Presseheft Defiance
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Conor Mcpherson 88 Min., 1.85:1, 35Mm
Mongrel Media Presents THE ECLIPSE A film by Conor McPherson 88 min., 1.85:1, 35mm (88min., Ireland, 2009) www.theeclipsefilm.com Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS THE ECLIPSE tells the story of Michael Farr (Ciarán Hinds), a teacher raising his two kids alone since his wife died two years earlier. Lately he has been seeing and hearing strange things late at night in his house. He isn't sure if he is simply having terrifying nightmares or if his house is haunted. Each year, the seaside town where Michael lives hosts an international literary festival, attracting writers from all over the world. Michael works as a volunteer for the festival and is assigned the attractive Lena Morelle (Iben Hjejle), an author of books about ghosts and the supernatural, to look after. They become friendly and he eagerly tells her of his experiences. For the first time he has met someone who can accept the reality of what has been happening to him. However, Lena’s attention is pulled elsewhere. She has come to the festival at the bidding of world-renowned novelist Nicholas Holden (Aidan Quinn), with whom she had a brief affair the previous year. He has fallen in love with Lena and is going through a turbulent time, eager to leave his wife to be with her. -
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MR. CHURCH Make-Up Department Head Director: Bruce Beresford Cast: Britt Robertson, Xavier Samuel, Christian Madsen SPY Make-Up Department Head Director: Paul Feig Cast: Jason Statham, Rose Byrme, Peter Serafinowicz, Julian Miller THE PURGE 2 - ANARCHY Make-Up Department Head and Mask Design Director: James DeMonaco Cast: Michael K. Williams, Frank Grillo, Carmen Ejogo BONNIE AND CLYDE Make-Up Department Head Director: Bruce Beresford Cast: Emile Hirsch, Holly Hunter, William Hurt, Sarah Hyland Nominee: Emmy – Outstanding Make-Up for a Miniseries or a Movie (Non-Prosthetic) ENDER’S GAME Make-Up Department Head Director: Gavin Hood Cast: Harrison Ford, Asa Butterfield, Sir Ben Kingsley JACK REACHER Make-Up Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall THE RITE Make-Up and Hair Designer Director: Mikael Håfström Cast: Alice Braga, Anthony Hopkins, Ciarán Hinds A NIGHTMARE ON ELM STREET Department Head Make-Up, Los Angeles Director: Samuel Bayer Cast: Jackie Earle Hayley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown LONDON DREAMS Make-Up and Hair Designer Director: Vipul Amrutlal Shah Cast: Salman Khan, Ajay Devgan, Asin, THE COURAGEOUS HEART Make-Up and Hair Department Head OF IRENA SENDLER Director: John Kent Harrison Hallmark Hall of Fame Cast: Anna Paquin, Goran Visnjic, Marcia Gay Harden Winner: Emmy for Outstanding Make-Up for a Miniseries or Movie -
Director Zwick Defies the Typical WWII Film Advertisement by Anthony Breznican, USA TODAY
Director Zwick defies the typical WWII ... EC Be one of the first 100 businesses to register and have $50 loaded onto your debit card. BUSINESS nroll now 1 Use promo code BAI208MMNG ADVA TAG (!@ PRINTTHIS Powered by r;a· tility I ~ Click to Print I SAVE n-ilS I EM<\ IL niS I Oose Director Zwick defies the typical WWII film Advertisement By Anthony Breznican, USA TODAY LOS ANGELES- It all started with little boys playing war. REVIEW: War drama 'Defiance' meets with resistance In the late 1950s, Edward Zwick was a little boy running around his suburban Chicago neighborhood with friends, pretending to fight the Axis powers like the heroic soldiers or flying aces from their fa write World War II movies. "Gregory Peck seemed to star in all of them -12 O'Clock High, The Guns ofNavarone," says Zwick, now 56, who grew up to become the director of Glory, Legends of the Fall, The Last Samurai and Blood Diamond. "But," he adds, ·~o be a Jewish kid was to hear other stories ... " Those were about the Holocaust, and ZWick was secretly troubled by the all-too-easy question kids often ask, which has a million hard answers: \lllhydidn~theyfight back? ''You try to reconcile the difference between the stories ~u heard aboutthe victimization of people like you, and then these other heroes," he says of the screen fighters he idolized. "It had some kind of pain attached to it, really." He has finally gotten to tell his own story of tough, fighting Jews, and he did it with the help of007. -
The Last Samurai À Vaincre Sans Humilité, on Triomphe Sans Gloire Le Dernier Samurai, États-Unis / Nouvelle-Zélande / Japon 2003, 154 Minutes Charles-Stéphane Roy
Document généré le 29 sept. 2021 09:16 Séquences La revue de cinéma The Last Samurai À vaincre sans humilité, on triomphe sans gloire Le Dernier Samurai, États-Unis / Nouvelle-Zélande / Japon 2003, 154 minutes Charles-Stéphane Roy Numéro 230, mars–avril 2004 URI : https://id.erudit.org/iderudit/59099ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Roy, C.-S. (2004). Compte rendu de [The Last Samurai : à vaincre sans humilité, on triomphe sans gloire / Le Dernier Samurai, États-Unis / Nouvelle-Zélande / Japon 2003, 154 minutes]. Séquences, (230), 51–51. Tous droits réservés © La revue Séquences Inc., 2004 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ JHE LAST SAMURAI À vaincre sans humilité, on triomphe sans gloire uisant dans des valeurs viriles et des thèmes mili Ptaires (Glory, Courage Under Fire, Legends of the Fall, The Siege), la filmographie de Edward Zwick prône avec insistance la notion d'honneur individuel, la fraternité clanique et l'esprit de loyauté. -
49Th USA Film Festival Schedule of Events
HIGH FASHION HIGH FINANCE 49th Annual H I G H L I F E USA Film Festival April 24-28, 2019 Angelika Film Center Dallas Sienna Miller in American Woman “A R O L L E R C O A S T E R O F FABULOUSNESS AND FOLLY ” FROM THE DIRECTOR OF DIOR AND I H AL STON A F I L M B Y FRÉDERIC TCHENG prODUCeD THE ORCHARD CNN FILMS DOGWOOF TDOG preSeNT a FILM by FrÉDÉrIC TCHeNG IN aSSOCIaTION WITH pOSSIbILITy eNTerTaINMeNT SHarp HOUSe GLOSS “HaLSTON” by rOLaND baLLeSTer CO- DIreCTOr OF eDITeD MUSIC OrIGINaL SCrIpTeD prODUCerS STepHaNIe LeVy paUL DaLLaS prODUCer MICHaeL praLL pHOTOGrapHy CHrIS W. JOHNSON by ÈLIa GaSULL baLaDa FrÉDÉrIC TCHeNG SUperVISOr TraCy MCKNIGHT MUSIC by STaNLey CLarKe CINeMaTOGrapHy by aarON KOVaLCHIK exeCUTIVe prODUCerS aMy eNTeLIS COUrTNey SexTON aNNa GODaS OLI HarbOTTLe LeSLey FrOWICK IaN SHarp rebeCCa JOerIN-SHarp eMMa DUTTON LaWreNCe beNeNSON eLySe beNeNSON DOUGLaS SCHWaLbe LOUIS a. MarTaraNO CO-exeCUTIVe WrITTeN, prODUCeD prODUCerS ELSA PERETTI HARVEY REESE MAGNUS ANDERSSON RAJA SETHURAMAN FeaTUrING TaVI GeVINSON aND DIreCTeD by FrÉDÉrIC TCHeNG Fest Tix On@HALSTONFILM WWW.HALSTON.SaleFILM 4 /10 IMAGE © STAN SHAFFER Udo Kier The White Crow Ed Asner: Constance Towers in The Naked Kiss Constance Towers On Stage and Off Timothy Busfield Melissa Gilbert Jeff Daniels in Guest Artist Bryn Vale and Taylor Schilling in Family Denise Crosby Laura Steinel Traci Lords Frédéric Tcheng Ed Zwick Stephen Tobolowsky Bryn Vale Chris Roe Foster Wilson Kurt Jacobsen Josh Zuckerman Cheryl Allison Eli Powers Olicer Muñoz Wendy Davis in Christina Beck -
Teaching English in a Nuclear Age
DOCUMENT RESUME ED 257 082 CS 208 903 AUTHOR Davis, Ken, Ed. 1ITLE Teaching English ina Nuclear Age. INSTITUTION Kentucky Council of Teachers of English. PUB DATE 85 NOTE 108p. AVAILABLE FROMNational Council of Teachers of English,1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 50713,$3.00 member, $3.50 nonmember). PUB TYPE Collected Works - Serials (022) JOURNAL CIT Kentucky English Bulletin; v34 n2 Win 1984-85 EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS Curriculum; *English Curriculum; *English Instruction; Higher Education; Literature Appreciation; *Nuclear Energy; NuclearTechnology; *Nuclear Warfare; *Social Problems; TeachingMethods; Writing Instruction ABSTRACT Various aspects of teaching English ina nuclear age is the focus of the 13 articles inthis journal. Titles of the articles are as follows: (1) "TheFuture? Educating about the Nuclear Arms Race"; (2) "Nuclear Arms in a University EnglishClass"; (3) "Prospectus for a Course on War, Peace, and Apocalypsein Western Thought and Literature";(4) "Teaching the Unthinkable"; (5) "Hope for a Hopeless Situation"; (6) "TeachingChaucer in a Nuclear Age"; (7) "Some Observationson Teaching English in a Nuclear Age"; (8) "Resurrecting Relevance in the CompositionClassroom"; (9) "Nuclear Weapons in the Composition Classroom ";(10) "Nukespeak"; (11) The American Media and the Nuclear Threat"; (12)"An Annotated Bibliography of Nuclear Fiction'; and (13)"Poetry of the Nuclear Age: A Checklist." (DF) *********************************************************************** Reproductions supplied by EDRSare the best that can be made from the original document. *********************************************************************** PERMISSION TO REPRODUCE THIS MATE R1A HA', BE EN GRANTED BY h W.1).1v l s to) THEE DT,( A TIONAL SOURC.P.., U S DEPARTMENT OF EDUCATION 04,(rittrit (0 (010:AtiOry trN,JF oc,d4A 1 ION t;E N TER 'EPIC TEACHING ENGLISH IN A NUCLEAR AGE Vol, 34 Winter 19814-85 No. -
Brad Pitt from Wikipedia, the Free Encyclopedia
Brad Pitt From Wikipedia, the free encyclopedia For the Australian boxer, see Brad Pitt (boxer). Brad Pitt Pitt at Sydney's red carpet for World War Zpremiere in 2013 Born William Bradley Pitt December 18, 1963 (age 50) Shawnee, Oklahoma, U.S. Occupation Actor, film producer Years active 1987–present Religion None Spouse(s) Jennifer Aniston (m. 2000–05) Partner(s) Angelina Jolie (2005–present; engaged) Children 6 William Bradley "Brad" Pitt (born December 18, 1963) is an American actor and film producer. He has received a Golden Globe Award, a Screen Actors Guild Award, and three Academy Award nominations in acting categories, and received two further Academy Award nominations, winning one, for productions of his film production company Plan B Entertainment. He has been described as one of the world's most attractive men, a label for which he has received substantial media attention.[1][2] Pitt first gained recognition as a cowboy hitchhiker in the road movie Thelma & Louise (1991). His first leading roles in big-budget productions came with A River Runs Through It (1992), Interview with the Vampire (1994), and Legends of the Fall (1994). He gave critically acclaimed performances in the crime thriller Seven and the science fiction film 12 Monkeys (both 1995), the latter earning him a Golden Globe Award for Best Supporting Actor and an Academy Award nomination. Pitt starred in the cult filmFight Club (1999) and the major international hit Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). His greatest commercial successes have been Troy (2004), Mr. -
A Historian Reflects on America's Half-Century Encounter With
THE VIEW FROM THE NINETIES ast-forward a full decade. By fiction to movies, video games, the mid-1990s, the Cold War and television programs. Further, Fwas fading into memory, and Americans continued to wrestle the "nuclear threat" had mutated with the meaning of the primal from its classic form—a nightmar event that had started it all, the ish, world-destroying holocaust— atomic destruction of two cities by into a series of still-menacing but the order of a U.S. president in Au less cosmic regional dangers and gust 1945- The fiftieth anniversary technical issues. of the end of World War II, and of But these developments, wel the nearly simultaneous Hiroshima come as they were, did not mean and Nagasaki bombings, raised that the historical realities ad this still contentious issue in a par dressed in this book had suddenly ticularly urgent form, inviting re vanished. For one thing, nuclear flections on America's half-century menace in forms both fanciful and effort to accommodate nuclear serious remained very much alive weapons into its strategic thinking, in the mass culture, from popular its ethics, and its culture. 197 1 4 NUCLEAR MENACE IN THE MASS CULTURE OF THE LATE COLD WA R ERA AN D BEYOND Paul Boyer and Eric Idsvoog v espite the end of the Cold War, the waning of the nu clear arms race, and the disappearance of "global Dthermonuclear war" from pollsters' lists of Ameri cans' greatest worries, U.S. mass culture of the late 1980s and the 1990s was saturated by nuclear themes. -
Ego Defense Mechanism in Edward Zwick's Blood
EGO DEFENSE MECHANISM IN EDWARD ZWICK’S BLOOD DIAMOND MOVIE: A PSYCHOANALYTIC APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by DYAN INDRIYANTI A 320 030 328 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2008 CHAPTER I INTRODUCTION A. Background of the Study Literature is the expression of life in words of truth and beauty, it is the written record of man’s spirit of his thought, emotion, aspirations and it is the history and only the history of the human soul having characteristic of its artistic quality, it is suggestiveness and its permanent qualities which will never fade (http://www.e-topic-com/articles/26/1/the -importance-and meaning-of-literature/page I.htm). Based on the statement, the writer concludes that literature is creative process and has artistic value. The creation of character and the invention of story are made by the author who have ability use his or her psychology phenomena around them as inspiration. Psychology phenomena are concern with human behavior that can be actualized in literary work such as movie. The successful of literary work is supported by artist itself. Artist must be able to perform the character of story as best they can which is demanded by author’s imagination. According to Freud: The artist is originally a man who turn in reality because he can’t come to term with the demands for the renunciations of instinctual satisfaction as it is first made and who then in phantasm life allow full play to his erotic and ambitious wishes, but he finds a way of return from this world of phantasm back to reality; with his special gifts,, he moulds is valuable reflection of actual life thus by certain path he actually become hero, king, creator, favorite, he desired to be, without the circuitous path of creation real alteration in the outer world (Wellek,1956: 92). -
WFLDP Leadership in Cinema – Courage Under Fire 2 of 16 Facilitator Reference
Facilitator Reference COURAGE UNDER FIRE Submitted by: Pam McDonald ........................................................... E-mail: [email protected] Phone: 208-387-5318 Studio: Twentieth Century Fox ............................................................................. Released: 1996 Genre: Drama ......................................................... Audience Rating: R (inappropriate language) Runtime: 117 minutes Materials VCR or DVD, television or projection system, Wildland Fire Leadership Values and Principles handouts (single-sided), Leading in the Wildland Fire Service, Incident Response Pocket Guide (IRPG), notepads, writing utensils Objective Students will identify Wildland Fire Leadership Values and Principles illustrated within Courage Under Fire and discuss leadership lessons learned with group members or mentors. Basic Plot While investigating Captain Karen Walden’s candidacy for a posthumous Medal of Honor award, Colonel Nat Serling finds inconsistencies in the stories told by the late pilot’s crew members. Serling is also forced to deal with his own disillusionment and guilt surrounding personal involvement in a friendly fire mishap that resulted in the death of his best friend. Leadership lessons focus on leading in a high-risk operational environment, female leadership, conflict, and moral leadership. Some links in this document will direct you to a non-government website that may have different policies from those of NWCG. Facilitator Reference Cast of Main Characters Colonel Nat Serling ........................................................................... -
AAHE Bulletin, 1995-96. INSTITUTION American Association for Higher Education, Washington, D.C
DOCUMENT RESUME ED 399 925 HE 029 561 AUTHOR Marchese, Theodore J., Ed. TITLE AAHE Bulletin, 1995-96. INSTITUTION American Association for Higher Education, Washington, D.C. PUB DATE 96 NOTE 190p. AVAILABLE FROMAmerican Association for Higher Education, One Dupont Circle, Suite 360, Washington, DC 20036-1110 ($35, annual subscription; $5, single issue). PUB TYPE Collected Works Serials (022) JOURNAL CIT AAHE Bulletin; v48 n1-10 Sep 1995-Jun 1996 EDRS PRICE MFOI/PC08 Plus Postage. DESCRIPTORS Academic Standards; Administrator Role; Citizen Participation; College Faculty; College Freshmen; *College Instruction; College School Cooperation; Departments; *Distance Education; *Educational Assessment; Educational Change; *Educational Quality; Elementary Secondary Education; Higher Education; Instructional Improvement; School Schedules; Student Evaluation; Undergraduate Study IDENTIFIERS *American Association for Higher Education ABSTRACT The 10 issues of this organizational bulletin for the 1995-96 school year present reports, reviews, andessays on issues concerning the advancement of higher education as wellas organizational news items. Major articles include: "Bowling Alone"--An Interview with Robert Putnam; "Crossing Boundaries: Pathways to Productive Learning and Community Renewal" (Russell Edgerton); "'Read My Lips': The Academic Administrator's Role inthe Campus Focus on Teaching" (Joan Deguire North); "Front-End Alignment/An Introduction to the Standards Movement" (Ruth Mitchell); "How Standards-Based K-12 Reforms Affect Higher Education" (Francis Griffith); "Student Collaboration: Not Always What the Instructor Wants" (Donald McCabe and Sally Cole); "Reassessing (and Defining) Assessment" (Thomas Angelo); "Just Say No' to Calendar Change" (Thomas Trzyna); "Distance Education: The Options Follow Mission" (Susan Rogers); "Resources for Learning about Distance Education"; "Giving Distance Learning a Try" (Norman Coombs and Edward White); "Crossing Boundaries" (information about the 1996 national conference); "Persistent Problems in Evaluating College Teaching" (W. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.