DIRECTIONS to BAROQUE NAPLES Helen Hills
1 INTRODUCTION: DIRECTIONS TO BAROQUE NAPLES Helen Hills Abstract How have place in Naples and the place of Naples been imagined, chartered, explored, and contested in baroque art, history and literature? This special issue revisits baroque Naples in light of its growing fashionability. After more or less ignoring Naples for decades, scholars are now turning from the well-trodden fields of northern and central Italy to the south. This is, therefore, an opportune moment to reconsider the paradigms according to which scholarship has -- often uncritically – unrolled. How has scholarship kept Naples in its place? How might its place be rethought? Keywords: Naples, baroque, meridionalismo, viceregency, colonialism, Spanish empire, architecture, urbanism, excess, ornament, marble, Vesuvius, Neapolitan baroque art, city and body, Jusepe de Ribera, city views, still-life painting, saints and city, place, displacement Full text: http://openartsjournal.org/issue-6/article-0 DOI: http://dx.doi.org/10.5456/issn.2050-3679/2018w00 Biographical note Helen Hills is Professor of History of Art at the University of York. She taught at the University of North Carolina at Chapel Hill and the University of Manchester before being appointed Anniversary Reader at York. Her research focuses on Italian baroque art and architecture in relation to religion, gender, and social class, exploring how architecture and place are productive and discontinuous, even disjunctive. She has published widely on baroque theory, southern Italian baroque art and architecture; religious
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