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SUBSCRIPTION WEDNESDAY, APRIL 2, 2014 JAMADA ALTHANI 2, 1435 AH www.kuwaittimes.net Sir John Major to NATO to bolster Jailed Israeli spy Neymar deliver inaugural forces in east could be key rescues lecture 2at KU Europe7 to peace8 talks Barcelona20 Kuwait to create Max 27º Min 12º High Tide telecom regulator 00:53 & 12:52 Low Tide Kuwait to upgrade connectivity 07:07 & 19:33 40 PAGES NO: 16123 150 FILS KUWAIT: Kuwait’s parliament yesterday approved a bill to Kuwait is the only Gulf Arab country without a telecom Many Kuwait residents have opted for mobile broad- conspiracy theories create an independent telecom regulator, which should regulator and the creation of such a body may indicate the band instead. The creation of an independent regulator end a conflict of interest as the Ministry of government will revive plans to privatize the fixed net- still requires the ruling Amir’s approval although that is Communications currently regulates the industry and work, which has been under consideration for more than considered a formality and would end about a decade of The summit hub operates the fixed-line network. It was not clear though 20 years. Market participants such as Internet service debate and indecision over the establishment of a telecom what the new regulator’s powers will be or what impact it provider Qualitynet have complained that state control of watchdog. Kuwait relies largely on ageing copper net- might have on the country’s four major Internet service the fixed network has left Kuwait lagging behind its Gulf works for fixed telecoms services. -
2014 Russian Media
TABLE OF CONTENTS PART 1 GENERAL INFORMATION Sochi Autodrom Specifics 3–5 Media Services Map 6 Timetable 7-8 PART 2 MEDIA SERVICES Responsible: Track / FIA / Media Centre 9 Accreditation Centre / Media Centre Opening Hours 10 Press / Photographers' Area 11 Shuttle Buses: Routes / Timetable 12 Press Conferences 13 PART 3 2017 FIA FORMULA ONE WORLD CHAMPIONSHIP 2017 Regulation Changes 14 Calendar 15 Entry List 16 Circuit Characteristics & Results — AUSTRALIAN GRAND PRIX 17–18 Circuit Characteristics & Results — CHINESE GRAND PRIX 19–20 Circuit Characteristics & Results — BAHRAIN GRAND PRIX 21–22 Circuit Characteristics — RUSSIAN GRAND PRIX 23 Circuit Characteristics — SPANISH GRAND PRIX 24 Circuit Characteristics — MONACO GRAND PRIX 25 Circuit Characteristics — CANADIAN GRAND PRIX 26 Circuit Characteristics — AZERBAIJAN GRAND PRIX 27 Circuit Characteristics — AUSTRIAN GRAND PRIX 28 Circuit Characteristics — BRITISH GRAND PRIX 29 Circuit Characteristics — HUNGARIAN GRAND PRIX 30 Circuit Characteristics — BELGIAN GRAND PRIX 31 Circuit Characteristics — ITALIAN GRAND PRIX 32 Circuit Characteristics — SINGAPORE GRAND PRIX 33 Circuit Characteristics — MALAYSIAN GRAND PRIX 34 Circuit Characteristics — JAPANESE GRAND PRIX 35 Circuit Characteristics — UNITED STATES GRAND PRIX 36 Circuit Characteristics — MEXICAN GRAND PRIX 37 Circuit Characteristics — BRAZILIAN GRAND PRIX 38 Circuit Characteristics — ABU DHABI GRAND PRIX 39 Sochi Autodrom 354340, Russian Federation Krasnodar region Sochi, Adler, Triumfalnaya str. 26 +7 (862) 241-90-50, +7 (862) -
Fucking Winter Outside 15 Dmitry Vilenski Artur Żmijewski
Dimitry Vilensky (b. 1964) is an art- Artur Żmijewski (b. 1966) is an art- ist, writer and founding member of the group ist, primarily working with photography and Chto delat?/What is to be done? and serves as film. He studied in the sculpture class of Pro- 15 dmitry Vilenski the editor of its magazine. Chto delat?/What is fessor Grzegorz Kowalski at the Warsaw Art to be done? is a platform that was initiated in Academy from 1990 to 1995, as well as the Ger- Artur ŻmijeWski 2003 by a collective of artists, critics, philoso- rit Rietveld Academie in Amsterdam in 1999. phers, and writers with the goal of merging In 2005, he represented Poland at the 51st Art political theory, art, and activism. Vilensky Biennale in Venice showing a video “Repeti- regularly contributes to the group’s online tion” – a reenactment of the famous experi- magazine and he is member of the editorial ment of Phillip G. Zimbardo . He is member of board of the Art Journal. His most recent work, the Polish political movement “Krytyka Poli- created with Tsaplya [Olga Egorova], was a tyczna” and the art director of the magazine of video entitled “Russian woods” (2012) that was the same name. He curated the 7th Berlin Bi- Fucking Winter published on the group’s website [www.ch- ennale for Contemporary Art in 2012, which todelat.org]. Exhibitions of his work and that developed his position on social activism, for- of Chto delat?/What is to be done? include: “The mulated earlier in his manifesto The Applied So- Outside Lesson on Dis-Consent”, Staatliche Kunsthalle cial Arts (2007). -
History with an Attitude: Alaska in Modern Russian Patriotic Rhetoric
Andrei A. Znamenski, Memphis/USA History with an Attitude: Alaska in Modern Russian Patriotic Rhetoric Guys, stop your speculations and read books. One of my re cent discoveries is Kremlev. Here is a real history of Russia. One reads his books and wants to beat a head against a wall from the realization of how much we lost due to corruption, treason and the stupidity of our rulers – tsars, general secret aries and presidents. What wonderful opportunities we had in the past and how much we have lost!1 A nationalist blogger about the ultra-patriotic popular his tory “Russian America: Discovered and Sold” (2005) by Sergei Kremlev In Russian-American relations, Alaska is doomed to remain a literary-political metaphor – some sort of a stylistic figure of speech whose original meaning faded away being re placed with an imagined one.2 Writer Vladimir Rokot (2007) On the afternoon of October 18, 1867, a Siberian Line Battalion and a detachment of the US Ninth Infantry faced each other on a central plaza of New Archangel (Figure 1), the capital of Russian America, prepared for the official ceremony of lowering the Russian flag and of raising the Stars and Stripes. This act was to finalize the transfer of Alaska (Figure 2) from Russia to the United States, which bought the territory for $ 7.2 million. At 4 PM, Captain Aleksei Peshchurov gave orders to lower the Russian flag. After this, Brigadier General Lovell Rousseau, a representative of the US Government, ordered the American flag to be raised. Salutes were fired. This ceremony ended a brief seventy-year presence of the Russian Empire in northwestern North America.3 Driven by short-term strategic goals, Russian emperor Alexander II decided to get rid of his overseas posses sion, which represented 6 per cent of the Russian Empire territory. -
Reported Speech
REPORTED SPEECH edited by Anastasiya Osipova translators Thomas Campbell Cement Collective Jason Cieply Ian Dreiblatt Ronald Meyer Ainsley Morse REPORTED SPEECH Ingrid Nordgaard Anastasiya Osipova Lia Na’ama Ten Brink Reported Speech, 1st edition 2018 by Cicada Press New York, NY [email protected] Certain poems originally appeared in Things That Won’t Fit Inside Your Head (St. Petersburg: AnnaNova, 2005), Colorless Green Ideas Sleep Furiously (St. Petersburg and Moscow: Kraft, 2011), or Spasm of Accommodation (Berkeley: Commune Editions, 2017). Published under the license Creative Commons Attribution Non- Commercial 3.o Unported. Material may be copied, redistributed, or adapted in any medium or format for non-commerical use with appro- priate accreditation and a link to the license. The full language of the license may be found at https://creativecommons.org/licenses/by-nc/3.0 /legalcode. Pavel Arseniev ISBN 978-0-9910420-4-3 Printed in the United States of America new york, cicada press Cover image by Gleb Simonov 2018 Layout by Andrea Long Chu With special thanks to Matvei Yankelevich foreword 6 by Kevin M. F. Platt 1. colorless green ideas sleep furiously 12 (2008–2012) 2. off-topic 52 (2012) 3. incidents in political life and dreams 68 (2013) 4. poems for the road 100 (2014–2015) 5. readywritten 142 (2015) 6. poems on the history of literature 168 (2016–2017) afterword 196 by Sergey Zavyalov Nekrasov and others—and to creating institutions and con- texts around himself that enable other critical and aesthetic interventions in Russia’s present political scene. Arseniev came of age during the early 2000s, when experimental writing was still overshadowed by the wink- ing ironies of post-Soviet and postmodern disengagement from the political, and when Russian society as a whole was mired in apathy toward its cancerous, corrupt concentra- tions of power and money. -
ACTR Newsletter Book Review
123 ACTR Letter WINTER 2016 Reviewer’s Corner Книжное обозрение Kourova, Alla. Picturing and Barry Tomalin and Susan research of Russian Culture by Russia: a research guide to Stempleski, Cultural Awareness3. scholars of various disciplines Russian Culture. Dubuque, These authors distinguish and by students who are Iowa: Kendall Hunt Publishing between what has become known interested in cultural analysis” (p. Company, 2016. 132 pages. in language teaching circles as v). Kourova aims to include an ISBN- 10: 1524906255. ISBN- “capital C” or “big C”, culture, introduction to elements of 13: 978-1524906252. $55.00 for which refers to the celebrated history, literature, art, music, and the E-Book at visual or performance arts of a architecture into the objectives for https://he.kendallhunt.com/produ culture and “little C” or “small C” her work. In tandem with these ct/picturing-russia-research- culture, which includes a culture’s cultural elements, the text offers guide-russian-culture informal and often hidden patterns opportunities for cross-cultural of human interactions and analysis, linguistic data analysis People interested in Russian viewpoints4. A precise about cultural perceptions, and culture and preparing for travel, understanding of both types of Russian language development. study, or work in Russia face a culture provides optimal Furthermore, the author designed problematical task when trying to preparation for any travel, study, the book “to enhance cultural find a single, multi-faceted, or work in Russia. To this end, understanding -
The Dick Crum Collection, Date (Inclusive): 1950-1985 Collection Number: 2007.01 Extent: 42 Boxes Repository: University of California, Los Angeles
http://oac.cdlib.org/findaid/ark:/13030/kt2r29q890 No online items Finding Aid for the The Dick Crum Collection 1950-1985 Processed by Ethnomusicology Archive Staff. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the The Dick Crum 2007.01 1 Collection 1950-1985 Descriptive Summary Title: The Dick Crum Collection, Date (inclusive): 1950-1985 Collection number: 2007.01 Extent: 42 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Dick Crum (1928-2005) was a teacher, dancer, and choreographer of European folk music and dance, but his expertise was in Balkan folk culture. Over the course of his lifetime, Crum amassed thousands of European folk music records. The UCLA Ethnomusicology Archive received part of Dick Crum's personal phonograph collection in 2007. This collection consists of more than 1,300 commercially-produced phonograph recordings (LPs, 78s, 45s) primarily from Eastern Europe. Many of these albums are no longer in print, or, are difficult to purchase. More information on Dick Crum can be found in the Winter 2007 edition of the EAR (Ethnomusicology Archive Report), found here: http://www.ethnomusic.ucla.edu/archive/EARvol7no2.html#deposit. Language of Material: Collection materials in English, Croatian, Bulgarian, Serbian, Greek Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S. -
Slang Is Even Harder As It Can Be Extremely Difficult for the Uninitiated to Gauge When, Where, and with Whom Slang Is Appropriate
To Myroslava. Someday this book is gonna embarrass the hell out of you. Acknowledgments The authors would like to thank coffee. Without you, none of our efforts would ever reach fruition. We are eternally grateful. And eternally wired. USING THIS BOOK Russian is just about the coolest language in the world. But you already know that because you’ve been studying the language for a while now, right? At least I hope you have, because I didn’t write this book with the novice in mind. I designed the book to bring your Russian to the next level, a level usually reserved for natives and longtime expats. With that in mind, I’ve tried to give you all the dirty words and insider terms that your college Russian professor would never teach you. So you’re not gonna find any basic vocabulary or grammar lessons, or ways to ask somebody where the library is. It’s assumed that you know all that crap already. But if you’re looking to tell somebody to fuck off or that they’ve got a nice ass, then you’re in the right place, my friend. All of this is to say that I hope you already more or less know your way around the language before jumping into this book. It is a complex language to master even at a fairly basic level. Learning the slang is even harder as it can be extremely difficult for the uninitiated to gauge when, where, and with whom slang is appropriate. As the old saying goes: when in doubt, leave it out. -
The Uses of Tradition
THE USES OF TRADITION A COMPARATIVE ENQUIRY INTO THE NATURE, USES AND FUNCTIONS OF ORAU POETRY IN THE BALKANS, THE BALTIC, AND AFRICA EDITED BY MICHAEL BRANCH AND CELIA HAWKESWORTH School of Slavonic and East European Studies University of London Finnish Literature Society, Helsinki THE USES OF TRADITION A Comparative Enquiry into the Nature, Uses and Functions of Oral Poetry in the Balkans, the Baltic, and Africa Edited by MICHAEL BRANCH and CELIA HAWKESWORTH London 1994 School of Slavonic and East European Studies University of London Finnish Literature Society Helsinki Digitized by the Internet Archive in 2019 with funding from UCL School of Slavonic and East European Studies (SSEES) https://archive.org/details/SSEES0008 THE USES OF TRADITION A Comparative Enquiry into the Nature, Uses and Functions of Oral Poetry in the Balkans, the Baltic and Africa THE USES OF TRADITION: A COMPARATIVE ENQUIRY INTO THE NATURE, USES AND FUNCTIONS OF ORAL POETRY IN THE BALKANS, THE BALTIC, AND AFRICA Edited by Michael Branch and Celia Hawkesworth The Uses of Tradition A Comparative Enquiry into the Nature, Uses and Functions of Oral Poetry in the Balkans, the Baltic, and Africa © School of Slavonic and East European Studies 1994 SSEES Occasional Papers No. 26 ISBN: 0 903425 38 6 Finland ISBN: 951 111 842 5 All rights reserved. No part of this publication may be stored in a retrieval system, or transmitted in any other form or by any means, electronic, mechanical, recording or otherwise, without the prior permission of the School of Slavonic and East European Studies. Copies of this publication and others in the School's refereed series of Occasional Papers can be obtained from the Publications and Conferences Office, SSEES, Senate House, Malet Street, London WC1E 7EEU. -
THE RUSSIA JOURNAL Published in Moscow & Washington, D.C
WEEKLY THE RUSSIA JOURNAL Published in Moscow & Washington, D.C. August 16 - 22, 2002 Since 1998. Vol. 5, No. 127 AVIATION THE FIFTH DREAMING COMPLICATION ELEMENT OF BIG BEN Recent crashes lead to The city plans to replace A new travel agency hopes insurance premium hikes. five-story Khrushchevkas. to cash in on U.K. travel. Page 3 Page 4 Page 5 DivineDivine interventionintervention Russia’s church- restoration firms cry corruption Pages 6-7 ITAR-TASS WHO OWNS LUKASHENKO RUSSIA AND INFLATION An inside look into the A roundup of the week’s country’s show-business business news in Russia industry and its leaders. and the C.I.S. PAGES 14−16 PAGES 17−20 ITAR-TASS ITAR-TASS www.Loot.ru The best connection you will ever make Bilingual clas- sifieds portal Apartments and offices for rent • Build a workforce • Get career advice • Expand for Russia and FURNISHED APARTMENTS AVAILABLE your opportunities Eurasia Management and Leasing: Advertisement enquiries theLEADER Hines at (095) 937-6688 ONWARD, UPWARD tel: 956−5050 • fax: 956−5920 • www.mbtg.ru/ppm or e-mail:[email protected] www.theLeader.ru 14 > August 16 − 22, 2002 ИД "Коммерсантъ" Who owns Russia The Russia Journal presents the next installment in a Kommersant-Vlast and NTV report that unmasks the people behind Russian industry. Welcome to the music industry Kommersant prizes were awarded in exchange for bribes. In 2001, Sirotyuk announced that, History of the sector from then on, he would take money for ▼ 1995❙ giving an award officially. In May, Radio Maximum gave its backing to the first Maxidrome rock festival in ▼ 1993❙ Moscow. -
Russia in Global Affairs July
RUSSIA in GLOBAL AFFAIRS Vol. 5•No. 3•JULY – SEPTEMBER•2007 Contents A Time for Life Jackets? Fyodor Lukyanov 5 Putin and Beyond Sovereign Democracy: A New Russian Idea or a PR Project? Andrei Okara 8 ‘Sovereign democracy’ carries two simultaneous messages to Russian society. The first message says that we are a party wielding state power and a sovereign elite, and the sources of our legitimacy are found in Russia, not in the West, like it was during the ‘guided democracy’ of the Yeltsin era. Second, being a power-wielding force, we are the guarantors of Russia’s sovereignty and survival in the context of globalization and other external super-threats. Russia Today: Up the Down Staircase Vladislav Inozemtsev 21 The year 2008 will be problematic because the bureaucratic class is divided. One part of the bureaucracy, which has gained control over substantial assets, is ready in principle to formally change the image of bureaucrats for the status of businessmen. The other part of the bureaucracy, which has recently gained access to state funds, or acts as a parasite on the manage- ment of financial flows, fears any changes. Free from Morality, Or What Russia Believes In Today Svetlana Babayeva 34 The vacuum of ideas, compounded with the insecurity of material status (the Russian market still remains an unpredictable place), makes it impossible to set and fulfill objectives (materialize one’s dreams) or cause aggression or unwillingness to make progress. People have developed the ability to “enjoy the moment”, but the resultant movement lacks both vector and meaning. Russian Federalism and Evolution of Self-Determination Ivan Sukhov 46 The pattern of informal regulation of the relationship between the federal center and constituent territories that has been adopted in Russia now is reminiscent of a decaying ancient Rome that did not feel squeamish about handing over border provinces to barbarian federates. -
Nine Inch Nails' Trent Reznor Feels
LIFESTYLE37 WEDNESDAY, APRIL 2, 2014 MUSIC & MOVIES Russian rock stars rail against Crimea campaign Indian Bollywood actor Suniel Shetty, African actor Vipinno and Bollywood director Asshu Trikha speak onstage during a promotional event for the forthcoming Hindi film ‘Koyelaanchal’, produced and directed by Asshu Trikha, in Mumbai. — AFP Nine Inch Nails’ Trent A picture taken on October 11, 2010, shows Russian rock musicians Andrey Makarevich and Boris Grebenshchikov speaking with Dmitry Medvedev, then Russiaís President, during their meeting Beat-Blues Cafe in Moscow. — AFP photos hile patriotic fervour grips Russia ‘From Crimea to the Yenisei!’ over its takeover of Crimea and The Kremlin has a cohort of stars Reznor feels ‘fresh start’ WPresident Vladimir Putin’s ready to turn out in support, however. approval ratings soar, some of the top For Red Square celebrations after rent Reznor says he feels “a fresh new start” for Nine Inch Nails after names in Russian rock have emerged as Crimea’s annexation, rock band Lyube- the band’s latest album and world tour. Reznor released “Hesitation among very few high-profile voices of said to be a favorite of Putin’s-swiftly Marks” in September after his long, self-imposed hiatus. In the five T dissent inside the country. Those who updated a patriotic hit to sing that Russia years since the industrial rockers’ last offering, he won an Academy Award have criticized the intervention in Crimea stretches “From Crimea to the Yenisei,” for his soundtrack work on “The Social Network,” married musician include several grizzled veterans of the referring to a river in Siberia.