BBC Northern Ireland Programme Information Week 45 2011
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Film, Television and Video Productions Featuring Brass Bands
Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light. -
Annual Review 2009-10 a Annual Review R
arts council ofA northern ireland annualR review 2009-10 annual review page 1 page Arts Council of Northern Ireland - 2009-10 www.artscouncil-ni.org arts council of northern ireland annual review 2009-10 arts council of northern ireland annual review 2009-10 page 2 page page 3 page Our Vision Our vision is to ‘place the arts at the heart of our social, economic and creative life’. In Creative Connections*, our five-year development plan for the arts, 2007-2012, we identify four main themes covering what we believe needs to be done to achieve this vision - promoting the value of the arts; strengthening the arts; increasing audiences and improving our organisation’s performance. Cover Image: Cristina Catalina in ‘This Other City’ by Tinderbox Theatre Company. Theatre Tinderbox by City’ Other ‘This in Catalina Cristina Image: Cover Heaney Christopher Photo: In this Annual Review 2009-10, you will see the progress that has been made in these areas, from international profiling of the arts and expansion of arts-led regeneration projects, to strengthening connections with the business sector and Northern Ireland’s continuing participation in the 2012 Cultural Olympiad and Legacy Trust. * available at www.artscouncil-ni.org Maiden Voyage, ‘4 Quartets’. ‘4 Voyage, Maiden Photography Fox Joe Photo: arts council of northern ireland annual review 2009-10 arts council of northern ireland annual review 2009-10 Contents Welcome Welcome to the Arts Council of Northern Ireland’s A brief summary of our Accounts for the financial ‘Building for the Future’ - Chairman’s Foreword 6 Annual Review 2009-2010. -
Ex-MI6 Men Cleared to Write in Book
PROFILE INSIDE ARTS SPORT 2-page sports There is My farewell Dame Kiri nothing like a MOMENTS OF calendar . to Channel 4 CA TASTROPHE Te Kanawa dame of the yearJ JEREMY ISAACS 6 PORTRAIT OF 1987 INTERVIEW 15 26, 27 I I BARRY HUMPHRIES 5 & A BRIEFLY SUMMIT MOVE Soviet Foreign Minister Eduard Shevardnadze latest information, supplied to them Yemeni Embassy in London last they will be moved to a luxurious agreed to meetings with THE TWO British women sold by EILEEN MacDONALD week as brides in the Yemen Arab by The Observer , and was arranging , but was treated as a tourist house in Taiz with their husbands Us Secretary of State to interview the husbands with the HI¦Hiam ^2IIIIIQ9L i ^ H ^ i ^ B '^^ i u^^— ^ ~~~ rather than as a relative wishing to until ' all the paperwork is done.' George Shultz in Republic will not be allowed ' visit the country. On Christmas Day, The Observer home unless they are accompa- women when they arrived in the ports, which are awaiting their visit scared they are not touching us, preparation for a new city. to the British Embassy. Zana reassured her yesterday in a ' They told me to come back on informed the Foreign Office of the summit between Mikhail nied by their husbands. The young children of the When the sisters arrived in Taiz, telephone call . Tuesday with $500, three passport latest development in the women's Gorbachov and President Nadia and Zana-, Muhsen, who women — Nadia's daughter, 21- North Yemen's second city, they The official has also told Miss Ali, photographs and a return air situation. -
Download Agenda & Reports
8th November 2019 Chairman: Councillor R Carlin Vice-Chairman: Alderman S P Porter Aldermen: A G Ewart MBE and S Martin Councillors: S Carson, A P Ewing, J Gallen, M Guy, D Honeyford, S Hughes, J Laverty BEM, U Mackin, John Palmer, A Swan and N Trimble Ex Officio The Right Worshipful The Mayor, Councillor A Givan Deputy Mayor, Councillor J McCarthy The Monthly Meeting of the Corporate Services Committee will be held in the Cherry Room, Island Civic Centre, The Island, Lisburn on Wednesday 13th November 2019 at 6.00pm for the transaction of business on the undernoted Agenda. Hot food will be available from 5.30pm in Lighters Restaurant. You are requested to attend. DAVID BURNS Chief Executive Lisburn and Castlereagh City Council Agenda 1 APOLOGIES 2 DECLARATION OF MEMBERS’ INTERESTS: (i) Conflict of Interest on any matter before the meeting (Members to confirm the specific item) (ii) Pecuniary and non-pecuniary interest (Member to complete the Disclosure of Interest form) 3 REPORT FROM CHIEF EXECUTIVE 3.1 Local Government Political Party Manifestos 3.2 ABF The Soldiers’ Charity (NI) - Service of Thanksgiving 3.3 Meetings of Council and Committees in December 2019 4 REPORT FROM BUSINESS & DEMOCRATIC SERVICES 4.1 Northern Ireland Local Government Association Briefing Session – “Scrutiny & Challenge Masterclass” Antrim Civic Centre - 1st November 2019 4.2 Northern Ireland Local Government Association Local Government Conference, Exhibition & Gala Awards Dinner Crowne Plaza Hotel, Belfast - 20th February 2020 4.3 Knockagh Monument Joint Committee -
Handsworth Songs and Touch of the Tarbrush 86
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/35838 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Voices of Inheritance: Aspects of British Film and Television in the 1980s and 1990s Ian Goode PhD Film and Television Studies University of Warwick Department of Film and Television Studies February 2000 · ~..' PAGE NUMBERING \. AS ORIGINAL 'r , --:--... ; " Contents Acknowledgements Abstract Introduction page 1 1. The Coupling of Heritage and British Cinema 10 2. Inheritance and Mortality: The Last of England and The Garden 28 3. Inheritance and Nostalgia: Distant Voices Still Lives and The Long Day Closes 61 4. Black British History and the Boundaries of Inheritance: Handsworth Songs and Touch of the Tarbrush 86 5. Exile and Modernism: London and Robinson in Space 119 6. Defending the Inheritance: Alan Bennett and the BBC 158 7. Negotiating the Lowryscape: Making Out, Oranges Are Not the Only Fruit and Sex, Chips and Rock 'n' Roll 192 Conclusion 238 Footnotes 247 Bibliography 264 Filmography 279 .. , t • .1.' , \ '. < .... " 'tl . ',*,. ... ., ~ ..... ~ Acknowledgements I would like to express my gratitude to my supervisor Charlotte Brunsdon for her patience, support and encouragement over the course of the thesis. I am also grateful to my parents for providing me with both space and comfortable conditions to work within and also for helping me to retain a sense of perspective. -
HAVE MYNDE 92 the Queen's School Chester
HAVE MYNDE 92 The Queen's School Chester Governing Body Chairman: J A Bruce, MA Deputy Chairman: Miss C M Baxter, JP The Right Reverend The Lord Bishop of Chester D T Doxat-Pratt, ARIBA W C Dutton, MBE, FRICS Mrs G Jones, BSc Mrs J Lea, LLB BAG King, TD Mrs D M McConnell, CC C N Ribbeck, OBE, BSc, DL PAW Roberts, MA, FCA The Reverend Canon J C Sladden, MA, BD, Oxon Miss K M Wood Clerk to the Governors: B Dutton, FCA 10 White Friars, Chester Headmistress: Miss D M Skilbeck, BA Deputy Headmistress: Miss M L Walters, BA Foreword Can high academic achievements, successes in sport, music and many other fields manage to co-exist with thought for others, excit• ing educational opportunities and development of the individual? The answer is YES at The Queen's School. The examination results achieved by Upper Sixth and Upper Fifth in 1991 placed the school fifth in the country and third out of girls' schools, in the Financial Times ranking. League Tables cer• tainly have their weaknesses but nevertheless they are one mea• sure of success. This high academic achievement is maintained along with the wide variety of activities detailed in the magazine. The fact that high standards exist in so many areas in school reflects the commitment of a very dedicated team of staff who give time and inspiration to the girls. At the head of this team I would put Miss Walters and it there• fore came as no surprise when she was appointed to the Headship of Durham High School. -
A Process of Analysis
A process of analysis (1) The Protestant/Unionist/Loyalist community Compiled by Michael Hall ISLAND 107 PAMPHLETS 1 Published February 2015 by Island Publications / Farset Community Think Tanks Project 466 Springfield Road, Belfast BT12 7DW © Michael Hall 2015 [email protected] http://cain.ulst.ac.uk/islandpublications cover photographs © Michael Hall The Project wishes to thank all those who participated in the discussions and interviews from which this publication was compiled. This first part of a three-part project has received financial support from The Reconciliation Fund Department of Foreign Affairs and Trade, Dublin. Printed by Regency Press, Belfast The Island Pamphlets series was launched in 1993 to stimulate a community-wide debate on historical, cultural, political and socio-economic issues. Most of the pamphlets are edited accounts of discussions undertaken by small groups of individuals – the ‘Community Think Tanks’ – which have embraced (on both a ‘single identity’ and a cross-community basis) Loyalists, Republicans, community activists, women’s groups, victims, cross-border workers, ex-prisoners, young people, senior citizens and others. To date 106 titles have been produced and 190,400 pamphlets have been distributed at a grassroots level. Many of the titles are available for (free) download from http://cain.ulst.ac.uk/islandpublications. 2 Introduction Sixteen years after the signing of the Good Friday Agreement issues surrounding identity, marching and flags in Northern Ireland remain as contentious as ever. These unresolved matters have poisoned political discourse and at times threatened to destabilise the political institutions. Even the Stormont House Agreement (announced in the final days of 2014) in which Northern Ireland’s political parties reached a belated consensus on a range of financial and legacy matters, once again pushed any discussion of identity-related issues further into the future. -
Shakespeare Survey 65
Cambridge University Press 978-1-107-02451-9 - Shakespeare Survey: 65: A Midsummer Night’s Dream Edited By Peter Holland Frontmatter More information SHAKESPEARE SURVEY 65 A Midsummer Night’s Dream © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02451-9 - Shakespeare Survey: 65: A Midsummer Night’s Dream Edited By Peter Holland Frontmatter More information ADVISORY BOARD Jonathan Bate Akiko Kusunoki Margreta de Grazia Kathleen E. McLuskie Janette Dillon Lena Cowen Orlin Michael Dobson Simon Palfrey Andrew Gurr Richard Proudfoot Ton H oe n se la ar s Emma Smith Andreas Hofele¨ Ann Thompson Russell Jackson Stanley Wells John Jowett Assistants to the Editor Catherine Clifford and Ethan Guagliardo (1) Shakespeare and his Stage (35) Shakespeare in the Nineteenth Century (2) Shakespearian Production (36) Shakespeare in the Twentieth Century (3) The Man and the Writer (37) Shakespeare’s Earlier Comedies (4) Interpretation (38) Shakespeare and History (5) Textual Criticism (39) Shakespeare on Film and Television (6) The Histories (40) Current Approaches to Shakespeare through (7) Style and Language Language, Text and Theatre (8) The Comedies (41) Shakespearian Stages and Staging (with an index (9) Hamlet to Surveys 31–40) (10) The Roman Plays (42) Shakespeare and the Elizabethans (11) The Last Plays (with an index to Surveys 1–10) (43) The Tempest and After (12) The Elizabethan Theatre (44) Shakespeare and Politics (13) King Lear (45) Hamlet and its Afterlife (14) Shakespeare and his Contemporaries -
Mark Hinton Stewart
MARK HINTON STEWART COMPOSER Mark Hinton Stewart is a British film composer whose music moves seamlessly from a refined classicism to a more contemporary feel. He has recently re-ignited his passion for writing classical works; full details are available on request. Mark composed the title music for Waterloo Road with Shed Productions for the BBC, and created a compelling score for Magnolia for Red Productions. He scored the US film feature The Man From Earth with Richard Schenkman, as well as a special two-parter of the BBC’s Casualty. He scored Holby Blue Series II, the latest creation from Tony Jordan for BBC1 made by Red Planet / Kudos, having also scored series 1, and then went onto score The Chase series 2, for Rollem Productions. He also scored the 6-part comedy series for the BBC, Parents Of The Band, created by Jimmy Nail and Tarquin Gotch. Mark most recently scored Crash, for Red Planet Pictures. Originally a classically trained pianist and organist, he has worked with some of the biggest names in the film/pop scene, from Sir George Martin to Jools Holland and Adam F. Mark assisted on the Music Supervision of both, Lock, Stock and Two Smoking Barrels and The Real Howard Spitz, and has scored a number of films including Tube Tales (the Sky Pictures movie with Ewan McGregor, Denise van Outen, Rachel Weisz, Jason Flemyng and Bob Hoskins), The Truth Game for Screen Production Associates, the feature Dog Eat Dog for Film Four/Tiger Aspect Pictures and Baby Juice Express for The Spice Factory starring Nick Moran. -
BBC Radio Ulster: Public Service Radio in Northern Ireland’S Divided Society
BBC Radio Ulster: Public Service Radio in Northern Ireland’s divided society Phil Ramsey, Ulster University [email protected] http://ulster.academia.edu/PhilRamsey | http://orcid.org/0000-0001-5873-489X Published as: Ramsey, P. (2016). BBC Radio Ulster: Public Service Radio in Northern Ireland’s divided society. Journal of Radio and Audio Media. 23(1): 144–163. (http://dx.doi.org/10.1080/19376529.2016.1155027) Abstract BBC radio has been broadcast in Northern Ireland since shortly after the establishment of the country in the early 1920s. Throughout this period it has been faced by the challenge of how to deliver public service radio in a divided society, one that has for many years experienced violent conflict. Today as BBC Radio Ulster, the station has the highest audience reach of any BBC network radio service or those nations services in Scotland and Wales. This article outlines how BBC policy serves to deliver this performance, by examining a BBC Trust Service Review in relation to culture and diversity. Keywords: BBC Radio Ulster; BBC Northern Ireland; BBC policy; BBC Trust; BBC nations; Radio; Public service broadcasting; Public Service Media; History of Northern Ireland. BBC Radio Ulster: Public Service Radio in Northern Ireland’s divided society Introduction Writing in 1996, Des Cranston argued “Let there be no ambiguity: it is wireless broadcasting that provides the continuity for the seventy years of the BBC in Northern Ireland” (Cranston, 1996, p.35). Now almost twenty years later, with the BBC having passed its ninetieth anniversary of broadcasting in Northern Ireland (NI), BBC radio broadcasting continues to play an important role within public service broadcasting (PSB) in NI (Moore, 2003). -
The Story of BBC News in Northern Ireland
chronicle The Story of BBC News in Northern Ireland GEN72252 BBC BOOKLET ST8 FINAL.indd 2 19/02/2009 19:54 GEN72252 BBC BOOKLET ST8 FINAL.indd 2 19/02/2009 19:54 Issues, Dilemmas The existence of an online accompaniment and Opportunities to this initiative is an indication of how much has changed in recent decades. Our platforms “The future is not just an extension of the past: for communication are now vastly different something new enters in.” and significantly more diverse. We have made the transition from black and white to colour (John Updike: Due Considerations) pictures and from mute film to high definition digital images. Limited local programming on The appointment of the BBC’s first television the Home Service has been succeeded by BBC journalist at Broadcasting House in Belfast was Radio Ulster and Radio Foyle and Ceefax is a significant development in 1955. In those today complemented by a range of interactive days, Northern Ireland was seen as something television services. Satellite connections, mobile of a provincial backwater where not very much telephony and the internet have become happened. Within a relatively short period almost commonplace and citizen journalism (in of time that image and everyday life were to all its different forms) is an increasing part of change in ways which would have far-reaching the BBC’s output. social, political and editorial consequences. Chronicle highlights some of the issues and Throughout the Troubles the BBC’s Belfast dilemmas which have shaped BBC journalism newsroom was a crowded, and sometimes and the audience it serves. -
Gillian Kearney
Gillian Kearney Gillian played a series regular Emma Barton on ITV's award-winning soap, Emmerdale. The series has won Best Soap for the British Soap Awards 2017, as well as Most Popular Serial Drama at the National Television Awards. Agents Olivia Homan Associate Agent [email protected] Gabriella Capisani Actors [email protected] Roles Film Production Character Director Company Harrigan's Nick Phelan Vince Woods TallTree Pictures HOMECOMING Dashiri Emma Farrell Piperfilms/6 ft High Films SHIRLEY VALENTINE Young Shirley Lewis Gilbert Paramount Pictures THE JOHN LENNON STORY: IN Cynthia David Carsons LA Productions HIS LIFE THE LIVES OF SAINTS Christella Rankin Dazed Film and TV THE OTHER HALF Holly Richard Nockles Indirect Films THE RUBY RING Elizabeth Hallmark Productions Television Production Character Director Company EMMERDALE Emma Barton ITV SUSPECTS Tamsin Fiona Walton Channel 5 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company MOVING ON Danielle Pauline Harris LA Productions / BBC 1 SILENT WITNESS DI Andrea Andy Hay BBC Bridges JUSTICE Louise Ian Barber & Noreen LA Productions Kershaw CASUALTY S22, 23, 24 Dr Jessica BBC Harrison THE SECOND SON Laura BBC BLACK CAB Girl Susan Tully BBC BLUE MURDER Lesley Paul Wrobeleski Granada TV BROOKSIDE Debbie Patrick Tucker Mersey TV CLOCKING OFF Lynne Juliet Charlesworth Red Productions DAMON AND DEBBIE Debbie Bob Carlton Mersey TV HEARTBEAT Susan Michael