March-April 1992 CAA News

Total Page:16

File Type:pdf, Size:1020Kb

March-April 1992 CAA News 5 classical ruins of Salona have been 1954 Hague Convention for Protection Yugoslavia's jeopardized during military attacks at of Cultural Property in the Event of nearby Split airport. Armed Conflict, of which Yugoslavia "Dubrovnik, a 2,OOO-year-old town, itself is a signee. The scale of the Monuments which has been registered by UNESCO destruction has been compared in as one of Europe's most important modern European history only to the cultural monuments, has been a site of Nazi German bombing of English under Siege particular and ongoing desolation. cathedrals and monuments in 1942. Despite its lack of any military signifi­ "We call on you to do everything cance of armed resistance, hundreds of possible to bring this destruction to an Dubrovnik's churches, cathedrals, and end." other sites have been attacked or The letter, dated November 12, n the wake of recent world events, destroyed in a prolonged siege. 1991, was signed by then CAA presi­ the College Art Association felt "This unparalleled destruction of dent Ruth Weisberg and president-elect I compelled to express its deep artistic properties is in violation of the Larry Silver. concern regarding the destruction of monuments in Yugoslavia. A letter of protest was sent by CAA's Executive Committee to UNESCO; the Embassy of the SPRY; B.O.R.B.A.; Vjaesnik (Zagreb newspaper); Radio Yugoslavia; HRVATSKI Radio; the International Herald Tribune; the New York Times; and the World Monuments Fund. The letter reads as follows: "The College Art Association, a professional organization of 12,000 artists and art historians, wishes to bring to your attention the unparalleled destruction of Croatian art and cultural properties currently being undertaken by federal Yugoslavian forces and Serbian militias in the course of Yugoslavia's civil war. Hundreds of churches, castles, and historic monu­ ments have come under attack in a concerted campaign to destroy Croatian cultural properties. "Associated military attacks have The Church of St. John the Baptist in included the famed SI. Jacob's Cathedral Sarvas, Yugoslavia, built in 1774, is among the 274 area churches destroyed in in Sibenik, Vukovar's museum and shelling and bombing in the civil war. This castle, numerous Baroque buildings in photograph was taken after the church the former capital city ofVarazdin, and was partially destroyed by mortar attack the 18th-century church in Petrinja, on August 12, 1991. The church was completely destroyed August 17. 1991. among many others. In addition, the MUSEUM AND GALLERY CENTER OF ZAGREB designer Connie Wilson, published by act now to infonn the president and the University of New Mexico Press in Contents NEA's Congress that federal arts funding is Signs of association with the Des Moines Art vital to us, our students, our children, Center for the traveling exhibition of the Volume 17, Number 2 and our communities and must must not same name, Rule without Exception offers be reduced or eliminated. Can the White Achievement March/April 1992 Vacant a new way to analyze a creative work House comment line 202/456-1111 and about creative work. Spare but elegant, Yugoslavia's Monuments let the president know: (1) you believe text and image interwoven, domestic 1 under Siege Post strongly that the country needs national and international scholars discuss the endowments for the arts (NEA) and work of Baltz, juxtaposed with the im­ humanities (NEH), which support both he College Art Association's agery of work of the last 23 years. 2 NEA's Vacant Post avant-garde and traditional art and annual convocation ceremony The jury commends all involved scholarship; and support both individu­ was held at the Chicago Hilton with this publication for its interesting, als institutions; (2) you urge him to T n February 21, John Frohn­ and and Towers, February 14, 1992. The Lo­ entertaining, and above all innovative 3 Signs of Achievement mayer, chair of the National appoint an NEA chair who will continue cal Committee chairs Kevin Consey and approach to the printed word and O Endowment for the Arts, these dual levels of support-avant­ Anthony Jones welcomed the audience image. resigned under pressure from the White garde and traditional, individuals and to Chicago. The evening then proceeded From the President 7 House, following conservative Republi­ institutions; (3) creativity and excellence with the ceremonial passing of the CAA Committee: Judith E. Stein, chair; Kevin E. can Patrick Buchanan's strong showing must continue to be supported without presidency from Ruth Weisberg to Larry Consey; Harry Rand in the New Hampshire primary and restrictions on content; and (4) federal Silver. It was up to Silver to preside over Elizabeth C. Baker 8 1992 Art History Sessions Buchanan's attack on federal support of support is key to the partnership the presentation of awards for excellence PHOTO: ANN MEREDITH "offensive" art. In his resignation between individual artists and scholars in teaching, scholarship, creativity, statement, Frohnmayer stated, "I believe and their communities, and between arts more fair-minded, more multitalented, Studio Art Sessions in Chicago criticism, and conservation. James Luna 9 that adequate federal government institutions, colleges, universities and concluded the festivities by delivering and more widely informed than any ear­ support of the arts, free of content schools, and the communities they serve. a stirring keynote address and perfor­ lier one. Impressed by her stylish intelli­ 10 CAANews restrictions, is vital to our educationat Without federal support these partner­ mance. gence, many of Betsy's writers and economic, community, and intellectual ships are in danger of withering away. The following are the award readers are redirecting this association's How to Make a Difference success as a country. When I leave In addition to contacting the presi­ recipients and their citations: priorities. Usually the CAA's awards go 11 Affiliated Society News government, I expect to work ... for the dent, let your senators and representa­ to artists, teachers, and scholars, and growth and enrichment of our society­ tives know the value of the NEA and Betsy is none of these in any narrow for quality art, for less hate, and for NEH. We must educate legislators about College Art Association sense. Instead she is a sort of shepherd the role of the arts and humanities in 12 Solo Exhibitions by Artist Members generosity of spirit that allows us to live Special Award for Lifetime watching over the association's creative, with our differences in real community." their home states and districts because, intellectual, and critical flock. Frohnmayer will leave office May 1; a unfortunately, many legislators are Achievement The College Art Association is People in the News unaware of the real value of support to Presented by Charles Stuckey 14 successor has not been appointed. pleased to make a special award to Julia Brown Turrell It is clear that NEA has become a individuals and institutions v'Jithin their Awarded to Elizabeth C. Baker Elizabeth C. Baker for her distinguished political football in this year's election own communities. Many seem to be contribution to the arts. Grants, Awards, & Honors and that its very existence is threatened. unaware of the devastating impact of the During the last twenty years or so, 17 colleges have slowly but steadily College Art Association! Therefore, it is essential that all who care loss of federal support. Committee: College Art Association extended the same recognition to National Institute for • Board of Directors 18 Conferences & Symposia contemporary art events and people as Conservation Award for to more remote history. No one indi­ Distinction in Scholarship vidual has done more to guide this and Conservation 19 Opportunities massive intellectual shift than Elizabeth College Art Association C. Baker, who became editor-in-chief of Alfred H. Barr, Jr., Award Presented by Barbara Heller Classified Ads Art in America in 1973. From the outset Presented by Judith E. Stein Awarded to Robert L. Feller 22 Miscellaneous she has tirelessly advocated clarity of Awarded to Julia Brown Turrell thought, breadth of cwiosity, diversity Robert L. Feller has made major contri­ Information Wanted of opinion, and the importance of color The 1992 Alfred H. Barr, Jr., Award for a butions to scholarship and conservation 24 Datebook reproductions as no less important than 1990 publication is presented to Julia since he first entered the field forty years words. She goes almost everywhere, Brown Turrell for Rule without Exception: ago. After earning a Ph.D. in physical gallery by gallery, studio by studio, city Lewis Baltz, published by the Des Moines chemistry frornRutgers University, he CAA News, a publication of the College Art joined the Mellon Institute in Pittsburgh, Association, is published six times a year. by city, and listens as nearly as possible Art Center. The catalogue documents a Material for inclusion should be addressed to: to everyone in a continuously successful moving study of a 1967 to 1990 body of Pennsylvania, where he was fenow, and effort to integrate and anthologize the work by one of America's most impor­ then senior fellow, in charge of the Editor National Gallery of Art Research Project CAANews disparate enterprises that Art in America tant living photographers. The publica­ on artists' materials. In 1976 he became 275 Seventh Avenue presents as intellectual current events. tion is a fine example of the strengths of New York, New York 10001 She encourages crossing over, urging collaboration and the ability of smaller director of the Center for Materials of Telephone: 212/691-1051 historians to attempt journalism, artists institutions to create innovative, the Artist and Conservator, established through a grant from the Andrew Editor-in-Chief Susan Ball to attempt scholarship, and critics to authoritative publications in the Mellon Foundation.
Recommended publications
  • Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng
    Anna Pehkoranta Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng UNIVERSITY OF JYVÄSKYLÄ ISBN 978-951-39-5622-6 URN:ISBN:978-951-39-5622-6 2014 Anna Pehkoranta Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S212 joulukuun 3. päivänä 2013 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Old Festival Hall S212, on December 3, 2013, at 12 o’clock noon. UNIVERSITY OF JYVÄSKYLÄ �� ABSTRACT Pehkoranta, Anna Rewriting Loss: Melancholia, Ethics, and Aesthetics in Selected Works by Chuang Hua, Maxine Hong Kingston, and Fae Myenne Ng University of Jyväskylä, 2013, 173 p. Diss. This doctoral dissertation investigates the dynamics of melancholia, ethics, and aesthetics in a selection of Chinese American women’s fiction. The corpus of the study consists of four prose narratives written by three different authors: Crossings (1968) by Chuang Hua, The Woman Warrior (1976) by Maxine Hong Kingston, and Bone (1993) and Steer Toward Rock (2008) by Fae Myenne Ng. The study is comprised of four individual articles accompanied with a reflective introduction that illuminates the theoretical, methodological, and discursive context of the articles. While the theoretical framework of this dissertation is rooted mainly in sociologically oriented literary criticism, most importantly in Asian Americanist, psychoanalytical, and feminist critical practices, the study also shows a particular interest in the literary form and the aesthetic in the narratives it examines.
    [Show full text]
  • JK Bloomsday Interview
    A Bloomsday Interview With Joanne Kyger in New York Trevor Carolan “I don’t think it was until I moved to Bolinas in 1969 that I really entered into a close relationship with the land around me in my writing. About the birds who live here, to this day the quail are probably my closest neighbors.” * “Poetry has a lot to do with awakening,” Joanne Kyger has noted. I came to appreciate this while teaching a humanities seminar at Simon Fraser University in Vancouver. The readings included a constellation of writers associated with “San Francisco: the Athens of the American West”, a large number of whom were Buddhist-influenced. I noticed how young male students gravitated to work by Jack Kerouac, Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti, or Kenneth Rexroth; by contrast, women students responded strongly to the poetry and poetics of Joanne Kyger and Diane di Prima. Accordingly, I began paying closer attention to the transpacific inflections that percolate through the work of other women writers like Maxine Hong Kingston, Amy Tan, Alice Walker, Jane Hirschfield, and bell hooks. In June, 2008, Joanne Kyger was a featured speaker at The Beats In India, an Asia Centre symposium in New York. The event celebrated the journey made in 1962 by Kyger, her then-husband Snyder, and fellow American poets Ginsberg and Peter Orlovsky, and addressed ‘what drew the Beats to India and how they inspired successive generations of Americans to turn to the East for spiritual and creative wisdom’. There was a sense of historical importance about the gathering. Two days later on Bloomsday, I spoke with Kyger at the loft home office of Vincent Katz, publisher of Kyger’s poetry collection, Not Veracruz (Libellum Books).
    [Show full text]
  • Download (17Mb)
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1183 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. "Talk-stories" in the Fictions of Maxine Hong Kingston and Amy Tan by Hiu Wing Wong A thesis submitted in partial fulfilment of the requirements for' the degree of Doctor of Philosophy in English and Comparative Literary Studies University of Warwick, Department of English and Comparative Literary Studies November 2006 Table of Contents Page Number Acknowledgements Declaration ii Abstract iii Abbreviations iv Chapter 1 Introduction: Stories and "Talk-stories" Chapter 2 15 Singing a High-pitched Song: Struggle for a Voice through "Talk-stories" in Maxine Hong Kingston's The Woman Warrior: Memoirs of a Girlhood among Ghosts' Chapter 3 94 Mythic/Creative Rewriting of American History: Claiming America through "Talk-stories" in Kingston's China Men Chapter 4 138 Fusion and Literariness: Construction of a Chinese American (Communal) Identity with a "Talk-story" Play in Kingston's Tripnzaster Monkey: His Fake Book Chapter 5 189 "Foreign-ness" and Popularity: Mother-Daughter "Talking-stories" in Amy Tan's The Joy Luck Club, The Kitchen God's Wife, and The Bonesetter's Daughter Chapter 6 299 Conclusion: Stories that Never End Works Cited and Consulted 305 Acknowledgement First of all, I would like to express my heartfelt gratitude to Professor Michael Bell, my thesis supervisor, for his invaluable advice, insightful recommendations, constructive criticism, continual patience and support, and endless motivation throughout the completion of this thesis.
    [Show full text]
  • July 1, 2012–June 30, 2013 FY13: a LOOK BACK
    Georgia Museum of Art Annual Report July 1, 2012–June 30, 2013 FY13: A LOOK BACK One of the brightest spots of FY13 was the On October 22, the museum celebrated inaugural UGA Spotlight on the Arts, a nine-day its official reaccreditation by the American festival held November 3–11, highlighting visual, Alliance of Museums (formerly the American performing, and literary arts all over campus, Association of Museums). Although the in which the museum participated eagerly. The museum is usually closed on Mondays, it was vision of vice-provost Libby Morris, the festival open to the public for the day. AAM director was planned by the UGA Arts Council, of which Ford Bell attended the event and spoke about museum director William U. Eiland is a member, the museum, followed by an ice cream social. and its subsidiary public relations arm (at Less than 5 percent of American museums are which Michael Lachowski and Hillary Brown accredited, and the process is not a simple one. represented the museum). The festival attracted Reaccreditation is a lengthy process, involving great attendance, especially from students, and a self-study that the museum worked on for demonstrated the administration’s commitment several years and a site visit lasting several days, to making the arts an essential part of the during which AAM representatives toured the university experience. Later in the fiscal year, the facility from top to bottom, met with university Arts Council began working on a strategic plan, upper administration, and interviewed staff with brainstorming meetings held by both the members, volunteers, students, and patrons of executive and PR committees in the museum’s the museum.
    [Show full text]
  • Atelier 17 and the Art Students League November 4 – December 5, 2021
    THE ART STUDENTS LEAGUE PRESENTS Two Generations of Women Printmakers: Atelier 17 and the Art Students League November 4 – December 5, 2021 Worden Day, The Great Divide, 1969, Woodblock print, 23” x 28”. Permanent collection of The Art Students League (New York, NY): The Art Students League of New York is pleased to present Two Generations of Women Printmakers: Atelier 17 and The Art Students League on view November 4–December 5, 2021. The exhibition explores the intertwined histories of The League and the renowned avant-garde printmaking studio Atelier 17, which formed in interwar Paris in the late 1920s. Established by Stanley William Hayter (1901-1988), the studio, together with The League, produced some of the most accomplished female printmakers of the twentieth century. Featuring works by twenty-four artists, the exhibition spotlights the rich possibilities that printmaking presented to women across two generations of artists. Augmenting this exhibition, guest curator Dr. Christina Weyl will present a lecture on the exhibition Tuesday, November 9 in the Phyllis Harriman Mason Gallery at 6 PM. This live talk will bring to life the stories our exhibition tells, spotlighting the rich possibilities that printmaking presented to women across two generations of artists. Atelier 17’s founder, Stanley William Hayter, took his first printmaking lessons in 1926 from Mary Huntoon (1896-1970), who had spent several years mastering the graphic arts at The Art Students League of New York. Huntoon’s instruction carried forward the pedagogy of her own teacher, Joseph Pennell (1857-1926), who had established a rigorous program at The League whereby students executed all aspects of the printmaking process themselves and were encouraged to test new technical approaches.
    [Show full text]
  • A Finding Aid to the Greta Kempton Papers, 1942-1975, in the Archives of American Art
    A Finding Aid to the Greta Kempton Papers, 1942-1975, in the Archives of American Art Jayna M. Josefson Processing of this collection received federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women's History Initiative and the National Collections Program 2020/11/09 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Series 1: Greta Kempton Papers, 1942-1975.......................................................... 3 Greta Kempton papers AAA.kempgret Collection Overview Repository: Archives
    [Show full text]
  • Maxine Hong Kingston
    Critical Essays on MAXINE HONG KINGSTON edited by LAURA E. SKANDERA-TROMBLEY G. K. Hall & Co. An Imprint of Simon & Schuster Macmillan -. New York Prentice Hall International London Mexico City New Delhi Singapore Sydney Toronto Contents • General Editor's Note i Publisher's Note iii Introduction 1 LAURA E. SKANDERA-TROMBLEY INTERVIEW A Conversation with Maxine Hong Kingston 33 LAURA E. SKANDERA-TROMBLEY OVERVIEW Maxine Hong Kingston's Fake Books 51 DEBRA SHOSTAK REVIEWS OF THE WOMAN WARRIOR In Defiance of 2 Worlds 77 JOHN LEONARD \yGhosts 79 DIANE JOHNSON The Mysterious West [and Diane Johnson's Reply] 84 JEFFREY PAUL CHAN AND DIANE JOHNSON ^Ghosts" of Girlhood Lift Obscure Book to Peak of Acclaim 88 NAN ROBERTSON RESPONSE TO REVIEWS OF THE WOMAN WARRIOR r^ Cultural Mis-readings by American Reviewers 95 MAXINE HONG KINGSTON VII viii • CONTENTS ESSAYS ON THE WOMAN WARRIOR The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism? 107 KING-KOK CHEUNG The Subject of Memoirs: The Woman Warrior's Technology of Ideographic Selfhood 125 LEE QUINBY Autobiography as Guided Chinatown Tour? Maxine Hong Kingston's The Woman Warrior and the Chinese-American Autobiographical Controversy 146 SAU-LING CYNTHIA WONG Maxine Hong Kingston and the Dialogic Dilemma of Asian American Writers 168 AMY LING Re-presenting The Woman Warrior: An Essay of Interpretive History 182 DAVID LEIWEI LI REVIEWS OF CHINA MEN Chinese Ghost Story 207 FREDRIC WAKEMAN JR. Ghosts on a Gold Mountain 216 CLARA CLAIBORNE PARK _ China Men 223 LINDA KAUFFMAN ESSAYS ON CHINA MEN Tang Ao in America: Male Subject Positions in China Men 229 DONALD C.
    [Show full text]
  • Download Issue (PDF)
    Vol. 2 No. 2 wfimaqartr f l / l I l U X l U l I Winter 1977-78 ‘ARTISTS IN RESIDENCE': The First Five Years Five years ago, the A.I.R. feminist co-op gallery opened its doors, determined to make its own, individual mark on the art world. The first co-op organized out of the women artists' movement, it continues to set high standards of service and commitment to women's art by Corinne Robins page 4 EXORCISM, PROTEST, REBIRTH: Modes ot Feminist Expression in France Part I: French Women Artists Today by Gloria Feman Orenstein.............................................................page 8 SERAPHINE DE SENLIS With no formal art training, she embarked on a new vocation as visionary painter. Labelled mentally ill in her own time, she is finally receiving recognition in France for her awakening of 'female creativity' by Charlotte Calmis ..................................................................... p a g e 12 A.I.R.'S FIFTH ANNIVERSARY 1 ^ ^ INTERVIEW WITH JOAN SEMMEL W omanart interviews the controversial contemporary artist and author, curator of the recent "Contemporary Women: Consciousness and Content" at the Brooklyn Museum by Ellen L u b e ll.................................................................................page 14 TOWARD A NEW HUMANISM: Conversations with Women Artists Interviews with a cross-section of artists reveal their opinions on current questions and problems, and how these indicate movement toward a continuum of human values by Katherine Hoffman ................................................................... pa g e 22 GALLERY REVIEWS ..........................................................................page 30 WOMAN* ART»WORLD News items of interest ................................................................... page 42 FRENCH WOMEN ARTISTS REPORTS Lectures and panel discussions accompany "Women Artists: 1550-1950" and "Contemporary Women" at the Brooklyn Museum; Women Artists in H o lla n d ...............................................................page 43 Cover: A.I.R.
    [Show full text]
  • Inside Look Inspiration Remember
    TrumanLibrary.org TRUMAN LIBRARY INSTITUTE INSIDE LOOK INSPIRATION REMEMBER Preview highlights from Meet an ambitious young Read the hometown the Truman Library’s new historian who has grown newspaper’s inspiring Korean War collection up with the Truman memorial to the 33rd in a behind-the-scenes Library’s educational president on the anniver- glimpse. 06 programs. 08 sary of his death. 10 THE ANNUAL DONOR ISSUE WINTER 2018-19 ADVANCING PRESIDENT TRUMAN’S LIBRARY AND LEGACY TRU MAGAZINE THE ANNUAL DONOR ISSUE | WINTER 2018-19 COVER: President Harry S. Truman at the rear of the Ferdinand Magellan train car during Winston Churchill’s visit to Fulton, Missouri, in 1946. Whistle Stop “I’d rather have lasting peace in the world than be president. I wish for peace, I work for peace, and I pray for peace continually.” CONTENTS Highlights 10 12 16 Remembering the 33rd President Harry Truman and Israel Thank You, Donors A look back on Harry Truman’s hometown Dr. Kurt Graham recounts the monumental history A note of gratitude to the generous members and newspaper’s touching memorial of the president. of Truman’s recognition of Israel. donors who are carrying Truman’s legacy forward. TrumanLibraryInstitute.org TRUMAN LIBRARY INSTITUTE 1 MESSAGE FROM EXECUTIVE DIRECTOR 2018 was an auspicious year for Truman anniversaries: 100 years since Captain Truman’s service in World War I and 70 years since some of President Truman’s greatest decisions. These life-changing experiences and pivotal chapters in Truman’s story provided the Harry S. Truman Library and Museum with many meaningful opportunities to examine, contemplate and celebrate the legacy of our nation’s 33rd president.
    [Show full text]
  • President Harry Truman Liked to Refer to His Wife, Bess, As the Boss
    CSPAN/FIRST LADIES BESS TRUMAN JUNE 9, 2014 11:34 a.m. ET SUSAN SWAIN, HOST: President Harry Truman liked to refer to his wife, Bess, as the boss. Family was her number-one priority. She had little to say to the media, destroyed many of her letters, and spent a good part of her White House years home in Missouri. Bess Truman served as first lady on her own terms. Good evening, and welcome to C-SPAN's continuing series, "First Ladies: Influence and Image.” Tonight, the story of the wife of the 33rd president of the United States, Bess Truman. Here to tell us more about her are two guests. We're very pleased to welcome back to our set Bill Seale, who is a White House historian. His latest book is called "The Imperial Season," coming out on November 12th. A little plug for you there, Bill. WILLIAM SEALE, AUTHOR: Yes, thank you. SWAIN: Nicole Anslover is a history professor and the author of a biography of Harry Truman called "The Coming of the Cold War.” Thanks for being here. Nice to meet you. NICOLE ANSLOVER, PROFESSOR OF HISTORY: Thank you. SWAIN: Well, where we left off last week was the death of Franklin Roosevelt. April 12, 1945, the call comes in to Harry Truman. Where is he? Then he gets the message that he's needed. ANSLOVER: He's having a drink with his cronies, as he was often want to do. He thought a lot of politics was accomplished by relaxing and having a somewhat more cordial atmosphere.
    [Show full text]
  • Minna Citron: a Socio-Historical Study Of
    The Pennsylvania State University The Graduate School Department of Art History MINNA CITRON: A SOCIO-HISTORICAL STUDY OF AN ARTIST’S FEMINIST SOCIAL REALISM IN THE 1930S A Thesis in Art History by Jennifer L. Streb © 2004 Jennifer L. Streb Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2004 The thesis of Jennifer L Streb was reviewed and approved* by the following: Sarah K. Rich Assistant Professor of Art History Thesis Advisor Chair of Committee Craig Zabel Associate Professor of Art History Head of the Department of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor, Department of Art History Nan E. Woodruff Professor of History * Signatures are on file in the Graduate School ABSTRACT Minna Citron (1896-1991) was a lifelong self-proclaimed feminist, a divorced mother and an artist who believed in individual expression. One of her main artistic interests, particularly early in her career, was the way feminist concerns related to her dual roles as wife/mother and professional artist. She struggled to make a name for herself in the male-dominated art world between the 1930s and 1950s, beginning during a decade in which social roles for women increasingly tended towards domesticity. By the late 1960s, however, Citron’s interest in feminism was renewed by a new generation of women. The course upon which she set herself, in many ways, was uncharted and her concern with women’s issues and the challenges faced by women perhaps resonate more clearly with us today than while she was alive.
    [Show full text]
  • Helen Jones Carter, a Former Sculptor and Wife of the Composer Elliott
    Pierre Restany, 72, an influential French art critic perhaps best known for championing artists such as Uves Klein, Christo, Aman and Jean Tinguely, died of heart failure on Helen Jones Carter, a former sculptor and wife of the 29 May in Paris. He coined the term "Nouveau Realisme" composer Elliott Carter, died in May at the age of 95. She in 1960 to describe a group of artists with a postmodern was trained as an artist at the Art Students League in New bent. Though often compared to Pop Art, Noweau York, studying primarily with the sculptor Alexander Realisrne did not celebrate artists who turned soup cans into Archipenko. During the 1930s's, she worked as one of the art objects, but instead "reveled in rubbish, torn posters, directors of the WAart program in New York. Her portrait abandoned meals." He was founder of the Domus Academy head of Marcel Duchamp is in the collection of the in Milan, a post-graduate research institute for fashion and Wadsworth Athenaeum in rd. design and beginning in 1985, he edited the Mlan-based magazine D'Ars. He frequently organized large Fernmd Fonssagrives, a photographer known for his international exhibitions, such as the Olympic Sculpture elegant pictures of his first wife, the noted model Lisa Park in Seoul in the late 1980s and the 1999 Venice Fonssagrives, and his later pictures of emale nudes wiht Biennale, as well as shows in Shanghai and Havana (2000) patterns of light on their skin, died in April at the age of 93. and in Istanbul (200 1).
    [Show full text]