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Southern Illinois University Carbondale OpenSIUC

November 1973 Daily Egyptian 1973

11-12-1973 The aiD ly Egyptian, November 12, 1973 Daily Egyptian Staff

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Recommended Citation , . "The aiD ly Egyptian, November 12, 1973." (Nov 1973).

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~ 'Magazine. q::;no mtian cn_.!1v ~Y.l" : . ~ J Southern-.. .utul~ 12. 1m-Vol. 55. No. '" ------. ---,--:---

.< . - Photo by SI U Photograptuc Ser-\'lces Plastic shows its true colors under stress

Bv Ken Townsend PhotoeJasllclty. In a phrase. IS suo· Although Rubayi. an arttcuiatt'. soft­ all but one plane, which IS "thy sU('h . Staff Writer Jecttng clear plaSl ic models to stress so spoken man. tried to explain the prln· sunglasses are useful 10 rejiucmg ~ Iar e that . like a person under duress, It ciples of photoelastlclty 10 simple Hi stOrically, Sir David Brewer. an Halph WaJdo ~merson once spoke of reveals its true colors-so to speak. terms . the actual phYSI CS of English SC ientist who lived near lhe Iht~ n ' latlOnshlp bt>tween the The colors. although not what might photoelasllc stress anaylsIs are fairly lurn of the century. noted that stressed phenomena o f nalure a nd the be called " body English" in certain complex. glass placed In polarized light exhlblloJ1 , "? What person has escaped the which can penetrate the plastic to a "b ·s." been frightened " white as a radiUS of 180 degrees. The Circular shl " or become "red with em­ polariscope adds two additional filters, bal ca. ...s ment '?, known as quarter plates, which convert Man , however. IS not the only the plane ~Ianzed hght IOtO Circular l'hameleon-hke entH\' found in lhlS polarized light. world, Human beings. like God , are The plastiC. when loaded Inlo the (llaster creators, and have. len In their polariSCOpe, is said to be birefringent. \4'ake bountiful structures. some of This means. RubaYI said. that the which. because of their aluluy to polanz.ed light. when passing through withstand stress. havt~ survived for cen· any point. will split Into two com­ turles. ponents along the dlrectJons of the prin­ Englnl"t'rs haq' searched for years cipal stresses. for an accurat(' and relau\'{'ly Inexpen· The .:ffect would be Similar to felhng 5 1\'{' method of determining stress a tree and ShCHlg the trunk wldlh"",;se POlOt S In lhelr propat;ed strucCures into discs. then dying the nngs to deter· bt."'fore IJt~aJJy getting their plans off m ine the age of the tree. tiM." ground. Man-madt> structures are By photographing and st udYing the similar to graffilli to the mal]. who patterns creatod by the black. blue. d('signs lhem - It is his way of stamping yellow. red and green bands . the Ill S mar onto the scheme of things. engineer can have an oVef'ali picture of II is Important. therefore. from the the stress distribution throughout the standpoint 0( both safety and ego­ modeJ . He alSQ caD delermine stress in .:ralificaclon. to test the engineer's three-dimenSl~objects . desi8n. This is done by utilizing one of In advanced 'ques the stress is manklnd's most mixed blessings­ ' ~ocked" into th plastic by a process p[;lstic-and the. principle of caJled stress-freezing. The plastic is phoIoeJaslicily . bealed.in an oven to its critical tem-

•f'I9O 2. 'Dloly fG!PIia'>. ,....,..- 12. Jm .< ...... perature - around Z50 degrees F. - wb,ere its molecules bealme dislocated from ooe another. AI that temperature the Ia.d is applieCl to the .model imd aIJOMd to 'soak," m~ it is>kept at the same temperature (or several boors, depending on the thidmess of the plastic. The final step, the cooling pro­ cess, is initiated soon aftei-. DUring this process the temperature is reduced at a slow rate, usually two degrees per hO~ Once the temperature of the plastic has returned to normal, the lo ~d is removed and the plastic can be placed in a polariscope and ~he ~ess bands can be observed, Rubayi said. When the stressed model)s placed in a plane polarISCOpe , black bands can be --seen in addition to the colored ones. These black li nes are called isocli nic '" lines. They represent a series of points a long which the incli nation of the prin­ cipl e stresses rempio the same. Si nce the pholoelastic properties of certain materials were first discovered. scientists have been concerned wi th the practical applications of the process. - The use of a coating of photoelastic material on engineering components was fi rst ' succes."ifull y practiced in Fra nce In 1953. Today advanced research techniques uuhze comple1 models of engineering (.'omponents. Rubayl said. I f an engineer deSIg ned a chemical storage tank and wanted to analyze its st resses. a model IS made 01 I he tank out of an epoxy-type plasllc. such as PLM-4. which IS mort' common in th ree-dim enSIOnal work. Cn·39 is used in..!wo--d lmenslonal models . 'the plastic model of the storage tank is then placed In an oven 10 lock In lhe st resses. After Ihe stresses have ~n Ioc.kt.."se patterns mean in terms of~ weight and composition of.. • the actual component and C3111 rework his design before it has ever actually been fabricated"':in other words. back to the dr.!!-Wi ng board. "U an area of the component is not needed to carry the stress. it can be , eliminated. thus reducing size, materi­ als and cost." Rubayi added. Photoe­ lasticity is even used in 3Qalyz.i ng the stresses in the cornea of the human eyes. as well as teeth. . . Rubayi .. whose immaculate office in Ule Technology Building smacks of his major interest "'i th photographs of isoclinic lines taped to .his filing These graphic patterDl are made po5lible wbeD plastic plates are put UDder stress cabinets. explain,ed that the and viewed through the llltered tight of a polariscope. These researcb pbotographs photoelastic process is not the only one show the greatest stress nearest the boles. However, designs change as stress available to engineers to determine polDts alter. . stress. " Ph!'loelasticity is often used in ad· _ Since joining the faculty at SIU. world-wide photoelaSlicity workshops " Interest by engi nl-"<.'n nJ,! slUd ent~ III dition to several other methods. such as Rubayi has established two courses in and co:tferences. photoelast.icity has been tre mendous." electrical resistance gauges. holo­ stress analysi!:. The first , Engineer­ Last year Rubayi was a warded a Rubayi said. Many graduate stud en l ~ 111 gt aphy or Moire and brittle meUlods," ing 448 . is devoted to the field in gen­ research fellowsh ip In photoeiastlcil y th e De partmenl of E ngi neering he added. eral and the other . Engineering 458. from the West German Ministry of Mechani,::s and Materials have takt'l1 Rubayi , an Iraq native, received hi s specializes in photoelast icity. Although Research. advantage of Ru bayl's lead ;J nd al · tmdergraduate degree 22 years ago in nei ther course is required. enroll ment Afte r obta lOlng a sabbatical to con· ta lned ad\'anced dC'grC'('s In the United Ki ngdom. He subsequently for the classes has been more than duct research at the Aachen Technical photoclastlcity. he added wllh a hllli HI moved to the United States to work on satisfactory. he said . University In the Pedera l RepublIc of pnde' . his mast.er's a nd doctorate degrees at Ge rmany. he was asked to test the PhotoclasllC'IlY IS a wldt>-upl'n fl('hl the Universit y of Wisconsi_" at ~la diso n . Rubayi also has or ga nized a itresA pomts on thick plate.s with holes ror those who Wish to pUrl\Ul' till'" Ruba)'i's teaching career spans both materials testing lab fer th e Depart­ The plates. he explained with Just thr ! vocation . Ruba,"1 addl'Ci . . lhe Madison campus and a stint at the ment of Engineerfng and Mechan ics. slightest hi nt of an aCCE:nt. were sUbJcc, "Go to any mdustry when' yuu h .... \ ' l · University of Illinois at Urbana. It W3> and de"eloped a laboratory workbook ted to bendmg and loading. and several to deSign ro m pont!nt ~ and sll'uclull" durihg this time that Rubayi began to whi ch current ly is used in several plat wi1. h simula ted cracks also "'e re a nd ~ ' o u wIll fllld ItWIll U~III L! focus on the developing science of engineering courses. The busy su bjected to the process. photOl.'lasti c analysl:' III their d l'~It!Jl photoeJasticity. professor has participated 10 several Holes were drilled Int o the plate,s . bUI work ." he said. Many lara:w (·ur· the question of how to Sim ula te c r ac~ puratl ons . su('h as UnlOll C' ilrhllit,. in new ma terial was. as Ru baYI said. an rrt--q u t'nt l~' !Urn to SIU luI' hell' wll h "interesting one." photOC'laslic iJllalysls fur dl' l\ I~l h II I " My associates ,and I cast the plates parts and COmIXJI1('n l s. and placed an aluminum sh im III tht' Hu baYI ml,\' have mdl rl'Clly k':lnwd middle of the mold," RubaYI said. " AI· Ihat Emerson was ngtll . Man. \\'hll h,ll\ ler the ~ti ng process was fimshed . we leamed from obscrvlIlg till' n;Jtun' HI removed the shim We assuml-"d that st ress and Its optical pr u pt:rll c~, I l\ In· this process simulated a crack accur· dt.'t.."

.< .' Opera S."-~1.f'Cflse takes-to t~~ stage

By Uada UpmaD by Bizet ; n.e Mantaae'" Fl& ..... by Staff Wriler Mozart ; La Traviata. by Verdi ; and Swed BdIy rn>1D PIke. a comic spool For -13 years the lady of grand opera. - by Marl< Bucci. - Marjorie Lawrence. was the grand I¢y- In describing her method of casting of 'opera at SIU. Last )lear -Miss the Showcase. Mrs. WaU8ce said. "We Lawrence retired and her name was try to choose scenes for the students we -honored' by titling the opera worl

By GIeIIa Am_ strides has taken in the past Staff Wriler decadel it's dispiriting Lo come across so tame and limp an effort as this. RaspbeiTies by The Raspberries A Poem You CaD Keep has- all the depth and significance "f a wooden EMl,lm nicKPI. According to the liner noles. A Roem Yau Can Keep composer Ross Ryan was born in Fort by ijoss Ryan Leavenworth, Kan .. but now lives in Perth, Australia. That seems like a safe EMl, lm distance. I • dWlllo' what to say about Rasp­ berries, except, perhaps, that it's a " This." the notes eontinue breathlessly, " is his first album." They lemon; aihI A Poem You Call Keep, as , far as I'm coocemed. is all yours. go on to reveal that A Poem You Call - The' album cover is the most in­ Keep is actually Ryan's sixth album, teresting thing about Ra'pberries, "but. fortunately (I'U bet> , it 's the only which depicts - yes, you've guessed one you can buy." It seems that the correctly - a big basket or raspberries. other five were recorded in batbrooms Il seems that-tile prettier the package, (yes, bathrooms). the more shopworn are the goods them­ Most of these songs, we are !:uormed, selves, That is certainly the case here. were written over the last two years. '" 'IT>e music is so uninspired as to be aU Most of them also concern the last two but uncrilicizable, alld the lyrics are a years. And listening to them seems to ~ .~ect match. With all the impressivE last two years, too. Miller is 'The Joker'; the j(Jke ,s• on you The ' best and worst of

By LiDda Lipman chen," from the Tower Theatre In Staff Writer Philly. and " Evil ," from the Boston Loggins &-M.essina Aquarius Theatre. both Cli ts very The Joker bluesy. _ by Steve Miller Band The Joker, the album s title and hit By 'Dave SleIUl}S Tbrl"e uf tlH.' lour IUI1 t"S Uri th .. , M'('und Capit.ol Records. 1m 'tune currently played over radio, is Starf Wriler . !ild ~ u f the album are \\'IIHh.·r~ . for Iluf\ humorous and simple. " I'm a joker, The joker is Steve MiitN. he ones Full Sail explore watl.'f"S pr'e\'ltlusly uncharh'tl h ~ I'm a smoker. I'm a midnight toker and Logl!ln~ and ~h ·sslll.a . being joked about are you . J don't want to hurt no one," is intert­ by Loggins & Messina " Your <;ilsh ain't nothin ' but trash wined with few other lyrics and simple " Watc.:hmJ.! the.' River Hun " 1:-. amlin,.. and there ain't no need in hangin ' Columbia Records. . 1m Ihc~ . 11 fealurl"s a waU z rhVlhm " 'llh around." Mijler sings, The lyrics are ~JC you like the blues and you like sar­ all klllds of complex ml crpla'y bl'!\\t..'t.'U simple and straight - sarcastic to the casm, the joker is you, too, Miller has Too often rock ~ roups rehash rather vo('ahsls L.oggins and Messma amnII middle class, worki.ng society. ' released about nine albums, and has re­ than expand previously successful umdCOI lfied player. The IlIt'(·.. · Guitarist, vocalist and corded for more than seven years. But musical form u.s . Ken 'Loggins and sur~C's wilh joy. and LoUins dell\ ' l'r~ player, Miller emphasizes the blues in as lime ' goes on , the name of Steve Jim Mess,"a rehash shamefull y. but UII(, of hi S rich . warm \'ocals that rnakt· music he has composed. Adding some Miller becomes more popular, and The also expand ingeniously. Consequently , him among til(' best si ngers In IllS rlc lcl . excitement to the album's production Joker may prove to become his best· their new FulJ Sail album is uneven, are live CU!-; , "Come on in My Kit- known album. containing the best and the worst of Although Messi na's political 111 t."5 - Loggins and Messina. sage is ambiguous in " Pathway lu Glory ." he doesn ', preach or bccUIUt:' "Vahevella." a song from the group's overly mililanI. The In st rument;.d first album SiUin' In, has provided a arrangement al the beginning IS St 'al11 good jumping off point for the tropical Predominant sounds arc MCS:o. lltil ... navor that dominates FuU SaIl. But vocal and a Violin rov mJ.: around tI ,. nearly the entire first side is deja VU , or mt-Iexty . EvolVing into a jam. thlJ SUitt.: rewrites of the best songs on their past takes on an indefinite syncopated hack· two albums. drop which gives Oboist Jon Clarke alit! " My Music" is merely are-recorded. saxophonist AI Garth almost unlimlh."fl re-worded version of " Your Mama freedom in their improvisatiu ns. Don't Dance," and "A Love Song" IS only a mushier version of "Danny's But "Sailin' the Wind, " a sung Song." Loggins must be in an acute authored by Loggins' brother. D~n. " creative lull to have the nerve to record the album's hi ghest achlcvt'mt.~ IlI . 1 h i' this over-scntimentalized nothing of a subdued instrumental arrant.:t.'ll1cIIIS song. Spawned from the boyish provide an excellent backin£! for 00" IIr chauvinism of the ''trilogy'' on the Sic.­ da' .. album " You Need a Man" on ~~~ ~1~~a~:a~t~nr~:~i"~' ;" I I~ FIoII SaIl lap~ in\il pretentious penis and gentle crooning. pride, and is the mclst sophomoric song un(Ortun~IY . this fine SI J I1~ : ... they've ever recorded. marred by . unneec:k.od instrutllt'c:lil' 'Butterfly' spells good taste, Even worse, these songs are poorly postscript t ded onto the end. wllld. written, for the lyric:S rallto mesh well stretches the song too long for liS )0.1111 - with the hackneyed melodies. But they pie, undurable chord struct~r~ . are masterfully perfonned, arranged A wggins and Messina (anal il- lOiI;\ outstanding music and produced, which saves tbem from find these three excel lent cuts wort h 1111' beinf a total embarrassment to price or the album. But perhal'" tt... Loggms' and Messina's reputation as money would be better spent on D tick •• one the finest country-roclt Pands By LIMa Upau living room, and she has sustained a or to one o( their live shows. (or I ... ~in., siDee . IIUIf Wriler feelilll!, a mood of tranquility. and Messina are one of the best IM'nOl'­ ming groups in the country. She and her J2..slring were on the Messina's pr1!duclioo, which in this Butterfly "coffee house circuit trip" in the by Oleryl Dilcher albiun is dominated by exotic per­ Vi~e . clubs. colJeges and at the Bitler cussion, is among the best in the A • II Records, Inc., 1m End m New Yortt City. She met wilh business, for be achieves a carer..un her producer, Jeff Barry, and with coostructed but oryl plied to 1troaC · ~. the ~ =,,==".:1::"~,,:,- , ~ ...... 'lllaedl1 to ,...... p&a,s 00cber. to 8IjDy aad to accept willi teD- - IIIUIic __ be topped by ...y CIOUIdry- - -=w-:...-=- '!:....~'::"T=-"; D«riIIIItaJIIim pilar riPl ... ,..., .-. . ' . rock bud ~ , . • . , . ,< ~"""'_I2. ...s. "';'" Raspberries! Ryan: tame and lImp efforts

By GIeuI Am8&o strides rock music has taken in the past ·Staff Writer decade. it's dispiriting to come across so tame and limp an effort as this. RaSpberries by The Raspberries A Poem You CaD KeeJ> has all the - depth and . ignificance of a wooden EMI. I973 nick~1. According· to the liner notes. A P.oem You Can Keep composer Ross Ryan was born In Fort by Ross Ryan Leavenworth. Kan .. but now lives in Perth. Australia. That seems like a safe EMI. I973 di stance. I dunno what to say about Rup­ benjes. except. perhaps. that it's a ·'This. " the notes continue lemon ; and A Poem You CaD Keep. as breathlessly. "is his first album." They far as I'm concerned. is all yours. go on to reveal that A Poem You Can ' The album cover is ule most i n- Keep is actually Ryan's sixth album. - teresting thing about Raspberries. "but. fortunately (I'll bet). it's the only which depicts - yes. you've guessed one you can buy." It seems thea: the correctly - a big basket of raspberries. other five were recorded ll\rbathrooms It seems -that the prettier the package. (yes. bathrooms ). the more shopworn are the goods them· Most of these songs. we are informed. selves. That is certainly the case here. were wriUen over the last two yeM's. • The music is so uninspired as to be all Most of them also concern the la~wo but uncriticizable. and the lyrics are a years. And listening to them ..,ems to " perfect match. With all the impressivE last two years. too.

Miller IS 'The Joker'; the Joke IS on you The best and worst of

By UDda Upman chen," from the Tower Theatre an Staff Wriw Philly. and " Evil." from the Boston Loggins & 'Messina The Joker AquariUS Theatre, both cuts very by Steve Miller Band title and hit .. bl~i,'tJOker . tti~um ' s . By Dave-Sole arns Thn't:' u( lilt, lour lunt.'s UII lilt' M-'('ulJl i Capitol Records. 1973 tune currently played over radio, is Staff Writer " Sldl' or Ihe album an.' wmm·,':-'. rot 11:,·\­ _ humorous and simple. " I'm a joker. The joker is Ste",,-Mlller. The on"" Full Sail ex plon.· wall'rs pr{,\"Iousl~ ' UI\('hur'h '(l h ~ I'ma smoker. I'm a midnight toker and Loglo!m!) and Mt"SSIIl<.J being joked about are you. 1 don 't want to hurt no one," is intert­ by Loggins & Messina "Your cash ain 't nOlhin' but trash wined with few other lyrics and simple " Watt'hm/.! th ..: Hlvl'r HUll " I~ allllln j.... and there ain't no· need in hangin ' m ythm guitar. Columbia Records. 1973 Ihese. II real un's a walt z rh\'lhm wllh around, :' Miller sings. The lyrics are, If you like the blues and you like sar· all kmds or complex IIlh.>IV1a·y bel \\ l"l'11 simple and slraight - sarcastic to the casm. the joker is yOu. lOO . Miller has Too often rock groups rehash ralher \'o(:ahsi s LogginS and MeSS IllW'1nul illl middle class, ~ rkin g society. released about nine albums, and has re­ than expand previously successful uOidenllfied mandolin player. Till' )Jll'n .' Guitarist . vocatiif. · and harmonica corded for more than seven years. But musical rOfmulas. Ken Loggins and surges wJlh joy. and LUgj!klS dt'II\'l" '" player. Miller emphasizes the blues in as time goes on , the name of Steve Jim ·Messina rehash shamefully. bUt une or IllS n ch. warm vocals Ihat mil k. · music he has composed. Adding some Miller becomes more popular. and The also expand ingeniously. Consequently. him amoog til(' best si ngers In IllS fidei excitement to the album's production Joker may prove to become his best­ thei r new Full Sail album is uneven, are live cut'i, "Come on in My Kit- known album. containing the best and the worst or AHhougrr Messina's political I1W5 ' Loggins and Messina . sage IS ambiguous in " Pathway 10 Glory." he doesn 't pre3ch or beculIle "Vahevella," a song rrom the group's overl\' mJiitan'. The mstrurnenlal In. first album Sittin· has provided a al the IS " 'all1 good jumping off point [or the tropical arran~emcn( bt>~lI1mng Predominant suunds an~ Mt 'S~ l lla ... Oa vor that dominates FuU Sail. But vocal and a Violin rovlnJ,! around 11 t' nearly the entire first side is deja vu, or melody. Evolving Into a Jam . Iht' ~Ih':' ~:r!\~u~s~h 7 b8t, SOngS on their past takes on an indefinit e synl"Opated hack­ drop which gives Oboist Jon Clark ..' alu..I " My MusY-· is ~ a re·recorded. saxophonist Al Garth almost un1 110 11 ...... 1 re-worded version of " Your Mama rreedom in their impcovlsatiu ns. Don't Dance." and "A Love Song " is only a mushier version or "Danny's But "Satlin' the Wind," a song Song." Loggins must be in an acute authored by Loggins' brother . Om,. I ~ creative lull to have the nerve to record the album's highest achlevE-melll . 1 !1I' this over-6Cntimentalized nothing of a subdued instrumental arran":t ' ln~IIIS song. Spawned from the boyish provide an excellent backinJ.! r'JI on. "r chauvinism of the ·'trilogy" on the Sit.­ ~ins ' finest vocals on rl,(·I,rd . III u.' fa album. " You Need a Man" on which he alternates between lull \'11 11 '(' and ~entle crooning. FIlII SaIl I~ into pretentious penis pride. and is ~ most sophomoric song Unfort}lnately, this flnc SIIUI.: .... they've ever recorded. marredf1>Y an unneedc.od instrufIll'nlal 'Butterfly' .spells good taste, Even worse. these songs are poorly poslscript lacked onto the end. wi" ... , wriUen. for theAYries fail .to mesh well stretches the song too long for li s ~IIU ' with the hackneyed melodies. But they pIe. undurable chord structure. are masterfully performed. arranged A Loggins and Messina fanat ic.: lI1il;\ produced. outstanding music and which saves them [rom find these three excellent cuts worth u,,· being a total embarrassment to price of the album. But perhaflS the ' Loggtns' and Messina's reputation as money would be betler spent on a tick •• one of the finest country-rocit bands living room. and she has sustained a to one of their live shows, for 1.I~in., feeling. a mood of tranquility. . sioce Buffalo Springfield. and Messina a I'!' ,one of the best IM·rffH·· m i ng groups in the counlry. Butterfly She and her 12-string were on the Messina's prodllClion. which in this by Cheryl Dileller . "coffee house circuit lrip" in the album is dominated by exotic per· Vil~e. clubs. Colleges and at the BiUer cussion. is among the best in the A • M Records. Inc.. 1m End tn New York City. She met with business. for be achieves a cari!f\1lly her producer. Jell Barry. and with COIIStnIcled but complete interplay of I'I.tIiw.t ft .. _ ...... - _ From the unique album cover design "special UwIks." she said. it was inltnmleats and voiees. They converge _ ..... ___ - - _ iDIick. = to the 01 bioi IIOOdies IIII&aerft7 decided to record~Y Ibis year. into a dar totaJ texllIre rather than ==;;a.~-~.c.. by OoeryJ DiIcber speI.Is ori&inaIity and Previously she recorded IIpedaI several different iDltruments playing ..-.~ __ .... _ proleuiooaJ lUte in oullWldinc music...... before recording cam. ..m~ . And Messina has a way .... __. ..-.. _ do ... She Is a camp&.... mlllician and pIIII¥ rolded in 1m. unately.the of bandllng .."ophone s: the)' ~ ...... -'" wc:aJiat who bas IOIIIetIIiaI to .y and album ' is oUt· of print.... lIIppCIIedIy corkscrew ~~~~ .the ~ipIy .yn- ~.. .::..-~ _.. Com. IIDDwa the belt medium to .y it. &om. because it did nat sell very well. But copa!ed rhyuuu ~. Il'VlIII an. .... ~ ~~ -- . , about krft'.-_ about family. _ what does very weIJ mean,iaayway! ~ ~ weII-CtlnIroUed cIirec· about "All the lyrics Ii.d the 'A=--- - '--. w_." ' The 1'511 Lada :-~ . . t!:'~~~~ IiIt8Ier iaIo the ...-Jity 01 a ...... , t. y. - _U3. In --Ibis b~'~-~ ---0..... '-:..... -. . ~ c. _ ok . what _ is mubd and what Ihe oIfers ...... -...- - .... ~ .... p;;;< 1IIIIidw...... to you - the buItafIy ..... 01 C2IeryI plied to IIioac material. ~ ensuiD& ..... ~.:ro= 't.- . ~ ...... dlaedly to ,... _ ...,. :=: to -Jof aad to accept willi 1eD-_ . IIIIIIic eaaDDt be IiIpped by any COIItIUy. ~~ - -- T_ ...... iIIJIIIm pilar riIIIl _ ,...• • _ rock baad ..,..... ' .r.-- . ---~ ...... < .... 1IIIIr ...... _I2.tw:;...,..·. Poetry flows ,after ~rush U!i~h death

By Ed DouIiD-Wuonricz Ber1ie. TOlly. Geny ud I -W and "For Mr. '" ".frs. Eferakeya." ADd . ~ ...... ,. dley "'y _ . Studeat Writer roam. 0( COItrSe. ~ is thai one special girl : _ Woe ... die ,...,...... Now I m_ ..,...... _.y ill oacIlean; are variable rar ... b1eb · Upon misfort"",,', dedt' I UIlwllllngly Be_. From COIIIItry. love. rrielldablp ud S&ruge that 'Deri u.t me Ilea. stand. . ~ . Sloe by me far ...... _ . And wllkb doe abo.... .r happiau .r !beG InIe No ...... wiD I _,happI.a and bIIu.; Never yet fam1Iiar ,...... r 1Me. =" = ~..!'::e ~ recede from view. A price I bave paid IiIIe mo&ber pelI. For with wild ...... riae me her behV' -;.....eben . .. a lut rHOrt ill lHe; piDeasI. with andrerveal __ 1!'iab. love grand. 10 grasp hap­ cu. ... iooar. And 10 ...... r group. a .lepplag ,_ Willi s.ddened -.II bid yoo goodlligbt. uu • r .... ball __ It b,aIIIIU me. Ia doe ...... ~ .r bodedaIoD. Yet. I CaD Dever reac:b them again. Shall l..never reel at bome wlth-lIoee! prerYet__ . oUoen• doere are ill the ",,"iDg While ...... &be misfortune'. ship Wedded 10 I!lJleUie... balred. Never wholly red aD aD_red -.I In away. - _yally. _.- thee! ~ enlirely iIIIo II ..... born. The bllrDillg tears come trioldlag Adieu ! Adiii.!t 10 GerTy and 10 sweel Effects are DOt llDcomlDOD in each down. • Sapele Town. · ~ ~ Ia the clays or yore. ibis I used ID _ : c .... And ....p wilblil' my heart I say. Thai In her beart. and _ iD her eyes To be born iDlo lbe DObie .,,"iDg p ..... Farewell! farewell ! sweet Sapele Fortunately. it was nol Lu~k y 's last lies ber love. reuiOil. '. Town. night. He survived the operation, But Also 1b.1 • love with Ibe slarry bopes of A, joy 10 &be .11 ..... and the .Ilrsed. his life was drastically altered. the dictum : Otherwise a bore to tM DW"Se aDd the Luckv Oghojafor t pronounced 0.000 Being confined to a wheelchair UDIo thee I h ....stly surrender all nursed. JA.for j wrote these lines th e 'Iast night brought problems, " Nigerian tm iversi ... With a seemillg preparedness for what- True to say. by its nature. the Dursing he 'thought he would Jive. The following ties have no facilities for the handicap­ ever betides. ' professioo. morning held no promises . . only a ped," he pointed out. " so after some in­ Bul alas! What has happened to . ud! lalo it ~p1e ollght to be bol11 and noi hop."c of surviving a crucial operation 'O n vestigation. a cousin of mine lold me a ~ idea! made; h~ spine. ~ ven the doctors weren't sure that two universities in Illilaois had such Shall I never reel at bome with thee? Otherwise oospitals bicome hell to aU he would Ih'e: he was advised to sign a modified facilities - the University of Never wboUy feel an uebored soul h inmates : relea o~ responsibility_ IHinois and Southern Illinois Univer, thee! Thererore .ot a partiCllJarly good place sit y." 00 from df1!ams unto dreams I stray (or the sick... .. That ni ~ hl In Nigeria was spenl In Because SIU was the fi rst to accept Imagialng realities tbat IDU S They .bouId be bol11 and .ot made. somber rClruspeclion him , he came here. Then another good i11uiou become. laID &be nllRiDg pror...;OIl. piece of fortune awaited him, He was Farewe U, the bright and happy ,vean;, able to major In journalism , hiS first The sunny days of long, long ago, love, The circles, the men and women o( But , Itke all freshmen. Lucky cannot "'ore, avoid e nrolling 10 gene ral studies , The o\;ng hearts"" 11 never again classes. " I hale takmg gene ral studies know. courses." he grumbled. " My credits 'Cause I am in the we b of sicknf'sS and haven 't transferred vet, and onlv half of frustration. them rna"." ' ' And bent bt' nrath misfortune's (rown Hl' weril on to mention tha i Igenan t'ntirel\'. , studt'nt . ent er a pn:"-college IIlstitut ion I b~lhe a flop's (undt"s l prayer, 10 rt."<.'(>I\'(' a g.enerahl~ucallo n SWH'( For Gf"IT~ ' and for S:lpelf' be fur~ ~nlt:'rlng a regular University. " I Tnwn. ft.'t~1 a IIlJle 3111y takmg lhose co urses wllh 18- ~d J9-ycar-<»Jd ku.i:;; ," ..\or} unSt..'C1l dUdl In ;J wmding road Other surpnses lay m sture for thn.! \\ Luc'k\' from behllld tht.' dnn~'r '5 Luck\' " 'het'l Into ~i wh~lchair. IndL'ed, sonw He'dldn't "t'xgcct to spend so much" s;-n ' ht· w .. s " luck \' '' tu make II out for an ~m encan education. His board all\'e Hf' midt' 1I :' but wllh spl nal de­ 10 the Baptist Student Cent er and his l.'Umpr CSS lon, ft't.'S a nd eXI>enses total S3 .141. nearly "Fare well 10 Sw~ t Sapele To",'o " 5e \'en times what he spent fe!' a year of was !lIS first l>oem . Though §lmpiJstic. co llege In Ni.l;eria . " ( was surprised as man\' of his poems a re. it properl y tha t ( had to buy everythIng, even bed generates the aura of fear and despair hnen which I thought would be provid· fell In those a nxious hours befo re hi S ed ," he mused. operation. Lu~ ky also presumed wt,eelchairs Lucky 's poems have a natural beauty would be provided. " So I left behind and si mpli61y about them. like they two perfectly gQOd chairs in Nigeria." were discovered in a shoe box of an he lamented in his polished British ac· unknown person who died. They can cent. hardly be called professional. yet they Now he is the sad owner of a used do transmit ,,'armth, and instantly wheelchair that doesn 't fold away with· create a relationship between the out falling apart. " And I paid SIIlO for reader and writer, ' il," he added. " When I originally started writing But a different. ,,\ore oplimistic alti­ those pieces." Lucky confided. "they tude now pervades hts o~Uook and wril· weren't poems. Someone else called ing since that fateflll night about seven t~em poems. I have never siudied years ago. In fact . Lucky now writes poetry in a serious sense." the 28-year' essays as well as poetry. One such old Nigerian said. " Poelry writing is in· essay. entitled. " Rise Up Ve Christians . born in a pedl!n." . and Save a Soul from Spiritual Bon· Pboto by Rid< Levine poetry may /be inborn but il may dage." saw the light of print in the never emerge. It takes a special impe­ NI&eri" Obaerver as a rebultal to an tus to push the poet out. Suddenly he is article written by a coillmnisi. confronted with a nearly unconfronl· " I enjoy writing essays of an abstract able situation .. . like death. Then the nature." Lucky said. " The same gpes words 0010' : ror my fiction pieces. which unfOrtWl' "" my beari ...... ~ IbIqI are. The transition from the dark ately I left behind in Nigeria." And .at wIW -.. aapt '" be. pessimism oC "Sa~le Town" to a more 0. EIWepe'... MIt a& doe daee ar clay. But it was that rlrSt poem. written on TbIa .....lad tnath • IIIUe bird wblapered courageous optilJltsm can besl be what he thoughl was hls deathbed. that _ viewed in his poem . " By and By We got him started. To eealeal III aatbeatidly I .... bent Shall Know." a later poem renecli~ on .. After I wrote 'Farewell to Swee1 ... the hardships man encounters in life: Sapele Town,' I called a professor no from doe horse', mouth Ibe tnath friend 0( mine and Wid him that if I emerJeI. should die. would he see to it -that the UIIIII tIoe8. I _ .at '" IbIa d.y. poem could. be published somewhere." Medler • deI_ or per joare buaband When by misfortune doe Ilarigll_ II he reminisced. "But if I survived. I I. 1InId<. wanted the poem returned." . For IbIa I have JleVer rett aI bome JIb due reward doe _rid dalm bIm ID reap. Luclt Qn sabba~icaror several months. I returned to e and particularly the people with wbom Yet Nat.'e her ....y mysteriea .... he came into contact. r ost notably the Town (his hoinel and raised ' money Ii.-.__ '" • WIle. ..,. Ged ...... ,. after lie'. eriaa nurses: ror the pamphlet. which the baaIe be (..pt. ~ . a publication owned tbe ... _ • ..,. .... by. dIe.....,.._ ~ lbIe Gilvemmeat oC Nigeria. printed Cor me." ._ lWer a.L Nineteen poems compri.e the NI .a,..:..":::::.. Na&Iu'e· ....y • booItIet . 'DIe .... .r s.n-. SoBle AM _ }IeJIeft. 11ft _ by die deal with h_ emotion and ~. dte_ ...... "FrieadIbip," "Boredom" and ..~ II a..w CIMiW, ..,. die .....y _, ''WbeD PnIUd Fate .Fails." Others are ...... "1, III. dedIaIed to frieadI or u.u- ~ - . ~IIfe·. '"I'be WIe CarcliaaI Rea La_ .. "Be ...._,_...., .. alief S. J. abriere" ...... , . ..,...... - u..-...-.. - c;:o Moynihan pens-a sol;d, scholastic; incisive tale By Orville Ale.uDder _ ProCessor Moynihan sold President Nixon on the idea 0( a program to be in­ The Politics of a Guaranteed in­ stiMed in lieu or our present program come 10( Aid to Families with Depender)t by Daniel P . Moynihan Olildren. Indeed. when \be Presidesit announced in ALtguS!. 1968. that our Random House, 579 pp .• $15 existing program was an outrage. there were Cew who would dispute this By any standard this is one of the statement .. most important books published in 1973 Congress was presented with a sub- in the field of public aCfairs. stitute program entitled Family Assist­ It is a scholarly presentation of an ex­ ance PJan (FAP), WIder which any tremely important topic wriuen by a needy Camily With children would be Harvard professor on temporary I,guaranteed a minimum or $I .fIJO an­ assignment to the Nixori Administration nually ir the family had rour members. Seth Eastman's A m.gnillceJlt byproduct 0( ...... n McDermott·, re­ to serve a s Exhibit A, a really true in­ Such a bill easily passed the House oC Mississippi : A Lost search wbiIe preparing his f1U1ier volume oa Sdh tellectual who has flitted 'in and out of Representatives in \970, but died in the government service for several years, Portfolio Recovered Eastman'. pictorial treatment or lDdi...... \be Senate. discovery or Ibis coIJec:tio~ or watercolor> produced aM who has served in a variety or The book by Moynihan is essentially by John Francis by Capt. Eastman during tour> or duty at Fl. !iDeU­ capacities .. an accOunt of the attempt to enact this McDermott ing. Minn. 111 thl. collection one linds~ elleace or measure .. In 1971 a revised FAP was the Mississippi environment midwa.y in the great University of illinOis Press. presented. designed to meet some of the westward migration. SboWD he~ is the Grand Tower criticisms of the first bill. This also 150 pp .. $\0 as it appeared to Eastman more than a century ago. failed after a long controversy in the Senate, and the general public knows much more about this second effort than about the first .. However, Simon: food ,s the key Movnihan deals with the second effort ma"inly in footnotes .. The book has so many solid merits that it is difficult to mention all in a short reView .. _ .. to world peace, stability He certalllly presents Hie ,complex picture of welfare dependency, with liS By Walter J . Wolls tnes than In the more developed coun­ strange contradiction thallotal costs go tries .. up as economiC conditions improve .. He The Politics of World Hunger They develop sc\'eral arguments to admlts Ihat rAP was difficult to ex· by Paul Simon and Arthur Simon sup~nl ernal obstacles to develop­ plalO . and that thiS inability to p~sent ment : I .. attachment to the status quo. 2.. it in simple terms caused its eventual Harper's MagalJne Press.'249 pp" S8.95 neglect of agriculture. 3. poorly placed downfall.. Interest grQ}Jps w~rkmg both Paul Simon. the former- l!Jmols investment priorities and 4 .. the increas­ for and against the enactment of the legislator and IiOOlenant go\'ernor. and ing gap bet ween the nch and the poor .. law art' presented, not as abstractions .. his brother. Arthur. minister of Trini'_y In agriculture more attention must be but as real persons actively engaged in Lutheran Ch urch on Manhattan's lower given to an Intensive labor approach a deadly seriOUS busaness .. East Side. have wntten an mterestin'g and effective land reform .. the\'" con· 1 have never read an account of a book on Some of the prob~ms of the el ude. . Congressional committee that com­ world's l>OOf. . Several external obstacles also art." OrviUe Alexander pares with..Moynihan 's description and The)' b.llild their arguments on the discussed: I. the fact that the rich are In evaluation of the Senate Fina nce Com .. assumptions that peace and econo~ a bett er bargalllln~ J)()sitlon than the Hb I>r~viou s governmental assign­ mlttee .. Nothing. but a "hatchet job" and poliLical stability are essenllals to poor. 2 .. IOt ernatlonal trade, 3 .. scardl~' ments Include ASS istant Sec retar\' of could be expected from such a diverse sound world development. A mlOimum of true aid and 4 .. cultural colonialism Labor .. when he a uthored the controver· group of characters .. level of nutrition and other social TIl(' multiplicity of U. S. vested In .. Sial "MoYllIhan Ileport" d ..... aling With The book is not the easiest thing 111 amenittes are nt.'Cessary prerequisites terests reduces their wilhn g n e~s to seek the alleged breakdown of lilt' Negro .the world to read .. It requires a rather to peace and stability. The world poor workable solutions to he lp the poor In family .. Later he was part of the task high level of attention, but It was a level are a "silent" majority with little the U. S.. or in other COUll ill(.'S. tht' for('r that produced t.he controversial that 1 thoroughly enjoyed giving .. Some political clout. EIt."Cted government of­ aut hors J)()lIlt out.. Economic OP l>ortullIY ACI of 1965 .. readers might feel that it tells them a fieials and legislators must be con~ ­ This is an excellent mtroductorv which Implementt..~ the " War .. on litt le more about some tOpiCS than they ned with re-election so they are unable book, but it runs the same ris~ as all Iri . Poverty" now being liqUidated by the really '-" a nt to know, but it is ex · to be concerned too much with the poor. troductory books - thai of si mDIt(y,"~ Nixon AdmlOl stratlon .. c-eedi ngly difficult to decide that any This implies the responsibility for both the problems and the solullon to Professor MOYOIhan IS {'urrenUy ser .. particular page or group of pages can developing a sound approach for peace the point that many readers. Ii they do vlIlg as the American Ambassador to be slighted. and stability must come from an infor"· not further pursue the topic . become India. Nothing happened in the end, but the med and concemed electorate .. This ap .. \ superficial experts .. I have ne\'er read a book written by a reader knows a lot more than just why proach will represent not less concern But this would be the fault of the first -line Presidential ad\'lser that it didn 't happen. We should have more for one's famil" and countrv, but more reader. not the authors. The authors reall y ranks with thiS. such books by governmental insiders .. concern for humanity. the authors are well aware of the cOOlolt'xities of write.. the problems and the complex;Ues of • There is a strong argument that the solution .. .. population growth must be drasltcally reduced .. This problem is even more im­ Walter J . WiUs is a proressor of portant in many of the developing coun- agricultural industries. Soviet view of Kennedy is cliched, simplistic

By Loyd E. Grim.!!. . The writer traces President Ken­ nedY's career as Theodore White does Through Russian Eyes: in The Ma.kiDg or \be Presi':" DI but President Kennedy's 1036 Days Gromyko lra~..,. it from the Russian by Anatolii A. Gromyko point of view. He over-61lphasizes the International Library, Inc .. 1973 usual Communist cliches, i.e., ,. Ameri· can imperialism," "monopoly capita- a sCholar once said, "The onJy lism ." ' ,he military-industri~1 com- '--t/ligg in history you can expect is the plex" and other simplistic interpreta- UlIeXpected." The past two years have lions of American affairs. Kruschchev certainly coaftrmed this important 00- is a "non person" unnamed throughout servation. the booI<~ au.thor renects upon the AlMrican students ur contemporary recent ente and praises President ~ussian affairs are called "KremIiDoIo- Nixon's w roreign policy. gilts. ""Russian cowoterparts are called This i an interesting and useruJ ' ...... I ...... _ IR1 ..... _ "Ameri

By LiDda Upmu hour's credit per quarter. per quarter, perform a Dumber 01 COII­ . Staff Wriler , Emphasizing musicianship and per· ~ and go on one annuaitour. Nadal formam:e. the band performs literature describes the group as the "geodwiU written (or large organizations and ambassador of S/U." University bands, choirs and ensem· playS one concert each quarter. "We bIos- offer t3 ways to expand one's try to keep the band i1p on the best WlIId ~bIe musical talent. literature we can fmle plays "difficult" from every part of the nation and from whole scope of learning the literature, music, Siener said, and is open to many foreign countries. Choral groups their instruments and le3J-ning a few students only through audition or an in· a nd instru'mental ensembles include conducting techniques. Students who structor's recommendation. The en­ students from every school on campus, have had this type of training in high semble performs at clinics, concerts BlInd Director Melvin Siener noted. school should continue in college ," he and tours with 98 per cent of its mem· added. bers music majors. About 50 select Symphonic Band "Students don '1 realize tha t the musicians perform the wind literature of all styles from all periods of time. The University Symphonic Ba nd, School of Music offers a group to fit the d irected by Nick Koenigstein. has bet· students' needs:' he continued. " We University Orcbestra ween 60 and 100 members' (varying with are not just taking ~ re of music the piece played ), many who are not majors. We rely on anybody who sin· music majors. E ach year roughly 60 cerely wants to partic ipate." The University Orchestra dates back per cent of the band 's membership is Membership in the Marching ~ luki s to the early days of the University and composed of non-music majors. Ad ­ also is open to aU students, Director specifically plays orchestral literature, m ission prerequisites include the Mike Hanes said. The band pedorms Director James Stroud, said. ' 'The orchestra serves as support and a bility lO playa wind or percussion in­ mostly a t football games (fa ll quarter only) a nd pa rticipants receive two as a laboratory for chora l, opera, strument and prior ~xpe ri ence in a ~ in ­ strumenlal organization . . No raudiuons hour's credit. . theory and composition and pro~d es an are required, and students receive onE opportunity fur studenlS to conduct," he Jan Band emphasi zed . "The jazz band is perlOI m::nce orien­ The group also has a responsibility to ted," Director Alan Oldfield said. "We the cultural community to provide hig h perform the traditiona l li terature writ­ qua lity performances of works in o~­ teo for jazz bands. A special emphasis che ~ ra l literatUre. Stroud added. ThIS is pu t on j am sess ions to teach im­ is the only instrumental organizalion, provisation. because the students want he feels, that gives the ,student an op­ to learn this." he added. po rturiity to train profeSSiona ll y in hi s Oldfi eld considers the jazz band the instrument. "Pro£.essional orchestras ·'No. 1 promotional group" of the exist. professional bands do not." he Unive rsit y because of its opportuni ty to decla red. ,. tou r in the ~NIfi.:. The ba nd is currently The orchestra IS open to,all students plantling one 3-etween 60 to 90 in· Oldfield described SlU as a "jazz st rume ntalists (depending on, the desert ," wi thout extensive jazz piece ). is too large to leave campus. ,.. education or effort to bring jazz groups Stroud said, but gi ~ on(\...Co nCf"rt per lOl,.l lhe Universit y. The band \ltill per­ quarter and also supports the chOirs Photo by Dennis Makes form one concert per quarter and hopes and opera. to pl ay more. Collegium Mu sicum Ih E' Wom e n 's Ensemble , which on g lO iated to ~ualfll U n l\lt~ rslly Brass and Percussion The Coll egIUm Muslcum fealUres women with mUSical hteratun.' for both mUSicians llnd vocalists perfor. tn'ble VOICt'S . Director ..C harles Tayl or Al though brass and perCUS Sion ming mUSIC from the Middle Ages a nd groups have bt:'en performing si nce the said. ''There IS no 1f)'OUI and the group Baroque times. Director John SoE" said. performs a Wide variety of literature. 15005. George . 'adaf. director of He fi nds the group important becauSt> Uni\'t:'rsi ly brass a nd percussion. said An y girl IS welcome and may rece.ive of the "re vival of mt erest 10 e arl~ ' the renaissance for this type of music pr(vat€: vOice lessons by pa rticipating In mUSIc and a desire for mUSICians 1.0 the group. " he addc.

Uni versity Singers SIU <'"IIoral. The choral Sid. of the School of Muslc's operation offers a Wide variety Dan Pre~lev. director of the SI U o( groups from the- professional to the Chorale. explained that the chorale IS contemporary "fun in singing" groups. open to all students, but within the fi rst two or three- wL:oeks. new members The U niversit~' Si ngers. directed by Robert Kingsbury, comes closest to the decide for themselves If they are good latter in an organization which requires enough to stay With it. The Chorale IS no experience and IS composed most Iy the nE.'west group. becoming two year s of non-music majors. old thiS January_ '''The group offers choral experience. Although Chorale member s receive In performing the standardsq f choral one hour's credit per quarter , Pressley li terature. for anyone who attends the said st udents also take Choral. fo r no rehearsals." Mike Jones. Kingsbury's credit " ra ther lhan have their lalent lie assistant. said. Kingshury believes that around '" The gr9up has grown from 50, so mewh~ there should pe a chOi r (or when it started, to bet"'een 60 and 75 e,'erybod>' , J ones added. (depending on the piece). 'The students attain a terrifi c fL:'eUng Mal. Glee Clu b ",,'hen lhey lake an inanimate piece of mu s~c and 'make it something that Male Gle

t Olorale generally has oniversal appeal ;,.. • Wo.ms • EIasembie . and ofrers good vocal experience (0 both male and rO!!llale members," be ~ CQUlIt~ to the Glee Club¢\S I!ided. " 'Mutations' of -color preferred .by teacher

Coler still engrosses Lucy Bane 9'1OWS in Indiana, Oklahoma. the Jeanes. new assistant proCessor of Slale c» Washinglon. and aIoog the art at Southern lIJinais University· Ea,sl Coast. Carbondale. but now a faCrty limited'"'" palelte c» low-key shades is her Her ~or). is re presented In preferred melier instead of the numerous museums and galleries. strong pure "tones she formerly including the Wetherspoon Gallery ravored. . at the Unh'ersity of North Carolina Ms . Jefrries. who signs her at Greensboro. the Mint Museum at prolessiooal work as Mackey J ef­ OlarlOlte. N. C .. the Museum or fries, joined the SIU.c School of Art Modern Art . New York City. as well faculty in September after three as a number of corporate and years on the facully of the North pr1\'ate collections. Carol ina School of the Arts. Win· Slle basically is a palOlt.'I" . but also stoo-5alem . N. C .. and three sum· does drawings and silk screen ..'OC"'k .. mers as a teacher al the Governor'S ~er paintings ire non.:objectlve. School c» North Carolina f... talen· and s t ress "gradallons a nd ted young persons. She' previously mutations d color . with hard edge. had taughl al Meredith College, but curvilinear." she expl ained. Raleigh. N. C., and al C;llifornia Slate College. Fullerton. Some of her work wil l be shown . She has had several individual Locall v for the firsl time 10 the S l U~ 910WS of her work and has Faruity ExhibiJ at the ' Mitche ll . . GaUery Nov. 9-0ec. 7. ./ ·014 War14 Imparh John Link has jUlt received " beautiful, SIU printmaker wIns. grant ornately handcarved i CARBONOAl!£-Lawrt5\ce John LjliQhjana. Yugosla\'13 . Dra"'1lg SIlo" at the Oklahoma' Art link. 3S5istant professor of art at Link's pnnt was created (rom a Center. T.M.wooti CIte", Southern lIIinois University. has typed memorandum concermng a unk. a onNime house painter. been oommisslooed to produce an Uni "ersity Galleries pnnl show, oompleted the bachelor 's degree In fr~m~Hong I{ong ooition of 60 ~ his " bon a Urer" (a.r ­ ",flich he photocopied 70 limes. philosophy and the master of fine usa 's concepuon , (or a ne .... portfolio ,mampulalmg the Imperfections In arts degree at the Unl\'ersity of Masterchar,ge VI elcome 0( prints by IOtCf"nauOflal artists . the process. He then copied the Oklahoma. He has specialized in Link's print. a l2x24-inch untitled result 00 Kooahlh film , blew It ~~ palOting. drawmg. dL'Sign and scuJ p­ ""wk . • 'as one of 20 seh.'Cled for the the- 32x24 SIz.t>, altered It with ture as well as philosophy and the Wor-Id Print Compeuuon '73 , spon­ photographic bleach. burned It on a philosophy c:i art. He joined the sored by the Californaa ~ of photograPb'tcally sens ltl\' (' School of Art facu!t\' 10 1968. Art s and Crafts. to be- exhibited alwmnurn plate. then prlOt(.

The energy criSiS aDd how It IS been put for,,'ard to ('onst!r\'e likely to affect Southern Illinois will energy. be the ¥,bject of a specal . ,huon of the weekly TV sh",,' ' 'Spotlighl on Southern IIhnois" at 6:30 p.m . Mon ­ day on WSIU·TV and WUSI·TV. The show will be repeated the fol lowing afternoon: Tuesday. at 3:30 p.m . ! ' Producer Phil Byrd said inler· views already have been filmed I.C.ISAACS a. CO.,INC. with 15 persons invol\'ed in the lets you live the easy, open life prodUClioo and distribution of fuel you love in Cone denim At AU" oi l. ooal. natural gas and gasoline slacks with a Side-elastic waist. and that about seven more inter­ No 1 views will be filmed before the show In navy, 27-38 waist. Sfopln at takes its final form. in your campus shop today. Byrd said the shov.' will del\'e into College Sales questions such as how ..ill the (bnee, energy shortage directly affect far· Fidelity Union Life mers, schools. home o,-,-ners and in· Insurance Company demm dustry in the area. He so:oid the show also will attetnpC to C'\'aluat.e many 549-7321 m the practical " 'ays ",nich have

MONDAY Pop'S got Mostoccioli $159 a~~~t

__ Ii. 1m, P.go II 'B C' now a television show-

NEW YORK (AP) - Johnny Hart. Book of RI!cords as the worst inter- Griffin show. one of th~ most as a goodly number of kids. college YiN' m all time," he unhappily ex· naturally funny men of all time. students and generaJ citizens know. pfained, Thm he staned laughing. , Hart, in short, is a normal car. draws the " B.C." comic strip. which . ~ , r.ou might as well prepare your- i tooniSt. His " B.C," strip has been is sort of a t'liDSters' ·" Flintstones." Y Come Nov. it, he'll bave his first Hart, a 41 .year-old native of InatiOnall syndicated for nearly 13 full·length .;:artoon feature on Endicott. N.Y ., isn't a hostile wit, =~~ ~!! ~\I.!:sP::.fessional tele\ision, a ball-hour eHort on NBC ness, It 's just that, well. a guy who .,. - EII~ "B.C .. The First Thanksgiv' draws anlS that talk and anteaters I :'1 guess originaDy Ii "A'as the only Ithat go " ZeIt !" as they 4i.ne is apt to Uung that I knew how to do," he I'\ost of it coocerns a turkey who is be a bit strange upstairs. saict· " I started out just working In his defense, we'd point oul ·riighLs and studying other people's ! ~~s~:;!:~o~~r~~~t that he's.a 'great" fan or the old ' . dro"~nW. ,i,ngs . then trying some oC my the sho"A' approximately the same " ~oadrunner" cartoons. breaks up way the turkey oomtemplates the at the mention of Dudley Do·Right of Unlike many successful car· ax. the Royal Mounted Police and toonisls, Hart s till dra ..... s hi s own " 1' m trying to get in to the Guiness considers jazz trumpeter J ack lstrip. seven days a ..... eek. 365 days a Sheldon, a regular on the Mcrv year. Vt:_TIlUNS' __ A,-SA ' L~ sual land DRESS ( , SLACKS in \ . HAGGlES .. f! FLARES Values R1dlan1 Bradford I..4v! 10 Selection $30.00 Entire Stock of IValues to NOW Mex ican family co medy IMEN'S WINTER OUTER: $25.00 COATS induding . . , Now LEATt;lER topic of :Book Beat' 20% off

"So Far From H ea ven ." a m;J dhouse. his brother Manuel. humorQus no\'el b,' B.l chard Governor of Nt'w M exIco . his Bradford about an oddball Ch icano bro ther Ca rlos . an unethical cia'" linng in a provincial area or ..... heeler·dea ler . hl ~ ~on LUI S. a LADIES New MeXICO . .... ·111 be the IOpu: or half WI! • absorbed In " Wonder Outerwear discussion whell Bradford appear!> \\'oman " ('0 m 1(" books and hn. DRESSES on " Book Bea t' 110 1 8 p m Monday on daughl l'f Lupe. a Bryn ~'1 .a"" · r WSI -TV , Channel S groou3ll' wilh a s t rong radical & _ -'B radfor d IS nOll'd for hiS flrsL-lXliitlcalleamn g _ PANTS no ~1. " RcdSky at Mornmg" .I I ~ - Into t he ir lives ...... - andt.. rs Da\' ld " ..... ~I ~ h wa ~ w~l - r ece l\' ed by literary Heed . an ex·aSSlsla nt to C.C COllon. c,rllIes and · cl~mbod the bes.t seller a Texas nlilhonairc who abused and lists nationwide, Robert Cr omie-, cheated the Chi canos to make his " .~ .•,. I ...... • ...:. ... . ~' - ~ It'&'.--.,. host of " nook. Beat:'. Celt that " Red mone\' Reed wflti fi red when h i~ .. ~,!:!' ••_ ,...... ~~ Sky at Mo,:"mng " ",'as " on~ of the heari controlled hiS calcul ating 811S.~UiftoiIA~-~~~. -'"

no~h~most a~u ma~~~~ryslOg and tak .. peesrcepuv .ne firunst. imindmportant and hdeale con Corsequen Cottantl.y losl a n i~~:~~~~~~~~;;=~=~~~=~=~:::::::;=::~~ derstanding yet highly comic ,'iew The book chronicles w ~th gentle. • d of his charac,ers' foibles and cynicism and irony lhcirslrugg)es. . frailties, The Cocu.s...of his second defeats and triwnphs in " Poor New WOMENS MI -Season .a-ork is the Tafoya y Evanses, whose Mexico! So far from heaven : so members include Cruz. the close to Texas." ra~sl~: ' P~A~~h~~n~~ rl~! t~ ~'~~~:e~:':J ~~o~i~~i:~~ of SHOE SAL.E Mayor procl3:ims Starts Monday Nov. 1 2 'TM~ · week here One Week Only or While They Last New Fall and Winter Styles 369 pre Sty les we cannot repurchase or dropped patter ns. All Sizes p ut not in each style .

• MostJy Womens spJ.t r - • Some Ore .. Styles 30% OFF Far example a $20.00 would bJ. only S 1' 4 .00 ( SHIES .. /

.< 'Black Fire' dancers offer .M rican themes

'!be BI.ck TOCetbe;"'_ Or, ill advmce. but 1OIJI.tim.. they ,..--'. IIIIICt nre o...o.n is • relatively ...... daDce ::..:~ . ""W.. to !'.t. tboM:; gat group, which its __". . perform_ an! daooed inside. elude In the group" who had bOard conv!JltlJ!baUy 00 stage. the term bIad< and liked its r.... ·'But. we cIance an~ . " Ms . WIid

By"- FIaaa 7 t OO • DaUy EcYpIIu S&aIf Wri... * lVlERA* R T 148HERRIN Youth ". always been • SOUf'<:e cl inspiratioo to artists. but the student artists in Dan Wood ', WEARESQRRV Drawing 341 class were bombarded wi th inspiralioo last Tuesday. Vr'beD (oorth graders from Giant City C~~~. ~A~~~E ScbooI invaded thei r Pulliam Hin CLOSEO MOIi-THUR studio. The Giant City Sltxients 18iH 18i ~colo, ;>Iu.- - 1't" ~ ' t jlS silting around being in ~ " HEARTBREAK KID" spirational. a lJ hough. " .. hil e the college students s!lert 0...... mSlian poet known as Sayal Nova. is censored at evet"')' step oC the JUnbaI1, dirocIor m· SlU'. Cente" Nova was • weaver: a Court Min· "'Orlt." said MarShall . for Soviet and ~ Ewwean streI m the Royal Roose 01 Georgia. Marshall's first viewing m Com ­ 9udieo. Mars¥J.I , a studelt m a mcnt. and a bishop before he was mW1isc films on this trip was aboard maI1yred by Persian invaders in the Soviet mat

"'- Monhl.u_ KooI, 11.111 ''': ,~~"::~~"T:::.Io . It', ~"wrt>onal . GIld ft..., ', _ bull. montmma TEQ..-ulLA Royal Family subject of PBS speci..al

VI'.AN'S DAY

LARG.E GROUP FLARES $1.00 V-NECK SLEEVELESS Sv"EATERS ~A,STED . SHIRTS , $7.50 WINTER COATS OFF SUITS & SPORTSCOATS 2,0% Sergo Paradianov. Freda Brilliant and Herbert Marshall Monday Only (Continued (rom pag~ 13) But Marshall's main adlievement I the ongmaht. of some of thE." car­ during his travels ..' as the galberiog toons from plaas like Poland and d materials (rom people who had Hungary_ As a whole. the RUSSi an . kn Marshall said. was able (0 vlSil various d ubs _all was asked by Eisen· ",here the best food is 5erVar. He stein's wiOOw Pen Atasheva to han· also met several " PeopJe's ArUsLS dJe (he publicatioo and translation OIDEIt FORM of !he Republic" and learned of d her husband's many works into CLASSIFIED AtNEATISING RATES • • ""e to compte•• U fl\e "ep' their adjustments and prpbJems un· English. Marshall has completed 1 DAY ...... (2 linn """'mum •..... S ..w per line -One lene, 01 n,,,"be, pe' .pacr der Communist rule. The MarshaUs the fiJ1t ~ six volwnes. He has .l DAYS ..... (eon.cull .. ' ....•...... S .J1i plr 11M -00 not ute M9M' ... J&)1Cln 10' "[loch end comma, took"'t.he fcitnous "Red An"ow" tram been at.-arded a S14 .T.M grant (rom 5 DAYS ....•(Con..c..tt ...... l1.00 pi' IInc ·Sklp one 'PIlOt t." ....n woreh from Leningrad to Mosco~.. where !he National Endowmenl for !he they visited the 'N.oscow .Archives 20 OAYS .. .leom.cull...... S3 .00 ptf lit... -Count any PM' of • line" • full lin .. Humanities and Mr. and Mrs. DEADLINES: 2 d..,. 2 p .m Mall th,s 'orm w,th ,.mltt.anet to C.,ly EgyPt,.n. StU and ,he Eisenst~n ~~ . and If' ...."ct . Oement Stmt Jessie Stone. E_cept F,.. t." T~ . ad s .. I MAME ______OATE ______

ADDRESS PHONE NO ' ~ctivities kiND OF AD CHECK ENCt.OSED FOR $ ______No r.tur,ck on canoell" ach To hnd your CO" . multiply 'ot.1 num. lZ Monday ~f!~r~a~~i~~a~~~~e~ D!i U. 0 Srn"'ct. 0 Found lin.-, tltnH cost pe r 11 1M: al 'ndec.attd Placement aad Proficiency Testing: Education. 8 : 30 a.m . • 3 p.m . • Off.Nd Ent.,t.tn· 8:30 . ,m .-2:30 p.rn ... Washingtoo Student Center, Mississippi Room . 0 '.~. ~,:~ ";;'~~;~t ~1 ::. n;." ~~; Square. Building C...... " W... 1HI 0 W~ •.d ".nl a 51 . 0 , • two II'" ad '0' IhrH New Student and Parent Orien­ SCPC Dance ; ·· Pontiac Jones", 8-12 E"'PIOyrptn1 0 Lost 0 =nc:.- .SO 11:75 • 21 M,nImum cost tation: 9 :30 a .m. Student Center ~~~ . S.tudent Center Roman JUinois Room. Management Systems. lofonnalion ~~:rn:il ':a~ ~u~eni~~~ 1bTh!~i;i~~m~~;~\~.~ S~n~ Center Ballrooms ABC. 131'ue~ y Kutana Players: "Ei Hajj MaIilt .. · Counseling and Testing : Coll~e based on !he late Malcolm X . • Level Examination Program. 8 p.m .. Home Economics AOOilor­ B.m .-I p.m .: Washington Square lurn . Building C. Law Psychiatry and The Mentally Disordered OUender : 9 3.m., Helicopter Static Display Student Center BaUrooms. Careers '73 : 12 noon· 5 p.m., Student Center Ballroom A. There will be a UH1E St udents (or Jesus: Concert, ·'Lon· Helicopter Static Display Song" , 8 p.m .. Student Center Ballrooms C and D. at the Aviation Management Srstems. In[ormation Tea;nology School on Processing. Long Range Planning November 13th from Council ; 8:3<1 a :m .· 12 noon , Student Center Mississippi Room. 10:00 a.m. till 4:00 p.m . Athletics in Action : j ;30 p.m. , Arena. '4 WnloHday Law Psychiatr)" and The MentaUy , Disordered OUender · 9 a.m., Student Center Ballrooms. Careers '73 : 9 am.·S pm., Student Center Ballroom A. Convocation: Mack Frampton Trio. On November 14th & 15th e p.m .. Student Center Ballroomi. the Team will be located 15 Tbunday anne U.S. Marine Corps Recruiting Station, 201 Law Psychiatry and The M...... Uy Disordere.d Orrender: ·9 a.m,. West Walnut St., Carbon· Studeat Ceoter Ballrooms. dale, Illinois. PIocemeotand ProlkienC)! Testing: :;!.g. .:.:: "C . WashingtOn Square, 14th Diatrict N...... Asoociatiaa: , 0-._A. ' :30 p.m .• _. Coate< .. F ....' •. J a..se..1ce DilftlOn ...... AMp : =:-vw.:'~..... ~ .... " D.- ...... ___ tZ. ., .( 1.'lIfe"e '.iio PoIi~ oooducr.or George Semkow guest rondUCls the Saint Louis Sym­ Stereo ..s ystems phony in W (Fks by Beethoven and Brahms at his first of five subscrip- CB 2 Way Radios • tion programs this season m Thur­ sday D\'ening. Nov. 15. and .:;alUrday Sony & Sylvania TV e'\'ening. Nov. 17 at 8:30 p.m . i.o Powell Symphony Hall . The con­ .WE SERVICE ANYTHI NG certs open "1m ijC('lhoven 's Sym· phoo~ No 8 and dose ",ilh Brahms' Piano Conceno ~ o . 2 rt"atunn~ An- tlIS+..· 1m KU{'f"tI. 213 $0. 411 . Ave.

Trio 10 perform at Convo

The Mac Frampton TriumVirate. first gained nallonal recognition in fi etds of musIC. they bn ng their own America's sensational new cOncert 19m ,,'hen he received the Bronze • ~ style to ttw inter-pn.'tation of ensemble. 'Ai.lJ be presenung their Medal in the Van Oibum , Inl(~· · compositions rangmg from OlOPIO exciting program. " Pops With natimal Piano Com petition. Since to current hits. Add ing to the ,- .. on Nov . 14 In the Sludj!» -&hat time he * appeared ",rj lh vanety d the concert are solo qenler Ballrooms at 8:00 p.m. major crchesLras across the OOWltry feat ures presented by eadl member RapidJy becoming one or the mose and 00 net"''Ork tel:e"\.ision . ri the Triumvirate. so'ught-aOer aUractions in lhe Possibly the mast versatile en - TIle OOOcet1 is co--sponsored by mlJege and community concert field semble in the country (oday, the Univer s ity Convocations and today, the '[)iumvirate presents. a Triumvirate P~llS a program Student GOvern ment . diversified program reaturing the designed to appeal to the widest piano and personality of Mac Fram· ,,'ariety d tast.e5 and ages. Dra~ing ptoo. AJthough he has been _cer- on their badcgrounds in the popuIar_ tiring for several years, f'rampton jazz, classical. and ~i-dassical Hetzel Optical 'Center 41SA S. III. Lawyer speaks on Henry Miller (across Irom Varsity The3lre) Elmer Gert.l, lawyer and friend of Miller- . but -many other' literary Phone 457-4919 author- HenlY Miller. will speak at a fIgUres who have been involved 10 p.m. Wednesday, Nov . 14 in Morris d>scenity cases. ~lete Optical Library Auditoriwn . . Gertl has loaned pertinent items Gertz will di.ocuss some aspee(s of from his Miller collection for a literary censorship in the li~t of the special exhibit and prinled catalog recent Supreme Court deasions on in Morris 4brary's Rate Book obscenity. He represents not only Room . 00-you stand .out in 'a crowd?

is 6vster N1ght1 . ~ All the ftwh:OYsters ill'! the 1f.I Shell you can eat for S2.9S ( FReE H03'S

817 S. illinois & Weslown Shappjng Mall

Aft.r every home football lame McDonalel'. will pa.t a picture taken of part of the crowel at the game. If you are the face

circled in t~e picture po.ted in the campu. McDonalel'. you will win a Iii Mac, large order of frie. and your cho~ of drink, complimentl of ~cDonalel' •• The pict~re will be eli~oy.eel Monelay . .t"!u Friclay following home game. Come into McDonqlel'. anel finel

out if you are the fac'e in the ·crowel. /

LloIIJ~, ~ 12_ 1913. Pogo 1~ .< ¢ • . 'Lying in Stale' opens Play views 'lies' forced on gays ~

8y O.ve Slunas scenes are just too close fer comfan. Dally ElYptIaa SIan Writer .... hich I think means t ha t we've " When I go to hell. it .... on 't be CJlptwed the truth of what's going on because I'm queer but because I'm a in the COWltry today," he said, liar." The above line was taken from " i~.:l~:br:t~~~:tlj~J::;r::!v:fI ·'Lyi.ng in State," a play examining as the purity of non-sexual (riend· homosex\Ull relationship6 and 1M ships, or " the root or personhood:' destructive eCfects of the lies­ Ms. Wagner said. needed to pass (or " straight" in The pl,ay is funny. "Sut it's society. biting humor, much more than just Graduate student Lane jotes-they're sharp-edged joItes. Bateman "TOte the play, which will You laugh so it doesn't hurt so open Wednesday Nov. 14 . The script mud"! ," Bateman said. poses the q ....tion or wheth..- lyinjl The four men and Jour women and hypocrisy are necessary {or a actors are a " mixture." o( " gay homosexual to (unction .. in the people, straight people, bi·sexuals, straight world. The answer given by and virgins" she said. " Lying in State" is that honest)' is Sateman said, "One straight the best soJ ution and that " I'm going to ba who I am," Sateman said. . :::bj!~ ~ e~' ~i~(~~~U~J,! " T he play is frank. and honest. feeling is the same. The cohesion in. People orrended by rrankness and the cast is incredible . • honesty sbauld stay away from this one," he said. w~~rJ'~~(=~~~O!~~r::~ "Sut the play isn't meant to be a that ilthey w..... chosen ror the play sensational lh..ing: ' added director that there would be nudjiy and that ~ Phyllis Wagner. S y frankness . they wou.ld be associated with 8 Sateman means nudity and a homosexual play. but it didn't homosexual seduction scene, scare anybody oU ." " But the love, a((ection and nudity will Dot be as scanda lous and Dam~~ !~t~c:a~:~~ ~~ married i t udent 's housing,''' ~..:~~~.':~\:C't!I!~ Bateman said. BaQ,man said. _ Perhaps the best,known gay play f~~na~ ~~ . !t .a~~ . ~4il~~8 is "1be Boys in the Sand," wb.ich he in the Lab Theater. Noilldy will be calls a flat lie. Sateman explained seated after curtain time. Ticket.s that his play portrays homosexuals are $1.25 at the Communications .- Building txr. olf"",. :f':~'~f~ ' .~~ ~~.~~:! ''This is the rtrSt dissertation play Not pldying it straight -sand." in a series of " Proud Plays,' I'm "Hom06exuals have problem.5 like bank.ing on a change o( attitude other human beings , bu t the towar ds gays in this country , Top :' Paul Klapper, J . /-Hred Rodriguez and Terrance Thomp, problem is not that they're gay. because my name will be 00. this son pose with a coffin, one of the central props in the play. Some gay people who have seen the dis.ser tation and it will (ollow me play's rehearsals say that lome -4roug/l my Iile," Bateman laid. ilelow, piaywright Lane f3ateman with director Phyllis , Wagner. The pi n on Bateman's collar represents the Greek let- ter Lambda, symbol of Gay I.;jberation. • Righi : A fam ily portrait. "The coheSion in the cast IS incredi­ ' .. ble:' Bateman said. "They've formed a kind of family."

.. Staff Photographs by Ric~rd N. Levine

...... _ ,12.1113 ,<