Rising (Star A&M Senior James Jackson Made His Acting Debut in the Summer Hit Courage Under Fire

Total Page:16

File Type:pdf, Size:1020Kb

Rising (Star A&M Senior James Jackson Made His Acting Debut in the Summer Hit Courage Under Fire d Prici The Battalion enter Hake; 1(?d a five-yes on tract ext Sockets. 33, hadji SE; TUESDAY GGIE Page 3 gent'Xr '"'y 16' 1996 a. ortunatethf | opportunity "e career icl rm — a pri players dot m said. 's are my fan i 'ited to conti the vvonderf. :«ijra(;e under firi liiTTie Corps of Cadets traveled to Austin Washington and Ryan ISBfor a week to participate as extras give Oscar performances iation suppli * By Jeffrey Cranor be exposed. The Battalion By coming to terms with iose canbe By Kristina Buffin what one knows as ' ^^ngd^HE Battalion real, one can move forward in life. pi in ary cenii he Texas A&M Corps of Montfriez cannot hing for ms] Courage Under tiro face the events, er­ ere are usulI Starring Denzel Washington and^t rors or victims of its workinf f Meg Ryan Cadets had a second op­ the night of the res­ ige studeml f- - Directed by Edward Zurich; cue attempt. earn. Phillips gives an ;ar reactors f portunity to be show- Oscar-caliber por­ and resear trayal of Mont­ — the NSC friez’s struggle. rport. NSC ased in a major motion picture when )enzel Washington’s latest Ryan, who has research movie, Courage Under Fire, little screen time in the film, proves Hollywood formulas can plays the most significant fig­ the casting director of Courage Under result in a well-made film. ure. Karen Walden is symbolic Courage Under Fire has ac­ of all the characters’ buried r vice preafe tion, a love story, over-simplifi­ truths. Serling cannot return d Action Ml i i . « o -i cation of the military, an inter­ home and face his past until he ajor, said rey Fire was looking lor a few good men to nal battle within the hero, and first deals with Walden’s past. icross campus a corny-but-touching ending. Ryan does an excellent job e on camps; Through all of this, the produc­ of portraying the constantly here’s quite serve as extras, ers have borne a great film changing Walden. Talks of an set about th marking the beginning of Os­ Oscar nomination for her will w have i car season. To the Army, Lt. probably die down by next >re convenitj Col. Donald Johnson, interim comman- Col. Nathaniel Serling (Wash­ March, though. can’t recyif dant of the Corps, said the casting director ington) far from emulates a Washington should gain an­ Tvanted about 150-200 cadets a day for six or Gulf War hero. other nomination for his su­ Seven days during the Spring of 1995. In the heat of a midnight perb performance, but Oscar cycle on I “We decided that if the cadets wanted to tank battle with Iraqi forces, followers may remember last So it it would be okay,” Johnson said. “We Serling gave the order to fire at year’s inexplicable oversight of also checked the story line because we didn’t what he thought was an enemy the entire African-American Want them to be involved in a movie we tank. But the tank was “friend­ community by Academy voters. Wouldn’t be proud of.” Karen Walden (Meg Ryan) celebrates her completion of military schooling in Courage Under Fire. ly,” and several American sol­ Courage Under Fire makes J; The production company paid for the diers were killed. everyone proud to be an Ameri­ j/ Action Coahr cadet’s transportation from College Station back and forth for a long period of time. dents we can say our cadets were in it. Both Now Serling is confined to a can, but Aggies may be disap­ to Austin and gave cadets $75 a day for “On the second day we went to an obsta­ were excellent movies, and it was a thrill for desk job at the Pentagon, and pointed with the lack of recog­ iversity’sii their participation. cle course with barbed wire and mortars go­ our cadets.” his new assignment is to re­ nition for the Corps of Cadets i be fading. Francisco Armada, a junior English major ing off,” Armada said. “But on Thursday we The release of Courage Under Fire view the nomination of Capt. in the finaTcredits. used to us and member of K-2, said the cadets partici- caused anger and disappointment Karen Walden (Meg Ryan) for d carrying Pated in a lot of the background shots and to ignite amongst the cadets. Un­ a Medal of Honor. Walden is toet some of the stars of the movie. arket for i* "It didn't take long for them (the cadets) like in the first woman to be nominat­ “I got to talk to Lou Diamond Phillips and A Few Good Men, Courage ke a p&ssfc Under Fire never credited the ed for the award, but the nomi­ ;d to carry he was really down to earth,” Armada said. to realize that this was not going to be a nation is posthumous. "We kind of joked about his role in Stand Corps for their participation. piece of cake. But I think they enjoyed it “In A Few Good Men the Fish The job seems simple nd Deliver.” enough — a rubber stamp and However, Armada’s impression of Acade- Drill Team was featured and in asses, th» and they got paid. Overall, it was a positive a ceremony — but Serling y Award-winner Denzel Washington was Courage Under Fire they were not e could arj experience." really recognizable,” Josh Marcus, a soon finds himself in a mass ompletely the opposite. of confusion. His own past in ers. This1 When I talked to Denzel he was kind junior biomedical science major and — COL. DONALD JOHNSON the Gulf War is haunting him 1 greatly1 of an asshole,” Armada said. “But I didn’t member of A-l, said. “So it was dif­ interim commandant while the story of Walden and I we’re lo< really get a chance to talk to Meg Ryan ferent but they could not have her men changes with each l>ne-on-one.” filmed the movie without a large man’s recollection. ;eting maj The cadets left at 4 a.m. every morning and got to get into flight gear and go out to the group of guys.” a good io did not return until 8 p.m. each night. They airfield and mess around. Marcus said the Corps was an integral part One of the soldiers, Ilario se to use it worked for approximately 13 hours a day. “It was fun depending on the day. The of the movie and the cadets spent a lot of time (Matt Damon), recalls use it, Johnson said it was harder to find willing mornings were cold but the afternoons were working on the movie so one credit mention Walden’s fine leadership and a lot of at* adets as the week wore on. hot. We got to get into full camouflage gear would have been nice. bravery during her command i’t drinkitj: “It didn’t take long for them to realize and use fake M-16s.” He said leaving them out of the credits was of a helicopter rescue mission. , peopled hat this was not going to be a piece of Johnson said the Corps’ participation in inconsiderate of the filmmakers. Montfriez (Lou Diamond ?h to use it ake,” Johnson said. “But I think they en­ Courage Under Fire and A Few Good Men “We did help out and we were paid,” Marcus Phillips), on the other hand, joyed it and they got paid. Overall it was a will allow cadets to show prospective students said. “They just had to do one line for a credit. describes Walden as a coward oositive experience.” that they may have similar opportunities. “All major movies thank places where they and a poor decision maker. On the first day, Armada said, the cadets “I don’t know if A&M will get direct cred­ shot the movie. A lot of people feel they could What Serling and the script Denzel Washington is in itrc had to patrol the field, which meant walking it,” Johnson said. “But when we talk to stu­ have just added one line of thanks easily.” writer want is for the truth to charge of a crucial investigation. Rising (Star A&M senior James Jackson made his acting debut in the summer hit Courage Under Fire By Pamela Benson end up leaving until 5 p.m. didn’t want to disturb him,” he said. Jackson will certainly have that The Battalion The day his scene was being filmed, “But I was determined talk to him opportunity when he moves to New Jackson was asked to walk past Wash­ and get a picture.” York to go to acting school in August. hen a friend gave him the ington and step over a bench. Although Jackson did get to talk Herbert Bergoff Studio in telephone number to the “I kept thinking that I would fall on to Washington and take a few pic­ Greenwich Village will be Jack­ Texas Film Hotline, James Denzel or something,” he said. “If tures, the majority of the advice he son’s new home. WJackson never thought he would parsomeone­ messed up during a scene, received about acting came from oth­ He said he plans to study acting cs Ep|T0R ticipate in a film with one of his fa­ they would simply kick them off the er professionals on the set. technique, acting scene study, speech, vorite actors. set and find someone else movement, dance and directing.
Recommended publications
  • LISA KUDROW Biography Emmy Award-Winning Actress Lisa Kudrow
    LISA KUDROW Biography Emmy Award-winning actress Lisa Kudrow continues to bring her original sense of comedic timing and delivery to every role she takes on. Most recently audiences saw Lisa in the DreamWorks film Hotel for Dogs. Prior that she starred in P.S. I Love You with Hilary Swank and Gerard Butler and in the independent film Kabluey which premiered at the Los Angeles Film Festival and at the Hamptons Film Festival. Her upcoming projects include the recently completed independent films Paper Man opposite Jeff Daniels, 17 Photos of Isabel with Natalie Portman for director Don Roos, Powder Blue with Forrest Whitaker and Ray Liotta and Bandslam for writer/director Todd Graff. Lisa has received rave reviews for her previous feature film roles. She won the Best Supporting Actress Award from the New York Film Critics, an Independent Spirit Award nomination and a Chicago Film Critics Award nomination for her role in the Don Roos scripted and directed film The Opposite of Sex (1998). She won a Blockbuster Award and received a nomination for an American Comedy Award for her starring role opposite Billy Crystal and Robert DeNiro in the Warner Bros. boxoffice hit Analyze This (1999) for director Harold Ramis. Lisa’s additional film credits include starring roles in Happy Endings (2005) for writer/director Don Roos which premiered at the Sundance Film Festival; Wonderland (2004) with Val Kilmer, in which she portrayed Sharon Holmes, wife of porn star John Holmes, in the film based on the infamous Wonderland Avenue murders; the Warner Bros. film Analyze That (2002), the sequel to Analyze This (1999), the Columbia Pictures film Hanging Up (2000) opposite Meg Ryan and Diane Keaton, Paramount’s Lucky Numbers (2000) with John Travolta, in the critically acclaimed hit comedy Romy & Michele’s High School Reunion (1997) with Mira Sorvino, Clockwatchers (1997) in which she starred opposite Toni Collette and Parker Posey and the Albert Brooks’ comedy Mother (1996).
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • February 24, 2017 President Donald J. Trump the White House United States of America
    February 24, 2017 President Donald J. Trump The White House United States of America Dear President Trump, Since the founding of this country, science has been fundamental to the advancement of sound policy and economic prosperity and innovation. Science improves the lives of Americans, stimulates our economy, advances our understanding of our world, and protects us and our families from harm. As you select advisors that will help you to draft a blueprint for American policy, we urge you to make appointing a Science Advisor an immediate priority. Science is in the DNA of the United States. It plays an integral part in our nation's security, economic growth, public health, and infrastructure. Appointing a Science Advisor quickly will enable the Administration to maximize investments in science and develop a strategic plan that secures America’s leadership in science. The Science Advisor will assist your administration in driving innovation, and provide scientifically sound solutions to the pressing issues facing our nation today; including updating deteriorating infrastructure, combatting health epidemics, providing clean air and water, and securing valuable natural resources and minerals. Appointing a Science Advisor is a smart investment for our nation and for keeping our position as a scientific leader globally. Due to the integral role of the Science Advisor, we urge you to appoint an individual with a strong scientific background who understands the rigorous scientific method, the need for evidence-based science, and who can leverage the collaborative nature of the scientific community and the value of scientific research in shaping America’s future. As supporters of science, we urge you to work with our scientific organizations as you commence the selection process and the important task of advancing America’s scientific enterprise.
    [Show full text]
  • Bryce Dallas Howard Salutes
    INSIDE THIS ISSUE Horoscopes ........................................................... 2 Now Streaming ...................................................... 2 Puzzles ................................................................... 4 TV Schedules ......................................................... 5 Remembering The timelessness “One Day At A Time” Top 10 ................................................................... 6 6 Carrie Fisher 6 of Star Wars 7 gets animated Home Video .......................................................... 7 June 13 - June 19, 2020 Bryce Dallas Howard salutes ‘Dads’ – They’re not who you think they are BY GEORGE DICKIE with a thick owner’s manual but his newborn child “The interview with my grandfather was something Ask 100 different men what it means to be a father could have none. that I did in 2013,” she says, “... and that was kind and you’ll likely get 100 different answers. Which is The tone is humorous and a lot of it comes from of an afterthought as well where it was like, ‘Oh something Bryce Dallas Howard found when making the comics, who Howard felt were the ideal people to my gosh, I interviewed Grandad. I wonder if there’s anything in there.’ And so I went back and rewatched a documentary that begins streaming in honor of describe the paternal condition. his tapes and found that story.” Father’s Day on Apple TV+. “Stand-up comedians, they are prepared,” she says with a laugh. “They’re looking at their lives through What comes through is there is no one definition of In “Dads,” an
    [Show full text]
  • The Last Samurai À Vaincre Sans Humilité, on Triomphe Sans Gloire Le Dernier Samurai, États-Unis / Nouvelle-Zélande / Japon 2003, 154 Minutes Charles-Stéphane Roy
    Document généré le 29 sept. 2021 09:16 Séquences La revue de cinéma The Last Samurai À vaincre sans humilité, on triomphe sans gloire Le Dernier Samurai, États-Unis / Nouvelle-Zélande / Japon 2003, 154 minutes Charles-Stéphane Roy Numéro 230, mars–avril 2004 URI : https://id.erudit.org/iderudit/59099ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Roy, C.-S. (2004). Compte rendu de [The Last Samurai : à vaincre sans humilité, on triomphe sans gloire / Le Dernier Samurai, États-Unis / Nouvelle-Zélande / Japon 2003, 154 minutes]. Séquences, (230), 51–51. Tous droits réservés © La revue Séquences Inc., 2004 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ JHE LAST SAMURAI À vaincre sans humilité, on triomphe sans gloire uisant dans des valeurs viriles et des thèmes mili­ Ptaires (Glory, Courage Under Fire, Legends of the Fall, The Siege), la filmographie de Edward Zwick prône avec insistance la notion d'honneur individuel, la fraternité clanique et l'esprit de loyauté.
    [Show full text]
  • 49Th USA Film Festival Schedule of Events
    HIGH FASHION HIGH FINANCE 49th Annual H I G H L I F E USA Film Festival April 24-28, 2019 Angelika Film Center Dallas Sienna Miller in American Woman “A R O L L E R C O A S T E R O F FABULOUSNESS AND FOLLY ” FROM THE DIRECTOR OF DIOR AND I H AL STON A F I L M B Y FRÉDERIC TCHENG prODUCeD THE ORCHARD CNN FILMS DOGWOOF TDOG preSeNT a FILM by FrÉDÉrIC TCHeNG IN aSSOCIaTION WITH pOSSIbILITy eNTerTaINMeNT SHarp HOUSe GLOSS “HaLSTON” by rOLaND baLLeSTer CO- DIreCTOr OF eDITeD MUSIC OrIGINaL SCrIpTeD prODUCerS STepHaNIe LeVy paUL DaLLaS prODUCer MICHaeL praLL pHOTOGrapHy CHrIS W. JOHNSON by ÈLIa GaSULL baLaDa FrÉDÉrIC TCHeNG SUperVISOr TraCy MCKNIGHT MUSIC by STaNLey CLarKe CINeMaTOGrapHy by aarON KOVaLCHIK exeCUTIVe prODUCerS aMy eNTeLIS COUrTNey SexTON aNNa GODaS OLI HarbOTTLe LeSLey FrOWICK IaN SHarp rebeCCa JOerIN-SHarp eMMa DUTTON LaWreNCe beNeNSON eLySe beNeNSON DOUGLaS SCHWaLbe LOUIS a. MarTaraNO CO-exeCUTIVe WrITTeN, prODUCeD prODUCerS ELSA PERETTI HARVEY REESE MAGNUS ANDERSSON RAJA SETHURAMAN FeaTUrING TaVI GeVINSON aND DIreCTeD by FrÉDÉrIC TCHeNG Fest Tix On@HALSTONFILM WWW.HALSTON.SaleFILM 4 /10 IMAGE © STAN SHAFFER Udo Kier The White Crow Ed Asner: Constance Towers in The Naked Kiss Constance Towers On Stage and Off Timothy Busfield Melissa Gilbert Jeff Daniels in Guest Artist Bryn Vale and Taylor Schilling in Family Denise Crosby Laura Steinel Traci Lords Frédéric Tcheng Ed Zwick Stephen Tobolowsky Bryn Vale Chris Roe Foster Wilson Kurt Jacobsen Josh Zuckerman Cheryl Allison Eli Powers Olicer Muñoz Wendy Davis in Christina Beck
    [Show full text]
  • Katya Thomas - CV
    Katya Thomas - CV CELEBRITIES adam sandler josh hartnett adrien brody julia stiles al pacino julianne moore alan rickman justin theroux alicia silverstone katherine heigl amanda peet kathleen kennedy amber heard katie holmes andie macdowell keanu reeves andy garcia keira knightley anna friel keither sunderland anthony hopkins kenneth branagh antonio banderas kevin kline ashton kutcher kit harrington berenice marlohe kylie minogue bill pullman laura linney bridget fonda leonardo dicaprio brittany murphy leslie mann cameron diaz liam neeson catherine zeta jones liev schreiber celia imrie liv tyler chad michael murray liz hurley channing tatum lynn collins chris hemsworth madeleine stowe christina ricci marc forster clint eastwood matt bomer colin firth matt damon cuba gooding jnr matthew mcconaughey daisy ridley meg ryan dame judi dench mia wasikowska daniel craig michael douglas daniel day lewis mike myers daniel denise miranda richardson deborah ann woll morgan freeman ed harris naomi watts edward burns oliver stone edward norton orlando bloom edward zwick owen wilson emily browning patrick swayze emily mortimer paul giamatti emily watson rachel griffiths eric bana rachel weisz eva mendes ralph fiennes ewan mcgregor rebel wilson famke janssen richard gere geena davis rita watson george clooney robbie williams george lucas robert carlyle goldie hawn robert de niro gwyneth paltrow robert downey junior harrison ford robin williams heath ledger roger michell heather graham rooney mara helena bonham carter rumer willis hugh grant russell crowe
    [Show full text]
  • Modern Languages Videos Use the Find
    Modern Languages Videos Use the Find function to search this list Alpine Fire Director: Fredi M. Murer with Thomas Nock, Johanna Lier, Dorothea Moritz, Rolf Illig. 1986, 115 minutes, Romani with English subtitles. Surrounded by the beauty of the Swiss Alps, a family lives in sparse isolation from society. This is the story of a deaf-mute son and his sister who tries to teach him and tame his bad temper. Both are frustrated and going through adolescence without the usual emotional support of the parents. And so they turn to each other with hauntingly strange and tragic events. LLC Library CALL NO. MLFR 002 Castle: The Story of Its Construction – with book. With book. David MaCaulay. 1983, 60 minutes, English. LLC Library CALL NO. MLGP 029 Cathedral: The Story of Its Construction – with book. David MaCaulay: 1985, 60 minutes, English. LLC Library CALL NO. MLGP 030 Divine Renewal of Ise Shrine, The 198?, 60 minutes. Describes the ceremonies and rituals associated with the 60th reconstruction, moving, and dedication of the Grand Shrine of Ise in October, 1973. JCU Library CALL NO. BL2224.6.D58 Program 03&04 Program 03 Caravans of Gold. Program 04 Kings and Cities. LLC Library CALL NO. MLAF 002 Videos about Africa Cultural Comparisons La France, la Mauritania, et la Côte d’Ivoire LLC Library CALL NO. MLAF 007 Program 01&02 Program 01 Different But Equal. Program 02 Mastering a Continent. LLC Library CALL NO. MLAF 001 Program 05&06 Program 05 The Bible and the Gun. Program 06 This Magnificent African Cake. LLC Library CALL NO.
    [Show full text]
  • Dangerio, Alan
    Alan Dangerio Hair Stylist IATSE LOCAL 706 & 798 FEATURE FILMS (Partial Credits): Ocean’s Eight department head – Universal PIctures Dir: Gary Ross – LP: Mike Tadross Cast: Anne Hathaway, Helena Bonham Carter, Mindy Kaling, Sarah Paulson Wonderstruck Hairstylist for Julianne Moore – Amazon Studios Dir: Todd Haynes – LP: Brian Bell Untitled Woody Allen department head – Amazon Studios (series) Project Dir: Woody Allen – UPM: Helen Robin Cast: Miley Cyrus, Michael Rapaport, Elaine May, Joy Hehr The Girl on the Train department head – Universal PIctures Dir: Tate Taylor – LP: Celia Costas Cast: Rebecca Ferguson, Edgar Ramierez, Luke Evans, Lisa Kudrow Can You Ever Forgive Hairstylist for Julianne Moore/department head – Fox Searchlight Me Dir: Nicole Holofcener – LP: Pamela Hirsch Zoolander 2 department head – Paramount Pictures Dir: Ben Stiller – LP: Clayton Townsend Cast: Ben Stiller, Kristen Wiig, Penelope Cruz, Owen Wilson Ricki And The Flash Hairstylist for Meryl Streep / department head – TriStar Pictures Dir: Jonathan Demme – LP: Ron Bozman Train Wreck department head – Universal Pictures Dir: Judd Apatow – UPM: Dana Robin Cast: Tilda Swinton, Amy Schumer, Brie Larson, Bill Hader, LeBron James Run All Night Department Head – Warner Bros. Dir: Jaume Collet-Serra – UPM: Ray Quinlan Cast: Joel Kinnaman, Ed Harris, Vincent D’Onofrio, Common, Genesis Rodriquez Seventh Son Hairstylist for Julianne Moore – Universal Pictures Dir: Sergei Bodrov – LP: Brent O’Connor Maps to the Stars Hairstylist for Julianne Moore – Prospero PIctures Dir: David Cronenberg – LP: Joseph Boccia This is Where I Leave Department Head –Warner Bros. You Dir: Shawn Levy – LP: Mary McLaglen Cast: Rose Byrne, Tina Fay, Jane Fonda, Connie Britton, Timothy Olyphant Winter’s Tale Department Head –Warner Bros.
    [Show full text]
  • Ego Defense Mechanism in Edward Zwick's Blood
    EGO DEFENSE MECHANISM IN EDWARD ZWICK’S BLOOD DIAMOND MOVIE: A PSYCHOANALYTIC APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by DYAN INDRIYANTI A 320 030 328 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2008 CHAPTER I INTRODUCTION A. Background of the Study Literature is the expression of life in words of truth and beauty, it is the written record of man’s spirit of his thought, emotion, aspirations and it is the history and only the history of the human soul having characteristic of its artistic quality, it is suggestiveness and its permanent qualities which will never fade (http://www.e-topic-com/articles/26/1/the -importance-and meaning-of-literature/page I.htm). Based on the statement, the writer concludes that literature is creative process and has artistic value. The creation of character and the invention of story are made by the author who have ability use his or her psychology phenomena around them as inspiration. Psychology phenomena are concern with human behavior that can be actualized in literary work such as movie. The successful of literary work is supported by artist itself. Artist must be able to perform the character of story as best they can which is demanded by author’s imagination. According to Freud: The artist is originally a man who turn in reality because he can’t come to term with the demands for the renunciations of instinctual satisfaction as it is first made and who then in phantasm life allow full play to his erotic and ambitious wishes, but he finds a way of return from this world of phantasm back to reality; with his special gifts,, he moulds is valuable reflection of actual life thus by certain path he actually become hero, king, creator, favorite, he desired to be, without the circuitous path of creation real alteration in the outer world (Wellek,1956: 92).
    [Show full text]
  • Comedy Movie Trivia Questions #6
    COMEDY MOVIE TRIVIA QUESTIONS #6 ( www.TriviaChamp.com ) 1> Woody Allen won the Oscar for Best Director for his work on which 1977 comedy film? a. Manhattan b. Sleeper c. Tootsie d. Annie Hall 2> Making its debut in 1999, "Bigger, Longer and Uncut" was an animated movie version of which hit TV show? a. American Dad b. Family Guy c. South Park d. The Simpsons 3> If Billy Crystal is Harry, who is Sally? a. Julia Roberts b. Demi Moore c. Rita Coolidge d. Meg Ryan 4> Playing the role of "Grover T. Muldoon", Richard Pryor teamed up with which actor in the 1976 movie "Silver Streak"? a. Kevin Costner b. Steve Martin c. James Stewart d. Gene Wilder 5> What is the surname of Kevin, who is left "Home Alone" in the classic 1990 film? a. Edwards b. Johnson c. Newcomb d. McAlister 6> Which of the following Monty Python films was the first to be released? a. Life of Brian b. Meaning of Life c. And Now For Something Complete Different d. Holy Grail 7> Who wrote the novel on which the 1967 comedy film "The Graduate" is based? a. Calder Willingham b. Robert Surtees c. Charles Webb d. Buck Henry 8> Who played the lead role of "Evan Baxter" in the 2007 film "Evan Almighty"? a. Steve Carrell b. Vince Vaughn c. Adam Sandler d. Ben Stiller 9> Warren Beatty, Goldie Hawn, Julie Christie and Lee Grant star in which 1975 comedy that is set during a 24-hour period in 1968? a. Smile b. Lost in America c.
    [Show full text]
  • In Love in a Movie : Women and Contemporary Romantic Comedy
    IN LOVE IN A MOVIE: WOMEN AND CONTEMPORARY ROMANTIC COMEDY By ANDREA ROCHELLE MABRY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2004 Copyright 2004 by Andrea Rochelle Mabry For Olivia and Grace ACKNOWLEDGMENTS This dissertation is very much a collaborative effort, and for its existence I am indebted to a great many people. I first wish to express my appreciation to the faculty of the University of Florida Department of English, particularly the members of my dissertation committee. Professor Maureen Turim, my advisor and dissertation director, has been an invaluable mentor, not only over the course of this project, but throughout my studies at Florida. Her guidance in the writing of this dissertation, from the original seed of an idea to the final reading, has been invaluable. I am also truly grateful to Professors Susan Hegeman, Roger Beebe, and Nora Alter for their enthusiasm, their advice, and their encouragement to take my work to new levels. My thanks also go out to my fellow graduate students in the Florida English Department for their friendship and their good humor. The camaraderie of other students helped lighten many a stressful day as I worked to complete this journey. Finally, my family—Mom, Dad, Linda, Christine, Tony, Olivia and Grace—have always provided me with love and support, not just as I wrote this dissertation, but all along the road I have taken to get to this point. For that they have my love and my thanks.
    [Show full text]