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The Night Alive
THE NIGHT ALIVE BY CONOR MCPHERSON DRAMATISTS PLAY SERVICE INC. THE NIGHT ALIVE Copyright © 2014, Conor McPherson All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE NIGHT ALIVE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE NIGHT ALIVE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to Curtis Brown, Ltd. -
Famous Chicagoans Source: Chicago Municipal Library
DePaul Center for Urban Education Chicago Math Connections This project is funded by the Illinois Board of Higher Education through the Dwight D. Eisenhower Professional Development Program. Teaching/Learning Data Bank Useful information to connect math to science and social studies Topic: Famous Chicagoans Source: Chicago Municipal Library Name Profession Nelson Algren author Joan Allen actor Gillian Anderson actor Lorenz Tate actor Kyle actor Ernie Banks, (former Chicago Cub) baseball Jennifer Beals actor Saul Bellow author Jim Belushi actor Marlon Brando actor Gwendolyn Brooks poet Dick Butkus football-Chicago Bear Harry Caray sports announcer Nat "King" Cole singer Da – Brat singer R – Kelly singer Crucial Conflict singers Twista singer Casper singer Suzanne Douglas Editor Carl Thomas singer Billy Corgan musician Cindy Crawford model Joan Cusack actor John Cusack actor Walt Disney animator Mike Ditka football-former Bear's Coach Theodore Dreiser author Roger Ebert film critic Dennis Farina actor Dennis Franz actor F. Gary Gray directory Bob Green sports writer Buddy Guy blues musician Daryl Hannah actor Anne Heche actor Ernest Hemingway author John Hughes director Jesse Jackson activist Helmut Jahn architect Michael Jordan basketball-Chicago Bulls Ray Kroc founder of McDonald's Irv Kupcinet newspaper columnist Ramsey Lewis jazz musician John Mahoney actor John Malkovich actor David Mamet playwright Joe Mantegna actor Marlee Matlin actor Jenny McCarthy TV personality Laurie Metcalf actor Dermot Muroney actor Bill Murray actor Bob Newhart -
Director Zwick Defies the Typical WWII Film Advertisement by Anthony Breznican, USA TODAY
Director Zwick defies the typical WWII ... EC Be one of the first 100 businesses to register and have $50 loaded onto your debit card. BUSINESS nroll now 1 Use promo code BAI208MMNG ADVA TAG (!@ PRINTTHIS Powered by r;a· tility I ~ Click to Print I SAVE n-ilS I EM<\ IL niS I Oose Director Zwick defies the typical WWII film Advertisement By Anthony Breznican, USA TODAY LOS ANGELES- It all started with little boys playing war. REVIEW: War drama 'Defiance' meets with resistance In the late 1950s, Edward Zwick was a little boy running around his suburban Chicago neighborhood with friends, pretending to fight the Axis powers like the heroic soldiers or flying aces from their fa write World War II movies. "Gregory Peck seemed to star in all of them -12 O'Clock High, The Guns ofNavarone," says Zwick, now 56, who grew up to become the director of Glory, Legends of the Fall, The Last Samurai and Blood Diamond. "But," he adds, ·~o be a Jewish kid was to hear other stories ... " Those were about the Holocaust, and ZWick was secretly troubled by the all-too-easy question kids often ask, which has a million hard answers: \lllhydidn~theyfight back? ''You try to reconcile the difference between the stories ~u heard aboutthe victimization of people like you, and then these other heroes," he says of the screen fighters he idolized. "It had some kind of pain attached to it, really." He has finally gotten to tell his own story of tough, fighting Jews, and he did it with the help of007. -
Interweaving the Local and the Global in Conor Mcpherson’S the Weir
International Journal of Management and Applied Science, ISSN: 2394-7926 Volume-3, Issue-7, Jul.-2017 http://iraj.in INTERWEAVING THE LOCAL AND THE GLOBAL IN CONOR MCPHERSON’S THE WEIR MAHA ALATAWI School of English, drama, and Film Email: [email protected] Abstract- Focusing on the Irish playwright Conor McPherson’s the Weir, this paper explores how late- twentieth and early twenty-first century Irish drama – set within local places and shaped by the role of the supernatural – offers new ways in which to consider the relations between the national and the global. McPherson’s plays represent the interests of Ireland in specific time periods and places but have broader meaning and significance as they offer insight into the human condition. History and the supernatural are prevalent themes of McPherson’s works – he incorporates older traditions of ghost stories and storytelling – yet places them in a modern world. This paper argues for a realism that is grounded in the wider recognition of changing global, social and cultural conditions. Yet within these, certain human weaknesses and behavioural patterns remain static. In The Ethos of a Late-Modern Citizen, White suggests that changing democratic trends in Western societies asks for us to re-examine our role as citizens. White frames his theoretical approach by asking ‘what sort of "characteristic spirit" or "sentiment" should we be trying to cultivate as we seek to confront the deep challenges of late- modern life?’; citizens and minds of the future can no longer be inward looking or inward focused, but equally, as McPherson suggests in his plays, citizens rely on the personal associations and past experiences in order to forge an identity. -
Critical Acclaim for the Seafarer
B e t w e e n T h e Between The Lines: Vol II Issue I 2008 Background on The Seafarer The Seafarer, like many of McPherson’s plays is set in In a candid interview with American Theatre Ireland, specifically in Baldoyle, a coastal town north Magazine, McPherson describes the moment of of Dublin. The play centers on Sharky, an alcoholic inspiration for The Seafarer: who returns home to care for his aging brother, Richard, who recently went blind. They are joined “The journey of The Seafarer was a long one for by Sharky’s friends Ivan and Nicky who are holed up me. There’s this monument in Ireland… a 5,000- in the basement of Richard’s home during a severe year-old tomb called Newgrange. It’s got a long storm. The friends’ poker game is interrupted by the tunnel with a little hole in the middle of it and arrival of a mysterious friend, Mr. Lockhart who raises on the winter solstice each year; the sun shines the stakes of the game damningly high. directly down that chamber and lights it up — on the darkest day of the year. That image was… so The Seafarer opened at the National Theatre in 2006 simple, spiritual, amazing. I wanted to write a play garnering the Olivier-Award for Best Play before that had that moment… that darkest moment, moving to Broadway in December 2007. One of the darkest day of the year, where at the end the most acclaimed plays of last season, the show ran a light comes in.” brief 133 performances at the Booth Theatre before becoming one of several casualties due to the stage- hands strike that closed nearly all Broadway shows for weeks. -
Brad Pitt from Wikipedia, the Free Encyclopedia
Brad Pitt From Wikipedia, the free encyclopedia For the Australian boxer, see Brad Pitt (boxer). Brad Pitt Pitt at Sydney's red carpet for World War Zpremiere in 2013 Born William Bradley Pitt December 18, 1963 (age 50) Shawnee, Oklahoma, U.S. Occupation Actor, film producer Years active 1987–present Religion None Spouse(s) Jennifer Aniston (m. 2000–05) Partner(s) Angelina Jolie (2005–present; engaged) Children 6 William Bradley "Brad" Pitt (born December 18, 1963) is an American actor and film producer. He has received a Golden Globe Award, a Screen Actors Guild Award, and three Academy Award nominations in acting categories, and received two further Academy Award nominations, winning one, for productions of his film production company Plan B Entertainment. He has been described as one of the world's most attractive men, a label for which he has received substantial media attention.[1][2] Pitt first gained recognition as a cowboy hitchhiker in the road movie Thelma & Louise (1991). His first leading roles in big-budget productions came with A River Runs Through It (1992), Interview with the Vampire (1994), and Legends of the Fall (1994). He gave critically acclaimed performances in the crime thriller Seven and the science fiction film 12 Monkeys (both 1995), the latter earning him a Golden Globe Award for Best Supporting Actor and an Academy Award nomination. Pitt starred in the cult filmFight Club (1999) and the major international hit Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). His greatest commercial successes have been Troy (2004), Mr. -
Irish Film Institute What Happened After? 15
Irish Film Studyguide Tony Tracy Contents SECTION ONE A brief history of Irish film 3 Recurring Themes 6 SECTION TWO Inside I’m Dancing INTRODUCTION Cast & Synopsis 7 This studyguide has been devised to accompany the Irish film strand of our Transition Year Moving Image Module, the pilot project of the Story and Structure 7 Arts Council Working Group on Film and Young People. In keeping Key Scene Analysis I 7 with TY Guidelines which suggest a curriculum that relates to the Themes 8 world outside school, this strand offers students and teachers an opportunity to engage with and question various representations Key Scene Analysis II 9 of Ireland on screen. The guide commences with a brief history Student Worksheet 11 of the film industry in Ireland, highlighting recurrent themes and stories as well as mentioning key figures. Detailed analyses of two films – Bloody Sunday Inside I'm Dancing and Bloody Sunday – follow, along with student worksheets. Finally, Lenny Abrahamson, director of the highly Cast & Synopsis 12 successful Adam & Paul, gives an illuminating interview in which he Making & Filming History 12/13 outlines the background to the story, his approach as a filmmaker and Characters 13/14 his response to the film’s achievements. We hope you find this guide a useful and stimulating accompaniment to your teaching of Irish film. Key Scene Analysis 14 Alicia McGivern Style 15 Irish FIlm Institute What happened after? 15 References 16 WRITER – TONY TRACY Student Worksheet 17 Tony Tracy was former Senior Education Officer at the Irish Film Institute. During his time at IFI, he wrote the very popular Adam & Paul Introduction to Film Studies as well as notes for teachers on a range Interview with Lenny Abrahamson, director 18 of films including My Left Foot, The Third Man, and French Cinema. -
Family Aidan Quinn
Sensory Strategies | Latest Research | Healing Through Nutrition Family Wellness FEB-MAR 2014 Healthy ISSUE 54 Mind, Body & Spirit Providing Hope and Help for Autism Families Green Home– Aidan Healthy Kids Top family health Quinn strategies from Speaks out on Deirdre Imus parenting, vaccines, and unmet needs Toxins, Allergens, in the ASD community & ASD Bestselling author Dr. Doris Rapp with what you need to know NOW The Mercury Debate Conflicting Evidence of Toxicity The Purest Nutritional Supplements in the World! E THAN 950 C OR ON M TA OR M F IN D A E N T T S S E ! T H . e . a e v r y o M M e t & a s ls e id $ ic Ba st cte Pe ria d $ $ Yeast $ Mol E THAN 950 C OR ON M TA OR M F IN D A E N T T S S E ! THAN 950 T ORE CO M NT H Every ingredient* in every product R A . M e . O . F I a N e v r D A E N y o T T S M M S E e ! & T ta s H l . e s e . a ® d i e $ v r c y B ti o a s M c e M t P e er t & ia $ a s manufactured by Kirkman is $ old ls e Yeast $ M id $ ic Ba st cte Pe ria d $ $ Yeast $ Mol tested for more than 950 environmental contaminants! * except in lotions, creams and oils www.kirkmangroup.com Use Key Code AF214 for 20% OFF [email protected] your order of $100 or more. -
DISSERTATION Final
“We've All To Grow Old”: Representations of Aging as Reflections of Cultural Change on the Celtic Tiger Irish Stage DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Christopher Austin Hill B.A., M.A. Graduate Program in Theatre History, Literature, Criticism The Ohio State University 2013 Dissertation Committee: Chair: Dr. Joy Reilly Dr. Jennifer Schlueter Dr. Ray Cashman Copyright by Christopher Austin Hill 2013 Abstract This dissertation discusses the work of four Irish playwrights: Sebastian Barry, Marina Carr, Conor McPherson, and Elaine Murphy. Specifically, it investigates the inclusion, by these playwrights, of “elderly” characters in their plays written between 1995 and 2010—a period of economic and cultural change known as the “Celtic Tiger.” This study argues that the way that aging and senescence—defined jointly as the process of aging and as the state of being “aged”—are represented on stage reveals a broader cultural negotiation of “new” and “old” Ireland. Into their representations of “old” characters, the playwrights discussed here have embedded a reflection of destabilized cultural narratives, which resulted from intense societal change in Ireland. ii Dedication This dissertation is dedicated to my wife Allison and to my amazing children. Without them, this work would have been impossible. Their unfailing support and love were a constant force of strength, which drove me throughout my research. Thank you—I love you. iii Acknowledgments There are many people who I wish to thank, and far too little space in which to do it. -
INSPECTOR GEORGE GENTLY Vlii PRESS PACK Created by Peter
INSPECTOR GEORGE GENTLY VlII PRESS PACK Created by Peter Flannery Produced by Company Pictures For BBC ONE Broadcast Series starts BBC WEEK 17 TBC by the BBC on BBC ONE ALL interviews strictly embargoed until lead up to TX ALL guest star interviews strictly embargoed until week of their corresponding episode For further information please contact Deborah Goodman Publicity on 020 8959 9980 or [email protected] For photography please contact BBC Pictures www.bbcpictures.com or [email protected] To view please contact BBC Preview Tapes Department or www.bbcpreviews.co.uk 1 INSPECTOR GEORGE GENTLY VIII Contents Page No INTRODUCTION 3-4 PRODUCTION CREDITS 5 FILM 1 SYNOPSIS – 6 CAST LIST – Gently With The Women FILM 2 7 SYNOPSIS – Breathe In The Air CAST LIST FILM 3 8 SYNOPSIS – Gently Among Friends CAST LIST FILM 4 9 SYNOPSIS – Son Of A Gun CAST LIST CAST INTERVIEWS REGULARS Martin Shaw 10-11 Lee Ingleby 12-13 Lisa McGrillis 14 Annabel Scholey 15 GUEST STAR EPISODIC INTERVIEWS FILM 1 - Gently With The Women: Denise Welch 16 FILM 2 - Breathe In The Air: Lesley Nicol 17 FILM 3 - Gently Among Friends: Jim Moir 18 Louise Brearley 19 FILM 4 – Son Of A Gun: Jody Latham 20 2 Inspector George Gently VIII 1969: and Gently (MARTIN SHAW) and Bacchus (LEE INGLEBY) return to BBC ONE for the eighth series of the classic INSPECTOR GEORGE GENTLY, with four new feature- length films. This season PETER FLANNERY writes the first two episodes – with stories that tap into the period with all its vivid and colourful changes in perfect detail. -
METROPOLIS KØBENHAVN Hvad Er Vi? Hvad Skal Vi Være? Metropol Eller Provinsby?
ARKITEKTUR KULTUR BYLIV DESIGN AKTIVITETER BYLIV Viva la Repubblica - Arbejd kreativt på Vbro MIN MENING Top + Flop - Thomas Buttenschøn NR 14 · OKTOBER 2006 UPDATE Restauranthus - Færgeterminal med mad OLD SCHOOL Købmagergade - Fra slagter til shopping DEN STORE METROPOLIS KØBENHAVN Hvad er vi? Hvad skal vi være? Metropol eller provinsby? FRA FORSTÆDERNE IBEN HJEJLE Teatertyranni og speedway i Søborg KULTUR DEN STORE BIOGRAFGUIDE Alt du behøver at vide om biografer i København GRATIS COPENHAGEN X | PÅ STEDET COPENHAGEN X | PÅ STEDET er chancen for at komme helt tæt på hovedstadens allernyeste arkitektur. Arrangementerne foregår ”på stedet” – på byggepladsen eller i det nye byggeri. Arkitekt og bygherre fortæller om tankerne bag projektet og viser rundt. Læs mere på www.copenhagenx.dk Nordlyset på Amerika Plads Dato: 7. september 2006 Tidspunkt: 17-19 Bikuben Kollegiet og Tietgenkollegiet i Ørestad Nord Pris: Kr. 55,- Dato: 5. oktober 2006 + gebyr Tidspunkt: 17-19 DR Byen i Ørestad Nord Dato: 2. november 2006 Tidspunkt: 17-19 Billetter købes via Billetnet Foto af Nordlyset.: Ruth Campau Torben Eskerod Copenhagen X er en åben by- og boligudstilling (2002-2012) skabt af partnerskabet Realdania, Frederiksberg Kommune og Københavns Kommune i samarbejde med Dansk Arkitektur Center INDHOLD « DEN STORE METROPOLIS KBH 12 Der er gang i København i disse år. Metropolzone, metro og megabyggerier. København drømmer om et liv i byernes superliga SERIE JEG’ FRA FORSTADEN 22 Betonørken, soveby, parcelhushelvede. Iben Hjejle fortsætter serien om at vokse op i forstæderne. I Hjejles Søborg var moonboots med pels forbudt og Ole Olsen den største helt. I BYEN BIOGRAFGUIDE 34 THX-lyd og popcorn eller europæisk art-cinema og café latte. -
Year Title Author Genre 2000 the Vortex Noel Coward 2000
Year Title Author Genre 2000 The Vortex Noel Coward 2000 ART Yasmina Reza 2000 Maya Simon Cantillon 2000 Amy's View David Hare 2000 The Sea Edward Bond 2000 Ancient Lights Shelagh Stephenson 2000 Tomorrow Week Samuel Adamson 2000 Billy Budd Herman Melville 2000 Kangaroo DH Lawrence/Britton 2000 The Last Days of Mankind (part 1) (rpt) Karl Krauss 2000 The Last Days of Mankind (part 2) (rpt) Karl Krauss 2000 Hedda Gabler (rpt) Ibsen 2000 As You Like It Shakespeare 2000 Richard II Shakespeare 2000 Art Yazmina Reza 2000 Woman in Mind Alan Ayckbourn 2000 Perfect Days (rpt) Liz Lochead 2000 Knives in Hens David Harrower 2000 Phedre Racine 2000 She stoops to conquer Oliver Goldsmith 2000 Momentum Lavinia Murray 2000 Guesses at Most Doug Lucie 2000 Skylight (rpt) David Hare 2000 Albertina (rpt) Howard Barker 2000 Easy Virtue (rpt) Noel Coward 2000 The Vortex (rpt) Noel Coward 2000 Art (rpt) Yazmina Reza 2000 Resident Alien (rpt) Tim Fountain 2000 The Father (rpt) Strindberg 2000 Macbeth Shakespeare 2000 The Taming of the Shrew Shakespeare 2000 Stanley (rpt) Pam Gems 2000 Dianeira (rpt) Timberlake Wertenbaker 2000 Moonlight Harold Pinter 2000 Summer Folk Maxim Gorky 2000 The Monument Eduardo de Filippo 2000 Canterbury Tales Peter Flannery 2000 The Devil's Disciple Bernard Shaw 2000 Wystan Gordon McDougall 2000 Requiem Byrony Lavery 2000 Dr. Ibsen's Ghosts Robert Ferguson 2000 Ghosts Hendrik Ibsen 2000 A Fairly Honourable Defeat (Iris Murdoch) James Friel 2000 The Judas Kiss David Hare 2000 The Importance of Being Ernest Oscar Wilde 2001 Shakespeare's