it argues that neither words nor pictures should be considered primary in a narratology of comics; and 4) that comics are eminently well suited to be studied as a branch of literature (though fine arts departments can also stake a claim). -
Rare Books Lib
RARE BOOKS LIB. The University of Sydney Copyright and use of this thesis This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author's moral rights if you: • fail to acknowledge the author of this thesis if you quote sections from the work • attribute this thesis to another author • subject this thesis to derogatory treatment which may prejudice the author's reputation For further information contact the University's Director of Copyright Services Telephone: 02 9351 29911 e-mail: [email protected] FAIR GO. Cleo magazine as popular feminism in 1970s Australia M. J. Le Masurier A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Media and Communications School of Letters, Arts and Media University of Sydney December 2007 1 CERTIFICATE OF AUTHORSHIP jORIGINALITY I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. -
RIELABORAZIONI DEL MITO Intrecci, Le Trame Sotterranee E Le Funzioni Politiche, Sociali E RIELABORAZIONI DEL MITO Artistiche
Incontri e collisioni, narrazioni trasversali efficaci e pervasive: il mito a fumetti è un campo di indagine di grande interesse e attualità, e da qui nasce l’esigenza di investigarne gli RIELABORAZIONI DEL MITO intrecci, le trame sotterranee e le funzioni politiche, sociali e RIELABORAZIONI DEL MITO artistiche. Rielaborazioni del mito nel fumetto contemporaneo NEL FUMETTO raccoglie le riflessioni a tal proposito di alcuni degli studiosi che NEL FUMETTO negli anni hanno preso parte alle attività di ricerca del CONTEMPORANEO Seminario Intorno al Mito. Rielaborazioni, riscritture e nuove CONTEMPORANEO creazioni plasmano e trasformano la materia mitologica, la cui evoluzione trascende le epoche, le culture e le forme a cura di Chiara Polli e Andrea Binelli d’espressione artistica. Ciò che emerge dai diversi filoni di a cura di Chiara Polli e Andrea Binelli ricerca qui confluiti è la dilatazione del concetto stesso di mito e la complessità delle sue declinazioni in forma di fumetto, LABIRINTI 182 medium sincretico che ha saputo ispirarsi ma anche dare energia LABIRINT al mito grazie alla vis comunicativa offerta dall’incontro tra LABIRINT immagini e parole. QUADERNI QUADERNI CHIARA POLLI è assegnista di ricerca presso l’Università di Trento, dove at- QUADERNI tualmente si occupa di English as a medium of instruction e innovazione della didattica, dopo aver conseguito il dottorato con una tesi sul rapporto tra fu- metto, traduzione e censura I I NDREA INELLI A B è traduttore e professore associato in Lingua e Traduzione 1 Inglese presso l’Università -
European Comic Art June 2, 2018 | Dallas Simulcast in Ijsselstein, Netherlands
Heritage Signature® Auction #7188 European Comic Art June 2, 2018 | Dallas Simulcast in IJsselstein, Netherlands Signature® Floor Session LOT VIEWING (Floor, Telephone, HERITAGELive!®, Internet, Fax, and Mail) Galerie 9e Art • 4 Rue Crétet Heritage Auctions, Dallas • 1st Floor Auction Room Paris, France 75009 3500 Maple Avenue • Dallas, TX 75219 Thursday, May 17 – Saturday, May 19 11:00 – 19:00 Saturday, June 2 • 9:00 AM CT • Lots 71001-71299 Galerie Champaka • Rue Ernest Allard 27 Brussels, Belgium 1000 Simultaneous live auction in Netherlands via Simulcast Saturday, June 2 • 16:00 in IJsselstein Friday, May 25 – Sunday, May 27 12:00 – 18:00 Heritage Auctions Europe Energieweg 7, 3401 MD • IJsselstein Netherlands Heritage Auctions Europe Energieweg 7, 3401 MD • IJsselstein Netherlands European clients requesting more information on the Thursday, May 31 – Saturday, June 2 simulcast or the auction in general are encouraged to call 10:00 – 17:00 our office in the Netherlands at Tel: +31-(0)30-6063944. Please note that the standard shipping time for this auction View lots & auction results online at HA.com/7188 will be 14-21 days. BIDDING METHODS LOT SETTLEMENT AND PICK-UP ® 1 Bidding Available immediately following the loor session or Bid live on your computer or mobile, anywhere in the weekdays 9:00 AM – 5:00 PM CT by appointment only. world, during the Auction using our HERITAGELive!® program at HA.com/Live Extended Payment Terms available. Email: [email protected] Live Floor Bidding Lots are sold at an approximate rate of 55 lots per hour, but it Bid in person during the loor sessions.