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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
Space, Vision, Power, by Sean Carter and Klaus Dodds. Wallflower, 2014, 126 Pp
Alphaville: Journal of Film and Screen Media no. 21, 2021, pp. 228–234 DOI: https://doi.org/10.33178/alpha.21.19 International Politics and Film: Space, Vision, Power, by Sean Carter and Klaus Dodds. Wallflower, 2014, 126 pp. Juneko J. Robinson Once, there were comparatively few books that focused on the relationship between international politics and film. Happily, this is no longer the case. Sean Carter and Klaus Dodd’s International Politics and Film: Space, Vision, Power is an exciting addition to the growing body of literature on the political ontology of art and aesthetics. As scholars in geopolitics and human geography, their love for film is evident, as is their command of the interdisciplinary literature. Despite its brevity, this well-argued and thought-provoking book covers an impressive 102 films from around the world, albeit some in far greater detail than others. Still, despite its compactness, it is a satisfying read that will undoubtedly attract casual readers unfamiliar with scholarship in either discipline but with enough substance to delight specialists in both film and international relations. Carter and Dodds successfully bring international relations (IR) and critical geopolitics into closer alignment with visual studies in general and film studies in particular. Their thesis is simple: first, the traditional emphasis of IR on macro-level players such as heads of state, diplomats, the intelligence community, and intergovernmental organisations such as the United Nations have created a biased perception of what constitutes the practice of international politics. Second, this bias is problematic because concepts such as the state and the homeland, amongst others, are abstract entities whose ontological statuses do not exist apart from the practices of people. -
Conor Mcpherson 88 Min., 1.85:1, 35Mm
Mongrel Media Presents THE ECLIPSE A film by Conor McPherson 88 min., 1.85:1, 35mm (88min., Ireland, 2009) www.theeclipsefilm.com Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS THE ECLIPSE tells the story of Michael Farr (Ciarán Hinds), a teacher raising his two kids alone since his wife died two years earlier. Lately he has been seeing and hearing strange things late at night in his house. He isn't sure if he is simply having terrifying nightmares or if his house is haunted. Each year, the seaside town where Michael lives hosts an international literary festival, attracting writers from all over the world. Michael works as a volunteer for the festival and is assigned the attractive Lena Morelle (Iben Hjejle), an author of books about ghosts and the supernatural, to look after. They become friendly and he eagerly tells her of his experiences. For the first time he has met someone who can accept the reality of what has been happening to him. However, Lena’s attention is pulled elsewhere. She has come to the festival at the bidding of world-renowned novelist Nicholas Holden (Aidan Quinn), with whom she had a brief affair the previous year. He has fallen in love with Lena and is going through a turbulent time, eager to leave his wife to be with her. -
Blood Diamond 2006
Blood Diamond 2006 To an extent, Blood Diamond is a victim of its own length. While the film includes a number of disturbing political and sociological insights, the adventure story is tepid and loses momentum as the storyline bogs down. The main character, played by Leonardo DiCaprio, has an effective arc that is believable because it does not force him to act contrary to his nature, but it takes a long time for Blood Diamond to get us to DiCaprio's moment of recognition. Pacing issues aside, this is a well constructed movie - clearly the product of a director who understands how to make a top- notch motion picture. It looks great and sounds great. If only Edward Zwick's mastery of the medium had extended to pruning the screenplay and editing the final result, Blood Diamond might have been a tremendous film rather than one worthy of only a lukewarm recommendation. The story takes place in 1999 Sierra Leone, when the country is embroiled in a civil war. In this struggle, it's hard to determine which side is worse: the government or the rebels. As is often the case in this sort of bloodbath, atrocities abound and it's the innocent farmers and villagers caught in between who pay the price. Diamonds, one of the country's largest exportable commodities, are being smuggled out and purchased on the open market despite a supposed international ban on the purchase of so-called "conflict diamonds" or "blood diamonds." This historical background (which is more complicated as presented in the movie) is accurate, although the three primary characters embroiled in events are fictional. -
Director Zwick Defies the Typical WWII Film Advertisement by Anthony Breznican, USA TODAY
Director Zwick defies the typical WWII ... EC Be one of the first 100 businesses to register and have $50 loaded onto your debit card. BUSINESS nroll now 1 Use promo code BAI208MMNG ADVA TAG (!@ PRINTTHIS Powered by r;a· tility I ~ Click to Print I SAVE n-ilS I EM<\ IL niS I Oose Director Zwick defies the typical WWII film Advertisement By Anthony Breznican, USA TODAY LOS ANGELES- It all started with little boys playing war. REVIEW: War drama 'Defiance' meets with resistance In the late 1950s, Edward Zwick was a little boy running around his suburban Chicago neighborhood with friends, pretending to fight the Axis powers like the heroic soldiers or flying aces from their fa write World War II movies. "Gregory Peck seemed to star in all of them -12 O'Clock High, The Guns ofNavarone," says Zwick, now 56, who grew up to become the director of Glory, Legends of the Fall, The Last Samurai and Blood Diamond. "But," he adds, ·~o be a Jewish kid was to hear other stories ... " Those were about the Holocaust, and ZWick was secretly troubled by the all-too-easy question kids often ask, which has a million hard answers: \lllhydidn~theyfight back? ''You try to reconcile the difference between the stories ~u heard aboutthe victimization of people like you, and then these other heroes," he says of the screen fighters he idolized. "It had some kind of pain attached to it, really." He has finally gotten to tell his own story of tough, fighting Jews, and he did it with the help of007. -
Blood Diamond
Blood Diamond Synopsis This story is about an ex-mercenary turned smuggler Danny Archer (Leonard DiCaprio) and a Mende fisherman Soloman Vandy (Djimon Hounsou). Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed across the alternately beautiful and ravaged countryside. Introduction This resource is aimed at GCSE, AS, A2 and Highers students. The questions and points of discussion raised throughout this resource are connected to the official website for the film. Clip references refer to sequences that can be found on the official website: http://blooddiamondmovie.warnerbros.com/ In addition to the questions and discussion points raised, there is an existing Amnesty Resource (see link at the end of this document) developed to accompany the film and covers in-depth context and tasks. These materials combined touch on topics that teachers may find useful for Film and Media Studies, Citizenship, Politics and Business Studies. www.filmeducation.org 1 ©Film Education 2007. Film Education is not responsible for the content of external sites. Trailer Analysis How is the setting established? Think about the types of shots that are used. The structure of the trailer shows us the credentials of the director. What does this tell us about the film’s potential audience? How important is this to you as a cinemagoer? Does it affect your choice? The trailer is designed to establish a sense of the story for the widest potential audience. -
Ben Whishaw Photographed by Matt Doyle at the Walter Kerr Theatre in NYC on Feb
03.17.16 • BACKSTAGE.COM YOUR VO NEED-TO-KNOWS: BEN BUILD YOUR OWN WHISHAW IN-HOUSE STUDIO! DOWNLOAD YOUR THE BRIT GOES WAY TO SUCCESS! PURITANICAL IN “THE CRUCIBLE” TAKE TIPS FROM THE PROS! 17+ Pages of Casting Notices! NEW YORK STELLAADLER.COM 212-689-0087 31 W 27TH ST, FL 3 NEW YORK, NY 10001 [email protected] THE PLACE WHERE RIGOROUS ACTOR TRAINING AND SOCIAL JUSTICE MEET. SUMMER APPLICATION DEADLINE EXTENDED: APRIL 1, 2016 TEEN SUMMER CONSERVATORY 5 Weeks, July 11th - August 12th, 2016 Professional actor training intensive for the serious young actor ages 14-17 taught by our world-class faculty! SUMMER CONSERVATORY 10 Weeks, June 6 - August 12, 2016 The Nation’s Most Popular Summer Training Program for the Dedicated Actor. SUMMER INTENSIVES 5-Week Advanced Level Training Courses Shakespeare Intensive Chekhov Intensive Physical Theatre Intensive Musical Theatre Intensive Actor Warrior Intensive Film & Television Acting Intensive The Stella Adler Studio of Acting/Art of Acting Studio is a 501(c)3 not-for-prot organization and is accredited with the National Association of Schools of Theatre LOS ANGELES ARTOFACTINGSTUDIO.COM 323-601-5310 1017 N ORANGE DR LOS ANGELES, CA 90038 [email protected] by: AK47 Division CONTENTS vol.57,no.11|03.17.16 NEWS 6 Ourrecapofthe37thannualYoung Artist Awardswinners 7 Thisweek’sroundupofwho’scasting whatstarringwhom 8 7 brilliantactorstowatchonNetflix ADVICE 11 NOTEFROMTHECD Themonsterwithin 11 #IGOTCAST EbonyObsidian 12 SECRET AGENTMAN Redlight/greenlight 13 #IGOTCAST KahliaDavis -
The Last Samurai À Vaincre Sans Humilité, on Triomphe Sans Gloire Le Dernier Samurai, États-Unis / Nouvelle-Zélande / Japon 2003, 154 Minutes Charles-Stéphane Roy
Document généré le 29 sept. 2021 09:16 Séquences La revue de cinéma The Last Samurai À vaincre sans humilité, on triomphe sans gloire Le Dernier Samurai, États-Unis / Nouvelle-Zélande / Japon 2003, 154 minutes Charles-Stéphane Roy Numéro 230, mars–avril 2004 URI : https://id.erudit.org/iderudit/59099ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Roy, C.-S. (2004). Compte rendu de [The Last Samurai : à vaincre sans humilité, on triomphe sans gloire / Le Dernier Samurai, États-Unis / Nouvelle-Zélande / Japon 2003, 154 minutes]. Séquences, (230), 51–51. Tous droits réservés © La revue Séquences Inc., 2004 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ JHE LAST SAMURAI À vaincre sans humilité, on triomphe sans gloire uisant dans des valeurs viriles et des thèmes mili Ptaires (Glory, Courage Under Fire, Legends of the Fall, The Siege), la filmographie de Edward Zwick prône avec insistance la notion d'honneur individuel, la fraternité clanique et l'esprit de loyauté. -
Making Defiance Where He Built a Trucking Business with His Wife Lilka, (Played in the Film by Alexa Davalos)
24 | Lexington’s Colonial Times Magazine MARCH | APRIL 2009 a book, and a book is not a movie. So it has to be different. I cannot put everything that comes from years of work into two hours.’” “Did you actually talk to Tuvia?” prompted Leon Tec. His wife introduced him to the audience as “The troublemaker, my husband.” After the war Tuvia Bielski moved first to Israel and then to New York, Making Defiance where he built a trucking business with his wife Lilka, (played in the film by Alexa Davalos). Nechama Tec had spoken with him by telephone while researching her book “In the Lion’s Den,” but all attempts to meet in person had been stymied by Lilka Bielski’s excuses. Finally, Tec secured a meeting at the Bielskis’ Brooklyn home in May 1987. She hired a driver for the two-hour drive from Westport, Conn., and was greeted by Lilka, who told her that Tuvia had had a bad night, was very sick, and could not see her as planned. Tec said that she was leaving for Israel the next day on a research trip, and was politely insistent. “I want to get a sense of the man before I go,” she told Lilka. “So we’re going back and forth on the doorstep and she doesn’t let me in, and we hear a voice from the other room, ‘Let her in,’” recalled Tec. Tuvia Bielski, clearly weak and very sick, came out to meet her, dismissed the hovering Lilka, and sat down with Tec and her tape recorder. -
Brad Pitt from Wikipedia, the Free Encyclopedia
Brad Pitt From Wikipedia, the free encyclopedia For the Australian boxer, see Brad Pitt (boxer). Brad Pitt Pitt at Sydney's red carpet for World War Zpremiere in 2013 Born William Bradley Pitt December 18, 1963 (age 50) Shawnee, Oklahoma, U.S. Occupation Actor, film producer Years active 1987–present Religion None Spouse(s) Jennifer Aniston (m. 2000–05) Partner(s) Angelina Jolie (2005–present; engaged) Children 6 William Bradley "Brad" Pitt (born December 18, 1963) is an American actor and film producer. He has received a Golden Globe Award, a Screen Actors Guild Award, and three Academy Award nominations in acting categories, and received two further Academy Award nominations, winning one, for productions of his film production company Plan B Entertainment. He has been described as one of the world's most attractive men, a label for which he has received substantial media attention.[1][2] Pitt first gained recognition as a cowboy hitchhiker in the road movie Thelma & Louise (1991). His first leading roles in big-budget productions came with A River Runs Through It (1992), Interview with the Vampire (1994), and Legends of the Fall (1994). He gave critically acclaimed performances in the crime thriller Seven and the science fiction film 12 Monkeys (both 1995), the latter earning him a Golden Globe Award for Best Supporting Actor and an Academy Award nomination. Pitt starred in the cult filmFight Club (1999) and the major international hit Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). His greatest commercial successes have been Troy (2004), Mr. -
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arcade II Annie Jones Little Miss Sunshine: Thi5. staff writer film's very talented en emble ca t won a SAG award for their col- It's that time of year again - エ ゥ ュ セ for Holly- lectively heartfelt performances. wood hunks and silver screen starlets to squeeze Two of its actors, Alan Arkin and into designer eveningwear and pile into limos to the adorable Abagail Brc lin, arc gather and congratulate them elves yet again at nominated for their supporting the pinnacle of the wards season - the Oscars. roles. Little Miss Sunshine, a semi- ety of characters ranging from Ryan Go ling's tum as Arguably the most important night of the year for comcdy, is the underdog, but an Oscar win would a drug-addicted middle school teacher in HalfNelson the film industry, the Academy Awards has come cement the hopeful message of the movie itself. to Hollywood veteran Peter O'Toole's performance to represent the glamour of movies and provides The Departed: This crime drama set in Boston as an aging actor in Venus. The oft- nubbcd Leonardo us common folk with an oppor- DiCaprio received a nod for his tunity to drool over and dream work in Blood Diamond, but not about our favorite stars, ju t m for The Departed, a wa widely case there wasn't enough celeb- expected. The frontrunner here, rity worship already. This year's however, is Fore. t Whitaker, who ceremony should prove to be an portrays a Ugandan dictator in The especially exciting one, thanks Last King ofScotland.